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Amazonia (VAN DER ROOST JAN)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st mov...
(+)
Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the “Laguna del Shimbe”, one of the countless wells of the immense Amazon stream. 2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It’s a proud, beautiful andindependent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants, . . . . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways. 3rd movement: MekaronMekaron is an Indian word meaning “picture”, “soul”, “essence”. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music andmedicine. “Everywhere the white man goes, he leaves a wilderness behind him”, wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone, 80 tribes have vanished completely). 4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with redpaint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound. 5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped. / Niveau : 6 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Amazonia (VAN DER ROOST JAN)
Marching band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st mov...
(+)
Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the “Laguna del Shimbe”, one of the countless wells of the immense Amazon stream. 2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It’s a proud, beautiful andindependent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants, . . . . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways. 3rd movement: MekaronMekaron is an Indian word meaning “picture”, “soul”, “essence”. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music andmedicine. “Everywhere the white man goes, he leaves a wilderness behind him”, wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone, 80 tribes have vanished completely). 4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with redpaint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound. 5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped. / Niveau : 6 / Répertoire / Fanfare
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5 Tantum Ergo (BRUCKNER ANTON / DOSS THOMAS (Arr)
Concert band
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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14 Motetten (BRUCKNER ANTON / DOSS THOMAS (Arr)
Concert band
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score and Parts]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Festa Paesana (DE HAAN JACOB)
Concert band
[Score and Parts]
-
Intermediate
De Haske Publications
Par DE HAAN JACOB. Lunteren, a village on the Veluwe (a wooded region in the Net...
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Par DE HAAN JACOB. Lunteren, a village on the Veluwe (a wooded region in the Netherlands), sets the scene annually for a village festival dominated by folklore. Festa Paesana (Italian for village festival) is set to music by several folkloric sketches. The theme in Festa Paesana is partly based on a Dutch anthem (Wien Neerlands bloed); when other lyrics are used it is also known as the Lunteren anthem. The work begins with a festive introduction, completed by chimes and drums, in which pieces of the Lunteren anthem are heard. The music then transitions to represent a horse auction. We hear horses run their first rounds in the auction ring while being whipped. The following theme is partly basedon the anthem. The tension of the traditional auction is amplified by an ever-increasing cadence, reaching its climax when the word ?Sold!? is shouted. The night ends with a majestic variation on the Lunteren anthem. The next morning, when the tower clock hits seven times, the village is awaked by the reveille of the heralds. In a fugatic version of the anthem, we can hear the village slowly come to life. This evolves with the chiming of all towers in the village; the celebration can begin. Carriages drawn by horses rumble through the village and thus, it is easy to hear when a horse hesitates or runs amuck. A traditional folk dance group then dances a whirling waltz while the audience shares their pleasure. Musicians march along the scene and take over the waltz theme in their march. Until deep in the night, the musicians are still heard playing in the streets. Meanwhile, we hear the anthem theme being played in a choral variation (in minor). The first time it is played quietly, as a preparation for Sunday. Then it is played in a celebrating way, enabling the devout village residents to remember the past pleasant celebration with satisfaction. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Schola Vitae
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Musi...
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Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Music School in Luxembourg, Paul Scholer, describes in an 8-minute piece that learning and playing music is a school for life. Starting with popular scales that ascend and descend through various keys, an essential tool familiar to every musician appears: the metronome. It sets the tempo, and musicians practice their themes together or against each other, register by register. In music, however, it's not just about technique and precision, but also about emotions. Music connects people, fosters friendships, and accompanies them through the highs and lows of life. The sense of togetherness in music becomes increasingly audible. Everyone works together and pulls in the same direction to ultimately achieve something great. Georges Sadeler, born in 1988 is a Luxembourgish composer and saxophonist with the Grand Ducal Military Band of Luxembourg. His father kindled his interest in composing and arranging at an early age, a study he later continued under his two teachers Marco Pütz and Claude Lenners, both of whom taught at the Conservatoire of Music, Luxembourg. He gradually began to establish his own style, combining the enormous range of possibilities of contemporary music and classical music and, in the years that followed, he won six first prizes at various national and international composition competitions. His works have since been performed all over Europe. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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The Four Noble Truths (SPARKE PHILIP)
Concert band
[Score and Parts]
-
Intermediate/advanced
Anglo Music
Par SPARKE PHILIP. The Four Noble Truths are the most basic expression of the te...
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Par SPARKE PHILIP. The Four Noble Truths are the most basic expression of the teaching of Buddha and therefore still form the guidelines for Buddhists to this day. The four truths are Dukkha, which describes times of major stress in our lives - birth, aging, desire and death; Samudaya which describes those parts of our life that induce stress, feeling, craving, desire; Nirodha which tells us how to eliminate those aspects of our lives which induce stress and Magga which describes the eight didciplines which can help us eliminate the origins of stress from our lives. It can be seen from these over-simplified definitions, that the Four Noble Truths fall into two pairs, the first two describingthe origins of stress and the second two describing how we can reduce stress. To reflect this, the four movements of this work are also combined into two pairs - two quick movements and two slow movements. A fascinating work from this great English composer. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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The Four Noble Truths (SPARKE PHILIP)
Concert band
[Score and Parts]
-
Intermediate/advanced
Anglo Music
Par SPARKE PHILIP. The Four Noble Truths are the most basic expression of the te...
(+)
Par SPARKE PHILIP. The Four Noble Truths are the most basic expression of the teaching of Buddha and therefore still form the guidelines for Buddhists to this day. The four truths are Dukkha, which describes times of major stress in our lives - birth, aging, desire and death; Samudaya which describes those parts of our life that induce stress, feeling, craving, desire; Nirodha which tells us how to eliminate those aspects of our lives which induce stress and Magga which describes the eight didciplines which can help us eliminate the origins of stress from our lives. It can be seen from these over-simplified definitions, that the Four Noble Truths fall into two pairs, the first two describingthe origins of stress and the second two describing how we can reduce stress. To reflect this, the four movements of this work are also combined into two pairs - two quick movements and two slow movements. A fascinating work from this great English composer. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band
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Time Remembered (SPARKE PHILIP)
Marching band
[Score and Parts]
-
Intermediate/advanced
Anglo Music
Elegy For Band. Par SPARKE PHILIP. The initial idea was for a millennium piece, ...
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Elegy For Band. Par SPARKE PHILIP. The initial idea was for a millennium piece, which it is, but rather than add to the many celebratory pieces that have understandably been written to salute the 3rd millennium, Philip Sparke thought it would perhaps be appropriate to think about the aspects of life that are constantly with us (such as faith and philosophy) rather than the exciting changes that the year 2000 has undeniably wrought. This calm meditative work will bring a moment of serenity and reflection to any concert. / Niveau : 4 / Musique pour célébration / Répertoire / Fanfare
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Time Remembered (SPARKE PHILIP)
Concert band
[Score and Parts]
-
Intermediate/advanced
Anglo Music
Elegy For Band. Par SPARKE PHILIP. The initial idea was for a millennium piece, ...
(+)
Elegy For Band. Par SPARKE PHILIP. The initial idea was for a millennium piece, which it is, but rather than add to the many celebratory pieces that have understandably been written to salute the 3rd millennium, Philip Sparke thought it would perhaps be appropriate to think about the aspects of life that are constantly with us (such as faith and philosophy) rather than the exciting changes that the year 2000 has undeniably wrought. This calm meditative work will bring a moment of serenity and reflection to any concert. / Niveau : 4 / Musique pour célébration / Répertoire / Concert Band ou Harmonie
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Of Courage And Patriotism (CURNOW JAMES)
Concert band
[Score and Parts]
-
Intermediate
Curnow Music
SAGA from the War of 1812. Par CURNOW JAMES. This is descriptive composition at ...
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SAGA from the War of 1812. Par CURNOW JAMES. This is descriptive composition at its finest! The music tells the story of the battle at Fort Meigs, Ohio during the War of 1812. The listener is taken from the calm sunrise, through the intensity and tulmultuous events of that fateful day. The quiet of the early dawn hours, the distant trumpet calls and sounds of thundering canons bring history to life through riveting music! Highly recommended! / Niveau : 3 / Pièce de concert / Répertoire / Concert Band
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Andante From The Surprise Symphony (HAYDN FRANZ JOSEF)
Concert band
[Score and Parts]
-
Beginner
Curnow Music
Arr. Timothy Johnson. Par HAYDN FRANZ JOSEF. “He alone has the secret of makin...
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Arr. Timothy Johnson. Par HAYDN FRANZ JOSEF. “He alone has the secret of making me smile, and touching me to the bottom of my soul, ” said Mozart about “Papa” Haydn and his music. The “Surprise” Symphony (No. 94), incidentally written during the final year of Mozart’s short life, has become one of Haydn’s most memorable works. Since this symphony was written during the zenith of the Classical period, Timothy Johnson’s skillful arrangement gives you a perfect opportunity to teach your young band “lightness” and control as essentials of Classical style playing. You can introduce the concept of making the staccato notes “separated” instead of just “short” in order to best approximate the sound of the times. It’s a naturalselection for your next festival or concert! Why not give your young band a chance to meet “Papa” Haydn through this charming arrangement? / Niveau : 1 / Répertoire / Concert Band ou Harmonie
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The Painted Bird (DE MEIJ JOHAN)
Concert band
[Score and Parts]
Amstel Music
\'A Cry against Facism\'. Par DE MEIJ JOHAN. The Painted Bird, the controversial...
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\'A Cry against Facism\'. Par DE MEIJ JOHAN. The Painted Bird, the controversial novel by Jerzy Kosinski (1933-1991), tells the story of a Jewish boy during World War II. For his safety, the child was sent to the Polish countryside by his parents. The title refers to a barbaric tradition among Polish farmers. The wings of a captured bird were painted in bright colors, after which the animal was released. Almost immediately, the bird was attacked and pecked to death by its peers. The boy underwent the same fate. Wherever he wandered, the local rural people cruelly mistreated him because of his distinctly different appearance. However, he survives the horrors and is reunited with his parents after the war. To escape the yoke of the Soviet occupation in his country, the Polish-Jewish Kosinski emigrated with counterfeit papers to the United States in 1957, where he became an American citizen in 1965. His landmark novel The Painted Bird was translated into thirty languages and sold millions of copies. Plagued by illness and accusations of betraying his country and plagiarism the writer ended his life in 1991. / Date parution : 2022-07-30/ Répertoire / Concert Band/Harmonie
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Portrait Of A City (SPARKE PHILIP)
Concert band
[Score and Parts]
-
Intermediate/advanced
Anglo Music
Par SPARKE PHILIP. In this exciting suite Philip Sparke sets out to capture the ...
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Par SPARKE PHILIP. In this exciting suite Philip Sparke sets out to capture the essence of his hometown, London, with each of the three movements depicting one of the many characteristics of this fascinating city. Skyline shows the frantic lifestyles of Londoners with millions of diverse people with different hopes and needs. Autumn shows the changes that take place in London during the different seasons and Downtown portrays the exciting nightlife of the West End. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Ave Verum Corpus (MOZART WOLFGANG AMADEUS)
Concert band
[Score and Parts]
-
Easy
Curnow Music
Arr. Timothy Johnson. Par MOZART WOLFGANG AMADEUS. 'Melody is the very essence o...
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Arr. Timothy Johnson. Par MOZART WOLFGANG AMADEUS. 'Melody is the very essence of music. ' -W. A. Mozart (1786)Mozart confirmed this view on melody by writing the Ave Verum Corpus near theend of his short life. Originally written for chorus, strings, and organ, this work standsamong the most beautiful musical expressions of all time. Timothy Johnson has skillfullymade Mozart's wondrous achievement available to concert bands. It's perfect forworship services and the sostenuto style, with careful attention to dynamics, makesit a great choice for that 'middle' spot at festival or for the more serious moment atany performance. Given the opportunity, young bands LOVE to play truly greatmusic, and it just doesn't getmuch better than the mastery of Mozart. / Niveau : 2 / Répertoire / Concert Band ou Harmonie
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Ave Verum Corpus (MOZART WOLFGANG AMADEUS)
Marching band
[Score and Parts]
-
Easy
Curnow Music
Arr. Timothy Johnson. Par MOZART WOLFGANG AMADEUS. 'Melody is the very essence o...
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Arr. Timothy Johnson. Par MOZART WOLFGANG AMADEUS. 'Melody is the very essence of music. ' -W. A. Mozart (1786)Mozart confirmed this view on melody by writing the Ave Verum Corpus near theend of his short life. Originally written for chorus, strings, and organ, this work standsamong the most beautiful musical expressions of all time. Timothy Johnson has skillfullymade Mozart's wondrous achievement available to concert bands. It's perfect forworship services and the sostenuto style, with careful attention to dynamics, makesit a great choice for that 'middle' spot at festival or for the more serious moment atany performance. Given the opportunity, young bands LOVE to play truly greatmusic, and it just doesn't getmuch better than the mastery of Mozart. / Niveau : 2 / Musique pour célébration / Répertoire / Fanfare
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Ave Verum Corpus (MOZART WOLFGANG AMADEUS)
Concert band
[Score and Parts]
-
Easy
Curnow Music
Arr. Timothy Johnson. Par MOZART WOLFGANG AMADEUS. 'Melody is the very essence o...
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Arr. Timothy Johnson. Par MOZART WOLFGANG AMADEUS. 'Melody is the very essence of music. ' -W. A. Mozart (1786)Mozart confirmed this view on melody by writing the Ave Verum Corpus near theend of his short life. Originally written for chorus, strings, and organ, this work standsamong the most beautiful musical expressions of all time. Timothy Johnson has skillfullymade Mozart's wondrous achievement available to concert bands. It's perfect forworship services and the sostenuto style, with careful attention to dynamics, makesit a great choice for that 'middle' spot at festival or for the more serious moment atany performance. Given the opportunity, young bands LOVE to play truly greatmusic, and it just doesn't getmuch better than the mastery of Mozart. / Niveau : 2 / Répertoire / Concert Band
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The Song Of The Bell (SPARKE PHILIP)
Concert band
[Score and Parts]
-
Intermediate/advanced
Anglo Music
after a poem by Friedrich Schiller. Par SPARKE PHILIP. Ce morceau est basé sur ...
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after a poem by Friedrich Schiller. Par SPARKE PHILIP. Ce morceau est basé sur l’un des poèmes les plus connus de la littérature allemande, notamment l’épopée de 1798 de Friedrich Schiller, Das Lied der Glocke ( La Chanson de la cloche ). Le poème établit un parallèle entre la vie humaine et le procédé de mouler une cloche. Il y a trois mouvements : Life Celebration (la célébration de la vie), Sound the Alarm (sonnez l’alarme) et Journey’s End (Fin du trajet). / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Joyride (JOHNSON TIMOTHY)
Concert band
[Score and Parts]
-
Easy
Curnow Music
Commemorating the 100th Anniversary of the Model T Ford. Par JOHNSON TIMOTHY. Wh...
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Commemorating the 100th Anniversary of the Model T Ford. Par JOHNSON TIMOTHY. What fun you’ll have with this descriptive tone picture by Timothy Johnson! All kinds of creative rhythmic and orchestration effects bring the old Model T to life once again. Young musicians will revel in the fun of interpreting this joyous look at the 'old days. ' It’s a perfect contrast to lighten up your concert and refresh the audience. There’s also plenty to teach in the realm of style, articulation, phrasing, and much more, let alone the opportunity for cross-curricular teaching in U. S. history. It makes learning fun. / Niveau : 2 / Pièce de concert / Répertoire / Concert Band
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Life Dances (HIMES WILLIAM)
Concert band
[Score and Parts]
-
Intermediate/advanced
Curnow Music
Par HIMES WILLIAM. Who but William Himes could have composed this one? Filled wi...
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Par HIMES WILLIAM. Who but William Himes could have composed this one? Filled with humor, pathos, excitement and surprise, LIFE DANCES is a brilliant and rhythmic overture for the adventurous band. The dauntless contemporary sounds of the opening are contrasted by an almost Medeival character. You’ll traverse many intriguing and unpredictable paths before dazzling rhythmic interplay drives the band to the astonishing ending. Like life, when you first open this “box of chocolates” you truly won’t know what wonderful treats are in store. As a director, if you’ve ever gotten a bit weary of the “same old same old, ” you’ve come to the right place for a change. This one is sure to reinvigorate youand your band as you discover together all the surprises life has to offer. A celebration! / Niveau : 4 / Répertoire / Concert Band ou Harmonie
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Mexican Holiday (SPARKE PHILIP)
Concert band
[Score and Parts]
-
Beginner
Anglo Music
Par SPARKE PHILIP. Whilst making no claims to be stylistically authentic, this l...
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Par SPARKE PHILIP. Whilst making no claims to be stylistically authentic, this little piece aims to capture the infectious spirit of mariachi, a word whose origins are lost in the mists of time, but which describes not only the performers (on guitars, vihuelas, violins, trumpets and harp) but also the music itself. Their music speaks of love, passion, politics, life in the country and revolutionary heroes but is unerringly uplifting in style and immediately recognisable as the spirit of Mexico. A chance to add that Spanish flavour to your concerts. / Niveau : 1.5 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Something Borrowed, Something Blue (SPARKE PHILIP)
Concert band
[Score and Parts]
-
Beginner
Anglo Music
Par SPARKE PHILIP. This is a little salute to the wonderful music of Duke Elling...
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Par SPARKE PHILIP. This is a little salute to the wonderful music of Duke Ellington, taking Mood Indigo as its model. Something Borrowed, Something Blue will allow the young band to approach this masterpiece?s laid-back style, using chords and harmonies that they may be hearing for the first time. The flexible instrumentation of this work makes it ideal for bands without the full quota of players. Bring the world of jazz to life with this smooth classic. / Niveau : 1 / Répertoire / Concert Band ou Harmonie
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Fire Dance (DEL BORGO ELLIOT)
Concert band
[Score and Parts]
-
Easy
Curnow Music
Par DEL BORGO ELLIOT. The power and frenzy of a primal dance is brought to life ...
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Par DEL BORGO ELLIOT. The power and frenzy of a primal dance is brought to life from the very opening notes of this blazing overture! The contrast of the smoldering middle section stands out well against the powerful chord changes and strong melodic lines of the opening themes. / Niveau : 2.5 / Pièce de concert / Répertoire / Concert Band
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In The Bleak Mid-Winter (HOLST GUSTAV)
Concert band
[Score and Parts]
-
Easy
Anglo Music
Arr. Philip Sparke. Par HOLST GUSTAV. Christina Rossetti wrote the words to this...
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Arr. Philip Sparke. Par HOLST GUSTAV. Christina Rossetti wrote the words to this famous Christmas carol in 1872 in response to a request from the magazine Scribner's Monthly for a Christmas poem. They were set to music by Gustav Holst (1874-1934) for inclusion in the first edition (1906) of The English Hymnal, edited by his life-long friend, Ralph Vaughan Williams. Philip Sparke has carefully arranged the beautiful melody into this delightful version for concert band. A must for any Christmas concert. / Niveau : 2 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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In The Bleak Mid-Winter (HOLST GUSTAV)
Marching band
[Score and Parts]
-
Easy
Anglo Music
Arr. Philip Sparke. Par HOLST GUSTAV. Christina Rossetti wrote the words to this...
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Arr. Philip Sparke. Par HOLST GUSTAV. Christina Rossetti wrote the words to this famous Christmas carol in 1872 in response to a request from the magazine Scribner's Monthly for a Christmas poem. They were set to music by Gustav Holst (1874-1934) for inclusion in the first edition (1906) of The English Hymnal, edited by his life-long friend, Ralph Vaughan Williams. Philip Sparke has carefully arranged the beautiful melody into this delightful version for fanfare band. A must for any Christmas concert. / Niveau : 2 / Pièce de concert / Répertoire / Fanfare
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Clash Of The Ironclads (HOSAY JAMES L)
Concert band
[Score and Parts]
-
Easy
Curnow Music
Tone Poem for Band. Par HOSAY JAMES L.. The mighty conflict between the great Ci...
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Tone Poem for Band. Par HOSAY JAMES L.. The mighty conflict between the great Civil War ships, the Monitor and the Merrimac, plays out once again on your concert stage! Dramatic and inventive, heroic themes and rhythmic undercurrents bring the historic battle to life. It's a programmatic work with powerful percussion, effective use of dissonance, and distinguished writing for the entire band. It's also quite playable for bands at the medium-easy level! / Niveau : 2.5 / Répertoire / Concert Band ou Harmonie
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Clash Of The Ironclads (HOSAY JAMES L)
Concert band
[Score and Parts]
-
Easy
Curnow Music
Tone Poem for Band. Par HOSAY JAMES L.. The mighty conflict between the great Ci...
(+)
Tone Poem for Band. Par HOSAY JAMES L.. The mighty conflict between the great Civil War ships, the Monitor and the Merrimac, plays out once again on your concert stage! Dramatic and inventive, heroic themes and rhythmic undercurrents bring the historic battle to life. It's a programmatic work with powerful percussion, effective use of dissonance, and distinguished writing for the entire band. It's also quite playable for bands at the medium-easy level! / Niveau : 2.5 / Pièce de concert / Répertoire / Concert Band
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Horse Of La Mancha (HANNICKEL MIKE)
Concert band
[Score and Parts]
-
Easy
Curnow Music
Par HANNICKEL MIKE. Cross-curricular connection at its best! Your music students...
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Par HANNICKEL MIKE. Cross-curricular connection at its best! Your music students can bring Don Quixote’s faithful but ramshackle horse Rozinante to life with this delightful new concert band piece by young band specialist Mike Hannickel. You will find lots of articulation and dynamic contrasts, along with other important teaching considerations. Don Quixote is one of the world’s great comic heroes. Shouldn’t his horse get a little credit too? / Niveau : 2 / Pièce de concert / Répertoire / Concert Band
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