Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
5
Digital
Sheet Music
4
Sheet Music
Books
11,216
Home
Music
Equipment
4
Music sheet library
with delivery
Post mailing
Digital sheet music
You've Selected:
Hop to It
MARCHING BAND
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Piano solo (1091)
Piano, Vocal and Guitar (463)
Guitar notes and tablatures (139)
Guitar (113)
Choral SATB (96)
Piano, Voice (77)
Flute and Piano (77)
Concert band (77)
Lyrics and Chords (67)
Flute (65)
C Instruments (65)
Clarinet (62)
Violin (61)
Violin and Piano (54)
Musical course - Solfege (54)
Easy Piano (53)
Trumpet (43)
Drums (41)
Alto Saxophone (40)
Melody line, (Lyrics) and Chor… (36)
Saxophone (35)
Cello (34)
1 Piano, 4 hands (31)
String Quartet: 2 violins, vio… (30)
Flute, Oboe, Clarinet, Bassoon… (28)
Organ (28)
Keyboard (26)
Divers (25)
All Instruments (23)
Bass guitar (23)
Ukulele (20)
Cello, Piano (18)
Clarinet and Piano (18)
Choral 3-part (17)
Bb Instruments (16)
Flute and Guitar (16)
Trombone (16)
Accordion (16)
Guitare (16)
Recorder (15)
Choral (15)
Voice solo (14)
Trumpet, Piano (14)
Viola (14)
French horn (14)
Choral TTBB (14)
Marching band (13)
String Orchestra (13)
Tuba (12)
Brass ensemble (12)
Tenor Saxophone (12)
Orchestra (12)
Descant (Soprano) Recorder (11)
Solistes SATB, Choeur SATB, 3 … (11)
Piano, Voice, Guitar tablature… (11)
Eb Instruments (11)
Chant (11)
2 Violins (duet) (10)
2 Clarinets (duet) (10)
Musical Awakening (9)
2 Pianos, 4 hands (9)
Piano Trio: piano, violin, cel… (9)
Piano Accompaniment (9)
Biography (9)
Alto Saxophone and Piano (9)
Percussion (8)
2 Flutes (duet) (8)
Solistes SATB, Choeur SATB, 2 … (8)
Piano Quintet: piano, 2 violin… (8)
Choeur SATB, (4 Instruments, C… (8)
Nursery rhyme (8)
Saxophone and Piano (8)
Piano Quintet: piano, violin, … (7)
Solistes SSA, Choeur SSA, 2 Vi… (7)
B Flat, E Flat, C and Bass cle… (7)
Piano and Orchestra (7)
Soprano voice, Piano (7)
2 Cellos (duet) (7)
Viola, Piano (7)
Bass Clef Instruments (6)
Livres (6)
Voice, Guitar (6)
Solo B, Trompette, Violon, Alt… (6)
Concert Band/Harmonie (6)
Choral 2-part (6)
Harp (5)
Cajon (5)
High voice, Piano (5)
Mezzo-Soprano voice, Piano (5)
Recorder Quartet (5)
Oboe (5)
Piano, Guitar (Chords) (5)
Piano Quartet: piano, violin, … (4)
2 Instruments A Cordes (Ou Fl… (4)
Violon, Alto, Violoncelle et C… (4)
Clarinette, Basson, Cor, 2 Vio… (4)
Flute, Clarinet (duet) (4)
Piano, 2 Violons, Alto, Violon… (4)
Quintette avec Piano (4)
2 Trumpets (duet) (4)
Tenor Saxophone and Piano (4)
Harmonica (4)
Choral, Orchestra (4)
2 Guitars (duet) (3)
Clarinet, Viola and Violoncell… (3)
1 Ou 2 Flûte(s) Traversière(… (3)
2 Trombones (duet) (3)
Baritone Saxophone (3)
Trumpet, Trombone (duet) (3)
Voix, Ensemble et Electronique… (3)
Baritone voice, Piano (3)
Tuba et Hélicon (3)
Saxophone Quartet: 4 saxophone… (3)
Trombone and Piano (3)
Conducteur (3)
Bagpipe (3)
Batterie et Percussions (3)
Banjo (3)
Mandolin (3)
Descent (Soprano) Recorder, Pi… (3)
Chant et Guitare (3)
2 Saxophones (duet) (3)
Marimba, Saxophone (duet) (2)
Percussion Ensemble (2)
12 Voix (2)
Solo Piano (2)
Piano, Guitar (duet) (2)
Bassoon (2)
CD only (2)
Orchestre d´Harmonie (2)
E Flat Instruments (2)
Saxhorn or Euphonium (2)
Wind ensemble (2)
Treble (Alto) Recorder (2)
Harp, Flute (duet) (2)
Voice, melodic lines, and Guit… (2)
Violin, Guitar (duet) (2)
Oboe, Flute (2)
Double Bass (2)
Orchestra, Violin (2)
Guitar, Orchestra (2)
Violin, Cello (duet) (2)
Recorder, Piano (2)
1 Piano, 6 hands (2)
CD (2)
Symphonic Band (2)
Choeur Mixte Et Orgue (2)
Soprano voice (2)
Trombone or Euphonium (2)
A Cappella (2)
Chorale (2)
Accessoire (2)
Lute (2)
Marimba (2)
Voix Mixtes SAB et Piano (2)
Children choir (2)
Euphonium (2)
Orgue Sans Pédale (2)
SAATBB et Orchestre (1)
Orchestre et Piano (1)
Baryton et Quatuor à Cordes (1)
Choeur Mixte (SA Hommes) Et Or… (1)
Instrument Cuivre En Mib (1)
Saxophone Alto Ou Baryton (1)
Saxophone Soprano et Ténor (1)
Snare drums (1)
Partition Complète / Full Sco… (1)
Quintette Variable (1)
Guitare Tablatures Country - S… (1)
Quatuor de Guitares (1)
Voix Et Orff-Instruments (1)
SATB et SATTB (1)
Opera (1)
String Trio: 3 violins (1)
Voix Elevée(s) Et Guitare (1)
1 ou 2 Clarinettes (1)
1 Ou 2 Flûte(s) Traversière(… (1)
Flûte Traversière Et Hautboi… (1)
3 Violoncelles et Piano ad lib… (1)
Tout Instrument (1)
Saxophone Tenor Ou Soprano (1)
Piano Accompagnement (1)
Soprano, Clarinette, Trompette… (1)
Chœur Mixte [SATB] et Piano (1)
Instrument Cuivre En Sib (1)
Melody line, Piano (1)
2 Violas (duet) (1)
Band Scores (1)
Guitare (Flatpick) Et Plectre (1)
Saxophone Soprano / Ténor, Cl… (1)
Lyrics only (1)
SAM a Cappella (1)
Paroles Et Accords (1)
Scores (1)
Guitare Classique et Fingerpic… (1)
2 Clarinettes Avec Percussions… (1)
Saxophone Alto, Saxophone Tén… (1)
Voix Masculines (1)
2 Saxophones Alto et Piano ou … (1)
2 French horns (duet) (1)
Violon et Orchestre d'Instrume… (1)
Soprano et Orgue (1)
Flute Trio: 3 flutes (1)
Poèmes (1)
Choeur SSAATBB Et Orgue (1)
Guitare Tablatures Flatpick et… (1)
Timbales (1)
Soli, Mixted choir and accompa… (1)
1 ou 2 Flûtes Traversière (1)
Voix Solo ou Voix à L'Unisson… (1)
Guitare, Piano et Voix (1)
Flûte Ou Violon (1)
Violon Et Piano Ad Libitum (1)
Choral Unison (1)
Cello, Orchestra (1)
Ensemble Flexible à 5 Parties… (1)
Partition de Poche (1)
Oboe, Cello and Piano (1)
Piano, Organ, with chord symbo… (1)
Tenor Solo, Choeur Mixte (SATB… (1)
Fake Book (1)
Voix d'Alto et Orchestre (1)
String Quartet : 4 violas (1)
Choeur Mixte (SATB) et Quelque… (1)
3 Clarinets (trio) (1)
Baryton ou Basse et Piano (1)
Guitare Tablatures Acoustique … (1)
2 Parties Mixtes Et Piano (1)
Chord-Programmed Orgue (1)
Choeur d'Enfants et Piano (1)
4 Saxophones (Soprano, Alto, T… (1)
Piano Et Cordes (2 Violons, Vi… (1)
Vibraphone (1)
1 ou 2 Flûtes à Bec Soprano (1)
Trompette (B) et Piano (1)
Saxophone Baryton (1)
Conducteur De Poche (1)
Voix de Femmes (1)
Piano Trio: mixed chamber inst… (1)
Partie De Violon Alto Solo (1)
Duo Trp, Bugle ou Baryt (1)
Instruments En Si Et Ut (1)
1 ou 2 Saxophones Alto (1)
4 Pianos (1)
Choeur SAM, (Instruments) (1)
Recueil de Chansons (1)
Tenor voice, Piano (1)
Voix d'Enfants et Cordes ou In… (1)
Oboe, Piano (duet) (1)
Singstimme (1)
Framedrums (1)
Piccolo, Piano (1)
3 Saxophones (Alto, Ténor) et… (1)
Soprano (1)
Violin ensemble (1)
Voix d'Hommes et Guitare (1)
3 Trumpets (trio) (1)
Orchestre et 2 Violons (1)
3 Saxophones (trio) (1)
Clavecin (1)
3 Parties Voix Aigües (SSA) e… (1)
Voix Mixtes (1)
Chamber Orchestra (1)
Solistes SATB, SATB et Orchest… (1)
Music Theory (1)
Violon et Ensemble Instrumenta… (1)
Cornet and Piano (1)
Soprano, Flûte A Bec Alto Et … (1)
Choeur d'Enfants (1-3 Voix) et… (1)
Voix et Piano et Voix De Femme… (1)
Ensemble de Vents (1)
2 Voix (1)
Medium voice, Piano (1)
Singstimme (1)
3 Guitars (trio) (1)
Lyrics & Chords (1)
Alto Solo (1)
Chant de Femmes et Piano (1)
FILTERS AND ORDERS
FILTERS AND ORDERS
Sorting and filters :
Relevance
Best sellers
Price low to high
New releases
Most commented (USA)
A-Z
Level easy to difficult
Level difficult to easy
In Stock
Medias (all)
With CD or online
With online audio
With CD
With DVD
Sheet music only
Samples (all)
With cover
With audio
With sheet extract
Audio+Extract
Languages
English
French
German
Italian
Japanese
Spanish
Russian
Deutsh
>Swedish
Português
USA
11,173
Europe
43
Next page
1
31
Details
Details
5 Tantum Ergo (BRUCKNER ANTON / DOSS THOMAS (Arr)
Concert band
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
152.60 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
14 Motetten (BRUCKNER ANTON / DOSS THOMAS (Arr)
Concert band
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
406.80 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Nemu-Susato (VAN DER ROOST JAN)
Concert band
[Score and Parts]
-
Intermediate
De Haske Publications
Par VAN DER ROOST JAN. Commissioned by the Japan Band Clinic Committee of Yamaha...
(+)
Par VAN DER ROOST JAN. Commissioned by the Japan Band Clinic Committee of Yamaha for the Nemu Band Directors Clinic in Nemu no Sato, May 18-20, 1997. The surprising title of this work is an indication of its content. By combining the somewhat similar names ‘Nemu no Sato’ and ‘Susato’ into a new word, Jan Van der Roost has produced a significant and interesting subject. The Yamaha corporation has extensive facilities in Nemu no Sato, Japan, including a concert hall, recording studios, hotel and so on. Concerts, workshops, clinics and other events are held here, including the annual Nemu Band Directors Clinic, which consists of numerous musical events. Jan Van der Roost served as guest conductor andspeaker in 1994. He was invited again for the 1997 clinic, this time with a composition assignment. The difficulty level of his new piece was to be Grade 2 - 3 bands. With this in mind, Mr. Van der Roost strove to create a renaissance-like sound. Simultaneously he wished to create a tribute to Tielman Susato who, like Jan Van der Roost, lived and worked in Antwerp in the 16th century. The first performance of Nemu-Susato was conducted by the composer, performed by the Tokyo Metropolitan Police Band, and took place during the Nemu Band Directors Clinic on May 19, 1997. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie
211.40 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Nemu-Susato (VAN DER ROOST JAN)
Marching band
[Score and Parts]
-
Intermediate
De Haske Publications
Par VAN DER ROOST JAN. Commissioned by the Japan Band Clinic Committee of Yamaha...
(+)
Par VAN DER ROOST JAN. Commissioned by the Japan Band Clinic Committee of Yamaha for the Nemu Band Directors Clinic in Nemu no Sato, May 18-20, 1997. The surprising title of this work is an indication of its content. By combining the somewhat similar names ‘Nemu no Sato’ and ‘Susato’ into a new word, Jan Van der Roost has produced a significant and interesting subject. The Yamaha corporation has extensive facilities in Nemu no Sato, Japan, including a concert hall, recording studios, hotel and so on. Concerts, workshops, clinics and other events are held here, including the annual Nemu Band Directors Clinic, which consists of numerous musical events. Jan Van der Roost served as guest conductor andspeaker in 1994. He was invited again for the 1997 clinic, this time with a composition assignment. The difficulty level of his new piece was to be Grade 2 - 3 bands. With this in mind, Mr. Van der Roost strove to create a renaissance-like sound. Simultaneously he wished to create a tribute to Tielman Susato who, like Jan Van der Roost, lived and worked in Antwerp in the 16th century. The first performance of Nemu-Susato was conducted by the composer, performed by the Tokyo Metropolitan Police Band, and took place during the Nemu Band Directors Clinic on May 19, 1997. / Niveau : 3 / Pièce de concert / Répertoire / Fanfare
211.40 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Cantina Band
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was...
(+)
Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called «jizz», Williams’ take on the more well-known genre «jazz». Williams was tasked by Star Wars-creator George Lucas to make music that sounded like «several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it» and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing. The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name 'jizz-wailers', and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well. The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine. In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
166.10 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
3 Letzte Motetten
Concert Band/Harmonie
[Score]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
50.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
3 Letzte Motetten
Concert Band/Harmonie
[Score and Parts]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
195.80 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
BläserKlasse Chart-Hits ? Baritonsaxophon in Es
Baritone Saxophone
[Sheet music]
-
Easy
De Haske Publications
Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recu...
(+)
Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recueil / Saxophone Baryton en Mib
10.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
St. Martin's Suite (VAN DER ROOST JAN)
Marching band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par VAN DER ROOST JAN. This suite was composed by Jan Van der Roost on the occas...
(+)
Par VAN DER ROOST JAN. This suite was composed by Jan Van der Roost on the occasion of the 110th anniversary of the ‘Koninklijke Sint Martinusfanfare’ (Royal Saint Martinus Fanfare Band) from Halle (Belgium). The composer was required to create a suite in three movements based on three images associated with the ‘Sint Martinusfanfare’ from the small town of Halle in the province of Brabant. The first movement (Andante Pomposo) describes Martin, a soldier in the Roman army. In Andante Moderato we see the image of Martin, who become a Christian and chooses to devote his life to God. In this movement, the composer was inspired by the Brabantine gothic art of the Sint Martinus Basilica in Halle. Thecontrast between the dark Basilica and the statue of Our Lady between the soaring pillars will vividly come to life for audiences of this descriptive piece. The final movement, Allegro Molto Vivace’, could have been an image for a frivolous peasant in the Halle carnival. In a triptych about St. Martin it is more fitting to refer to it as an apotheosis, the crown on the pastoral work of Martin, Bishop of Tours, Patron Saint of the Fanfare Band and the Basilica of Halle. / Niveau : 4 / Pièce de concert / Répertoire / Fanfare
211.40 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
St. Martin's Suite (VAN DER ROOST JAN)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par VAN DER ROOST JAN. This suite was composed by Jan Van der Roost on the occas...
(+)
Par VAN DER ROOST JAN. This suite was composed by Jan Van der Roost on the occasion of the 110th anniversary of the ‘Koninklijke Sint Martinusfanfare’ (Royal Saint Martinus Fanfare Band) from Halle (Belgium). The composer was required to create a suite in three movements based on three images associated with the ‘Sint Martinusfanfare’ from the small town of Halle in the province of Brabant. The first movement (Andante Pomposo) describes Martin, a soldier in the Roman army. In Andante Moderato we see the image of Martin, who become a Christian and chooses to devote his life to God. In this movement, the composer was inspired by the Brabantine gothic art of the Sint Martinus Basilica in Halle. Thecontrast between the dark Basilica and the statue of Our Lady between the soaring pillars will vividly come to life for audiences of this descriptive piece. The final movement, Allegro Molto Vivace’, could have been an image for a frivolous peasant in the Halle carnival. In a triptych about St. Martin it is more fitting to refer to it as an apotheosis, the crown on the pastoral work of Martin, Bishop of Tours, Patron Saint of the Fanfare Band and the Basilica of Halle. / Niveau : 4 / Répertoire / Concert Band ou Harmonie
211.40 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
George Washington Suite (HANNICKEL MIKE)
Concert band
[Score and Parts]
-
Easy
Curnow Music
Par HANNICKEL MIKE. History! Introduce a bit of good old early-Americana to your...
(+)
Par HANNICKEL MIKE. History! Introduce a bit of good old early-Americana to your audiences this year. GEORGE WASHINGTON SUITE is made up of three tunes known to have been composed for (or about) George and Martha Washington in their own time. Probably the best known of the three is the first movement, WASHINGTON’S GRAND MARCH, which is believed to have been written by Francis Hopkinson. He was one of the signers of the Declaration of Independence. The second movement has the delightful title “Fancy Menuit with figure Dance by Two young Ladies in the presance of Mrs. Washington in 1792. Phila. ” sic (The quaint original spellings and capitalizations are preserved here for historical interest. ) A fife-and-drum style arrangement of the BRANDYWINE QUICKSTEP completes this early American triptych. The stately and moderate tempos that fit the music of this era so well also ensure that the arrangements remain accessible to young bands. Add some good old early-American spirit to your upcoming performance with GEORGE WASHINGTON SUITE! / Niveau : 2 / Répertoire / Concert Band ou Harmonie
97.60 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
George Washington Suite (HANNICKEL MIKE)
Concert band
[Score and Parts]
-
Easy
Curnow Music
Par HANNICKEL MIKE. History! Introduce a bit of good old early-Americana to your...
(+)
Par HANNICKEL MIKE. History! Introduce a bit of good old early-Americana to your audiences this year. GEORGE WASHINGTON SUITE is made up of three tunes known to have been composed for (or about) George and Martha Washington in their own time. Probably the best known of the three is the first movement, WASHINGTON’S GRAND MARCH, which is believed to have been written by Francis Hopkinson. He was one of the signers of the Declaration of Independence. The second movement has the delightful title “Fancy Menuit with figure Dance by Two young Ladies in the presance of Mrs. Washington in 1792. Phila. ” sic (The quaint original spellings and capitalizations are preserved here for historical interest. ) A fife-and-drum style arrangement of the BRANDYWINE QUICKSTEP completes this early American triptych. The stately and moderate tempos that fit the music of this era so well also ensure that the arrangements remain accessible to young bands. Add some good old early-American spirit to your upcoming performance with GEORGE WASHINGTON SUITE! / Niveau : 2 / Pièce de concert / Répertoire / Concert Band
97.60 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
For The Next Thousand (SCHWARZ OTTO M)
Concert band
[Score and Parts]
-
Intermediate
De Haske Publications
Par SCHWARZ OTTO M.. Perhaps a strange characteristic, but mankind has always ha...
(+)
Par SCHWARZ OTTO M.. Perhaps a strange characteristic, but mankind has always had a fear of changing centuries and millennia. The end of the world and all kind of natural catastrophes has been forecasted, but have never come to pass. In For The Next Thousand composer Otto Schwarz tries to be more positive. In this piece he makes a toast to the new age, in which wind music too has to find a new way of staying attractive. The piece has elements of film music and has a slow-rock middle section, with a sax solo. With this piece, Schwarz hopes to make a contribution to the renewals necessary within the wind band scene. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie
148.60 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Sea Of Hope (DE HAAN JACOB)
Concert band
[Score and Parts]
-
Intermediate
De Haske Publications
Par DE HAAN JACOB. Sea of Hope est une oeuvre optimiste concernant la nouvelle t...
(+)
Par DE HAAN JACOB. Sea of Hope est une oeuvre optimiste concernant la nouvelle terre créée sur l’ancienne Zuiderzee (Pays-Bas). Dans l’introduction, la mer est représentée dans toute sa gloire et dans sa douleur par une mélodie qui évoque toutes sortes d’émotions contradictoires. Ensuite, enfin, on retrouve une lueur d’espoir lorsque l’eau est barrée et une partie de la terre est transformée en polder. Le développement de la ville de Dronten, par exemple, permet à deux personnes de se rencontrer et de tomber amoureux. Cet amour est représenté par le mouvement lent et passionné du milieu. La célébration de cette nouvelle joie de vivre de la ville transparaît dans cette partie de l’oeuvre, suivie par les dernières mesures optimistes et festives. / Niveau : 3 / Pièce de concert / Date parution : 1905-07-10/ Répertoire / Concert Band ou Harmonie
169.70 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Hope Arises
Concert band
Southern Music
for Large Wind Band Concert Band Signature Series. Par BARNES JAMES. Hope Arises...
(+)
for Large Wind Band Concert Band Signature Series. Par BARNES JAMES. Hope Arises is one of two new works requested in 2021 of composer James Barnes by Colonel Donald Schofield, to be written for the United States Air Force Band. It is a short piece intended to be used as an opener for AFB's tour concerts. It opens with a dramatic brass fanfare, based on consecutive perfect fourths first introduced by horns and euphoniums, followed by a short oboe solo. An ascending line in mallets and woodwind provide a rather celestial transition, taking the listener to a lively, melodic allegro, which is based on the same opening fourths. This allegro theme is developed until a return to the opening fanfare is powerfully re-announced in brass. The work concludes quite dramatically, and includes a return of the ascending line in woodwinds, mallets, harp and piano. / Date parution : 2023-07-31/ Répertoire / Concert Band
113.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Choral Music (DE HAAN JACOB)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par DE HAAN JACOB. Jacob de Haan was commissioned to write Choral Music a concer...
(+)
Par DE HAAN JACOB. Jacob de Haan was commissioned to write Choral Music a concert band from Dinxperlo (Netherlands). This band gave the work its premiere in 1997 during the World Music Contest in Kerkrade. Choral Music is based on the chorale Sollt ich meinem Gott nicht singen by the seventeenth century German composer Johann Schop. Contrary to the title, Choral Music has nothing in common with a traditional choral arrangement. This contrasting work has a flashing beginning and only much later following on several thematic changes does Jacob de Haan allow the chorale melody to develop into its original form. Following this episode the chorale becomes a toccata developing into a whirlwind finish. / Niveau : 4 / Hymnes et chorals / Répertoire / Concert Band ou Harmonie
148.60 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Dance Away (TRADITIONAL)
Concert band
[Score and Parts]
-
Intermediate
Fentone Music
Arr. Rob Wiffin. Par TRADITIONAL. Cette composition est basée sur le célèbre ...
(+)
Arr. Rob Wiffin. Par TRADITIONAL. Cette composition est basée sur le célèbre air traditionnel écossais The Dashing White Sergeant. Longtemps considérée comme anonyme, cette mélodie aurait été composée au milieu des années 1820 par Sir Henry Rowley Bishop. Bien que cette théorie fut difficilement concevable pour certains (comment un Anglais aurait-il pu composer un célèbre air traditionnel écossais ?), elle reste néanmoins la plus communément admise. Il existe plusieurs textes accompagnant cet air. Le titre Dance Away dérive de la phrase « Dance away the hours together » extraite des paroles de Sir Hugh Roberston. Dance Away fait référence à diverses formes de danses. Certaines puisentleurs racines dans la tradition, d’autres dans la modernité. Ainsi, nous quittons l’Écosse pour la Thaïlande et l’Espagne. / Niveau : 3 / Musique légère originale / Date parution : 1905-06-29/ Répertoire / Concert Band ou Harmonie
124.70 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Et In Terra Pax (VAN DER ROOST JAN)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par VAN DER ROOST JAN. This piece was commissioned by the ‘Concert Band Vlamer...
(+)
Par VAN DER ROOST JAN. This piece was commissioned by the ‘Concert Band Vlamertinge’ and is a plea for peace: the title translates as ‘Peace on Earth’. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words ‘Et In Terra Pax’ - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices. The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from ‘ConCErtbAnD VlAmErtinGE’ and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words ‘Et In Terra Pax’ bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem ‘Sonnet’ by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words ‘Et In Terra. . . Pax’ are repeated again and again by the rest of the orchestra. The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too. / Niveau : 4 / Répertoire / Concert Band ou Harmonie
247.20 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
BläserKlasse Chart-Hits ? Klarinette in B
Clarinet
[Sheet music]
-
Easy
De Haske Publications
Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recu...
(+)
Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recueil / Clarinette en Si
10.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
BläserKlasse Chart-Hits ? Tuba
Tuba
[Sheet music]
-
Easy
De Haske Publications
Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recu...
(+)
Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recueil / Tuba
10.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
BläserKlasse Chart-Hits ? Tenorsaxophon in B
Tenor Saxophone
[Sheet music]
-
Easy
De Haske Publications
Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recu...
(+)
Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recueil / Saxophone Ténor
10.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
BläserKlasse Chart-Hits ? Flöte
Flute
[Sheet music]
-
Easy
De Haske Publications
Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recu...
(+)
Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recueil / Flûte Traversière
10.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
BläserKlasse Chart-Hits ? Bassklarinette/Tenorhorn
Saxhorn or Euphonium
[Sheet music]
-
Easy
De Haske Publications
Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recu...
(+)
Angesagte Popnummern für den großen Auftritt. Par . / Niveau : Facile / Recueil / Clarinette Basse / Cor Ténor
10.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Old Hundredth (BOURGEOIS LOUIS)
Concert band
[Score and Parts]
-
Intermediate
Anglo Music
Arr. Philip Sparke. Par BOURGEOIS LOUIS. L’hymne Old Hundredth est une des plu...
(+)
Arr. Philip Sparke. Par BOURGEOIS LOUIS. L’hymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560). En 1561, William Kethe, un pasteur écossais, reprend la mélodie pour réaliser une paraphrase du Psaume 100, All People that on Earth do Dwell (Vous tous, habitants de la terre !), qui sera publiée dans le Psautier de Sternhold et Hopkins. Cette paraphrase reste le texte le plus chanté sur la mélodie de Bourgeois. En 1696, Nahum Tate et Nicholas Brady réalisent une Nouvelle Version des Psaumes de David (New Version of the Psalms). Par opposition à la version révisée de la mélodie, la version initiale prend alors le nom de Old Hundredth, autrement dit « l’ancienne version du Psaume 100 ». / Niveau : 3 / Hymnes et chorals / Répertoire / Concert Band ou Harmonie
124.70 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Push It (M/B)
Marching band
Alfred Publishing
One of the most recognizable hooks ever written is the basis for this brand new ...
(+)
One of the most recognizable hooks ever written is the basis for this brand new arrangement of the classic hip-hop tune from Salt-n-Pepa. Named one of Rolling Stone magazine's 500 Greatest Songs of All Time and high on the list of VH1's Greatest Hip-Hop Songs, this tune will be a crowd favorite year after year! (1:35) / Marching Band
78.70 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Canterbury Coronation (CURNOW JAMES)
Concert band
[Score and Parts]
-
Easy
Curnow Music
Par CURNOW JAMES. On June 2 1953 the coronation of Queen Elizabeth II took place...
(+)
Par CURNOW JAMES. On June 2 1953 the coronation of Queen Elizabeth II took place following a ritual that has been used since 750 AD. Since Canterbury is the ancient religious centre of Great Britain the Archbishop of Canterbury, the head of the Church of England, has presided over the coronation ceremonies of rulers of England for many generations. Canterbury Coronation seeks to capture both the ancient solemnity and the spirit of celebration that is inherent in a coronation and its accompanying ceremonies. / Niveau : 2 / Pièce de concert / Répertoire / Concert Band ou Harmonie
67.20 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Credentium (VAN DER ROOST JAN)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par VAN DER ROOST JAN. A spectacular dive via an extended chromatic scale immedi...
(+)
Par VAN DER ROOST JAN. A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it. There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town. This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations. / Niveau : 6 / Pièce de concert / Répertoire / Concert Band ou Harmonie
289.50 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Credentium (VAN DER ROOST JAN)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par VAN DER ROOST JAN. A spectacular dive via an extended chromatic scale immedi...
(+)
Par VAN DER ROOST JAN. A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it. There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town. This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations. / Niveau : 6 / Pièce de concert / Répertoire / Concert Band
289.50 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Milestone Overture (BROSSE DIRK)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par BROSSE DIRK. This work was written at the pivotal point of both two centurie...
(+)
Par BROSSE DIRK. This work was written at the pivotal point of both two centuries and two millennia. With its hopeful melodies and triumphant parts in the brass section, the opening pictures the dawning of a new era of great expectations, characterized by the high speed of communicating all over the world, which is one of the most important aspects of life in the 21st century. This is achieved by musical themes being rapidly transferred from one musician to another. In this vortex of information and fast business transactions, the sense of individuality threatens to become extinct. At this point, Brosse silences the orchestra (a symbol of society) and draws attention to those peoplewho are less fortunate than most of us. This focus on other people culminates with an orchestral climax in which all powers come together with a feeling of euphoria. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie
189.81 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Portrait Of A City (SPARKE PHILIP)
Concert band
[Score and Parts]
-
Intermediate/advanced
Anglo Music
Par SPARKE PHILIP. In this exciting suite Philip Sparke sets out to capture the ...
(+)
Par SPARKE PHILIP. In this exciting suite Philip Sparke sets out to capture the essence of his hometown, London, with each of the three movements depicting one of the many characteristics of this fascinating city. Skyline shows the frantic lifestyles of Londoners with millions of diverse people with different hopes and needs. Autumn shows the changes that take place in London during the different seasons and Downtown portrays the exciting nightlife of the West End. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
260.21 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Next page
1
31
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version