Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Par SATRIANI JOE. A dozen guitar transcriptions with notes and tab are included in this collection matching the 16th studio album released by Satch. This 2018 album also features Deep Purple bassist Glenn Hughes and Red Hot Chili Peppers drummer Chad Smith. Includes: Catbot - Cherry Blossoms - Energy - Forever and Ever - Headrush - Invisible - Looper - Righteous - Smooth Soul - Super Funky Badass - Thunder High on the Mountain - What Happens Next. A dozen Guitar transcriptions with notes and tab are included in this collection matching the 16th studio album released by Satch. This 2018 album also features Deep Purple bassist Glenn Hughes and Red Hot Chili Peppers drummer Chad Smith. / Pop and rock / Tablatures / Guitare

For Guitar. 100 Ultimate Blues Riffs for Guitar, the Beginner Series by musician, educator and world renowned author Andrew D. Gordon is an exhaustive guide to introduce beginner students to the various phrases or 'riffs' that make up Blues guitar playing, both from a rhythmic and soloing standpoint. Due to the continued success of his more advanced book series 100 Ultimate Blues Riffs Andrew decided to author a similar type of book for beginner students. Besides learning how to play Blues riffs the book is a useful tool for sight reading exercises with many different rhythms. The 12 bar Blues progression and the Blues scale, in Andrew’s opinion, the two most important aspects of playing the Blues is explained in detail as well as 'straight' and 'swing' rhythms. There are five sections to the riffs in the book, section 1 contains basic Blues riffs, section 2 contains Rhythm & Blues influenced riffs, section 3 contains Blues/Boogie Woogie riffs, section 4 contains Rock influenced Blues riffs and section 5 contains Gospel influenced Blues riffs. Included with this book is an audio CD that contains all the riffs, recorded twice: first, guitar melody, piano, guitar, bass and drums and second just the rhythm track of piano, bass & drums so you can play-a-long./ Recueil / Guitare

Par NEELY BLAKE / SCHROEDL JEFF. Always wanted to play guitar? Then get on the FastTrack and make it happen now! FastTrack method books give you a fast way to learn how to play that new instrument (or the one that's been sitting in the closet for a few years). Skeptical because other method books haven't worked for you? That's exactly why we wrote these! They're designed for the player who wants to learn on their own terms with the help of some user-friendly instruction, professional audio and video examples, and cool music to play along the way. Don't worry: we're not going to just show you a few tricks to play one or two songs. You're going to get everything you need to start playing (this is a Hal Leonardbook, after all!) but then in a couple of weeks you'll become the player you've always wanted to be, ready to move into the songbooks filled with songs by the Beatles, Clapton, Hendrix, and more. And just in case that's not enough to convince you, the last section of all FastTrack Starter Packs (Guitar, Bass, Keyboard and Drums) include the same songs so that you and your buddies can form a band and jam together. So, yes, it IS time to reignite those rock star dreams! The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. Always wanted to play Guitar? Then get on the Fast Track and make it happen now! Fast Track method books give you a fast way to learn how to play that new instrument (or the one that's been sitting in the closet for a few years). Skeptical because other method books haven't worked for you? That's exactly why we wrote these! They're designed for the player who wants to learn on their own terms with the help of some user-friendly instruction, professional audio and video examples, and cool music to play along the way. Don't worry: we're not going to just show you a few tricks to play one or two songs. You're going to get everything you need to startplaying (this is a Hal Leonard book, after all!) but then in a couple of weeks you'll become the player you've always wanted to be, ready to move into the songbooks filled with songs by the Beatles, Clapton, Hendrix, and more. And just in case that's not enough to convince you, the last section of all Fast Track Starter Packs (Guitar, Bass, Keyboard and Drums) include the same songs so that you and your buddies can form a band and jam together. So, yes, it IS time to reignite those rock star dreams! The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Méthode / Date parution : 2018-05-04/ Méthode / Guitare

Ultimate Play-Along for Guitar has been developed so that the beginner to intermediate level guitarist can practice in different styles along with all-star musicians including Mike Stern on guitar, John Patitucci on bass and Dave Weckl on drums. This book and CDs package contains two CDs: the first disc contains seven complete rhythm tracks with the guitar melodies and solos, and the second CD contains the rhythm tracks minus the guitar. The book features complete transcriptions of all of Mike Stern's guitar parts and solos, as well as tear-out roadmap charts for each tune.

Vol.2. Par JIMMY BRUNO. Featuring: Jimmy Bruno, guitar - Chris Farr, tenor sax - Daniel Monaghan, drums - Lucas Brown, organ and keyboard bass Jimmy Bruno is one of the finest jazz guitarists of our time. From the first note of every performance he captures audiences with his electricity and presence. This Volume 2 DVD of the most recent performance, filmed live at Chris' Café in Philadelphia, PA, presents the unique opportunity to witness Jimmy in an intimate jazz setting, while playing to a home town crowd. Volume 2 features seven jazz standards performed live by Jimmy Bruno with a tenor sax/drums/organ quartet and includes an up-close and personal interview with the master himself. / Jazz - Concert/Documentary / Accessoire / Guitare

Par RAINEY CHUCK. by Mike Diliddo. Presented here is written and recorded guitar accompaniment to the entire volume 54 CD. This long awaited book includes easy-to-read music, chord symbols, and guitar frames above each example for the non-reading guitarist. Also included is a CD of Mike playing the voicings with the 'Maiden Voyage' play-a-long. Special CD stereo separation allows you to eliminate the guitarist and sit in with just the bass and drums. These voicings are 'real world' authentic chord voicings, not simplified sterile examples. It's a great opportunity to not only learn great jazz voicings, but to see how these voicings can be used to navigate blues, rhythm, and great standards. Banddirectors will love this one because now ALL members of the rhythm section can practice their comping with this world famous play-a-long. / Méthode en anglais / Méthode / Guitare

Par VIC JURIS. When Mel Bay Records launched Guitar Sessions, Vic Juris was one of the artists recruited to provide a distinctive flavor to the jazz-oriented label. A Second Look features Jay Anderson on bass, Tim Horner on drums, and Dave Liebman on tenor and soprano sax. The masterful juxtaposition of nylon-string acoustic and electric guitars adds an engaging range of voices to standards and originals, including Barney K., So In Love, All the Things You Are, Shades of Jazz, Very Early, For Brian, Table for One, and Indian Summer. Vic Juris Guitar Sessions Record Interview / Niveau : Débutant à Intermédiaire / Jazz - Solos / Accessoire / Guitare

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting off point for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible. / Niveau : Intermédiaire / Etude / Guitare

Andrew D. Gordon has created 30 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more.Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music.Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos.Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the blues. / Guitare

Par GORDON ANDREW D.. As playing funk styles is a passion of Andrew's, he has written this instructional book '100 Ultimate Soul, Funk and R and B Grooves” based on the influences of the great Funk, Soul and R and B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG's, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Saxophone part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves,percussion. There is also a three minute Play-A-Long track for each of the 100 grooves / Niveau : Intermédiaire à Avancé / Pop and rock / Recueil / Guitare

Live At The Smithsonian Jazz Cafe. Par CHRISTIANSEN COREY. Recorded in concert at the Smithsonian Jazz Café - November 11, 2005 Vic Juris and Corey Christiansen, two of the first guitarists on Mel Bay Records, joined bassist Bill Moring and drummer Tim Horner on this remarkable set of standards and originals. Awakening, Corey's first CD as well as the first release on Mel Bay Records, was hailed by jazz critics and radio programmers as an unusually impressive debut recording. Widely recognized as a brilliant musician and composer, Vic has worked with an extensive roster of jazz legends since the early 1970s. A Second Look, his first CD on Mel Bay Records, was released in April of 2005 to great critical acclaim. As senior editor for Mel Bay Publications, Corey was given the opportunity to produce Vic's CD. In the process, they discovered their musical styles compliment each other so well that it was only natural for them to record together. Live at the Smithsonian Jazz Café clearly demonstrates the wisdom of that decision. / Niveau : Tous Niveaux / Jazz - Concert/Documentary / Accessoire / Guitare