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Cello
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Sonata (LARCHER THOMAS)
Cello
Schott
for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voi...
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for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle
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Suite Op. 28 (CALLIGARIS SERGIO)
Cello
-
Intermediate
Ricordi
Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosar...
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Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-13/ Répertoire / Violoncelle
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M. Cohen: Bags Of Classics (Grade 3-4): Cello: Instrumental Album
Cello
[Sheet music]
-
Easy
Faber Music Limited
Bags of Classics for Cello is filled with favourite melodies from famous works o...
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Bags of Classics for Cello is filled with favourite melodies from famous works of classical music arranged for the grade 3-4 player who is developing position work and perhaps trying vibrato.Selected and arranged by leading string pedagogue Mary Cohen to lie well under the hand it introduces a wide variety of styles and sound worlds from Vivaldi and Purcell to Saint-Saens and Holst. A great selection for consolidation work sight-reading practice or just for sheer musical enjoymentContents: Allegro from Brandenburg Concerto No.3 (Bach) Dance Of The Comedians (Smetana) Dance Macabre (Saint-Saens) Dido’s Lament (Purcell) Dragons (Bizet) Farandole (Bizet) In The Hall Of The Mountain King (Grieg) Jupiter from The Planets (Holst) Minuet (Gluck) Musette from Anna Magdalene’s Notebook (Anon) Papageno’s Song (Mozart) Pavane (Fauré) Ritornello from Brandenburg Concerto No.5 (Bach) Rondo from Eine Kleine Nachtmusik (Mozart) Sleigh Ride (L. Mozart) Winter from The Four Seasons (Vivaldi) The Elephant from Carnival Of The Animals (Saint-Saens) Theme from String Quartet in A minor (Schubert) Theme from ‘The Bird’ String Quartet (Haydn) Theme from Caprice No.24 (Paganini) Fur Elise (Beethoven) Theme from The Italian Symphony (Mendelssohn) Theme from Serenade (Mozart) Theme from Symphopny No.40 (Mozart) Theme from Trumpet Concerto (Haydn) Theme from William Tell Overture (Rossini)
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Antonio Vivaldi: Complete Sonatas For Cello: Cello: Instrumental Work
Cello
Wiener Urtext
The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the m...
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The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the most famous Cello works of the Baroque era. Thanks to their moderate technical demands the pieces are an integral part of music lessons as well as of private music-making. But even for the professional early music scene they form a focus of the Cello repertoire. The new edition of the Wiener Urtext Edition serves the needs and demands of all three target groups alike providing a reliable musical text which is no longer based on the unauthorized first Paris edition by Le Clerc & Boivin but on a copy from Naples revised by Vivaldi himself as well as on two othermanuscripts associated with the composer from the Bibliothèque Nationale in Paris and the music library of the Counts of Schönborn at Wiesentheid. Apart from the solo part the edition comprises a Piano (Harpsichord) score with realized Basso Continuo which should be very welcome to pupils and amateurs. An unrealized Basso Continuo part has been added for the professional Continuo player in which the figures of the first Paris edition has been included. Even if they do not trace back to Vivaldi himself they bear witness to the contemporary Basso Continuo practice and can serve as a guide for the execution of Vivaldi's unfigured Bass part. More detailed information on the performance practice is provided in the notes on interpretation by Gerhart Darmstadt which are based on contemporary sources.
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Manfred Trojahn: Mendelssohns Möwen: Cello: Instrumental Work
Cello
-
Intermediate/advanced
Barenreiter
A Song without Words for Violoncello Solo-Manfred Trojahn on the origin and titl...
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A Song without Words for Violoncello Solo-Manfred Trojahn on the origin and title of his impressive virtuoso solo work:'Admittedly I do not know if he had seagulls but since Mendelssohn was born in Hamburg he will not have gone through life without at least the impression of the cry of seagulls. Nor do I know if seagulls played any part in his life in Rome. I myself was astonished when one or two years ago in the Villa Massimo I was not exactly annoyed but disturbed by the strong rhythmical cry of seagulls. I was just about to write a bassoon solo when the seagulls started. Then the idea came to me that precisely this sequence of notes could serve as the basis of the work. And the sequence for thebassoon solo is in turn the basis of the piece for violoncello - this is how titles are born... Of course the violoncello meanders with virtuosic ease from the seagull motif to the 'elf-like' skittering brought to music by Mendelssohn and used time and again in his compositions finally becoming a cabaletta. Now cabalettas are not very representative of Mendelssohn but as I was composing I definitely wanted to put a cabaletta in this passage. I am sure Mendelssohn and I will easily agree on this especially since later justice is done to him in the rapid passages and of course in the tonal cadenza at the very end which is more indicative of his time than of mine ... isn't it?'
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Student's Book Of Rounds: Cello-Bass Edition
Cello
[Sheet music]
Bill's Music Shelf
Une collection complète de 64 tours disposées spécifiquement pour violoncelle...
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Une collection complète de 64 tours disposées spécifiquement pour violoncelle ou basse solo ou ensemble. Idéal pour la salle de classe ou de la leçon privée ! Solos sont cambriolés Freshman, Sophomore, Junior et Senior niveau répertoire. / Violoncelle / 88 pages / niveau : Débutant/Intermédiaire / Partition - Format: 11 X 8,5
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Philip Glass: Orbit: Cello: Instrumental Work
Cello
-
Intermediate
Dunvagen Music Publishers
for solo cello-Orbit is a work composed by acclaimed minimalist composer Philip ...
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for solo cello-Orbit is a work composed by acclaimed minimalist composer Philip Glass for Solo Cello. Orbit was commissioned by Damian Woetzel and premiered on the 2nd of April 2013 in a performance bycellist Yo-Yo Ma and dancer Lil Buck at Le Poisson Rouge in New York. The performance was a celebration of the collaboration between an incredible young dancer an unbelievable cellist and one of the mostaccomplished composers of the modern day. This Philip Glass sheet music however is all about the music. With a softly-evolving melody that begins as a basic pattern before turning back on itself and transforming Orbitis the perfect soundtrack to a marriage of virtuoso musicianship expressive dance and achingly tender solo instrumental composition. Check out Yo-Yo Ma check out Lil Buck but most importantly of all be sure to lookinto our Orbit sheet music by Philip Glass.
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14 Easy Tunes for Cello: Cello: Instrumental Work
Cello
-
Easy
Fentone Music
This Cello sheet music book 14 Easy Tunes for Cello composed by Cowles is avai...
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This Cello sheet music book 14 Easy Tunes for Cello composed by Cowles is available to purchase online and is published by Fentone.
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Andrew Lloyd Webber: Andrew Lloyd Webber for Classical Players: Cello and
Cello
[Sheet music + Audio access]
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Intermediate
Hal Leonard
10 Songs from 6 Musicals-Intermediate-level arrangements for solo instruments an...
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10 Songs from 6 Musicals-Intermediate-level arrangements for solo instruments and Piano accompaniment in a range flattering to each instrument. The music has been edited with added dynamics articulations and phrasing making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic Grand Piano and are available online for download or streaming.Includes: 'Memory from Cats 'Don't Cry for Me Argentina' from Evita 'Hosanna' from Jesus Christ Superstar 'I Don't Know How to Love Him' from Jesus Christ Superstar 'The Last Supper' from Jesus Christ Superstar 'Close Every Door' from Joseph and the Amazing Technicolor Dreamcoat 'All I Ask of You' fromThe Phantom of the Opera 'Angel of Music' from The Phantom of the Opera 'The Music of the Night' from The Phantom of the Opera 'Unexpected Song' from Song
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Antonio Vivaldi: 9 Sonatas For Cello And Piano: Cello: Instrumental Album
Cello
EMB (Editio Musica Budapest)
per violoncello e basso continuo-Similar to Vivaldi's concertos and compositions...
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per violoncello e basso continuo-Similar to Vivaldi's concertos and compositions for violin his 9 cello sonatas also bear the mark of a genius of exuberant temperament. Since they belong to the basic repertory of the cello it increases the importance of the edition that the music includes the partly deviating performing marks of the surviving authentic sources of the pieces for the first time.
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Chamber Music For Violoncellos - Score And Parts
Cello
EMB (Editio Musica Budapest)
Le dernier volume de la série contient pas trop longues oeuvres romantiques arr...
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Le dernier volume de la série contient pas trop longues oeuvres romantiques arrangé pour quatre plus cellos.In à deux oeuvres chorales et orchestrales de Liszt funéraire mars par Tchaïkovski, pièces pour piano connues de Schumann, Chopin et Liszt a servi de bases pour ces place des modalités quatre parties diffèrent dans leur degré de difficulté: les supérieures se situent plus élevé, tandis que ceux du bas sont plus faciles, jouable au niveau des classes supérieure en école de musique. / Violoncelle
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11 Oblique Strategies
Cello
Bote and Bock
The composer states:'The term 'oblique strategies? was coined jointly by British...
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The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of triggering inspiration or providing useful stimulus during the creative process, particularly when encountering difficulties of fatigue or time constraint.As Eno and Schmidt wrote in their introduction to the first edition in 1975: 'They can be used as a pack (a set of possibilities being continuously reviewed in the mind) or by drawing a single card from the shuffled pack when a dilemma occurs in a working situation. In this case, the card is trusted even if its appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident?.I chose eleven of Eno and Schmidt's strategies, ordering them in a way that revealed to me a logic and potential inter-relatedness within a hitherto disparate set of single ideas I had assembled for solo cello, each of them in turn a reflection upon the commission's initial purpose of creating a test piece for the 2014 Emanuel Feuermann cello competition.It's my hope then that the resultant composition may provide not only an interesting test of the competitors' talents but also offer the interpreter an opportunity to reflect upon the delights and pitfalls of creativity as he or she comes to terms with the various musical and technical challenges to be found within these ten minutes of music for solo cello.? / Violoncelle
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A Portfolio of Cello Exercises Part 2 (BUNTING CHRISTOPHER)
Cello
[Sheet music]
SJ Music
Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak co...
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Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak condition, (or working to get to peak condition) is fundamentally important, yet many cellists do not have routine exercises to follow. This book, the second of a two volume set, which complements book 1, provides the exercises that every cellist needs, for both the left and right hands: bow off the string; right arm choreography; shifting; winter skating; various portamenti; fives; string crossing; octaves; resilience exercises; double-stopping ritual; pizzicato; a few spiccati; bow control ? accents. Christopher Bunting (1924-2005), the cellist and composer, gave concerts, broadcasts and masterclasses throughout Europe, Australasia and the United States. The Daily Telegraph described him as ?a master?. Die Welt remarked on his ?highly developed musical comprehension, prodigious technique and outstanding artistry?, and the Swedish press called him ?one of the greatest instrumentalists of today?. He thought deeply about the psychological and physical influences that lie behind technique./ Etude / Violoncelle
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A Portfolio of Cello Exercises Part 1 (BUNTING CHRISTOPHER)
Cello
[Sheet music]
SJ Music
Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak co...
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Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak condition (or working to get to peak condition) is fundamentally important, yet many cellists do not have routine exercises to follow. This book, the first of a two volume set, which complements book 2, provides the exercises that every cellist needs, for both the left and right hands: daily bowing practice; left hand work-out; velocity exercise; bowing patterns; spiccato work-out; cortot; Zwolle; Shifting; a study. Christopher Bunting (1924-2005), the cellist and composer, gave concerts, broadcasts and masterclasses throughout Europe, Australasia and the United States. The Daily Telegraph described him as ?a master?. Die Welt remarked on his ?highly developed musical comprehension, prodigious technique and outstanding artistry?, and the Swedish press called him ?one of the greatest instrumentalists of today?. He thought deeply about the psychological and physical influences that lie behind technique./ Etude / Violoncelle
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Janet Coles: A New Tune A Day: Cello - Book 1 (DVD Edition): Cello: Instrumental
Cello
[Sheet music + CD + DVD]
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Beginner
Boston Music
The DVD edition of this hugely popular series of tutors gets you even closer to ...
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The DVD edition of this hugely popular series of tutors gets you even closer to your instrument with a set of real music lessons right there on your screen! A New Tune A Day features the same logical gentle pace andkeen attention to detail that made earlier editions so hugely popular and successful. Clear explanatory diagrams and photographs help guide you through the lessons and achieve the very best in tone technique and posture. Theselection of music is fresh and exciting including duets and rounds to inspire the student and ensure that those vital practice hours are never boring!The book includes:Advice on your instrument and the equipmentyou will needInstructions for effective technique and comfortable playingExplanatory pages on reading and understanding musicTests to check your own progress and comprehensionThe accompanying audio CD featuresa virtuoso performance and backing track for each pieces as well as recorded examples to support the lessons.The DVD features lessons on:Basic techniquesPutting the instrument togetherPostureLookingafter your instrumentBasic music notationHow to approach your first piece
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101 Easy Songs
Cello
[Sheet music]
Bill's Music Shelf
Ce songbook violoncelle vise à fournir au début du joueur de violoncelle avec ...
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Ce songbook violoncelle vise à fournir au début du joueur de violoncelle avec un répertoire de 101 familier et facile à jouer des morceaux écrits pour violoncelle. Toutes les chansons sont écrites spécifiquement pour violoncelle utilisant la dynamique, les marquages d'expression et les articulations. Les signatures de clés pour les chansons sont dans une gamme confortable convenable pour le début du joueur de violoncelle. Ce recueil de chansons est un complément idéal à n'importe quel livre de violoncelle méthode élémentaire. La plupart des chansons est appropriée pour la performance aux concerts, récitals et concours. Les enseignants privés assignera un ou deux des chansons de ce livre à chaque leçon. Les chansons aidera le début étudiant de violoncelle de développer la technique de doigté, capacité de lecture rythmique et confiance. / Violoncelle / 72 pages / niveau : Débutant / Partition - Format: 11 X 8,5
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12 Smash Hits - Cello: Cello: Mixed Songbook
Cello
[Sheet music + CD]
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Intermediate
Hal Leonard
Instrumental Play-Along-Hal Leonard Instrumental Play-Along: 12 Smash Hits (Cell...
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Instrumental Play-Along-Hal Leonard Instrumental Play-Along: 12 Smash Hits (Cello) is a sheet music/CD pack jam packed with solo arrangements of 12 smash hits from recent artists such as Ed Sheeran Taylor Swift Bruno Mars and more.Read the music from the book and play along with the professionally recorded accompaniment on the CD to songs such as Skyfall Live While We're Young Some Nights and many others.
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Easy Piazzolla
Cello
Curci
I più celebri brani di Astor Piazzolla in facili arrangiamenti per strumentisti...
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I più celebri brani di Astor Piazzolla in facili arrangiamenti per strumentisti di ogni livello - 12 capolavori da imparare e suonare facilmente - CD audio mp3 con i brani completi da ascoltare e le basi orchestrali d'accompagnamento per un'esecuzione solistica di grande soddisfazione - See more at: http://www.edizionicurci.it/printed-music/scheda.asp?id=3322#sthash.oNxRWgaW.dpuf / Violoncelle
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Hot Vol.1 - 16 Easy Pop Pieces in 1st Position
Cello
[Sheet music + CD]
Schott
An absolute must for modern cello lessons: Hot Cello is a varied mixture of piec...
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An absolute must for modern cello lessons: Hot Cello is a varied mixture of pieces from pop, rock, blues and jazz music. Volume 1 is very easy and limited to the first position. Students are gradually introduced to technical and musical problems. The second part is intended for the teacher or advanced students. The pieces in Volume 2 are musically and technically more demanding and assume an ability to play in 1st-4th position. All pieces are included on the accompanying CD. / Violoncelle
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The Ceilidh Collection for Cello-Bass: Cello: Instrumental Album
Cello
Taigh na Teud Music Publishers
The Ceilidh Collection for Cello and Bass has been compiled for all those musici...
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The Ceilidh Collection for Cello and Bass has been compiled for all those musicians who would like to play traditional tunes with their fiddler friends or just for themselves. The tunes are in approximate order of difficulty and where possible the keys are the same as those in the Ceilidh Collections for fiddlers. The fingering is included for cellists only and the chords are intended to facilitate the collection's use in group settings.
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Wedding Music For Solo Cello (CURATOLO KATHERINE)
Cello
[Sheet music]
-
Intermediate/advanced
Mel Bay
Par CURATOLO KATHERINE. Pour violoncelle seul, ce livre est une collection d'arr...
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Par CURATOLO KATHERINE. Pour violoncelle seul, ce livre est une collection d'arrangements de mariage simple, sans piano. A l'intérieur vous trouverez des musiques les plus fréquemment demandés pour les cérémonies de mariage, des plats traditionnels de belles pièces classiques qui ne manqueront pas d'offrir une expérience musicale élégante. / Niveau : Intermédiaire à Avancé / Recueil / Violoncelle
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Cello Fake Book (DIVERS AUTEURS / KOEPPEN GABRIEL (ARR)
Cello
[Sheet music]
Schott
Par DIVERS AUTEURS / KOEPPEN GABRIEL (ARR.). This collection is for classical Ce...
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Par DIVERS AUTEURS / KOEPPEN GABRIEL (ARR.). This collection is for classical Cellists and presents a broad selection of well-known pieces from the repertoire of classical music, opera, musicals, jazz and tunes from all over the world for all occasions, from solemn ceremonies to happy celebrations. This includes performances as part of public or private ceremonies to mark birthdays, weddings, funerals, anniversaries and jubilee celebrations as well as concerts in schools. The selection ranges from popular classical works such as Bach's 'Air', Mozart's 'Little Night Music' or Schumann's 'Reverie' and well-known operatic melodies through to medleys featuring waltzes, Dixieland or folk songs through to tangos and a few jazz standards. As the second cello part includes symbols for harmonies, it can also be played at will on keyboard, guitar and/or bass. Enjoy your gig!/ Recueil / Violoncelle
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Stringtastic Book 2: Cello
Cello
Faber Music Limited
Par WILSON MARK. Stringtastic Book 2: Cello teaches through playing in an engagi...
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Par WILSON MARK. Stringtastic Book 2: Cello teaches through playing in an engaging exploration of musical styles. Part of the fully integrated Stringtastic series in which violin, viola, cello and double bass can all learn and play together in any combination. Learn as you play through the world of Stringtastic, with 62 imaginative pieces that have been specifically designed to establish a secure playing technique and build confidence one step at a time. Following on from Stringtastic Book 1, this book takes the student from Grade 1 (Early Elementary) to Grade 2 (Elementary) level. Featuring equal-level duets for all instruments, the pieces are ideal for individual and group tuition as well as flexible ensemble and classroom settings. Every piece is supported by an exciting backing track plus a piano-only track for practice, all available to download. The Stringtastic Book 2: Teacher’s Accompaniment book provides the complete piano score which works with any combination of the instrumental parts. / Date parution : 2023-10-31/ Recueil / Violoncelle
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Peter Spitzer: Easy Classics For Cello: Cello: Instrumental Album
Cello
[Sheet music]
-
Easy
Mel Bay
Easy Classics for Cello is part of the Easy Classics Series written to provide ...
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Easy Classics for Cello is part of the Easy Classics Series written to provide beginning to intermediate students with an enjoyable introduction to classical music. This book features 16 solos and duets in cello-friendly keys with piano accompaniment. All of the pieces may be played as solos or duets and the content in this book is fully compatible with Easy Classics for Violin and Easy Classics for Viola.
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Cheryl Frances-Hoad: Excelsus: Cello: Instrumental Work
Cello
Cadenza Music
Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a sui...
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Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a suite each movement being based on a passage from the Requiem mass text. Although I spent many hours refining my interpretation of the words the work is ultimately a more instinctive reaction to the evocative language of the excerpts. However my stance was always totally atheistic and this infiltrates everything from the mood through the disregard for the text’s order to the instrumentation (the use of a lone figure which I viewed as a musical equivalent to the ‘first person’ offending against the liturgical norms which areconcerned with people as a community). Musically the entire work is based on two themes one melodic (the Rex Tremendae or ‘King of Awful Majesty’ theme which is heard at the very opening) and one chordal (the Lux Aeternum (Light eternal) chords not revealed in their pure form until the pizzicato passage that concludes the suite). The order ofthe movements is as follows: Requiem Aeternum (Grant them eternal rest)Kyrie (Lord have mercy)Tuba Mirum (Hark the Trumpet)Sanctus (Holy holy)Dies Irae (Day of Wrath)Agnus Dei (Lamb of God)Quid Sum Miser (What shall I a wretch say then?)' - Cheryl Frances-Hoad
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