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Cello, Piano
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Astor (CHATROU PAUL)
Cello, Piano
Metropolis Music Publishers
Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and compo...
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Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique./ Répertoire / Violoncelle et Piano
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Franz Joseph Haydn: Cello Concerto In C Hob.VIIb: Cello: Instrumental Work
Cello, Piano
G. Henle
Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) w...
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Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.
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Camille Saint-Saëns: Allegro Appassionato In B Minor Op.43: Cello: Instrumental
Cello, Piano
[Score and Parts]
Barenreiter
Since its premiere in 1873 this work has held an important place in the Violonce...
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Since its premiere in 1873 this work has held an important place in the Violoncello repertoire. It is on the one hand a short charming composition; on the other hand equally important is its use in instruction during the first few years of playing. Central here are the articulation of the opening theme and its various repetitions juxtaposed with lyrical passages calling for legato playing.Christine Baur's new scholarly-critical edition is based on a thorough examination of all the sources including Saint-Saëns' later orchestral version. The edition incorporates many articulation alternatives for the soloist which are marked 'ossia' above the solo Cello line in thisversion for Cello and Piano. This important new publication offers cellists not only an Urtext part but also one with bowing and fingering; both parts have a fold-out page so that no page turns are necessary.The first Urtext edition of this important workFold-out page in the solo cello part so no page turns are neededIncludes articulation alternatives as 'ossias'
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Unbeaten Tracks: Cello: Instrumental Album
Cello, Piano
[Sheet music]
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Intermediate
Faber Music Limited
Unbeaten Tracks for Cello and Piano comprises eight contemporary graded pieces...
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Unbeaten Tracks for Cello and Piano comprises eight contemporary graded pieces grades 4 and 7 in standard. These contemporary eight pieces in this volume are written in an array of musical styles by some of today's most talented composers and are undoubtedly destined to become standard repertoire for players of intermediate level upwards. Handy Biopics collect small details about various composers giving an insight into the inspiration and mood of the music.The solo Cello part is also included on a separate insert.
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
(+)
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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18th Century Sonatas for Cello and Continuo: Cello
Cello, Piano
Ricordi
The six sonatas for cello and basso continuo in this volume all belong to the ?F...
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The six sonatas for cello and basso continuo in this volume all belong to the ?Fondo Correr? collection held in the library of the conservatory of music ?Benedetto Marcello? in Venice. This valuable collection consists of about thirty printed editions and some 1600 original manuscripts from various sources. The majority of these works is composed by Venetian musicians among them Bonaventura Furlanetto one of the last masters at the Ospedale della Pietà Gaetano Latilla Andrea Bernasconi Giovanni Porta Giuseppe Sarti and Antonio Martinelli. The latter (Antonio Martinelli) was one of the best known music teachers at the Ospedali Grandi in Venice. The three sonatas edited in this volume are his only compositions for cello accompanied by basso continuo that survive today. First edition.
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Solos For The Cello Player - Cello
Cello, Piano
[Sheet music]
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Intermediate
Schirmer
Description Solos For The Cello Player Seventeen intermediate level pieces re...
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Description Solos For The Cello Player Seventeen intermediate level pieces representing various stylistic periods. Songlist Allegro (Violin Sonata Op.1 No.15) [Handel, George Frideric] Allegro Spiritoso [Senaille, Jean Baptiste] Andante [Beethoven, Ludwig Van] Andante (Orfeo) [Gluck, Christoph Willibald] Aria [Lotti, Antonio] Country Dance [Weber, Carl Maria Von] La Cinquantaine (Air In The Olden Style) [Marie, Gabriel] Larghetto (Violin Sonata Op.1 No.13) [Handel, George Frideric] Lento (Five Pieces In A Popular Mood) [Schumann, Robert] Lullaby [Brahms, Johannes] Menuet (Divertimento In D, K334) [Mozart, Wolfgang Amadeus] Nina (Canzonetta) [Pergolesi, Giovanni] Romance [Debussy, Claude] Sicilienne [Faure, Gabriel] The Swan (Carnival Of The Animals) [Saint-Saens, Camille] Two Bourrees (Third Cello Suite] [Bach, Johann Sebastian] Village Song [Popper, David]
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Blue Baroque Cello: Cello: Instrumental Album
Cello, Piano
[Sheet music]
-
Intermediate/advanced
Universal Edition
Blue Baroque Cello-Mike Cornick's Blue Baroque offers cellists the chance to ex...
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Blue Baroque Cello-Mike Cornick's Blue Baroque offers cellists the chance to explore adaptations from the Baroque repertoire in various modern styles. His selection includes items from the Orchestral Vocal and Keyboard repertoires of the period and can be welcomed and enjoyed by middle grade to more advanced players.
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Ludwig van Beethoven: Variations For Pianoforte And Violoncello: Cello: Score
Cello, Piano
Barenreiter
Beethoven?s three sets of cello variations comprise the ?Twelve Variations on a ...
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Beethoven?s three sets of cello variations comprise the ?Twelve Variations on a Theme from H?ndel?s Oratorio ?Judas Maccabeus?? (WoO 45) the ?Twelve Variations on the theme ?Ein M?dchen oder Weibchen?? (op.66) from Mozart?s opera ?Die Zauberfl?te? and the ?Seven Variations on the duet ?Bei M?nnern welche Liebe f?hlen?? (WoO 46) also from ?Die Zauberfl?te?.These works have existed in many different editions some of which have from time to time been (tacitly) reprinted with corrections to keep up to date with the latest scholarship. This new B?renreiter Urtext edition however is the first to give all Beethoven?s rhythms in the violoncello part correctly.Beethoven?s autograph manuscript of op.66 is lost; the critical commentary (English) includes a complete facsimile of the violoncello part from the only surviving source (the first edition) illustrating the various problems encountered in determining the best musical text.With numerous corrections in the violoncello partIncluded in the critical commentary is a complete facsimile of the violoncello part of op. 66 as it appeared in the first edition
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Take Seven
Cello, Piano
Schott
Take Seven is a tried and trusted showpiece with audience appeal. The title Take...
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Take Seven is a tried and trusted showpiece with audience appeal. The title Take Seven is of course a play on Paul Desmond's famous Take Five and its recording by the Dave Brubeck Quartet. As there, the rhythms in this piece are largely based on an asymmetric metre - in this case, 7/4 time. Unlike most jazz pieces with an uneven metre, however, Take Seven goes through various moods, sections and tempo changes, illuminating the main theme from different angles. / Violoncelle Et Piano
19.42 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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