Volume 2-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.

Par SZOKOLAY SANDOR. Violon Solo - 2.2.2.2 - 4.3.3.0 - Timbales - Percussion - Hp - Cel - Strings - Durée: 26 min / Contemporain / Répertoire / Violon et Instruments Divers

D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue

D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue

Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.

Second livre de sonates pour le violon (avec basse continue) - Oeuvre IVEdition : Paris, Le Duc, s.d.(=c.1771)Présentation : Saskia Salembier - Département de musique ancienne Conservatoire National Supérieur de Musique et de Danse de ParisCe livre de sonates compte parmi les plus belles sonates pour violon et basse continue à la fin du six-huitième siècle. Tous les violonistes doivent les connaître. De plus, elles permettent une excellente étude de l'agrémentation à la fin du siècle. Gravure de qualité, très lisible.Après la publication de ce fac-similé, certaines de ces sonates ont été jouées aux journées portes ouvertes du Conservatoire National Supérieur de Musique et de Danse de Paris, et enregistrées à France-Musique. Elles sont d'une rare beauté et soutiennent la comparaison avec celles de Mozart.La présentation traite de l'agrémentation de ces sonates, donnant ainsi tous les éléments de style indispensables à l'interprétation. / Violon Et Basse Continue / 40 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

(Venezia, 1673) - 3 sonate per violino e b.c.; - 1 sonata per arpa doppia o tiorba; 8 sonate per 2 violini e b.c.; 1 sonata per violino, arpa doppia o tiorba e b.c.; - 3 sonate per 3 violini e b.c.; - 1 sonata per 2 violini, basso di viola e b.c.; - 1 sonata per 2 violini, tiorba e b.c. (di A. M. Turati); 2 sonate a 4 (di cui una di A. M. Turati); - 2 balletti da camera per 2 violini e b.c.; - partite sopra Ruggiero per 2 violini b.c.

Par WOLFF CHRISTIAN. Violin and Double bass -/ Répertoire / Violon et Instruments Divers

Op. 2 N. 7 - F.XIII-35 - Tomo 400. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue

F.XIII-8 - Tomo 366. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue