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John
MARCHING BAND
Soli, Mixted choir and accompaniment
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John Frandsen Simon Grotrian: Requiem: SATB
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Wilhelm Hansen
Organ reduction with Percussion for Requiem by John Frandsen. Scored for Soloi...
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Organ reduction with Percussion for Requiem by John Frandsen. Scored for Soloists (SATB) Chorus (SATB) Girl's Chorus (SSAA) and Orchestra (2010). Latin Texts and texts by Simon Grotrian. 'In memory of the victims from the Utøya massacre 22 July 2011' Commissioned by The Danish National Symphony Orchestra / DR The texts by Simon Grotrian are sung by a Rock Singer accompanied by Organ. Parts are available on hire: hire@ewh.dk Score: WH31253
141.99 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Johannes-Passion (St. John Passion) BWV 245: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
The St. John Passion was first performed in Leipzig on Good Friday of 1724. Writ...
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The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion it was a work Bach revised during the rest of his life in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724 1725 around 1730 and during the last years of Bach's life. They often contain two or more readings for the same passage or even different movements that on different occasions occupied the same place in the work.Barenreiter's edition uses the final version IV as its basis with alternativemovements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information.- Full score performance material (BA5037) vocal score (BA5037-90) and study score (TP197) available for sale.
120.00 GBP - Sold by Musicroom UK
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El Niño
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Boosey and Hawkes
Publié pour la première fois le piano complet / partition vocale de John Adams...
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Publié pour la première fois le piano complet / partition vocale de John Adams largement acclamé nativité oratorio El Niño. Cette importante contemporaine à grande échelle du travail dispose d'un livret basé sur des sources originales organisées par Peter Sellars et John Adams, mettant en vedette latine ajustement poésie américaine avec des versets de la Bible King James, entre autres textes évangéliques. Salué comme un 'chef-d'oeuvre' par le Philadelphia Inquirer, un enregistrement commercial est disponible sur Nonesuch Records (79634-2). / Choeur, Choeur D'Enfants, Et Orchestre
87.09 EUR - Sold by LMI-partitions
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John Rutter: Magnificat - Chamber Version: SATB: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Oxford University Press
John Rutter's Magnificat is a joyous celebration of the Virgin Mary inspired by...
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John Rutter's Magnificat is a joyous celebration of the Virgin Mary inspired by feast-day festivities in countries such as Spain Mexico and Puerto Rico. Following the example set by Bach the Magnificat text is extended incorporating the fifteenth-century English poem 'Of a Rose' the prayers 'Sancta Maria' and the 'Sanctus' (set to the Gregorian chant of the Missa cum jubilo). The full scores for orchestra or chamber ensemble are now available on sale for the first time in handsome cloth-bound editions and the newly set orchestral parts are available on hire.
146.95 GBP - Sold by Musicroom UK
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John Rutter: Magnificat - Orchestral Version: Soprano & SATB: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Oxford University Press
Full Score-John Rutter's Magnificat is a joyous celebration of the Virgin Mary ...
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Full Score-John Rutter's Magnificat is a joyous celebration of the Virgin Mary inspired by feast-day festivities in countries such as Spain Mexico and Puerto Rico. Following the example set by Bach the Magnificat text is extended incorporating the fifteenth-century English poem 'Of a Rose' the prayers 'Sancta Maria' and the 'Sanctus' (set to the Gregorian chant of the Missa cum jubilo). The full scores for orchestra or chamber ensemble are now available on sale for the first time in handsome cloth-bound editions and the newly set orchestral parts are available on hire.
146.95 GBP - Sold by Musicroom UK
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Magnificat (TROTTA MICHAEL JOHN)
Soli, Mixted choir and accompaniment
Walton Music
Luke 1:46-55. Par TROTTA MICHAEL JOHN. This seven-movement, 40-minute work for c...
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Luke 1:46-55. Par TROTTA MICHAEL JOHN. This seven-movement, 40-minute work for choir, soprano and bass soli, and orchestra delivers a tapestry of melodic richness to powerfully portray the anticipation of the wonder and mystery of the birth of a savior. The piano/vocal score may be performed in Latin or English based on the needs of the ensemble and performance. Movements are: Magnificat anima mea Dominum (SATB and orchestra); Quia fecit (soprano solo and orchestra); Ave rosa sine spinis (SATB, unaccompanied); Fecit Potentiam (SATB and orchestra); Ecce ancilla (SATB, unaccompanied);Esurientes (baritone solo and orchestra); Sicut locutus est (SATB and orchestra). Available with Chamber Orchestra (5-13 players) or Full Orchestra accopaniments. / Date parution : 2021-11-03/ Répertoire / Ch?ur Mixte SATB, Solistes Soprano et Basse
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John Rutter: Skylark: Double Choir: Part
Soli, Mixted choir and accompaniment
Oxford University Press
John Rutter's timeless arrangement of Skylark a standard of the golden age of A...
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John Rutter's timeless arrangement of Skylark a standard of the golden age of American song is rich mellow and mellifluous. Soaring lines for flute depict the eponymous songbird and the classic Hoagy Carmichael tune is shared between solo voice and choir the latter also often providing the cushion of evocative harmonies synonymous with the spiritual.
3.75 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Symphony no. 9 in D minor op. 125: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
With final chorus An die Freude (Ode to Joy)-With final chorus 'An die Freude' (...
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With final chorus An die Freude (Ode to Joy)-With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.Full score & performance material (BA9009) study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available for sale
99.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Weihnachts-Oratorium BWV 248: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Bach’s Christmas Oratorio composed in 1734 narrates the story of the bi...
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Bach’s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of the Gospel to gradually unfold.- Fullscore and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.
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Ludwig van Beethoven: Symphony no. 9 in D minor op. 125: Orchestra: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Critical Reports]
Barenreiter
Critical Commentary-With final chorus 'An die Freude' (Ode to Joy)Between 1996 a...
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Critical Commentary-With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.Full score & performance material (BA9009) study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available for saleDetailed Critical Commentary (English) documents all the sources and findings made by the editor.
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Georg Friedrich Händel: Alexander's Feast K.591: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Cantata in two parts-In 1736 Handel composed ?Alexander?s Feast? or ?The Power o...
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Cantata in two parts-In 1736 Handel composed ?Alexander?s Feast? or ?The Power of Musick? a two-part cantata based on John Dryden?s poem of the same name.In 1790 at the suggestion of Baron Gottfried van Swieten Mozart arranged this work using a German translation of the poem made by Karl Wilhelm Ramler in 1770. As in other arrangements of Handelian works Mozart?s re-instrumentation leads to a change in the sound character of the work placing the composition in the tradition of the Viennese Classic.Urtext of the New Mozart EditionFull score (BA4527-01) vocal score (BA4527-90) available for salePerformance material available for hire (BA4527-72)
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Franz Joseph Haydn: The Creation: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
The oratorio The Creation represents not only a crucial point in Joseph Haydn's ...
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The oratorio The Creation represents not only a crucial point in Joseph Haydn's compositional output but at the same time marks the beginning of a new chapter in the history of the oratorio.At the turn of the 19th century Haydn broke with the traditional dominance of the arias giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life.The text translated from the English original by Baron van Swieten Prefect of the imperial court library in Vienna combines prose texts of the creation story inLuther's translation of the Bible with complementary excerpts from John Milton's Paradise Lost.- New edition based on the Urtext from the Complete Edition of “Joseph Haydn’s Works” published by G. Henle Verlag.- Vocal score with a contemporary Piano reduction by A. E. Müller revised by A. Köhs.- Excellent presentation on the page.
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Georg Friedrich Händel: Alexander's Feast Or The Power Of Musick HWV 75: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Ode for St. Cecilia's Day-Alexander's Feast or The Power of Musick HWV 75Ode for...
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Ode for St. Cecilia's Day-Alexander's Feast or The Power of Musick HWV 75Ode for St. Cecilia's DayIn 1736 Handel composed ?Alexander?s Feast? or ?The Power of Musick? a two-part cantata based on John Dryden?s poem of the same name.Now in a revised edition. For the new edition of Handel?s ?Alexander?s Feast? the dynamic markings have been thoroughly revised. The three movements which Handel had added are published for the first time in the Vocal score. The readability of the edition has been much improved and the writing of the Piano part has become more idiomatic.- Clear straightforward Piano reduction in the Vocal score- Urtext of the Halle Handel Edition- Full score (BA4001) & Vocal score (BA400192) available for sale- Performance material available for hire
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Ps...
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Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
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Georg Friedrich Händel: Alexander's Feast K.591: Vocal: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
In 1736 Handel composed ?Alexander?s Feast? or ?The Power of Musick? a two-part...
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In 1736 Handel composed ?Alexander?s Feast? or ?The Power of Musick? a two-part cantata based on John Dryden?s poem of the same name.In 1790 at the suggestion of Baron Gottfried van Swieten Mozart arranged this work using a German translation of the poem made by Karl Wilhelm Ramler in 1770. As in other arrangements of Handelian works Mozart?s re-instrumentation leads to a change in the sound character of the work placing the composition in the tradition of the Viennese Classic.Urtext of the New Mozart EditionFull score (BA4527-01) vocal score (BA4527-90) available for salePerformance material available for hire (BA4527-72)
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Felix Mendelssohn Bartholdy: Der 42. Psalm - Wie der Hirsch schreit op. 42:
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Bilingual foreword (Ger/Eng).Original German as well as English text.Includes a ...
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Bilingual foreword (Ger/Eng).Original German as well as English text.Includes a Piano reduction by the composer.The setting of Psalm No.42 Op.42 Wie der Hirsch schreit nach frischem Wasser (As the hart pants after the waterbrooks) for Soloists mixed Choir and full Orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The Piano reduction is by Mendelssohn and is anauthentic part of this edition.
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Gioachino Rossini: Il Viaggio a Reims ossia l'albergo del Giglio D'or: Opera:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Ricordi
Volume 35 - Sez. Prima - Partitura In 2 Vol. E Commento Critico / Ed. Critica J....
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Volume 35 - Sez. Prima - Partitura In 2 Vol. E Commento Critico / Ed. Critica J. L. Johnson
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The Dream Of Gerontius (ELGAR EDWARD)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Score]
Carus Verlag
Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the f...
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Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar?s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at him briefly, then faces the purgatorial fire of salvation confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the Angel, and the three impressive solo parts. All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally. / Date parution : 2022-05-31/ Répertoire / Solistes, Ch?ur SATB et Orchestre
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Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A...
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Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
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Johann Sebastian Bach: Johannespassion: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Fassung IV-with the unfinished revision [1739] an an appendix. The St. John Pass...
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Fassung IV-with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach?s Leipzig years. In contrast to his other large-scale choral works however Bach never gave this work a definitive final form. Rather for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach?s direction in 1749. At the same time with the aid of the appendix it is possibleto perform the work in the traditional ?mixed version.?
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Arthur Bliss: Pastoral: Mezzo-Soprano & SATB: Vocal Score
Soli, Mixted choir and accompaniment
[Sheet music]
Novello & Co Ltd.
This work known as Lie Strewn the White Flocks is written for mezzo-soprano sol...
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This work known as Lie Strewn the White Flocks is written for mezzo-soprano solo SATB chorus solo flute string orchestra and drums and uses poems selected from the works of Ben Jonson John Fletcher Poliziano Theocritus and Robert Nichols.Vocal score with piano accompaniment.
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