SKU: CY.CC2580

Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition.

St. Stephen's Cathedral, also known as Stephansdom, is one of Vienna's most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna's skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them

I. Groundbreaking
The first movement depicts the troubles that St. Stephen's Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen's was first constructed in 1137, during the Romanesque era. However, the church faced many issues—from being destroyed by the Babenberg Empire to being decimated by a fire—before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord.


II. Steffl
Steffl, the nickname for Stephansdom's soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom's north tower is the tallest structure in Vienna, and distinctly stands out within Vienna's skyline.


III. 1945
As World War II was coming to a close in 1945, Stephansdom's roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom's great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945.


IV. Anton Pilgrim
Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen's Cathedral in the Gothic style. One of his most famous projects was the St. Stephen's organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese's love for Anton Pilgrim, as well as Stephansdom, one of Vienna's most iconic sights.

This work of 12 minutes in length is appropriate for advanced performers.

SKU: CY.CC3143

ISBN 9790530111116. 8.5 x 11 in inches.

Here is a description of this beautiful work by the composer: Reflection and Celebration for 8-part Trombone Ensemble is a musical homage to a man who was revered for his mentorship, musical intellect and delightful humor. The work opens with a somber melodic solo, capturing the noble spirit of this great mentor. Several repetitive 5-note ascending motives follow which is a symbolic reference to students learning and accomplishing under Conklin's mentorship. The bold fanfare style (in measure 32) is presented to capture the presence and tall stature of Conklin. Finally, Conklin's down-to-earth personality and his infectious humor is referenced (in measure 83). Even the fanfare theme returns in a faster tempo, thus highlighting the frivolity, lightheartedness, and wisdom of this adored music teacher. The music is about 6 1/2 minutes in length and is appropriate for moderately advanced performers.

SKU: CY.CC3167

ISBN 9790530111376. 8.5 x 11 in inches.

Motet Komm, Jesu, komm, BWV 229, for double choir, was most likely composed for a funeral written in Leipzig and first performed in 1731-32. It's biblical text was written as a poem by Paul Thymich. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is in two movements and about 7 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.

SKU: CY.CC3005

ISBN 9790530058251.

Verdi wrote his Requiem in 1874. It has been called one of the greatest operas ever because of its passion and lyricism. The exciting Sanctus movement is also an 8-part double fugue based on the inversion of the melody from Libera Me.
Randall Malmstrom has done a wonderful job with his arrangement of this great piece for 8-part Trombone ensemble. The 2 1/2 minute movement is appropriate for advanced performers.

SKU: CY.CC2939

ISBN 9790530057599.

The final opera of Wagner's immense work of genius, his Ring Cycle is Götterdämmerung. The Immolation Scene occurs in the final part of Act 3, where Brunnhilde lights a pyre and the ensuing flames bring down the Hall of the Gods, consuming all within it as the curtain falls.
Randy Malmstrom is never shy about attempting big arrangements and he has once again done a superb job.
For 8-part Trombone Ensemble (octet) of advanced performers and about 3 minutes in length.

SKU: CY.CC3172

ISBN 9790530111420. 8.5 x 11 in inches.

Motet Lobet den Herrn, BWV 230, for four part chorus has no known date of composition and was first published in 1821. It has a different character from the previous motets in that it was not written for a funeral and has no chorale melody, but rather a joyous Hallelujah. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is is inspired from text drawn from Psalm 117 and is about 6 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.

SKU: SU.50001520

A continuous set of variations on the chorale melody Herzliebster Jesu, was hast do verbrochen (Ah Holy Jesus, how has Thou offended?). Commissioned by the University of Georgia Trombone Choir, Dr. Phillip Jameson, Director; dedicated to the memory of Mark A. Lea. Published by: Seesaw Music.

SKU: CY.CC3156

ISBN 9790530111239. 8.5 x 11 in inches.

Bach's Motet Singet dem Herrn ein neues Lied (Sing unto the Lord a new song) BWV 225 was first performed in 1727 and the text is based on Psalms 149 and 150. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work of three movements is about 13 minutes in length and appropriate for advanced performers. Mr Sauer suggests, Since a complete performance of this Motet is about thirteen minutes in length, any of the three movements may be performed separately. The top voices in each choir have parts supplied in both alto and tenor clef.

SKU: CY.CC3171

ISBN 9790530111413. 8.5 x 11 in inches.

Mahler composed his 3rd Symphony in the summers of 1893 and 1894 in Steinbach on the Attersee near Salzburg. He spent most of his days those two summers composing in a tiny hut built to his specifications where he could compose in the meadow on the shore of the lake - undisturbed. Movement 5, What The Morning Bell Tells Me includes the voices of women's chorus, children and alto soloist and is a relatively short 4-minute bright rowdy episode, full of laughing voices, bells and angels. Ohad Wand arranged this great music for 12-part Trombone Choir while studying at the Eastman School and it was subsequently beautifully recorded by the Eastman Trombone Choir, directed by Dr. John Marcellus.

SKU: CY.CC2824

Bach's Fantasia & Fugue in C minor, BWV 537 is a work for Organ written around the year 1723 while the composer was in residence in Weimar.

Bach composed many of his greatest organ works during this period.

The music of the Fantasia is lush and ornate. The Fugue is an amazing 130 bars in length.


This work was transcribed for orchestra in 1921 by Edward Elgar who mourned after the death of his wife. He was to orchestrate the Fugue and Richard Strauss agreed to do the Fantasia, however after two years Elgar completed the entire work as Strauss never held up his part of the bargain.

Mr. Sauer has subtly added phrasings, breaths and articulations to the original score to aid in the performance for Trombone choir.

The music is about eight minutes in length and is appropriate for advanced performers.

SKU: CY.CC2647

Pachelbel's grand Chorale Partita with Seven Variations in G is based on the 17th Century Protestant German hymn tune Alle Menschen mussen sterben (All of Mankind is Mortal) by Jakob Hintze. The original form of the work was in C major with eight variations, composed for Organ. Bach, being greatly influenced by Pachelbel, later took up the melody for use in one of his Cantatas.

Keith Terrett has done a great job arranging these elaborate variations of about 6 minutes in length for a Trombone quintet of advanced performers.

SKU: CY.CC2828

Entrance of the Gladiators is a military march composed in 1897 and soon after was also subtitled Thunder and Blazes. It has become a legendary screamer march for circuses to introduce the clowns.

The march is in three sections with some very lyrical moments followed by the chromatic break section featuring the low brass. The final trio section is also lyrical and chromatic at the same time. When played as a screamer the tempo is often taken to extremes.

Wes Ballenger has done an amazing job of arranging this famous march for a virtuosic Trombone quintet.