A Chorale arranged for 15 Instruments. Full Score for ensemble.Bach's Befichl du deine Wege is a chorale setting (BWV 272) which Hans Abrahamsen has arranged for fifteen instruments. In Hans Albrahamsen's adaptation Bachs chorale gradually ernerges from two melodic fragments both borrowed from the Danish composer Poul Ruders' Four Dances in One Movernent'. In fact both fragments are taken from the last three bars of Ruders' composition. One of Ruders' small melodies is descending the other is ascending. The metamorphosis from Ruders to Bach can be accomplished because both of Ruders' melodic fragments are in fact 'hidden' among the parts of this Bach choraleinasmuch as the composer has transposed it into B minor. In the first verse we hear only the descending Ruders melody. In the secend verse Ruders' second ascending and chrornatically coloured melody is added. In the subsequent verses more and more melodies are added. Thus the piece begins with Poul Ruders' melodic fragment in the foreground. In the course of the next verse Ruders' material gradually recedes into the background and permits Bachs face to ernerge with increasing clarty in the foreground. The piece is dedicated to Poul Ruders.             - Thomas MichelsenArrangement1 Flute1 Oboe1 Clarinet In Bb1 Bassoon1 Horn in F1 Trumpet in Bb1 Trombone (Tenor)1 Vibraphone (Motor Off)1 Harp1 Piano1 Violin I1 Violin II1 Viola1 Cello1 Double Bass

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical

Trio en quatre mouvements pour timbales, grosse-caisse bongo congas et tam-tam toms-tom.Commande de la fondation Manuel Correia Botelho.Jean-François Lézé est né en 1971. Il suit sa formation de percussionniste et de pianiste au Conservatoire National Supérieur de Musique de Lyon avec François Dupin, Georges Van Gucht, et Roger Muraro.Parallèlement à son activité de percussionniste d'orchestre en jouant avec l'orchestre National de Lyon, l'orchestre de l'Opéra de Lyon et l'orchestre Philharmonique de Montpellier, il se spécialise dans la musique de chambre avec les Solistes de Moscou et Yuri Bashmet.Timbalier Solo de l'Orchestre Métropolitain de Lisbonne et professeur de l'Académie Nationale Supérieure d'Orchestre, il crée le trio Nova Blue où il développe la composition, le piano, le vibraphone jazz et avec lequel il effectue de nombreux concerts au Portugal.Il est actuellement timbalier solo de l'Orchestre National de Porto et se produit en soliste et dans des formations de musique de chambre. / Ensemble Multipercussions (Trio)

For soprano and 9 instruments (Flute Oboe Clarinet/Bass Clarinet French Horn Vibraphone Piano Soprano Violin Viola Cello)For Tess is one of a series of eight chamber works inspired by the writings of Thomas Hardyand known collectively as Wessex Heights. The pieces may be performed separately or in any combination. When the complete set is played the following order of performance is recommended:Embers — Shailing and wambling —Volte-face — Groundswell — Catch — Idyll — For Tess — Along uponThe duration of Wessex Heights is about an hour.

A Study In Jazz Accompaniment-This book/CD set presents a clear comprehensive one-step-at-a-time method for learning how to accompany an improvised jazz solo. As a sequel to Hal Crook’s text 'How to Improvise' How to Comp offers precise explanations practical exercises recorded musical examples four play-along tracks and daily practice routines. How to Comp organizes a vast amount of information that helped to make the author’s previous work a major contribution to jazz pedagogy. How to Comp is primarily for intermediate through advanced level players of harmonic instruments e.g. Piano (Keyboard) Guitar and Vibraphone. However drummers bassists and Hornplayers can also benefit from its study. Subject covered include: Voicing construction preferred stock voicings voiceleading constant structure non-harmonic voicings single-note lines rhythmic vocabulary altering the harmonic rhythm motive development dividing and shifting attention supportive and interactive comping styles the soloist’s viewpoint pacing strolling and much more. In How to Comp the author an accomplished jazz trombonist pianist composer arranger and educator looks deeply into the nature and challenge of artistic jazz accompaniment and puts into focus a direct sure path toward mastery.

With this Danish edition of The Complete Keyboard Player Book 2 you can teach yourself to play the electronic Keyboard in a number of diverse styles and genres.   The Complete Keyboard Player can teach you the fundamentals of playing this versatile instrument so that in no time at all you can get the Keyboard to sound exactly how you want whether it's a single instrument or an entire orchestra.    With this expertly-written Keyboard tutor book you will have the opportunity to learn within the context of many famous and familiar songs adding popular songs to your repertoirestraight away. Instrumental effects that are included are Piano Guitar and Vibraphone along with many others to allow you to play exactly what you want how you want.    With The Complete Keyboard Player Book 2 you'll be running up and down the Keyboard in absolutely no time at all playing your favourite tunes and your favourite genres with ease.

Full Score-Something Connected With Energy was composed in 2008 and was commissioned by the Festival Della Scienza 2008 Genova Italy with financial support by ERG. Scored for Flute/ Piccolo Clarinet/ BassClarinet Alto/ Tenor Saxophone Horn Trumpet Vibraphone Piano and Strings. Duration is approximately: 48 minutes.

For Soprano Flute Clarinet Vibraphone Piano Violin Viola Cello.Along upon is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces maybe performed separately or in any combination. When the complete set is played the following order of performance is recommended:Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — AlonguponThe duration of Wessex Heights is about an hour.

A wonderful Advent anthem with a jazzy feel written for SATB mezzo solo vibraphone harpsichord cymbal and string bass_x000D_*The instrumental accompaniment may be adapted to any other suitable_x000D_instrumentation i.e. handbells piano or organ

For flute english horn clarinet bassoon horn trumpet 2 percussionists (brake drum 3 crotales snare drum 3 tom-toms vibraphone) piano violin viola cello and doublebass. Precession was composed for the 1987 NewMusic Los Angeles Festival. The term 'precession' is used here both in its sense of a processional but more especially in its astronomical sense of a cyclical process that recurs according to a slowly changing pattern. Forexample the opening of the work involves the juxtaposition of a melodic phrase that is gradually shortened with an accompanimental gesture that increases in length. Other musical devices used are intended to reinforce this senseof independent yet related cycles among them the application of the principles of change-ringing to aspects of the orchestration.

Ensemble Version-For Soprano and 7 players (Flute Alto Clarinet C Trumpet Vibraphone Piano Violin Viola)Duration: 14'30'

Par MAURY JEAN-MICHEL. Chorale d'Enfants (4 à 8 ans), Hautbois, Clarinette Sib, Basson, Cor, Piano, Contrebasse, Xylophone, Glockenspiel and Vibraphone/ Répertoire / Chorale d'Enfants et Ensemble Instrumental

Par MAURY JEAN-MICHEL. Chorale d'Enfants (8 à 11 ans), Flûte, Trompette Sib, 2 Sax. Alto, Sax. Ténor, Sax. Baryton, Vibraphone, Piano, Contrebasse and Batterie/ Répertoire / Chorale d'Enfants et Ensemble Instrumental

Triskelion-Jo Kondo's Variations (Triskelion) composed October 2015. Duration: c. 9 minutes. For Flute (doubling Alto Flute) Clarinet Piano Vibraphone Marimba (doubling Timpani) Violin Viola and Cello. Written for Ossia Ensemble of Eastman School of Music Rochester University.