The Ear Training curriculum of Berklee College of Music is known and respected throughout the world. Now for the first time this unique method has been captured in one comprehensive book by the chair of the Ear TrainingDepartment.Discover secrets and methods that will allow you to:Hear the music you are seeingNotate the music you have composed or arrangedDevelop your musical vocabularyUnderstand the music you arehearing.This comprehensive guide features a complete course with text and musical examples and studies in rhythm sight recognition Tonic Sol-Fa and melody.

Par FOREST. Entrainement aux equivalences rythmisueq, niveau fin d'études./ Solfège/Formation Musicale / Formation Musicale

for Bks 1and2-Ear-training is of equal importance as sight-reading and in order to learn music students must hear examples of the topics they are learning. Alfred???s Essentials of Music Theory CD contains all the samples for the Ear Training exercises and studies in the Alfred???s Essentials Of Music Textbook 1-2. This CD will enhance the learning process making it more practical more fun and more effective and students will be able to hear the unique differences whilst following on the page.

Jazz - Rock - Pop. Par BUSCH SIGI. A basic ear training text for self-study. Translated by Michael Lee. CD narrated by Jerry Granelli. Each of the ten lessons is divided into three parts: Intervals/Chords, Rhythm, Melody. Examples and exercises are played by different instruments, including piano/keyboard, saxophone, trumpet, drums, percussion, and synthesizer. The answer section at the end of the book is ideal for self-study. / Méthode / Méthode / Tout Instrument

A continuation of Basic Rhythmic Training this collection of progressive rhythmic drills is designed to increase a music student's proficiency in executing and understanding Rhythm.The exercises begin verysimply and proceed to more complex meters beat divisions and polyrhythms. The book can be used as a supplement to any method or as a drill book for the musician who wishes to solidify and expand his/her rhythmicabilities.

This two CD set contains over two hours of recorded ear training exercises with aural instruction before each exercise. Starts with basics and gradually increases in difficulty. The aural exercises are summarised in the 20 page booklet with all answers listed.New revised book contains transposed parts for C B Flat and E Flat instruments to allow you to play along.

Neil and Anna Butterworth. Based on musical extracts taken from the works of important composers this book is designed to provide pupils of all stages with aural training. The purpose is two-fold; when familiarity has diminished their value as aural tests students will have some acquaintance with themes from a number of major works.

An Injury Prevention Guide for Musicians-Making music at any level is a powerful gift. While musicians have endless resources for learning the basics of their instruments and the theory of music few books have explored the other subtleties and complexities that musicians face in their quest to play with ease and skill. The demands of solitary practice hectic rehearsal schedules challenging repertoire performance pressures awkward postures and other physical strains have left a trail of injured hearing-impaired and frustrated musicians who have had few resources to guide them.Playing Less Hurt addresses this need with specific tools to avoid and alleviate injury. Impressively researched the book isinvaluable not only to musicians but also to the coaches and medical professionals who work with them. Everyone from dentists to orthopaedists audiologists to neurologists massage therapists and trainers will benefit from Janet Horvath's coherent account of the physiology and psyche of a practicing musician. Writing with knowledge sympathetic insight humour and aplomb Horvath has created an essential resource for all musicians who want to play better and feel better.

Par JAFFE ANDY. Andy Jaffe?s Jazz Harmony, one of the most definitive texts on the subject, goes into its third edition in 2009. Over the years the book has proven equally useful for students of all backgrounds, whether self-taught, classically trained, or as a useful reference for working professionals. Also appropriate for use as a classroom text./ Recueil / Instruments Mélodiques