Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.

We'll Meet Again is a bittersweet ballad originally sung by Dame Vera Lynn in 1939. Its optimism and hopefulness for love in the face of separation made it a famous song of the Second World War but it's universality still resonates with lovers today. Arranged for SSAA. A series of outstanding songs taken from the best-selling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs. This beautiful tune is a masterful love song and it will sound simply stunning sung by a Ladies' Barbershop in this fantastic arrangement.The themes of love and loss are underlined by optimism meaning a choral performance of this would not leave a dry eye in the audience.Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy Piano rehearsal.

Joni Jensen Choral Series-As the inscription on the statue that greets you as you enter Texas Woman's University this message is powerful and empowering. The primary octavo is for SSAA choir piano and percussion but there is an alternate full score and parts for string quartet and percussion. Singing of making a path in a pathless wilderness and pressing forward with unswerving courage this song addresses the strength of women and their ability to conquer adversity in ways that only they can.

For SSAA Choir with Soloists Vibraphone and Electric Bass Guitar-Written for SSAA choir with soloists vibraphone and electric bass guitar.

from Les Misérables-Create a moment of magic in concert with Fantine's famous song of broken dreams from the hit musical Les Misérables in a mesmerizing a cappella setting. Available separately: SATB SSAA TTBB. Duration: ca. 3:20.

In style of a radio play based on a Taoist tale-Based on an ancient Taoist fable about a small village farmer whose fortune continually changes through a chain of interconnected events. Singers are divided into two character groups the narrator and the villagers and a soloist sings the role of the farmer. The moral of the story: You never know keep on going. All is not as it first appears.

An eloquent lyric and a soaring vocal line are seamlessly combined in this tribute to the power of the sun. Expressive and dynamic, the warm harmonies are well suited to the beautiful text. / Choeur SSAA

Suoni or Sounds is a work in four movements. The work is an interplay of vocal and instrumental sounds created around a row of notes. It is scored for Flute Marimba and SSAA Chorus.

Beautiful poems by American poets Sara Teasdale and Phyllis McGinley each telling a very human Christmas story. Teasdale's Carol contrasts the magnificence of the songs of angels and kings with the baby Jesus whofell asleep before the song was done.McGinley's Ballad is a retelling of the ancient legend of Befana the Housewife always too busy to greet the new-born babe until it is too late.

from Song of Solomon-Inspired by the Aurora Borealis (Northern Lights) this beautiful composition is an excellent choice for high school women's choruses and above. Using the Latin Pulchra es amica mea text from Song of Solomon this piece promises to offer an impressive performance. Arranged for SSAA.

The mixed voices setting was released years ago and became a strong selling anthem. This SSAA setting displays K. Lee Scott's adaptability. His command of vocal writing is excellent and his arranging style is never overdone. Arefined reserve to his technique make this an elegant spiritual setting for high school college and church treble choirs.