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String
MARCHING BAND
Violin and Piano
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B Flat, E Flat, C and Bass cle… (12)
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Flexible Instrumentation (11)
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Double bass, Orchestra (11)
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Alto Saxophone and Piano (11)
French Horn and Piano (11)
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Lap Steel Guitar (10)
Viola, Cello (duet) (10)
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Organ, Strings (10)
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2 Pianos, 4 hands (10)
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Balalaika (8)
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Drums (8)
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Autoharp (8)
Choeur SATB, 2 Cors, Violon So… (8)
Flûte Traversière et Quatuor… (8)
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Violin, Guitar (duet) (8)
High voice, Piano (8)
2 Violins, Piano (8)
Ensemble (8)
Lyrics and Chords (8)
Recorder , String quartet (7)
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2 Violons et 2 Cornets (et Bas… (7)
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Clarinette, Basson, Cor, 2 Vio… (7)
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Piano Quartet: piano, 2 violin… (7)
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Clarinette, 2 Violons, Alto et… (7)
Quatuor A Cordes (Contrebasse … (7)
Violes de Gambe (7)
Trompette Solo, Orchestre à C… (7)
Choeur Mixte (SATB), Instrumen… (7)
Violoncelle, Alto et Violon (7)
Flûte à Bec Alto, Cordes et … (7)
2 Violons, Alto, Luth et Basse… (7)
Accessoire (7)
Basson et Instruments à Corde… (7)
Recorder Quartet (7)
Violon 1, Violon 2, Alto, Viol… (7)
2 Guitars (duet) (7)
Lute (7)
Streichorchester (7)
Wind ensemble (7)
2 Violons, Alto, Violoncelle E… (7)
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Instrument A Cordes (6)
Doublebass and String quartet (6)
Flute, Viola and harp (6)
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Clavecin Et Instruments A Cord… (6)
3 Violons, Basse Viol et Basse… (6)
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Trompette, Cordes Et Basse Con… (6)
Violin, Viola and Orchestra (6)
Travaux Pour Choeurs (6)
Mug (6)
Descant (Soprano) Recorder (6)
2 Clarinettes Et Basson (6)
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Viola and orchestra (5)
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Baritone Ukulele (5)
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2 Violons, Alto, Violoncelle e… (5)
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Hautbois et Cordes (5)
2 Clarinets (duet) (5)
Quatuor avec Opt. Cordes (5)
Violin (band part) (5)
Clarinet, Orchestra (5)
Clarinet Ensemble (5)
Guitar Ensemble (5)
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Solistes SATB, Choeur SATB, 2 … (4)
Flûte Traversière, Clarinett… (4)
Cor Anglais, 2 Violons et Viol… (4)
Trompette et Quintette à Cord… (4)
Quintette de Cuivres (4)
Solo S (T), Flûte à Bec F1 (… (4)
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Saxophone Alto 2 (4)
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Voix et Piano Réduction (4)
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Oud (4)
4-6 Instruments à Cordes (4)
Tenor voice, Piano (4)
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Cor Des Alpes Et Cordes (4)
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Flûte Traversière, Vibraphon… (4)
Trio à Cordes Flexible (4)
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Violon, Cordes et Electronique… (4)
SOP/PFA::Soprano, Accompagneme… (4)
ENS::Ensemble d'cole (4)
Saxophone et Quatuor à Cordes… (4)
Violes de Gambe et Orgue (4)
Trompette et Trio à Cordes (4)
Flûte Traversière Violon, Al… (4)
3 Violons et Violoncelle Ad Li… (4)
Brass Quartet: 2 trumpets, hor… (4)
Viola (band part) (4)
VLN/VLA/VLC::Violin, Viola, Ce… (4)
Cor et Quatuor à Cordes (4)
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2 Violons, Alto et Violoncelle… (4)
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Trio Flexible à Cordes (4)
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Trombone 3 (4)
Quatuor à Cordes (Piano ad li… (4)
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Vibraphone et Orchestre à Cor… (4)
Saxophone Baryton (4)
Harp, String quartet (4)
Tuba (4)
Flûte Traversière, Alto et V… (4)
Clarinette en Sib, 2 Violons, … (4)
Quatuor à Cordes/Trio Pour Co… (4)
Quintette à vent (Flûte Trav… (4)
Violon I (4)
Hautbois, Clarinette et Quatuo… (4)
Trombone and Piano (4)
Flûte [Piccolo], Hautbois, Cl… (4)
Low voice, Piano (4)
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Violon, Alto ou Violoncelle (4)
Chant (4)
Violon, Violoncelle, Alto, Con… (4)
Clavecin, Piano, Instruments … (4)
Harmonica et Quatuor à Cordes… (4)
Bassoon, Orchestra (4)
Soprano voice, Piano (4)
Piano, Guitar (duet) (4)
Concert band, Choral (4)
Quatuor à Cordes ou Orchestre… (4)
Choral Soprano solo, SATB, Key… (4)
3 Guitars (trio) (4)
Flûte Traversière, 2 Clarine… (3)
4 Violons, Cordes et Basse Con… (3)
Quintette à Cordes et Basse C… (3)
Voice, Guitar (3)
Oboe, Violin, Piano (3)
Marimba and Orchestra (3)
Violoncello, Basso continuo (3)
STRING ENSEMBLE (3)
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Partition Et Parties (3)
2 Trumpets, Keyboard (piano or… (3)
Medium voice, Piano (3)
Chorale (3)
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Clarinette, Cor Et Piano (3)
Hautbois, Alto, Violoncelle et… (3)
Saxhorn en Sib Basse Continue (3)
Flûte Traversière 2 Cordes e… (3)
Solo à (B), Violon et Basse C… (3)
Zither (3)
Soprano, Clarinette Et Piano (3)
Tuba en Do Basse Continue, Tub… (3)
Woodwind Quintet (3)
Voice, Clarinet, Strings quint… (3)
Organ and Brass Quartet (3)
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2 Saxophones (duet) (3)
2 Recorders (duet) (3)
Brass Quartet: 4 trumpets (3)
4 Voix (SATB) Et Piano (3)
Tenor Banjo (3)
Viola da Gamba (3)
Flûte à Bec Alto ou Traversi… (3)
Solistes STB, Choeur SSATB, Ha… (3)
Violon 1 (3)
Flûte Traversière et Piccolo… (3)
2 Flutes, Piano (3)
Voice Mezzo-Soprano, Orchestra… (3)
2 Trombones (duet) (3)
Clarinette et Orchestre (3)
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Violon 2 (3)
4 Violons, Violoncelle, Cordes… (3)
Hautbois, Violon ou 2 Violons … (3)
Quintette à Cordes (2 Violons… (3)
Flûte A Bec Soprano (Flûte T… (3)
2 Orchestres à Cordes (3)
Baryton et Orchestre (3)
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Strings - Violin / Viola / Vi… (3)
Piano Quintet: piano, violin, … (3)
String Quintet : Violin, 2 vio… (3)
Basson ensemble (3)
4 Violons, 2 Altos, Violoncell… (3)
Quatuor A Cordes Et Orchestre (3)
Clarinette, Quatuor Pour Instr… (3)
Partition D'Orchestre In 8 (3)
STR INST::String Instruments (3)
English horn, Piano (3)
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String orchestra, Percussion (3)
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Harmonica (3)
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REC/STR ENS::Fl–te … Bec, … (2)
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Klavierauszug : Gemischter Cho… (2)
Vents Et Piano (2)
Soprano Et Quatuor A Cordes (2)
Saxophone Ténor et Piano (2)
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Musiclet Publications (2)
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Flûte à Bec Alto ou Flûte T… (2)
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Eb Instruments (2)
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Orgue Et Orchestre (2)
Solo Piano (2)
CTEN/STR QUARTET::Contretenor,… (2)
4 Parties flexibles (2)
Clarinet Quartet: 4 clarinets (2)
Cor Anglais et Orchestre à Co… (2)
Flûte Traversière, Piano et … (2)
Violine und Orchester (2)
Bassoon (2)
Basson ou Contrebasse à Corde… (2)
Strings orchestra (2)
Violin, Double bass (duet) (2)
Cordes (Ensemble à Cordes) et… (2)
Piccolo, Piano (2)
Cajon (2)
Trombone 4 (2)
Voix et Ensemble Instrumental (2)
A Cappella (2)
Clarinet and Accordion (2)
Clavecin et Instruments à Cor… (2)
Trompette, Cordes Et Piano (2)
Trombone et Orchestre (2)
CONT/STR ENS::Continuo, String… (2)
Piano (Accompagnement) (2)
Violin, Organ (2)
Solostimmen (SSB) auch Chor (… (2)
Choeur et Orchestre (2)
Livre Musical (2)
3 Ou 4 Violons Et Violoncelle … (2)
Clavecin et Orchestre à Corde… (2)
Choral SAATTBB A Cappella (2)
Violon Ou Alto (2)
Soli (SMsATB), Chor (SATB) un… (2)
STR ENS/PFC::String Ensemble, … (2)
Soprano Saxophone and Piano (2)
Orchestre A Cordes Ou Octuor A… (2)
Clarinette Et Cordes (2)
Voix Mixtes (2)
Violon Et Quatuor A Cordes (2)
Cello, Organ (2)
Flute, Oboe (duet) (2)
Solistes (SATB), Choeur Mixte … (2)
4 Violons, 2 Altos, Violoncell… (2)
8 [4] Violoncelles (2)
Voix et Orchestre (2)
BAR/STR QUARTET/PF/HARP::Baryt… (2)
Musical Awakening (2)
CD (2)
SOP/CLT/STR QUARTET::Soprano, … (2)
CHAM/5TET/CLT::Chamber Group, … (2)
Piano and Strings (2)
Trumpet ensemble (2)
Violes de Gambe, Clavecin ou T… (2)
3 Violon, 3 Altos Et 3 Violonc… (2)
TREC/STR INST/CONT::Alto (Treb… (2)
Big Note Piano (2)
Guitare Acoustique (2)
Conducteur Et Rapport Critique… (2)
K7 (2)
SAX/STR QUARTET::Saxophone, Qu… (2)
Alto Et Orgue (2)
SATB + Accompagnement (2)
Choeur Mixte (SATB), Solistes … (2)
Music Theory (2)
Ténor Solo, Violon Solo, SATB… (2)
Soprano et Quintette à Cordes… (2)
Concert band, Percussion (2)
Bläseroktett - 2 Oboen, 2 Kl… (2)
Chant et Guitare (2)
Bassoon, Strings (2)
Präpariertes Klavier, 2 Viol… (2)
1 à 3 Violons et Violoncelle … (2)
Mixed Choir, Strings and Bass… (2)
Recorder, Piano (2)
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Orchestre (2)
Bouzouki (2)
Petit Orchestre (2)
Trompette04 (2)
ATB (2)
Chœur Mixte SATB et Quatuor … (2)
Accompagnement Piano Pour Viol… (2)
Basse (2)
Quatuor à Cordes et Orchestre… (2)
Instrument Solo en Do et Orche… (2)
SCORE::Partitions (2)
5-String Banjo (2)
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Flexible Trio à Cordes (2)
Harpe et Ensembles de Cordes (2)
STR QUINTET::String Quintet (2)
String Quintet (2)
Percussions (2)
Guitare Lap Steel (2)
Sac (2)
Banjo Tablatures (2)
Mallet Percussions (2)
Banjo à 5 Cordes et Plectre (2)
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Ensemble De Violon (2)
Streichquintett (2)
TRIO/CHAM::Trio, Chamber Group… (2)
Piano Trio: mixed chamber inst… (1)
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Alto ou 2 Altos et Piano ou In… (1)
Flûte à Bec Alto, Flûte Tra… (1)
Saxophone Soprano ou Ténor, O… (1)
Mixed Choir (SATB), Clarinet, … (1)
Flûte Traversière (Matériel… (1)
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Igor Stravinsky: Suite Italienne: Violin: Instrumental Work
Violin and Piano
Boosey and Hawkes
from Pulcinella-Igor Stravinsky's Suite Italienne arranged for violin and piano ...
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from Pulcinella-Igor Stravinsky's Suite Italienne arranged for violin and piano by the composer and Samuel Dushkin. The Suite is made up of 6 attractive movements - written in Stravinsky's Neoclassical style of composition. It is suitable for advanced players.Many string players will be familiar with 'Suite Italienne' which Stravinsky wrote in collaboration with leading performers of the time. This version was arranged for violin by the composer himself in collaboration with Samuel Dushkin in 1933.
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Take The Lead - Swing + Cd - Violin And Piano
Violin and Piano
[Sheet music + CD]
Faber Music Limited
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano...
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Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Swing' features idiomatic arrangements of swing classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Chattanooga-Choo Choo Ch'Boogie; I've Got A Gal In Kalamazoo; In The Mood; I Don't Mean A Thing (If It Ain't Got That Swing); Jersey Bounce; Pennsylvania 6-5000; A String Of Pearls
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Lennox Berkeley: Five Pieces Op.56: Violin: Instrumental Work
Violin and Piano
[Sheet music]
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Intermediate/advanced
Chester
Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and co...
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Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and completed on 20 December 1961. The BBC Symphony Orchestra with Frederick Grinke (violin) and conducted by the composer gave the first performanceon 31 July 1962 at the Royal Albert Hall London during the BBC Proms season.This work is so constructed that each piece is complete in itself and can be played separately while at the same time the whole set of fiveconstitutes a structural unit. A basic motif consisting of a rising semitone followed by a falling tone and its inversion plays an important part in every piece. Thus the first piece which is of a slow and meditativecharacter begins with this theme in the bass. It is also heard in the first entry of the solo part and thereafter every episode is in some way derived from it. The next piece a vigorous and strongly marked ‘allegro’ uses thesemitone of the original figure as its starting point. A second theme appears first on the horns and is later taken up by the solo violin while a third section has the initial idea as its accompaniment. Next comes an extendedscherzo in free form very closely based on initial motif. The fourth is a purely melodic piece containing allusions in its middle section to the basic figure. Here the strings only are used for accompaniment. In the firstsection violas and cellos are divided in the middle section and all the strings are used in the last which is otherwise an almost exact repetition of the opening. The Finale is a lighter movement than the others concernedmainly with giving the soloist material for display but not unconnected with what has gone before.
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Andante Cantabile (TCHAIKOVSKI PIOTR ILITCH)
Violin and Piano
Universal Edition
From String Quartet Opus 11. Par TCHAIKOVSKI PIOTR ILITCH. Universal Edition has...
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From String Quartet Opus 11. Par TCHAIKOVSKI PIOTR ILITCH. Universal Edition has done violinists an enormous service by republishing violin virtuoso and teacher Leopold Auer’s arrangements of great works for violin and piano, available for the first time in decades. With beautiful new covers, these editions are a welcome addition to the repertoire./ Répertoire / Violon et Piano
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Mendelssohn Felix - Violin Concerto In D Minor - Violin And Piano
Violin and Piano
Peters
Instrumentation: Vln—Pf Editor: Menuhin, Sir Yehudi Format: Sheet Mu...
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Instrumentation: Vln—Pf Editor: Menuhin, Sir Yehudi Format: Sheet Music Details: Violin and Piano Contents: This concerto was composed between 1821 and 1823, when Mendelssohn was 12 to 14 years old (during the same period as the 12 string symphonies).
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Right from the Start: Violin: Part
Violin and Piano
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Beginner
Boosey and Hawkes
20 sehr leichte Stücke für junge Spieler-Twenty very elementary pieces for you...
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20 sehr leichte Stücke für junge Spieler-Twenty very elementary pieces for young players written and arranged by the world's favourite string teacher Sheila Nelson. Note reading is introduced one finger at a time building up finger pattern 0-1-23-4 (semitone space between 2nd and 3rd fingers) - the only finger pattern used in this book. A number of rhythmic bowing patterns set out at the beginning of the book may be practised on any of the earlier tunes once they have been memorised. The rhythms are assimilated by the pupil with the aid of strongly rhythmic easily memorable words. All the tunes can be sung to the verses provided in order to develop a secure sense of rhythm and pitch. Pupils learn right from thestart to move freely from string to string to play with confidence and to pay close attention to pitch.
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Craig Duncan: Easy Solos For Beginning Violin Level 1: Violin: Instrumental
Violin and Piano
[Sheet music]
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Beginner
Mel Bay
This collection of level-1 solos for violin with keyboard accompaniment are take...
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This collection of level-1 solos for violin with keyboard accompaniment are taken from folk and classical melodies. Created especially for use as a solo supplement to any first-year string method or private instructional course these solos are an ideal Suzuki supplement and a perfect complement to the other Beginning Violin titles in the Building Excellence Series. These short easy pieces contain some staccato and slurred notes with suggested bowings.Students will love playing these familiar pieces for recitals or just for fun.
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Edward Huws Jones: Ten O'Clock Rock: Violin & Cello: Instrumental Album
Violin and Piano
Boosey and Hawkes
18 Vortragsstücke für Anfänger-18 concert pieces for beginner Violinists by E...
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18 Vortragsstücke für Anfänger-18 concert pieces for beginner Violinists by Edward Huws Jones. Ideal Concert pieces which appeal to the imagination - and sense of humour - of young players and their audiences.Player-friendly melody lines powered along by racy Piano accompaniments in pop and jazz idiomsThe different instrument books are compatible as the string parts are in unison or octaves making them ideal for individual or group lessons and for string ensembles.
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Jean Sibelius: Humoresque III Op. 89a: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Wilhelm Hansen
Violin/Piano reduction of the work for Violin and String Orchestra.
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Avner Dorman: Memory Games: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Schirmer
For Piano and Violin.Composed for Hilary Hahn Avner Dorman's inspiration for Me...
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For Piano and Violin.Composed for Hilary Hahn Avner Dorman's inspiration for Memory Games is the classic 1980’s memory game ‘Simon.’ The original game has four colored buttons each with a distinct sound and a light bulb behind it. The machine illuminates and sounds a string of notes at random; the players have to repeat the patterns. Several rounds of Simon are played throughout Memory Games so to speak making it resemble a Passacaglia (or variations on a bass line).'Avner Dorman’s labyrinthine Memory Games based on the memory game Simon...offered gorgeous and palatable social and historicalcommentary.' -- Erica Zora Wrightson Los Angeles Times
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Après un silence (CASKEN JOHN)
Violin and Piano
Schott
for violin and piano. Par CASKEN JOHN. 'Après un silence' was originally writte...
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for violin and piano. Par CASKEN JOHN. 'Après un silence' was originally written as a work for violin and piano. The piano part was subsequently orchestrated in such a way that the work may be performed with a chamber orchestra or with an ensemble of the same forces using strings. 'The violin's opening interval of a rising sixth is the gem from which everything is developed into one extended movement.' This will become a regular presence in the violin and piano repertoire./ Répertoire / Violon et Piano
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Wolfgang Amadeus Mozart: 'Wunderkind' Sonatas Volume 3 K.26-31: Violin:
Violin and Piano
G. Henle
für Klavier und Violine-In autumn 1765 Mozart?s family was in Holland not leas...
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für Klavier und Violine-In autumn 1765 Mozart?s family was in Holland not least at the request of Princess Caroline von Nassau-Weilburg. The fame of the prodigy Wolfgang Amadeus had already reached her so that she ?had an extraordinary desire to seethis child? (according to Leopold Mozart). The Sonatas for Piano K. 26 31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were naturally dedicated to the princess. An earlycopy which has nothing to do with Mozart was consulted by the New Mozart Edition as a primary source alongside the first edition. Our Urtext edition revises the musical text deleting the misleading additions from thissource.With marked and unmarked string parts.
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Wolfgang Amadeus Mozart: 'Wunderkind' Sonatas Volume 2 K.10-15: Violin: Parts
Violin and Piano
G. Henle
Leopold Mozart was only able to understand his son?s musical genius in terms of ...
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Leopold Mozart was only able to understand his son?s musical genius in terms of it being a God-given wonder: ?That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoeverhas not seen or heard it cannot believe it?. In 1764 Wolfgang composed six sonatas in London possibly after the model of Johann Christian Bach?s ?Opus 2? that can either be played as piano trios as violin sonatas or simplyon the piano. ?Royal? sources were consulted for the edition: the copy in the British Library bears the handwritten note: ?This Volume belongs to the Queen 1788?.With marked and unmarked string parts.
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Polish Dance (SEVERN EDMUND)
Violin and Piano
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Easy
Barenreiter
Par SEVERN EDMUND. Edmund Severn (1862–1942) was an American composer and viol...
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Par SEVERN EDMUND. Edmund Severn (1862–1942) was an American composer and violinist. Born in England, he studied in various cities including Berlin and composed works for unaccompanied violin, orchestra and string quartet. “Polish Dance” is his best-known work. Written in the style of a mazurka, it is an invitation to this dance form with its distinctive local colour. Many ritardandos and rubatos add rhythmic spice: wide leaps, double stops and three-note chords ensure delightful melodic and harmonic turns. Expressive dynamics provide the necessary vim to this “Polish Dance”! / Niveau : 2 / Date parution : 2018-01-05/ Répertoire / Violon et Piano
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Borodin Alexander Porfiryevich - Nocturne - Violin And Piano
Violin and Piano
Peters
Instrumentation : Vln - Pf from String Quartet No.2 in D major, arranged for Vi...
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Instrumentation : Vln - Pf from String Quartet No.2 in D major, arranged for Violin & Piano Editor :Curran
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Bach J.s. - Concerto In G Minor Bwv 1056 - Violon and Piano
Violin and Piano
Barenreiter
Bach, Johann Sebastian Concerto for Violin, Strings and Basso Continuo G minor R...
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Bach, Johann Sebastian Concerto for Violin, Strings and Basso Continuo G minor Reconstructed from BWV 1056 - Reconstructed from the Urtext of the ?New Bach Edition? - Meticulous analysis and evaluation of the sources - Interpretative leeway for keyboard players This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach?s arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord concertos that also survive in an original version for violin. In particular, the autograph harpsichord parts contain changes that Bach made when preparing his arrangements, thereby revealing the manner in which he transcribed his solo violin works for the harpsichord. The keyboard realization is presented in a transparent way allowing players the possibility to embellish and fill in the harmonies at their discretion.
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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William Bolcom: Romanza: Violin and Accomp.: Score and Parts
Violin and Piano
[Reduction]
Edward B. Marks Music Company
Originally written for solo violin and string orchestra. In three movements: 1. ...
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Originally written for solo violin and string orchestra. In three movements: 1. Romanza 2. Valse funèbre and 3. Cakewalk. Advanced Level. Written for the famed violinist Nadja Salerno-Sonnenberg and the San Francisco-based New Century Chamber Orchestra.
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Johann Sebastian Bach: Concerto For Violin And Orchestra In E BWV 1042: Violin:
Violin and Piano
[Reduction]
G. Henle
The Concerto For Violin And Orchestra In E (BWV 1042) was written in three movem...
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The Concerto For Violin And Orchestra In E (BWV 1042) was written in three movements: Allegro Adagio Allegro Assai. Its history is somewhat vague as no autograph manuscript survives. Originallyscored for Violin Strings and Continuo it is presented here with a Piano reduction. Editorial suggestions for bowing and fingering have been provided together with a ?clean? copy for the violinist?s own use. J. S.Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. He spent most of his life working as an organist and choirmaster but was also employedas a composer a many different Royal Courts.
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Friedrich Seitz: Concerto G Minor Op. 12: Violin: Score and Parts
Violin and Piano
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Intermediate
Barenreiter
Friedrich Seitz (1848 1918) was one of the best-known and most sought-after viol...
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Friedrich Seitz (1848 1918) was one of the best-known and most sought-after violinists of his day. The Student Concerto Op.12 starts with a resolute allegro in G minor followed by a gentle adagio in E-flat major and flows into a cheerful dance-like final move-ment in G major. In order to play this violinists must be able to master 1st to 3rd positions.The series forms an ideal continuation of the Sassmannshaus 'Early Start' string methods but can also be used to supplement any other string tutor.
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Dave Heath: On Fire For Violin and Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
On Fire is in one movement fast slow fast with a quiet coda section. The fi...
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On Fire is in one movement fast slow fast with a quiet coda section. The first part is a combination of contemporary rock linn drum patterns in the piano part with Jimi Hendrix-like North Indian cello lines. It builds up toa crescendo leading to a quiet section. Out of this comes a slow movement and a cadenza for the solo cello. In the final section all the elements of the piece at last come together. It is dedicated to Jacqueline du Pré and muchof the string writing is highly influenced by Nigel Kennedy?s revolutionary style of playing.
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Handel George Frideric - Violin Sonatas Vol 2 - Violin And Piano
Violin and Piano
Peters
Instrumentation: Vln—Pf(Vc/VdG ad lib) Editor: Burrows Format: Sheet...
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Instrumentation: Vln—Pf(Vc/VdG ad lib) Editor: Burrows Format: Sheet Music Details: Sonatas in F major, D major, G minor, F major; Sonata à cinque in Bb; Allegro in C minor; Sonatina from 'Il trionfo del tempo'; Sonata Movement in A minor; Fantasia in A; Allegro in G for solo violin Contents: ...there's quite a bit of question as to what exactly constitutes Handel's violin sonatas....Editor Donald Burrows feels that, because of range and style, some of these suspect works also were intended as violin sonatas....The advantage of the newly reprinted Peters edition is that there are more pieces to choose from, the music is clear and easy to read, the page turns considerate, and the keyboard realization simple, but effective.--Sarah Freiberg, for STRINGS (September 2010)
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Wolfgang Amadeus Mozart: Serenade No.13 in G K.525 'Eine Klein Nachtmusik':
Violin and Piano
[Sheet music]
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Intermediate
Peters
This is perhaps the most famous and popular of all of Mozart's works Serenade N...
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This is perhaps the most famous and popular of all of Mozart's works Serenade No.13 in G K.525 'Eine Klein Nachtmusik' (A Little Night Music) is a beautiful uplifting and gloriously melodic serenade. Originally for String Orchestra this version for Violin and Piano has been arranged by Carl Herrmann.
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