Description Camille Saint-Saens: Piano Concerto No.2 In G Minor Op.22 (2-Piano Score) Saint-Sa ns composed and first played this work in 1868. It is scored for pairs of Winds, Horns and Trumpets, plus Timpani and Strings.

Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary./ Répertoire / Clarinette Basse et Piano

for Violin and Piano. Par SAINT-SAENS CAMILLE / YSAYE EUGENE. Originally, Camille Saint -Saëns created this work for piano in 1877 under the title 'Etude en form de Valse,' Op.52/6. In 1901, Ysaye reworked this piece for violin and piano and published it as 'Caprice d'après l'Etude en forme de Valse de Saint-Saëns.' Ysae created a veritable masterpiece for violin, far more popular now than the original piano version. It has taken its rightful place in the virtuoso violin literature. This work is on the concert and recorded repertory of virtually every major violinist and a compulsory work at most major competitions. / Date parution : 2021-11-03/ Répertoire / Violon et Piano

pour chant et piano. Par SAINT-SAENS CAMILLE. Tout au long de sa carrière, Camille Saint-Saëns compose quelque cent cinquante mélodies. Peu de temps avant de sa mort en 1921, il fait ses adieux à la mélodie en nous livrant les Trois Vieilles Chansons. Avec les Cinq Poèmes de Ronsard, composés en 1921, ce recueil nous montre Saint-Saëns revenant à la poésie des XVe et XVIe siècles à laquelle Charles Gounod, Georges Bizet ou encore Jules Massenet avaient déjà puisé. / Date parution : 2022-01-14/ Répertoire / Chant et Piano

en treize morceaux pour piano-Thirteen Pieces for Piano by Camille Saint-Saens including some of his most popular and renowned works including Danse Macabre and the Swan from Carnival of The Animals

Par SAINT-SAENS CAMILLE. Sonate pour violon et piano, transcription pour violoncelle et piano par F. Ronchini / Date parution : 2022-02-26/ Répertoire / Violoncelle et Piano

Tout Dort Dans La Nuit..., Pour Chant Et Piano. Par SAINT-SAENS CAMILLE. Tout Dort Dans La Nuit. . . , Pour Chant Et Piano/ Répertoire / Chant et Piano

Pour Voix Moyenne et Piano . Par SAINT-SAENS CAMILLE. / Niveau : Moyen / Répertoire / Chant et Piano