W polonezach Chopin podejmuje tradycj gatunku wie o obdarzonego funkcj ta ca narodowego. Trzy polonezy dzieci ce stanowi replik wzoru ta ca u ytkowego natomiast ka dy z pó niejszych utworów tego gatunku posiada odr bny charakter: liryczny dramatyczny czy heroiczny. W interpretacjach czone by y z tematyk walki o wolno z tradycj rycersk i powsta cz i nieraz spe nia y symboliczne funkcje w polskiej historii.Wydanie ród owo-krytyczne zredagowane przez Jana Ekiera i Paw a Kami skiego na podstawie r kopisów kopii zatwierdzonych przez samego Chopina i pierwszych wyda . Jego celem jest przedstawienie twórczo ci Chopina w autentycznymkszta cie.

Julens Musik - Fantasier Og Sange - for Piano solo Et Barn er født i Bethlehem. Fantasi af Walther SchrøderJeg er saa glad hver Julekveld. Fatntasl af L. Birkedal-BarfodJulen har bragt velsignet Bud. Fantasi af Walther Schrøder Det kimer nu til Julefest. Fantasi af Wallher SchrøderJulen har Englelyd. Fantasl af L. Birkedal-BarfodDer er noget I Luften. Fantasi af Emil Juel-FrederiksenHøjt fraTræets grønne Top. Fantasi af Emil Juel-FrederiksenJulestemning med Tekst.Kimer I Klokker. Fantasi af Emil Juel-FrederiksenVær velkommen Herrens År med Tekst. A. P. BerggreenDejlig er Jorden. FantasiDejlig er den Himmel blaa. Fantasi af Felix SmithJuleklokkerne. Niels W. Gade Op. 36Glade Jul. Fantasi af Walther SchrøderSang af 'Nøddebo Præstegaard' med Tekst. J. P. E. hartmannJulebudet med Tekst. J. P. E. hartmannSanctissema. Fantasi af Felix SmilhI denne søde Juletid. C. BalleJulesalme med Tekst. Niels W. Gade Op.36

Komponowane przez Chopina nieprzerwanie od 1825 do 1849 roku wyszed szy od gatunku na wpó u ytkowego przeznaczonego do ta ca sta y si form liryki refleksyjnej wypowiedzi najbardziej osobistej. Stanowi wyraz t sknoty Chopina za krajem rodzinnym. Charakteryzuj si ograniczeniem rodków fakturalnych miniaturowo ci i przejrzysto ci formy kondensacj rodków harmonicznych prostot ale i sublimacj wyrazu.Wydanie ród owo-krytyczne zredagowane przez Jana Ekiera i Paw a Kami skiego na podstawie r kopisów kopii zatwierdzonych przez samego Chopina i pierwszych wyda . Jego celem jest przedstawienie twórczo ci Chopina w autentycznym kszta cie.

Series A. Works published during Chopin`s lifetime. Volume XI.-Osi ga y szczyty popularno ci przez wielu uwa ane za arcydzie a cho zdaniem sceptyków ci y y niebezpiecznie ku salonowo ci. Zaliczane by y wraz z nokturnami i impromptu do „kobiecego” nurtu twórczo ci Chopina. W opisach ich charakteru pojawiaj si : lotno eteryczno wzmo enie ruchu arystokratyczno erotyzm. Dziel si na dwa nurty: towarzyski oraz koncertowy.Wydanie ród owo-krytyczne zredagowane przez Jana Ekiera i Paw a Kami skiego na podstawie r kopisów kopii zatwierdzonych przez samego Chopina i pierwszych wyda . Jego celem jest przedstawienie twórczo ci Chopina w autentycznym kszta cie.

Par KATSKI ANTONI. Souvenir de Cracovie, published circa 1870 with the subtitle Improvisation sur les krakowiak nationaux (an improvisation on the themes of national Krakowiaks), dedicated to Countess Franciszka Komorowska (Madame la Comtesse Françoise de Komorowska) is a very pretty composition which upgrades the folklore to the level of salon music. After several bars of mysterious introduction with little clues of further themes on which the composer would ?improvise? in the piece, there is a direct citation of the melody from a popular song Krakowiaczek jeden (?A Cracovienne had seven horses, he went to war and returned with one?). However, it is not the end of ?playing with Krakowiak? by Katski. In the work we can also find references to another popular song from Kraków Albosmy to jacy tacy (?We are nothing but boys from Kraków, a red hat, a little horseshoe, a red sukmana?). Both Krakowiaks are arranged in an interesting and challenging way. Souvenir de Cracovie, despite its cheerful character, keeps the listener interested until the culmination, in which both melodies are played simultaneously. The entire work ends with a comparatively calm epilogue, which presents the most important motifs of the composition once again. Katski?s composition is an extremely interesting work in Kraków piano literature. Anna Miernik translated by Jolanta Bujas-Poniatowska / Date parution : 2022-11-08/ Répertoire / Piano

This anthology contains 25 original works by composers of the Classical period. Including pieces by Haydn Cimarosa Beethoven and Czerny amongst others it offers a wide stylistic range of works and is accompanied by a CD of all pieces performed beautifully by Nils Franke. The collection is ideal for those looking to broaden their playing and teaching repertoire and as such may be used in addition to any graded curriculum for pianists of grade 3-4 standard.Content - G.C. Wagenseil: Allegro from Divertimento No.2 WWV43 - D. Cimarosa: Sonata in G major - J. Hook: Rondo from Sonatina Op.12 No.9 - C. Ditters von Dittersdorf: English dance No.15 - J.B. Cramer: Guaracha from Pianoforte Method - S. Wesley: Vivace from Sonatina Op.12 No.8 - J.N. Hummel: Allegro from Pianoforte Method - F. Schubert: Landler D378 No.3 - Ludwig van Beethoven: Landlerischer Tanz WoO 11 No.2 - J.B. Cramer: Praeludium and Andantino from Pianoforte Method - J.W. Hassler: Allegro assai Op. 38 No.20 - J.W. Hassler: Presto Op.38 No.29 - C. Czerny: Andante Op.453 No.32 - J. Haydn: Scherzo from Sonata Hob. XVI:9 - J.C.F. Bach: Solfeggio from Musikalische Nebenstunden - W.A. Mozart: Tempo di Minuetto KV236 - M. Clementi: Arietta from Pianoforte Method - F. Ries: Polonaise Op.124 No.3 - C. Czerny: Andantino Op. 453 No.41 - J.N. Hummel: Romanze Op.52 No.4 - J.N. Hummel: Gigue from Pianoforte Method - Carl Maria von Weber: Favoritwaltzer J. 143-8 No.4 - Carl Maria von Weber: Favoritwaltzer J. 143-8 No.2 - J. Haydn: Adagio Hob. XVII:9 - Ludwig van Beethoven: Klavierstuck Lustig Traurig WoO 54

Zapocz tkowa y nowy gatunek muzyki fortepianowej w muzyce instrumentalnej nie s znane ballady wcze niejsze. Szeroko zakre lone frazy narracja muzyczna przyspieszana zwalniana kulminuj ca w wielkich klimaksach czy przechodz ca w patetyczne kody te cechy nadaj balladom Chopina szczególny epicki ton.Utwory zosta y opracowane przez I. J. Paderewskiego L. Bronarskiego i J. Turczy skiego.

25 Original Works This anthology contains 25 original works by composers of the Classical period. Including pieces by Haydn, Cimarosa, Beethoven and Czerny, amongst others, it offers a wide stylistic range of works, and is accompanied by a CD of all pieces performed beautifully by Nils Franke. The collection is ideal for those looking to broaden their playing and teaching repertoire and as such may be used in addition to any graded curriculum for pianists of grade 3-4 standard. Content - G.C. Wagenseil: Allegro, from Divertimento No.2 WWV43 - D. Cimarosa: Sonata in G major - J. Hook: Rondo, from Sonatina Op.12 No.9 - C. Ditters von Dittersdorf: English dance No. 15 - J.B. Cramer: Guaracha, from Pianoforte Method - S. Wesley: Vivace, from Sonatina Op.12 No.8 - J.N. Hummel: Allegro, from Pianoforte Method - F. Schubert: Landler D378 No.3 - Ludwig van Beethoven: Landlerischer Tanz WoO 11 No.2 - J.B. Cramer: Praeludium and Andantino, from Pianoforte Method - J.W. Hassler: Allegro assai Op. 38 No.20 - J.W. Hassler: Presto Op.38 No.29 - C. Czerny: Andante Op.453 No.32 - J. Haydn: Scherzo from Sonata Hob. XVI:9 - J.C.F. Bach: Solfeggio, from Musikalische Nebenstunden - W.A. Mozart: Tempo di Minuetto KV236 - M. Clementi: Arietta, from Pianoforte Method - F. Ries: Polonaise Op.124 No.3 - C. Czerny: Andantino Op. 453 No.41 - J.N. Hummel: Romanze Op.52 No.4 - J.N. Hummel: Gigue, from Pianoforte Method - Carl Maria von Weber: Favoritwaltzer J. 143-8 No.4 - Carl Maria von Weber: Favoritwaltzer J. 143-8 No.2 - J. Haydn: Adagio Hob., XVII:9 - Ludwig van Beethoven: Klavierstuck, Lustig Traurig WoO 54

Piano Solo-Animals In Concert - Three pieces for Piano solo by Per Nørgård.Programme Note 1. A Tortoise´s Tango (1984) - dur.: 4´  2. Light of a Night - Paul meets bird (1989) - dur.: 6´  3. Hermit Crab Tango - Esperanza (1997) - dur.: 5´  The pieces can be performed together or one by one. In the1980s quite a few 'finds' turned up in Per Nørgård's music. The material could be say a number of song birds' equilibrist melodic lines the overtones of the ocean surf or waltzing themes by theschizophrenic artist Adolf Wölfli (1864-1930). Or again as heard here it can be the rhythms and motifs of the tango and a Beatles song (with bird) explored in three independent piano pieces that form the Animals in Concert suite about which the composer writes:  'A Tortoise´s Tango': The tortoise as tango dancer must presumably possess certain rhythmic peculiarities which I have chosen to express by letting the tune of the tortoise shuffle broadly tripartite through the strict four partite time of tango.  Tortoise Tango was the original title of this piece 'written for Achilles' (the pianist Yvar Mikhashoff) for his so called tango project' including new tangos for piano by composers from all over the world.  'Light of a Night (Paul meets bird)' was commissioned by pianist Aki Takahashi. It is a 'reworked' arrangement for piano of the Beatles song 'Blackbird'. As some of us will recall the Beatles on 'The White Album' let the beautiful song to the blackbird be accompanied by an (apparently) live blackbird song. It is this authentic bird-motif world that in 'Light of a Night' weaves itself into the Beatles melody and in turn is gradually infected by it so that a completely new third entity ensues: a kind of Bird-rock ballad (or maybe it is a Beatle-bird?).

Voyage à travers les Classiques est une collection de quatre recueils de morceaux extraits du répertoire pianistique. Le degré de difficulté s'intensifie peu peu, guidant les élèves travers les classiques les plus faciles jusquaux oeuvresmagistrales de niveau élémentaire. Présentés en ordre progressif, les morceaux incluent une variété de classiques bien connus qui forment les bases essentielles tout pianiste débutant. Ce répertoire authentique est idéal pour les auditions etrécitals, et chaque volume comprend un tableau de bord très utile indiquant, pour chacune des pièces, la tonalité, le compositeur, la période stylistique et les éléments présentant une certaine difficulté. Cette collection de recueils accompagneraparfaitement toute méthode de piano.
SOMMAIRE : Air de trompette (W. Duncombe); Bagatelle (Diabelli); Burlesque (L. Mozart); Chanson populaire russe (Beethoven); Ciel clair (Gurlitt); Cloches déglise (Camidge); Cloches lointaines (Streabbog); Danse écossaise (Kuhlau); Évasion nocturne(Gurlitt); Gigue (Arnold); Mélodie (Air Arabe) (Le Couppey); Menuet en Fa Majeur (L. Mozart); Menuet en Fa Majeur (W. A. Mozart); Menuet en Sol Majeur (Petzold); Menuet en Sol Majeur (Telemann); Menuet en Sol Majeur (Bach); Musette (Le Couppey);Petite Sonate (Wilton); Prière du Matin (Gurlitt) ; Sarabande (Pachalbel); Sonatine en Do Majeur (Duncombe); Tarantelle (Lynes); Triste coeur (Fuchs); Valse (Vogel). / Partitions classique / Piano - instruments à clavier / Piano / HAL LEONARD

Voyage à travers les Classiques est une collection de quatre recueils de morceaux extraits du répertoire pianistique. Le degré de difficulté sintensifie peu à peu, guidant les élèves à travers les classiques les plus faciles jusquaux oeuvres magistrales de niveau élémentaire. Présentés en ordre progressif, les morceaux incluent une variété de classiques bien connus qui forment les bases essentielles à tout pianiste débutant. Ce répertoire authentique est idéal pour les auditions et récitals, et chaque volume comprend un tableau de bord très utile indiquant, pour chacune des pièces, la tonalité, le compositeur, la période stylistique et les éléments présentant une certaine difficulté. Cette collection de recueils accompagnera parfaitement toute méthode de piano.SOMMAIRE : Air de trompette (W. Duncombe)- Bagatelle (Diabelli)- Burlesque (L. Mozart)- Chanson populaire russe (Beethoven)- Ciel clair (Gurlitt)- Cloches déglise (Camidge)- Cloches lointaines (Streabbog)- Danse écossaise (Kuhlau)- Evasion nocturne (Gurlitt)- Gigue (Arnold)- Mélodie (Air Arabe) (Le Couppey)- Menuet en Fa Majeur (L. Mozart)- Menuet en Fa Majeur (W. A. Mozart)- Menuet en Sol Majeur (Petzold)- Menuet en Sol Majeur (Telemann)- Menuet en Sol Majeur (Bach)- Musette (Le Couppey)- Petite Sonate (Wilton)- Prière du Matin (Gurlitt) - Sarabande (Pachalbel)- Sonatine en Do Majeur (Duncombe)- Tarantelle (Lynes)- Triste coeur (Fuchs)- Valse (Vogel). / Piano

The New International Edition of Suzuki Piano School Volume 4 includes French German and Spanish translations as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed to include a new piece Tcherepnin's 'Bagatelle.' Mozart's 'Minuet III' and 'Minuet VIII ' from 8 Minuets have been removed and Bürgmuller's 'Arabesque' and 'By the Limpid Stream' have been moved here from Book 5. Titles: Rondo from Divertimento in D Major K. 334 (W. A. Mozart) * Minuet I from 8 Minuets K. 315g (W. A. Mozart) * Arabesque from 25 ProgressivePieces Op. 100 No. 2 (Burgmüller) * By the Limpid Stream from 25 Progressive Pieces Op. 100 No. 7 (Burgmüller) * Musette in D Major from J. S. Bach s Notebook for Anna Magdalena Bach (Anonymous) * Sonata in G Major Op. 49 No. 2 (Allegro ma non troppo; Tempo di minuetto) (Beethoven) * Bagatelle Op. 5 No. 9 (Tcherepnin) * Gavotte from Suite in G Minor (J. S. Bach) * Minuets I and II from Partita in B-flat Major (J. S. Bach) * Gigue from Partita in B-flat Major (J. S. Bach).

Partition pour piano Collection : Les plaisirs… Mendels A. Nombre de pages : 32 Niveau : 1 Pièces choisies et doigtées par Arlette Mendels-Voltchikis. Contenu : WILLY P.: Les cloches enchantées... - KABALEVSKI D.: Marche - GABUS M.: Le petit cheval - WHITEHEAD P.: Kitty O'reel - MAURICE P.: Tambour et trompettes - BARTOK B.: A la Yougoslave - COULPIED-SEVESTRE G.: Sur les canaux de Venise - BARLOW F.: Petite valse-confidence... - GABUS M.: Jour de soleil (4 mains) - DUBOIS P.M.: Bourrée - TROJELLI A.: Gentil sourire - GURLITT C.: Les chasseurs - SCHUMANN R.: Petite pièce - BERENS H.: La boîte à musique - NOEL-GALLON: Joyeuse ritournelle - BEETHOVEN L.: Danse villageoise - BARTOK B.: Pour les enfants n°15... - MELARTIN E.: Chanson - GRETCHANINOV A.: Sur la prairie verte - PHILIPP I.: Berceuse - MOZART W.A.: Allegro KV3 - BACH J.S.: Menuet en Sol Majeur - WEBER C.M. - L'invitation à la valse - SCHUBERT F.: La truite (4 mains) - CHOSTAKOVITCH D.: Marche - MOZART W.A.: Menuet KV2 - MARTIN G.: Blues n°1

Treasury of piano music by great Norwegian composer, including the perennial favorites, Peer Gynt Suites Nos. 1 and 2 and the Holberg Suite, as well as a rich selection of other pieces: Vier Stucke, Op. 1, Humoresker, Op. 6, Sonata in E Minor, Op. 7, and many others. Content : Four Pieces [Vier Stücke], Op. 1 (dedicated to E. F. Wenzel) I. Allegro con leggerezza II. Non Allegro e molto espressivo III. Mazurka IV. Allegretto con moto Poetic Tone-Pictures [Poetiske tonebilleder], Op. 3 (dedicated to Benjamin Feddersen) I. Allegro, ma non troppo II. Allegro cantabile III. Con moto IV. Andante con sentimento V. Allegro moderato VI Allegro scherzando Humoresques [Humoresker], Op. 6 (dedicated to Rikard Nordraak) I. Tempo di Valse II. Tempo di Menuetto ed energico III. Allegretto con grazia IV. Allegro alla burla Sonata in E Minor, Op. 7 (dedicated to Niels W. Gade) Allegro moderato Andante molto Alla Menuetto, ma pocco più lento Finale Concerto in A Minor, Op. 16, Arranged for Solo Piano (dedicated to Edmund Neupert) Allegro molto moderato Adagio Allegro moderato e molto marcato Four Album Leaves [Fire albumblade], Op. 28 (dedicated to Minna Petersen) I. Allegro con moto II. Allegretto espressivo III. Vivace IV. Andantino serioso Two Elegiac Melodies [Zwei elegische Melodien], Op. 34 (dedicated to Heinrich von Herzogenberg; arrangement of a work for string orchestra based on the songs Op. 33, nos. 3 and 2) I. Heart's Wounds [Herzwunden] II. Last Spring [Letzter Frühling] From Holberg's Time [Fra Holbergs tid; Holberg Suite], Op. 40 (dedicated to Erika Lie-Nissen) I. Praeludium II. Sarabande III. Gavotte IV. Air V. Rigaudon Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (I), Op. 41 I. Lullaby [Wiegenlied] II. Little Haakon [Klein Haakon] III. I Love Thee [Ich liebe dich] IV. She Is So White [Wenn einst sie lag an meiner Brust/Sie ist so weiss] V. The Princess [Die Prinzessin] VI. To Springtime [An den Lenz] Peer Gynt Suite No. 1, Op. 46 (arrangement of orchestral work) I. Morning Mood [Morgenstimmung] II. Åse's Death [Åses Tod] III. Anitra's Dance [Anitras Tanz] IV. In the Hall of the Mountain King [In der Halle des Bergkönigs] Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (II), Op. 52 I. A Mother's Grief [Mutterschmerz] II. The First Meeting [Erstes Begegnen] III. The Poet's Heart [Des Dichters Herz] IV. Solvejg's Song [Solvejgs Lied] V. Love [Liebe] VI. The Old Mother [Die alte Mutter] Two Melodies [Zwei Melodien], Op. 53 (dedicated to Franz Neruda; arrangement of a work for string orchestra based on the songs Op. 33, no. 12, and Op. 21, no I. Norwegian [Norwegisch] II. The First Meeting [Erstes Begegnen] Peer Gynt Suite No.2, Op 55 (arrangement of orchestral work) I. Ingrid's Lament [Ingrids Klage] II. Arabian Dance [Arabischer Tanz] III. Peer Gynt's Return Home [Peer Gynts Heimkehr] IV. Solvejg's Song [Solvejgs Lied] Moods [Stimmungen], Op. 73 I. Resignation II. Scherzo-Impromptu III. Night Ride [Natligtridt] IV. Folksong [Folketone] V. Study [Studie] (Hommage à Chopin) VI. Students' Serenade [Studenternes serenade] VII. The Mountaineer's Song [Lual?t] Nordraak's Funeral March [Sörgemarsch over Rikard Nordraak], WoOp. Three Piano Pieces [Drei Klavierstückel], WoOp. I. White Clouds [Hvide skyer] II. Gnomes' Tune [Tusselsl?t] III. The Dance Goes On [Dansen går]

Tom 29 B V zawiera utwory o bardzo zró nicowanym stopniu trudno ci: od najprostszych miniatur nale cych do repertuaru pedagogicznego po pere ki liryki fortepianowej w ród których nie brak arcydzie ch tnie grywanych przez najwybitniejszych pianistów.