This is one of the best Cello concertos of the twentieth century and readily communicates the Bohuslav Martinu strong feelings for his homeland. Written over the Christmas and New year period of 1944-45 in New York it is full ofhis reactions to that last dramatic winter of the war and the desire to go home. It is an expansive work over 35 minutes in length in the standard three movements. Typically for Martinu the first movement is inModerato tempo. The opening gesture is highly characteristic: A pulsing rhythm establishes itself in the orchestra and a striving rising theme with a contradictory rhythm contends with it. The second movement Andante pocomoderato has a general pulse that is not much slower than that of the first. It is episodic with a faster central section and then a truly magical and heartfelt treatment of the main subject in which Martinu expresses hislonging for home. The final movement Allegro is a driving energetic conclusion with a solo cadenza that breaks the ongoing rhythm and provides a touching moment of contemplation before the joyous conclusion. This editioncontains a Piano reduction of the Orchestral part for rehearsal purposes.

Par RODRIGO JOAQUIN. Tabea Zimmermann a été présenté les six mouvements de ce travail qui exploite les possibilités de l'alto au maximum - à partir de la lyrique à double-stopping chromatique explosive. Incorporant Eastern folktunes européen, polyphonie abstraite ainsi que des fragments de subtiles répétées de forme sonate, c'est une version miniature de la cosmologie musicale vaste de Ligeti. Bien que virtuose de la pièce est idiome-atic et de l'artisanat exquis et artifice. Un must pour les joueurs de toutes les avancées./ Répertoire / Violoncelle et Orchestre

Par RODRIGO JOAQUIN. Détails de la formation instrumentale: 2 (2. auch Picc.) · 2 · 2 · 0 - 1 · 2 · 0 · 0 - S. (Xyl.) (1 Spieler) - Cel. - Str. (5 · 4 · 3 · 2 · 1) - Durée: 21' -/ Répertoire / Violoncelle et Orchestre