Grand Nordic Tune. Par OLSEN VADSTEN OYSTEIN. 'Storslått' or in English ?Grand Nordic Tune? is one of many original pieces written by composer Øystein Olsen Vadsten. 'Slått' is a general term for music played to traditional Norwegian dances. ?Grand Nordic Tune? was a commissioned work for the Rælingen Musikklag's 70-year anniversary concert in 2022, where the piece was premiered. They wanted something a little pompous, and preferably something in the style of Nordic folk music, which the composer is known for. The title in Norwegian then was obvious, 'Storslått', which in Norwegian has a double meaning, both a big tune and, in a double meaning, pompous or magnificent. As usual, the starting point is a traditional Nordic dance form, and this time the choice fell on the distinctive Swedish 'polska', which is played in ¾. The dance, despite its name, reportedly has no connection to Poland, but is entirely of Scandinavian origin. It has been danced for centuries, and has also been called the devil's dance, because it had a hypnotizing effect on people, so that they could not stop, but danced themselves to death. Hence people thought that it must have been the devil who caused it. Traditionally, there is a lot of repetition in this type of music, which contributes to this hypnotic effect. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

La chanteuse Alison Moyet est repérée au début des années 1980 par Vince Clarke alors à la recherche d?une plus grande indépendance : il a quitté son célèbre groupe Depeche Mode. La voix mélancolique d?Alison Moyet et la musique pop électronique innovante de Vince Clarke s?unissent au sein du groupe Yazoo dont des chansons comme Only You et Don?t Go rencontrent un vif succès. Quelques années après Alison Moyet décide néanmoins de suivre son propre chemin et se lance dans une carrière solo au cours de laquelle elle développe un style plus conventionnel. Elle enregistre plusieurs reprises telles que The First Time I Ever Saw Your Face et That Ole Devil CalledLove mais compose aussi de superbes titres tels que Love Resurrection et bien entendu All Cried Out une chanson particulièrement expressive. L?arrangement de Peter Kleine Schaars reste très fidèle à l?ambiance de la chanson d?origine.

An unbelievable collection of the greatest stands tunes ever assembled in a single publication!!! Features short time-out versions of just about every hot jammin' slammin' rockin' poppin' tune you could ever think ofplaying in the stands! If your band plays for any type of sporting event or pep rally you can't afford to be without this collection of hits! Includes over 30 stands favorites such as: The Hey Song Devil With The BlueDress Get Ready For This We Will Rock You Y.M.C.A. Wild Thing Gimme Some Lovin' Born To Be Wild Walk This Way Twist And Shout and many more.

An unbelievable collection of the greatest stands tunes ever assembled in a single publication!!! Features short time-out versions of just about every hot jammin' slammin' rockin' poppin' tune you could ever think ofplaying in the stands! If your band plays for any type of sporting event or pep rally you can't afford to be without this collection of hits! Includes over 30 stands favorites such as: The Hey Song Devil With The BlueDress Get Ready For This We Will Rock You Y.M.C.A. Wild Thing Gimme Some Lovin' Born To Be Wild Walk This Way Twist And Shout and many more.

Fanitullen is a lively beautiful ‘Sl?tt’ i.e. an old Norwegian melody which is played on a traditional ‘Hardingfele’ (Hardanger fiddle).Because of its violent rhythm and exciting character playing a Fanitullen for a long time was considered improper. It was believed that a person playing this melody would come under the influence of the devil. Therefore Fanitullen could be regarded as a kind of Rock’n Roll from the 18th century.Tom Brevik’s adaptation is based on a composition for piano by Ole Olsen (1850-1927) Fanitullen is een levendige mooie ‘Sl?tt’ een oude Noorse melodie die gespeeld word op een traditionele ‘Hardingfele’ (Hardanger viool).Door de heftigeritmiek en het opzwepende karakter werd het spelen van een Fanitullen gedurende lange tijd als niet kies beschouwd. Er zouden invloeden van de duivel in schuilen. Fanitullen zou daarom misschien wel als een soort Rock’n Roll van de 18e eeuw gezien kunnen worden.De bewerking van Tom Brevik is gebaseerd op een compositie voor piano van Ole Olsen (1850-1927)