Here are 19 easy-intermediate arrangements of familiar melodies in classical folk and jazz styles. Each tune is presented as a trio but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the Flute Saxophone Clarinet and Violin editions in Book 2 of this series. This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one two or three brass players - with or without accompaniment Mayalso be used with matching arrangements in Book 2 editions of this series for Flute Saxophone Clarinet or Violin Optional Piano Accompaniment book with guitar chord symbols available Ideal for individual or classroom use

The word ‘tsunami’ is of Japanese origin. When you look it up in a dictionary you will find that it means ‘a great sea wave produced by submarine earth movement or volcanic eruption’. A megatsunami is the superlative of this awesome expressionof power that nature can create and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami such as the island of La Palma one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature’s time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma the tidal wave will move in the direction of South America where it may reach 50km inland destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted broken off suddenly followed by silence suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature’s force has spent itself resignation sets in and the composition ends with a majestic ode to nature.

David Well composed 'Frida's Whiskers' in commemoration of his own cat who met an untimely end. Frida (whose real name was 'Godefrida van Coopersburg thoe Nieuwenhuys') was a lively creature who led a playful and uncomplicated life. She used to sleep in her basket for hours but when she woke up she upset the entire house and its furnishing. Curtains were inspected from top to bottom and flower pots fell from window-sills just like that! Outside in the open air she was in her element. She used to frolic bouncing into the air. After such playful moods she would return to her basket tired but satisfied where being the cleanly cat that shewas she subjected her entire body whiskers included to a thorough wash.

Topping the Billboard charts for six weeks this is arguably the biggest hit of 2012. This power ballad by the American group fun. combines indie pop and alternative rock to create a blend that pleases everybody from baby boomers to teenagers. With deliberate beats and soaring melodies this life-affirming anthem is a fist-pumping stadium rocker.

In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition (downloadable after ordering a set on www.gobelinmusic.com).Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day fullof fun and pleasure awaits! You and the other visitors will be confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! Aparade of colorful floats and park figures is passing by.Let the fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challengedto visit a house full of ghosts creepy figures and other ominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy placequickly.Part 3: The Swinging Galleon [with illustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have afantastic view over the park but you can not enjoy it for long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride. Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for thebig rides in the park!Part 5: The Bumper Cars [with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bumpagainst someone else. In this tough ride you can prove yourself as a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we shoulddefinitely do the Roller Coaster! All together in the train the over-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the topand the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [withanimation]Unfortunately everything comes to an end.

The atmosphere of the Wild West is caught in a striking and most imaginative way by young composer Andreas Schulte in this work. A caravan of gold- and fortuneseekers launch themselves into a big adventure and begin their rush westward. The first movement desciribes these first days of buoyancy and optimism in a crisp march. Near the campfire the pioneers rest themselves and the music expresses feelings of romance nostalgia for the past and hopes for the future. A wistful melody very characteristically communicates these feelings. Relaxation takes place in the third movement which is a musical characterization of a rodeo and its attendant festivities.It is obvious that sometimes something goes wrong and this aspect can also be heard. Nevertheless the valiant rider wins in the end. With a flashback to the beginning the journey is completed musically thus giving the composition a dignified finale. Let the mystic Wild West entrance you. (Wagons ho ....!!) De sfeer van het Wilde Westen wordt door de jonge componist Andreas Ludwig Schulte op een uiterst treffende en beeldende wijze geschetst. Een karavaan van goud- en gelukzoekers stort zich in het grote avontuur en begint de grote reis naar het westen. Het eerste gedeelte beschrijft de eerste dagen van opgewektheid en optimisme in een vlotte mars. Bij het kampvuur komen de pioniers tot rust en worden gevoelens van romantiek heimwee (verleden) en hoop (toekomst) muzikaal weergegeven. Een weemoedige melodie verwoordt die gevoelens op een zeer kenmerkende wijze. De ontspanning vindt plaats in het derde deel waarin een rodeofeest muzikaal wordt verklankt. Met een flashback van het begin wordt de tocht voltooid en de compositie waardig afgesloten. Raak in de ban van het wilde westen!

‘Panem et Circenses’ Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans the Games were Popular Pastime Number One for everybody.There were different kinds of games such as chariot races (especially popular with female spectators) or wild-beast fights where lions tigers bulls or bears were set on one another or even on human beings. Most popular however were the Gladiator fights. In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate depending on the mercy of the audience. Waving one’s handkerchief meant mercy a turned-down thumb meant no pardon. The Emperor had the right to take the final decision but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves convicted criminals or prisoners of war. Consequently winning was very important as it would mean fame honour and sometimes even wealth. A lap of honour therefore was the winner’s due reward.

As he did before in the often played and commonly appreciated ‘Lord Tullamore’ in which he poetically depicted the landscape and the cultural elements of a small Irish village in his composition ‘The Road to the West’ Carl Wittrock has sketched pioneer existence in America in a cinematic manner.In ‘The Road to the West’ the composer has tried to capture images of pioneer life during the period dating from 1850 to 1890 the days of the so-called Wild West.In those days the Wild West used to be the territory west of civilization the domain of cowboys trappers and other fortune hunters. In short ample ingredients for a captivating story.In the firstscene a lonely adventurer struggles against nature and the elements. After an exciting adventure he passes through ‘the Plains’ where majestic views alternated by colossal mountain ranges display an almost unimaginable beauty.After weeks of isolation civilization is reached again. ‘The Saloon’ is the perfect meeting place – here news is exchanged and hilarious scenes regularly take place.

The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights so it was believed evil spirits tried to ?kill? nature. Needle-leaved trees were the only ones which kept their green colour throughout the year and therefore became symbols of immortality. These ?living? trees said to be the work of benign spirits were brought into people?s houses to ward off evil life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom originated by the inhabitants of Alsace. This custom was taken over by the Church in thecourse of the 15th and 16th century. At first the decoration consisted mainly of edibles such as apples and wafers but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ?s apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song ?O Tannenbaum? the melody being a well-known folk song. Next to ?Stille Nacht? ?O Tannenbaum? is the most famous German Christmas song now known throughout the world. In the United States of America the melody of ?O Tannenbaum? has even been used in four States (among which the State of Maryland) for their State song. In David Well?s arrangement the song is first heard as many of us know it. After this introduction however it is transformed into a solid rock version and the beat has been changed. In the second part the familiar three-four time is back but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.

Par BERNIE BEN / MURTHA PAUL (Arr.). This early jazz standard became the theme song for the famed Harlem Globetrotters, and has remained popular through the years. Paul's clever version for flexible instrumentation passes the melody between upper and lower parts and even includes a stop-time section that features the percussion./ Répertoire / 5-Part Flexible Concert Band et Percussion

from Disney's Millenium Celebration-This emotional and well-paced ballad lends a dramatic finish to this show of fresh musical ideas and powerful themes. Full of wonderful musical moments for the field!

Arr. Christina van der Bijl_Michael Sweeney. Par LLOYD WEBBER ANDREW. / Niveau : 3 / Répertoire / Fanfare

This mega-hit from the Barbadian recording artist Rihanna topped the Billboard Hot 100 for eleven weeks. Combining elements of techno with a pumped up pulse Tom's arrangement is crafted with creative phrasing contrastingsections and strong impacts. Arranged for use on the field as an energetic opener it's also a great choice for the stands or pep band. Optional synthesizer parts are included!

Par HOSAY JAMES L.. Commissioned by the Williamsburg Consort Symphonic Band - Sally Craig, Founder and Director An exquisite 18th century American musical quilt! So many stirring melodies artfully stitched into a rich mélange of early Americana: anthems of the revolution, songs of political protest, and so much more. Those who are familiar with Mr. Hosay’s previous works will be eager to examine this exciting new score. Every player in the band will enjoy interpreting this remarkable new concert band offering. Sing We Liberty is a great centerpiece for any patriotic venue and works wonderfully as an opener as well. There are also plenty of opportunities for cross-curricularteaching with this piece. Innovative! / Niveau : 4 / Pièce de concert / Répertoire / Concert Band

Sergio Leone a renouvelé les codes du western en lui redonnant un souffle épique et moderne. C?est ainsi qu?est né le western italien. The Italian Western est un arrangement qui rassemble trois thèmes (Santa Fe Express Funerale Nero et Marcia dei MacGregor) composés par Ennio Morricone pour deux westerns ?made in Cinecittà?.