Transcriptions For Guitar By G.Marazza. Par GERSHWIN GEORGE. / Répertoire / Guitare

Par EPS GEORGE VAN. The most in-depth, revolutionary of the harmonic framework of music as applied to the guitar fingerboard ever presented. Leads to total mastery of harmonic and technical aspects of the guitar. / Niveau : Intermédiaire à Avancé / All Styles - Theory and Harmony / Etude / Guitare

8 fois primé aux Grammy, George Benson vous donne un cours particulier de guitare jazz. Il vous explique les substitutions d'accords, le style de Wes Montgomery, il vous montre le célébre morceau : 'On Broadway'. Des enregistrements de performances de Geroges Benson sont egalement inclus dans ce DVD. 67 minutes, sous titres : français, espagnol, italien et allemand, langue anglaise. Livret de partitions inclus. / Guitare / Dvd

A selection of George Gershwin's most succesful and best-loved pieces specially arranged for Classical Guitar. Presented in standard notation, the volume includes an exclusive CD of demonstration recordings of all 17 pieces. / Guitare Classique

Arrangeur: H. Morgen. Par GERSHWIN GEORGE. by Howard Morgen. 16 classic Gershwin standards in sophisticated solo guitar arrangements exactly as recorded by Howard Morgen in standard notation and tab./ Répertoire / Guitare

La musique de Georges Brassens, dont beaucoup disaient qu'elle était ' toujours pareille ', est en fait un réservoir de possibles qui ne trouvent comme limite que celle de l'imagination. Curieusement, sa musique supporte beaucoup de variations dans des styles différents. Bien sûr, la poésie du texte et ce qui s'en détache est le filtre qui donnera la pertinence aux arrangements. Ce recueil parcourt ici quelque peu un véritable patrimoine musical que les guitaristes auront plaisir à découvrir sous d'autres présentations. / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

Par IRIZARRY NEFF. The most comprehensive book ever written on Latin jazz guitar playing ? from its roots in Afro-Cuban music to the great contemporary masters! Traditional lines from the Tres, cuatro and requinto adapted to the guitar in the style of Arsenio Rodriguez, Yomo Toro, El Güero Gil, etc. Piano adaptations and solutions for the guitar patterned after Bebo Valdes, Clare Fischer, Eddie Palmieri, etc. Step-by-step instruction on how to play guajeos, montunos and other Afro-Cuban styles on guitar Transcription and analysis of key guitarists, composers and arrangers such as George Benson, Chico O?Farrill, Clare Fischer, Stan Appelbaum, Cal Tjader and La Playa sextet Stylistic analysis of highly infl uential guitarists such as Juanito Marquez, Paul Alicea, Sonny Henry, Edgardo Miranda, Carlos Emilio Morales, Bobby Redfield, Carlos Santana and Steve Khan. Transcriptions and analysis of jazz guitar greats playing Latin music, like Wes Montgomery, Kenny Burrell, Attila Zoller, Danny Embrey and Steve Khan. And much more! Over 250 audio files of the author playing each exercise! / Date parution : 2022-02-10/ Etude / Guitare

If you want to be able to play a great guitar solo over any chord progression, you have come to the right place. Master guitarist, teacher, and best-selling author Jody Fisher unlocks the secrets to how scales work with chords in this comprehensive book. Conveniently organized into two sections, the first part of the book breaks down scale and chord theory in a simple, step-by-step manner that is easy to understand. The second part is a handy, comprehensive chord and scale finder that allows you to cross-reference scales with chords and vice versa. Access to accompanying online demonstration and play-along tracks is also included. A must-have for any guitarist, Soloing over Changes is the ultimate scale and chord resource. 'A great resource for every aspiring guitar improvisor'---George Benson 'Jodi Fisher has somehow covered it all . . . for any guitarist desiring to take their improvising to the next level.'---Carl Verheyen / Guitare