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CHOIR - VOC…
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MARCHING BA…
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MARCHING BAND
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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George Gershwin: Rhapsody In Blue: Ensemble: Score and Parts
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Barenreiter
Rhapsody In Blue is a major addition to the woodwind quintet repertoire.This ver...
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Rhapsody In Blue is a major addition to the woodwind quintet repertoire.This version of Rhapsody In Blue includes a score and five parts and has been arranged for Flute Oboe Clarinet in B-flat Horn in F and Bassoon at an intermediate playing level.Many people know the famous Clarinet glissando opening to Gershwin’s Rhapsody in Blue but very few know that the original version was scored for two Pianos and that the glissando was initially just an ascending scale.Joachim Linckelmann’s superb arrangement of this modern classic is based on this original version and with the exception oftwo solo Piano passages that cannot be realised by a woodwind quintet the entire work is presented.
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Duncan Stubbs: Antique Variations: Wind Ensemble: Score and Parts
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
[Sheet music]
Spartan Press
A set of 'Antique Variations' for Wind Quintet by Duncan Stubbs. Score and parts...
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A set of 'Antique Variations' for Wind Quintet by Duncan Stubbs. Score and parts.
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Elton John: Can You Feel the Love Tonight: Wind Ensemble: Score & Parts
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Hal Leonard
For wind quintet-En 1994 Elton John collabora avec Tim Rice à la composition d...
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For wind quintet-En 1994 Elton John collabora avec Tim Rice à la composition de la bande originale film d?animation des Studios Disney Le roi Lion I. Leur chanson Can You Feel the Love Tonight est récompensée de l?Oscar de la Meilleure Chanson Originale.Part 1 Fl Htb Cl. Si♭/Mi♭ Sax. S. Trp Part 2 Fl Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Part 3 Cor Angl. Cl. Si♭ Cl. Alto Sax. T. Basson Trp Cor Trb Part 4 Sax. T. Basson Trb Euph. Part 5 Cl. Basse Sax. B. Basson Trb Euph. Tuba C. Cordes Opt. Batt. Tamb
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Rory Boyle: Music For A Western: Wind Ensemble: Score and Parts
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Chester
Mixed Bag No. 29-Mixed Bag. This highly acclaimed series provides a real opportu...
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Mixed Bag No. 29-Mixed Bag. This highly acclaimed series provides a real opportunity for woodwind players of mixed ability to play together. It will work with as few or as many players as you like! Each arrangement will work with just three orfour main parts. Part 1 is quite demanding but Parts 2 & 3 are easier. These parts can be played by just one or several players - it’s up to you!. Optional ‘filler’ parts are also included for beginners. These have very simplerhythms and notes (clarinet parts are all below the break) allowing young players to gain experience in ensemble playing. Mixed Bag gives you a score and double set of parts. Titles include arrangements of classical romantic modern and folk tunes. Mixed Bag - the answer for woodwind groups of mixed instrumentation mixed ability and mixed tastes.
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Paul Taffanel: Quintette a Vent: Wind Ensemble: Score and Parts
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Leduc, Alphonse
Paul Taffanel (1844-1908) was a French flautist conductor and composer. He cont...
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Paul Taffanel (1844-1908) was a French flautist conductor and composer. He contributed significantly to the repertoire of the Flute and his Wind Quintet also remains prominent to this day. In 1879 Taffanel founded the Society of Chamber Music for Wind Instruments reviving the wind ensemble music of Mozart and Beethoven. His Wind Quintet in G minor had been composed three years previously in 1876 and is made up of three movements; 1) Allegro con moto 2) Andante and 3) Vivace. For the repertoire of this popular ensemble arrangement Taffanel's Wind Quintet is an essentialaddition.
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Traditional: Guantanamera: Wind Ensemble: Score & Parts
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
De Haske Publications
Variable wind quintet (with percussion ad lib.)-Instantly recognisable Mexican f...
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Variable wind quintet (with percussion ad lib.)-Instantly recognisable Mexican folk song.
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Henri Tomasi: Cinq Danses Profanes et Sacrées: Wind Ensemble: Score and Parts
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
[Score and Parts]
Leduc, Alphonse
Pour Quintette de Vents-French composer and conductor Henri Tomasi (1901-1971) ...
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Pour Quintette de Vents-French composer and conductor Henri Tomasi (1901-1971) published Five Secular and Sacred Dances for Wind Quintet in 1963. As with his other wind compositions Five Secular and Sacred Dances was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and wenton to become a high profile composer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Five Secular and Sacred Dances is a reduction arrangement of his work of the same name for Chamber Orchestra. Comprising five movements; 1) Rural Dance 2) Secular Dance 3) Sacred Dances 4) Bridal Dance and 5) Warrior Dances Five Secular and Sacred Dances is one of three Wind Quintets by the composer. This Tomasi piece is suitable to an advanced Wind Quintet providing an exciting alternative addition to the ensemble repertoire.
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Per Nørgård: Whirl's World: Wind Ensemble: Parts
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
[Sheet music]
Wilhelm Hansen
Programme Note WHIRLS´ WORLD (1970) for wind quintet. 'Whirl´s World' was ...
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Programme Note WHIRLS´ WORLD (1970) for wind quintet. 'Whirl´s World' was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves; first notenumber 1 of the three-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård
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Per Nørgård: Whirl's World: Wind Ensemble: Score
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
[Sheet music]
Wilhelm Hansen
Programme Note WHIRLS´ WORLD (1970) for wind quintet. ?Whirl´s World? was comp...
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Programme Note WHIRLS´ WORLD (1970) for wind quintet. ?Whirl´s World? was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves; first notenumber 1 of the three-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård
26.99 GBP - Sold by Musicroom UK
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