Nicola Vaccai was born in Tolentino Italy on March 15th 1790; he died on August 5th or 6th 1848 in Pesaro (located on the Adriatic) the town in which he had grown up and to which he retired in 1844. He was successful as a singing teacher and opera composer though he was eclipsed in the latter field by his rival Bellini. He is known today primarily as the author of the present vocal method. present vocal method. present vocal method. present vocal method.

Description 15 American Art Songs (Low Voice) With a companion CD of recorded piano accompaniments. Includes works by Samuel Barber, Charles Ives and William Schuman. Songlist [Unknown] American Lullaby [Rich, Gladys] Cabin [Bowles, Paul] Do Not Go, My Love [Hageman, Richard] Heavenly Grass [Bowles, Paul] Loveliest Of Trees [Duke, John] Orpheus With His Lute [Schuman, William] Serenity [Ives, Charles] Sure On This Shining Night [Barber, Samuel] The Crucifixion [Barber, Samuel] The Daisies [Barber, Samuel] The Lamb [Chanler, Theodore] The Lass From The Low Countree [Niles, John Jacob] The Monk And His Cat [Barber, Samuel] This Little Rose [Roy, William] When I Have Sung My Songs [Charles, Ernest]

9 Songs-Purcell Songs vol 4 - 9 Songs for Low Voice and Keyboard arranged by Tippett

This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder , the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)Langue : German / Ténor - piano / Universal Edition

This collection includes new arrangements for voice and piano of six songs originally published in Ten Christmas Carols from the Southern Appalachian Mountains collected by John Jacob Niles as well as familiar classicscomposed by Niles. The recorded performances will help all become familiar with these new settings. All selections are appropriate for student singers as well as more experienced singers for use in Christmas services. Contents:The Carol of the Birds ? The Cherry Tree ? Down in yon forest ? The Flower of Jesse ? I wonder as I wander ? Jesus Jesus rest your head ? Jesus the Christ is born ? Lulle Lullay ? SeeJesus the Saviour ? The Seven Joys of Mary ? Sweet little boy Jesus ? What Songs Were Sung.

With diction lessons recorded by Irene Spiegelman German diction coach at the Metropolitan Opera and piano accompaniments recorded by Laura Ward this collection of the most often taught Brahms songs is an excellent introduction to lieder. The diction for each song is recorded twice: first recited as an actor would speak it showing flow of the language and mood followed by a slow deliberate lesson allowing time for the student to repeat each line. This experienced language coach adapts the ?R? in German in the slow versions as recommended for classical singers. She is also very sensitive to liaisons between word sounds in the musical settings.

Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ? A un dottor della mia sorte (Il Barbiere di Siviglia) ? Cornelius: Mein Sohn (Der Barbier von Bagdad) ? Smetana: Kezal's Aria (The Bartered Bride) ? Puccini: Vecchia zimarra (La Boheme) ? Mussorgsky: I have attained to power (Boris Godunov) ? Varlaam's Song (Boris Godunov) ? Pimen's Tale (Boris Godunov) ? Verdi: Dormiro sol nel manto mio regal (Don Carlo) ? Infelice! e tuo credevi (Ernani) ? Infin che un brando vindice (Ernani) ? Come dal ciel precipita (Macbeth) ? Il lacerato spirito (Simon Boccanegra) ? Di due figli vivea, padre beato (Il Trovatore) ? Mozart: Madamina! il catalogo e questo (Don Giovanni) ? Wer ein Liebchen hat gefunden (Die Entführung aus dem Serail) ? Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) ? Se vuol ballare, signor Contino (Le Nozze di Figaro) ? Non piu andrai (Le Nozze di Figaro) ? In diesen heil'gen Hallen (Die Zauberflöte) ? O Isis und Osiris (Die Zauberflöte) ? Donizetti: Ah, un foco insolito (Don Pasquale) ? A tanto amor (La Favorita) ? Dalle stanze, ove Lucia (Lucia di Lammermoor) ? Tchaikovsky: Gremin's Aria (Eugene Onegin) ? Gounod: Vous qui faites l'endormie (Faust) ? Le veau d'or (Faust) ? Beethoven: Hat man nicht auch Gold daneben (Fidelio) ? Wagner: Mogst du, mein Kind (Der Fliegende Hollander) ? Mein Herr und Gott (Lohengrin) ? Nun hort und versteht (Pogner's Address) (Die Meistersinger) ? Tatest du's wirklich? (Tristan und Isolde) ? Ponchielli: Ombre die mia prosapia (La Gioconda) ? Meyerbeer: Piff, Paff (Les Heugenots) ? Gluck: De noirs pressentiments (Iphigenie en Tauride) ? Halvey: Si la rigueur (La Juive) ? Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) ? Massenet: Epouse quelque brave fille (Manon) ? Flotow: Lasst mich euch fragen (Porter Song) (Martha) ? Thomas: De son coeur j'ai calme la fievre (Mignon) ? Dargomyzhsky: The Miller's Song (Rusalka).

Voice and Keyboard Nr. 4-Henry Purcell's 'Twas Within A Furlong Of Edinborough Town is a delightful piece in the style of a folk-song which has been arranged for Low Voice with Piano accompaniment by Michael Tippett and Walter Bergmann.

Low Voice Edition with CD of Piano Accompaniments-10 contemporary worship favorites arranged for soloists and includind a CD of piano accompaniments for practice or performance use. Songs include: Above All - Amazing Grace (My Chains Are Gone) - From the Inside Out - Holy Ground - I Will Rise - Lead Me to the Cross - The Potter's Hand - The Power of the Cross (Oh to See the Dawn) - Revelation Song - Thy Word.

Volume II Low Voice-The second in the Associated Board's series of Operatic anthologies features a further selection of Arias and Recitatives from across the genre. Intended for accomplished singers the songs are carefully chosen to provide the very best entry into the art of Aria-singing and dramatic performance. The pieces range from popular favourites to some lesser-known gems of the style providing an ideal starting point for those wishing to develop Operatic style and technique.

The American composer and pianist Edward MacDowell (1860 1908) is rather unknown in Europe although he had his artistic roots there for he was trained as a pianist in Paris Stuttgart Wiesbaden and Frankfurt. After returning to his home country he worked as a teacher while also being the director of the Boston Symphony Orchestra for eight years. During his studies in Germany the musician already began to compose songs (with German texts) still in the European tradition. From 1886 he used English lyricism as a basis and preferred a sparing yet expressive accompaniment of the piano. In his last songs he placed special emphasis on the declamatory aspect of the text and expandedthe harmonic range of his tonal language. Of his 42 solo songs the present volume contains six titles from three of his song collections: Composed or printed for the first time between 1890 and 1898 these songs are a representative selection from MacDowell's important middle creative period and without doubt a valuable addition to the song repertoire.