Publié par Rudas Imre Instrument: Basson et piano Série: Early Chamber Music Genre: Baroque Pages: 16 pp

Par PROUST PASCAL. 3'10 / Niveau : Fin 1er Cycle / Répertoire / Basson et Piano

Par SCHUERWEGHS SIGRID. Everyone who has lost a love or a loved one in their life: a friendship you?ve lost sight of, a favourite place, a beloved animal, or a person you are now missing... . This composition is dedicated to all that Lost Love. / Date parution : 2022-11-29/ Répertoire / Basson et Piano

Mr Sheen's Miscellany For Bassoon was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.Mr Sheen's Miscellany For Bassoon - Grade 1 contains three pieces for bassoon and piano by Graham Sheen.Polka-dots.There are three contrasting types of expression for the bassoonist here. The opening phrase is staccato which is followed (at bar 11) by a sustained counter melody. Finally (at bar 19) both these effects are combined in a second melody which needs very clear dynamicplaying.Monkey Puzzle.Sustaining the sound while re-articulating the notes is important in this piece. In other words the opening should be played almost slurred. Be aware of the changing harmonies underneath the held notes in the bassoon part.Serious Song.Long but separate notes contrast with real legato. The main theme is marked tenuto so full value for each note especially ending notes. Even the quavers aren't very short at this speed. Try to make the richest sound you can like for example a fine Russian baritone.

Bassoon and Piano-Sunset Song op.42 for bassoon and piano was written and premiered in 1994 at the Los Angeles Museum of Art Bing Theatre. It is the composer´s second large work featuring the bassoon as soloist (after Hexen) and like Hexen it isalso dedicated to bassoonist Judith Farmer who premiered it with the composer at the piano.Sunset Song is technically a tour de force for both the bassoon and the piano. It is happy sensuous obsessive and at times mocking - often reflecting the time in which it was written and the events of a Mexico tour that followed the firstperformance during which the piece underwent revisions. The piece starts with an introduction played by the bassoon almost entirely. This introduction uses elements of 1950s pop music. A middle section follows where a static -almost MiddleEastern- ostinato rhythmic pattern beats with increasing tension. This pattern is then transformed to a Latin beat which finally returns the piece to the opening mood. The bassoon ends the piece in an irreverent tone with a pitch written two octavesabove the official limit of the instrumentâ??s register. The title Sunset Song was inspired by Californiaâ??s sunsets and the sun setting on the Pacific Ocean.

This Second Book Of Bassoon Solos is designed for the student in the second or third year of learning. The pieces cover a wide variety of styles and aim to explore the expressive qualities of the instrument. Many of the pieces feature brief explanatory notes.

If you are preparing to face an audience for the first time - whether at home at school or on the concert platform - then you are ready for Going Solo. Spanning a wide range of repertoire from lively original material to imaginative arrangements Going Solo offers a host of fresh challenges and will be enjoyed by both player and audience alike. For Bassoon with Piano Accompaniment.

Par VANDE GINSTE STEPHANE. / Date parution : 2022-11-29/ Répertoire / Basson et Piano

Par COITEUX FRANCIS. 3'20 / Niveau : Fin 1er - 2ème Cycle / Répertoire / Basson et Piano

pour basson avec accompagnement de piano. ?Musique française? is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars.

for Bassoon (or Baritone Saxophone) and Piano. Par SPARKE PHILIP. Le solo de basson Wind in the Reeds est une commande de Deena Draycott à la mémoire de John Watson, un musicien de l’armée, professeur et joueur de basson ; cette pièce est donc un hommage concret et durable à John. Elle est en grande partie de nature pastorale, suggérant des images évoquées par le jeu de mots du titre (le mot reed signifiant à la fois « anche » et « roseau »), mais elle comprend une section centrale plus rapide qui exploite d’autres aspects du caractère du basson. Des transitions entre les diverses sections de la pièce sont créées par le biais d’une série de cadences pour le/la soliste. Cette œuvre convient également à un saxophone bariton (partie solo incluse). / Date parution : 2021-12-09/ Répertoire / Basson et Piano

Herbert Howells (1892-1983) was an English composer and teacher who is perhaps best known for his choral music in the Anglican tradition most famously his voluminous settings of the evening canticles.Minuet was composed in 1945 for solo Bassoon with Piano accompaniment. It was written for the birthday of Hugh Crosthwaite an English academic and amateur bassoonist who was studying at that time at Cambridge where Howells was working as an acting Organist for the duration of the war. It is subtitled Grace for a Fresh Egg; i.e. a thanksgiving for what was a rarity in wartime Britain.