The ultimate transition book, designed to help you make a fast and easy switch from bass to guitar! This is a complete and concise guide to modifying and adapting bass technique for the guitar. Includes special sections on chords, strumming, fingerpicking, scales, modes, and much more. / Guitare Basse Et Guitare

Par CHAPMAN CHARLES. Bass Line Basics introduces guitarists to the art of adding bass lines to their chord/rhythm playing. Adding bass lines to the average chord progression gives a sense of direction and motion to chord accompaniment. 'Four to the bar' comping with moving bass lines as well as bass lines with chord melody are also covered in this text. These techniques are valuable to the guitarist playing in small group and big band settings. Examples of each technique are written in standard notation and tab and cover a variety of styles. Music theory and chord construction basics are discussed in an easy to understand fashion. The concept of adding bass lines to guitar chord accompaniment is explained in a way that is easy to understand, with examples that are fun and instructional. The accompanying CD gives students the opportunity to hear the examples as they are written in the book. / Niveau : Débutant à Intermédiaire / Jazz - Theory and Harmony / Méthode / Guitare

Vol. 3 de la nouvelle version réussie de guitare méthode de Dieter Kreidler continue le contenu du cours des précédentes deux volumes (bases de jouer de la mélodie, introduction à ensemble jouant, deux parties jouant avec des basses vides et introduction à changer de position) de manière humoristique et variée. Hormis les exercices variés sur deux volets jouant avec notices basses et jouant de la corde prolongée, l'élève est maintenant présenté solo facile de jouer aussi bien. Les exercices et les morceaux de la performance de divers styles est disposées dans un ordre progressif et complétée par des illustrations drôles, des énigmes, des tâches et des informations sur tous les aspects de la guitare. Le contenu est délibérément enseigné en très petites étapes et est donc parfaitement adapté pour des leçons privées et de groupes. / Guitare

Logiciel pour guitaristes et bassistes comprenant Editeur professionnel de partitions et de tablatures, Studio multipistes MIDI dédià à la création, un module d'apprentissage des gammes et des accords entièrement paramétrables avec des fonctions de stockage, de création et de rechercher (2000 positions d'accords) et un accordeur DIGITAL. Niveau amateur et professionnel / Méthode en français / Méthode / Guitare

Dans 10 Rock and Blues Solos, vous pourrez mettre en application des techniques de guitare solo incontournables (hammer-on, bend, slide, tapping). [Parties de guitare rythmique, de basse et de batterie incluses]. / Guitare / 72 pages / Partition

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

Blues mention partout au Canada et de Tim William nom trouveront inévitablement. Il s'avère au-dessus de ce que dit magazine ' Living Blues ' et '...Tim Williams a la saveur, le panache et le style de s'en débarrasser. ' Tim est devenu un enseignant favori dans les camps de la musique partout au Canada et aux Etats-Unis, et il brille vraiment dans ses capacités d'enseignement claire de son style de guitare blues et de ragtime. Tout en apprenant ces grandes chansons originales et traditionnelles, vous découvrirez:--Open G et D Tuning--la ' basse constante ' thumb technique--Trilled 7ths astuces--Cool revirements--Funky main droite techniques--Slide Guitar Techniques--bass techniques--parler du choix de la guitare--Ragtime - Jugband guitare Styles--a diminué en alternance Runs--Major Dixieland mineures se déplace--Blue tierces--Country Blues Techniques--doigt pics--beaucoup de comparaisons et de conseils pour les styles des joueurs grand blues acoustique--Intro aux Notes de Drone--Double Stops / Guitare (Fingerpick) / 80 pages / niveau : Débutant/Intermédiaire / Dvd - Format: 7,5 X 5,25

Par GALBRAITH BARRY. An excellent play-a-long set for all instrumentalists from the great recording and studio artist. Contains jazz voicings and rhythms for a range of standards and blues. Bass parts shown in treble clef. Barry on guitar, Milt Hinton on bass. Excellent time feel. Fun to improvise with. Studies in guitar comping, with bass lines notated in the treble clef. / Niveau : Intermédiaire / Méthode en anglais / Méthode / Guitare

Cette leçons de fonctionnalités de compilation formidable à une variété de niveaux - de débutant à avancé - par certains des sélecteurs plus célèbre du Homespun. Chaque segment couvre une chanson complète ou instrumentale qui seront élargir votre répertoire, améliorer votre technique et améliorer vos connaissances musicales. Ces leçons couvrent la basse constante et la mélodie syncopé les joueurs de blues du Piémont (Roy Book Binder et John Jackson) - les accords étouffés de bass et swingy des préparateurs de Travis-style (Thom Bresh et Doc Watson) - la pianoter et le martèlement du Delta blues stylistes (Rory Block) - et le banjo ressemblant à rouleaux et l'approche de single-chaîne de bluegrass plus orienté fingerpickers (Eddie Adcock). / Guitare / Dvd

For Guitar. 100 Ultimate Blues Riffs for Guitar, the Beginner Series by musician, educator and world renowned author Andrew D. Gordon is an exhaustive guide to introduce beginner students to the various phrases or 'riffs' that make up Blues guitar playing, both from a rhythmic and soloing standpoint. Due to the continued success of his more advanced book series 100 Ultimate Blues Riffs Andrew decided to author a similar type of book for beginner students. Besides learning how to play Blues riffs the book is a useful tool for sight reading exercises with many different rhythms. The 12 bar Blues progression and the Blues scale, in Andrew’s opinion, the two most important aspects of playing the Blues is explained in detail as well as 'straight' and 'swing' rhythms. There are five sections to the riffs in the book, section 1 contains basic Blues riffs, section 2 contains Rhythm & Blues influenced riffs, section 3 contains Blues/Boogie Woogie riffs, section 4 contains Rock influenced Blues riffs and section 5 contains Gospel influenced Blues riffs. Included with this book is an audio CD that contains all the riffs, recorded twice: first, guitar melody, piano, guitar, bass and drums and second just the rhythm track of piano, bass & drums so you can play-a-long./ Recueil / Guitare

A Guide to Fingerpicking, Including Folk, Blues, Ragtime and Travis Picking Styles. Par ROTH ARLEN. A master guitarist and pioneer of guitar education, Arlen Roth has been a part of the guitar scene for decades, touring and recording with artists such as Simon and Garfunkel, Bob Dylan, John Prine, Ry Cooder, Levon Helm, John Sebastian and countless others. In this new video series, Arlen passes along his knowledge of authentic folk and blues fingerpicking styles, providing tips, licks, songs and detailed breakdowns. The accompanying book reinforces your learning experience with transcriptions of key examples from the videos, presented in standard notation and tablature. Topics covered include: basic fingerpicking technique - alternating bass - Travis picking - harmonyshuffles - turnarounds - accent strokes - blues, folk, ragtime and rockabilly styles - styles of Merle Travis, Blind Blake, Chet Atkins, Scotty Moore and others. Includes over an hour of video lessons! A master guitarist and pioneer of Guitar education, Arlen Roth has been a part of the Guitar scene for decades, touring and recording with artists such as Simon and Garfunkel, Bob Dylan, John Prine, Ry Cooder, Levon Helm, John Sebastian and countless others. In this new video series, Roth passes along his knowledge of authentic folk and blues fingerpicking styles, providing tips, licks, songs and detailed breakdowns. The accompanying book reinforces your learning experience with transcriptions of key examples from the videos, presented in standard notation and tablature. Topics covered include: basic fingerpicking technique - alternating bass -Travis picking - and ldquo - harmony and rdquo - shuffles - turnarounds - accent strokes - blues, folk, ragtime and rockabilly styles - styles of Merle Travis, Blind Blake, Chet Atkins, Scotty Moore and others. Includes over an hour of video lessons! / Pédagogie / Méthode / Guitare