'Classical Highlights' présente les pièces de performance les plus connus et les plus populaires du répertoire classique dans des arrangements pour saxophone et piano. La vaste sélection d'oeuvres permet d'accéder à des chefs-d'oeuvre classiques - de Handel et Bach par Schubert, Mendelssohn, Schumann et Wagner à Fauré, Elgar, Debussy et Satie. Tout le monde à la recherche d'un travail classique populaire pour enseigner ou d'effectuer des fins trouverez ici un petit bijou. / Saxophone Alto Et Piano

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

arranged for Alto Saxophone and Piano. 'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for saxophone and piano. The extensive selection of works provides access to classical masterpieces ? from Handel and Bach via Schubert, Mendelssohn, Schumann and Wagner to Fauré, Elgar, Debussy and Satie. Everybody looking for a popular classic work for teaching or performing purposes will find a gem here.

Here is a fine collection of elegant classical masterpieces by Glück Rachmaninov and Schubert paired with compositions by their living counterparts David Morgan Subaram Raman and Brian Scott Taylor. These timeless workshighlight the tonal beauty sonority color and expressive qualities inherent in the saxophone. Listen and study the complete versions then take center stage and play the solo parts. Includes free downloads of the pianoaccompaniment score for your performance needs.

Arrangeur: Oliver. Par SCHUBERT FRANZ. / Niveau : Intermédiaire / Répertoire / Saxophone Alto et Piano

Contents: Adoration (Borowski) • Agnus Dei (Mozart) • Alleluja from Exultate Jubilate (Mozart) • Ave Maria (Bach-Gounod) • Ave Maria (Schubert) • Calvary (Rodney) • The Holy City (Adams) •If With All Your Hearts (from Elijah) (Mendelssohn) • Meditation (Massanet) • Panis Angelicus (Franck) • Where E'er You Walk (from Semele) (Handel)

Fatigué des arrangements vieux mêmes ? Vous voulez donner à vos élèves quelque chose de simple pourtant gratifiant de jouer ? Carol Barratt crée des pièces faciles qui sont créatifs, idiomatique, simple pourtant faire plaisir à jouer et qui auront vraiment élèves écoute et effectuant musicalement, dès le début. Les pièces de ' Bravo ! Saxophone' prendre l'élève progressivement par le biais de l'école élémentaire. Ils consistent principalement du matériel original, avec quelques arrangements trop - certains bien connues, certaines plus inhabituel. Ces pièces sont destinées à encourager les étudiants à effectuer - plutôt que de simplement jouer - chaque fois que l'occasion se présente. Trop souvent, les premières étapes de l'apprentissage l'instrument peuvent être un processus solitaire. Dans la mesure du possible, ces pièces devraient être joués avec leurs accompagnements de clavier. Audition des parties de clavier donnera lieu à une sensibilisation et l'appréciation des différents styles musicaux et un sentiment d'harmonie, la mélodie non seulement. En outre, jouant avec un accompagnement développe la capacité de l'élève pour maintenir la h... / Saxophone Alto Et Piano / Partition

Par POTRAT RENE. 3’35’’ / Niveau : Préparatoire / Répertoire / Saxophone Alto et Piano