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MUSIC COURSE
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Viola da Gamba (7)
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Tuba Solo (6)
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Musique de film et télévisio… (6)
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Mendelssohn, Félix : A Midsummer Night's Dream - Overture Op. 21
Orchestra
[Facsimile]
Barenreiter
Eine verzauberte Nacht, nahezu duftende Traumbilder, schwebende Elfen ? schier u...
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Eine verzauberte Nacht, nahezu duftende Traumbilder, schwebende Elfen ? schier unerschöpflich sind die sinnlichen Assoziationen, die die Musik von Mendelssohns Ouvertüre Ein Sommernachtstraum wachruft und plastisch gestaltet, ohne in einer allzu plakativen Illustration aufzugehen. Vom Komponisten 1826 in einem unbeschwerten Sommer zwischen Gartenhaus und Geschwistern geschrieben, handelt es sich zweifellos um die populärste der Konzertouvertüren Mendelssohns.
Der renommierte Musikwissenschaftler Friedhelm Krummacher zeigt in der Einleitung, wie fein Mendelssohn die Motive und Themen miteinander verwoben hat. Er geht außerdem der Entstehung des Werkes nach, insbesondere einem mutmaßlichen ersten Entwurf, der als Faksimile im Anhang wiedergegeben ist.
Zu Mendelssohns 200. Geburtstag (2009) legt der Bärenreiter-Verlag in Zusammenarbeit mit der Biblioteka Jagiello ska Kraków dieses hochwertige Faksimile in bibliophiler Ausstattung vor, das in anschaulicher Weise die feingliedrige Handschrift des Komponisten präsentiert.
?Das ist nicht nur ein Augenschmaus, sondern verrät darüber hinaus auch viel über die Entstehungsgeschichte des Weks , das uns auch heute noch ? und nicht nur in lauen Sommernächten ? so viel Freude bereitet.?
(Fono Forum 07(2009) / [Songe d'une Nuit d'Eté - Ouverture Opus 21] / Classique / Fac-similé /
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Orchestra: Miniature Score
Orchestra
Barenreiter
Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest ...
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Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata BWV 211 Schweigt Stille: Orchestra: Study Score
Orchestra
Barenreiter
Cantata No.211: Schweigt stille plaudert nicht (Be quiet chatter not) BWV 211....
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Cantata No.211: Schweigt stille plaudert nicht (Be quiet chatter not) BWV 211.The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander are among the best-known and most frequently performed of Bach’s secular cantatas.Written in or around 1733 the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstrated in the soprano aria “Ah how sweet the coffee tastes lovelier than a thousand kisses milder than Muscatel”.Both cantatas reveal Bach’s mastery in their unusual subject-matter formal design andmusical workmanship. Now they appear in separate editions based on the “New Bach Edition” with straightforward and easy-to-play piano reductions by Andreas Köhs.- Urtext of the “New Bach Edition”.- Straightforward and easy-to-play piano reduction.- Vocal score (BA10211-90) performance material (BA10211) and study score (TP1211) available for sale
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Johan Svendsen: Rapsodie Norvegiénne No. 3 Op. 21: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Norwegian Rhapsody No. 3 Op. 21-Rapsodie Norvegiénne / Norwegian Rhapsody No.3 ...
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Norwegian Rhapsody No. 3 Op. 21-Rapsodie Norvegiénne / Norwegian Rhapsody No.3 Op.21 by Johan S. Svendsen.
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Hector Berlioz: The Corsair Op.21 Overture: Orchestra: Miniature Score
Orchestra
Eulenburg
The Corsair Op.21 Overture
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Ludwig van Beethoven: Symphony No.1 In C Op. 21: Orchestra: Score
Orchestra
[Study Score / Miniature]
G. Henle
The Symphony No.1 in C Major (Op. 21) was first performed in 1800 and published...
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The Symphony No.1 in C Major (Op. 21) was first performed in 1800 and published in 1801. It is scored in four movements: Adagio molto Allegro con brio; Andante cantabile con moto; Menuetto: Allegro moltoe vivace; Adagio Allegro molto e vivace.Ludwig van Beethoven (1770 1827) was a German composer and pianist and arguably the most famous composer of all time. He was the last great figure of the Classicalera and helped pave the way for the Romantic style that followed. His compositions include 9 Symphonies 5 Piano Concertos 1 Violin Concerto 32 Piano Sonatas and 16 String Quartets.
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Ludwig van Beethoven: Sinfonia N. 1 In Do Maggiore Op. 21: Orchestra: Score
Orchestra
[Score]
Dover Publications
Sinfonia N. 1 In Do Maggiore Op. 21
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Wolfgang Amadeus Mozart: Symphonies Nos. 1-21 In Full Score: Orchestra: Score
Orchestra
Dover Publications
These 21 symphonies composed by Mozart between 1764 and 1771 are astonishing di...
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These 21 symphonies composed by Mozart between 1764 and 1771 are astonishing displays of his precocious genius. Reproduced from the authoritative Breitkopf and Hartel Complete Works Edition they abound in the qualities that characterise his finest works - melodic richness musical invention and a much imitated but unsurpassed grace.
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Ludwig van Beethoven: Symphony No.1 In C Op.21: Orchestra: Miniature Score
Orchestra
Eulenburg
Eulenburg Miniature Score for Beethoven's 1st Symphony in C Major Op.21.
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Suite Ebène (CHARLES JEAN-JACQUES)
Français
Orchestra
[Score]
Klarthe
Par CHARLES JEAN-JACQUES. / Date parution : 2023-03-21/ Répertoire / Partition...
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Par CHARLES JEAN-JACQUES. / Date parution : 2023-03-21/ Répertoire / Partition d'Orchestre (A4)
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Josef Strauss: Farewell Polka Op.211: Orchestra: Parts
Orchestra
Bosworth
Farewell Polka Op.211
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Nikolai Miaskovsky: Symphonie No 21 Op 51
Français
Orchestra
[Sheet music]
Chant du Monde
Symphonie No 21 Op 51
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Julius Fucik: Die Lustigen Dorfschmiede Op.218: Orchestra: Score and Parts
Orchestra
Bosworth
Die Lustigen Dorfschmiede Op.218
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Wolfgang Amadeus Mozart: Violin Concerto In D Major K 218: Orchestra: Miniature
Orchestra
Eulenburg
Violin Concerto In D Major K 218
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Wolfgang Amadeus Mozart: Violin Concerto In G Major K 216: Orchestra: Miniature
Orchestra
Eulenburg
Violin Concerto In G Major K 216
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Wolfgang Amadeus Mozart: Violin Concerto In A Major K219: Orchestra: Miniature
Orchestra
Eulenburg
Violin Concerto In A Major K219
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Johann Sebastian Bach: Brandenburg Concerto No.4 In G Major BWV 1049: Orchestra:
Orchestra
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G Major BWV 1049. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
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Johann Sebastian Bach: Brandenburg Concerto No.4 In G Major BWV 1049: Orchestra:
Orchestra
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G Major BWV 1049. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside theversion known today.
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Laszlo Lajtha: Hortobagy Op21
Français
Orchestra
[Study Score / Miniature]
Leduc, Alphonse
Hortobagy Op21
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Harry Potter Suite - Deluxe Score
Orchestra
[Score]
Hal Leonard
Une partition complète orchestrale d'une Suite de merveilleuse de la musique du...
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Une partition complète orchestrale d'une Suite de merveilleuse de la musique du film Harry Potter. Entièrement autorisé par le compositeur John Williams, la musique ici est la véritable score et fonctionnalités dans le cadre de la série Signature de la magnifiquement gravés John Williams. Définissez en quatre mouvements : Hedwig du thème, Nimbus 2000, sorciers Stone et de Harry monde merveilleux. Un ensemble de score et id de pièces disponible séparément en utilisant le numéro de commande HL04490213. / Conducteur
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Time Et Again (MURAIL TRISTAN)
Français
Orchestra
[Sheet music]
Lemoine, Henry
Par MURAIL TRISTAN. Time and Again tente de rompre, partiellement, avec l'esthé...
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Par MURAIL TRISTAN. Time and Again tente de rompre, partiellement, avec l'esthétique qui domine dans mes oeuvres précédentes, une esthétique de la continuité où la forme est structurée par des processus se déroulant en un flot presque ininterrompu. Ici, la forme musicale cherche à créer une architecture du temps plus complexe, qui joue de flash-backs, prémonitions, boucles..., comme si l'on se trouvait dans une sorte de machine à remonter le temps. Pour néanmoins préserver une sorte de continuité sous-jacente, j'ai d'abord imaginé une structure 'linéaire' pour la pièce, comportant des évolutions progressives et logiques, et j'ai parfois réalisé des fragments de cette pièce virtuelle, puis, un peu comme un cinéaste, j'ai 'monté' la structure de la pièce, en coupant, dupliquant, insérant, collant. A peu près aux deux tiers de la pièce, le temps s'inverse et s'écoule deux fois plus vite - on repasse, plus symboliquement que textuellement, par toutes les étapes des deux premiers tiers, avec parfois des superpositions, des inserts ou des raccourcis. L'orchestration n'est pas tout à fait conventionnelle - les vents et la percussion sont en nombre habituel, mais les cordes sont réduites à environ la moitié de l'effectif normal. J'ai cherché ainsi une qualité particulière du son des cordes moins volumineux, mais plus intense. Les cordes jouent le plus souvent des parties individuelles. Leur emploi principal consiste à colorer ou distordre les sons joués par les autres instruments, ou à construire des spectres sonores complexes. L'orchestre est enrichi par un synthétiseur (un Yamaha DX7) qui a deux principales fonctions. Grâce à son aptitude à synthétiser des sons par modulation de fréquence, il peut émettre directement des spectres riches identiques à ceux que j'utilise dans mon écriture orchestrale. La composition de cette pièce a donc impliqué d'abord la programmation des sons sur le synthétiseur (un seul son peut produire une texture très riche et n'est souvent utilisé qu'une seule fois). Dans d'autres cas, je l'utilise comme un complément de la section des percussions et du piano, le synthétiseur ayant la tâche d'émettre les sons non tempérés. Time and Again est une commande du 'John Feeney Charitable Trust' pour le City of Birmigham Symphony Orchestra, et a été créé à Birmingham le 21 janvier 1986 par cet orchestre, sous la direction de Simon Rattle. La pièce était destinée à être jouée en première partie de la Turangalila Symphonie d'Olivier Messiaen, pour une série de concerts en Angleterre. Cela explique qu'un auditeur attentif trouvera peut-être quelques allusions à cette symphonie dans Time and Again... Tristan Murail Enregistrement: 1 CD Montaigne/Naïve, MN782175 Désintégrations - Gondwana - Time and again Ensemble L'Itinéraire, Orchestre National de France, Yves Prin (direction) - Orchestre Beethoven Halle de Bonn, Karl Anton Rickenbacher (direction) / contemporain / Date parution : 1985-01-01/ Répertoire / Orchestre
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Texan Tenebrae HPS 1694 (TURNAGE MARK-ANTHONY)
Orchestra
Boosey and Hawkes
Par TURNAGE MARK-ANTHONY. This work was commissioned by the Canary Islands Festi...
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Par TURNAGE MARK-ANTHONY. This work was commissioned by the Canary Islands Festival, the Royal Concertgebouw Orchestra and the Chicago Symphony Orchestra. It was composed in 2009 and first performed on 21 January 2010 at Auditorio de Tenerife, Santa Cruz de Tenerife, Spain, by the London Philharmonic Orchestra, conducted by Vladimir Jurowski. This 8 minute atmospheric piece is moody and full of suspense, structured in a single slow movement. Suitable for advanced standard performers. / Date parution : 2022-10-12/ Répertoire / Orchestre
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Symphony #21 A Major Hob. I: 21
Orchestra
Eulenburg
/ Orchestre
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Per Nørgård: Symphony No.1 'Sinfonia Austera' Op.13: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Per Nørgård's Symphony No.1 ' Sinfonia Austera ' Op.13 (1953-55) revised 1956...
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Per NørgÃ¥rd's Symphony No.1 ' Sinfonia Austera ' Op.13 (1953-55) revised 1956 edition in full score. Programme Note: Although my first symphony plays for 30 minutes 2/3 of my third symphony the time for composing the work was the same: 3 years from 1953 to 1955 (Symphony No. 3: 1973-1975). One of the reasons probably was the challenge of a “symphonic work” for a 21 year old composer. And all the afterthoughts following every – more spontaneous sudden – bright idea in the long progress of forming thework. Important for the slow working process I remember that every section of the symphony came to me at strange moments in a ´complete vision´ like a sounding vision in time. The problem was in detail to analyze and notate my what I had actually had heard. For instance: with the polyphonic woodwind section in the first movement (with the “Tapiola”-birdcry a greeting to Jean Sibelius) I only knew in the beginning that it should be music in the high register and only for woodwinds. But of what they should play…I had no idea at all. The severe character of the symphony (sinfonia austere) is with no doubt very juvenile. But as many things in both life and music has elements of youthfulness I think that my serious young symphony should live and stay the way it was composed in 1953-1955. Per NørgÃ¥rd Â
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Edward Huws Jones: Playstrings No. 15 Bats Cats And Broomsticks: Orchestra:
Orchestra
Chester
Bats Cats And Broomsticks (Huws Jones)-Easy music for string groups. Playstring...
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Bats Cats And Broomsticks (Huws Jones)-Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players. Set of 21 parts contains: 4 x Violin 1 4 x Violin 2 4 x Violin 3 2 x Viola 1 2 x Viola 2 2 x Cello 1 2 x Cello 2 1 x Double Bass.
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Michael Nyman: Piano Concerto No. 2: Orchestra: Score
Orchestra
Chester
Full Score-Originally composed in 2007 this is the Full Score to the 2013 revis...
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Full Score-Originally composed in 2007 this is the Full Score to the 2013 revised version. Duration: 21 minutes.
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Gabriel Fauré: Pelléas Et Mélisande: Orchestra: Score
Orchestra
Leduc, Alphonse
Musique de scène-“An enchanted dream” – these words from po...
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Musique de scène-“An enchanted dream” – these words from poet Charles Van Leberghe give an idea of the public’s enthusiasm for the first English language performance on June 21 1898 of Maurice Maeterlinck’s symbolist play. Staged at the Prince of Wales Theatre the play was translated by Jack W. Mackail with stage music composed by Gabriel Fauré. Occupied by various administrative tasks the composer asked his favourite student Charles Koechlin to orchestrate the score in May 1898. The London theatre’s limited instrumental staff corresponded perfectly to the apprentice musician’s ideals of clarity and transparency.Established by Roger Nichols and Otfrid Nies this trilingual edition (French – English – German) is based on signed manuscripts and distinguishes itself through a 60-page critical commentary that precisely retraces the birth of the work. The book presents for the first time the complete incidental music written for the London premiere of Pelléas et Mélisande with the aim of staying true to Koechlin’s original annotated version. Koechlin’s orchestration is equal to the work: a model of clarity and refinement.
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Ludwig van Beethoven: Symphonies Nos. 1 2 3 And 4: Orchestra: Score
Orchestra
Dover Publications
This volume contains complete scores for 'No. 1 in C Major Op. 21' 'No. 2 in D ...
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This volume contains complete scores for 'No. 1 in C Major Op. 21' 'No. 2 in D Major Op. 36' 'No. 3 in E flat Major Op. 55' and 'No. 4 in B flat Major Op. 60'.
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Giuseppe Verdi: Melodies: Orchestra
Orchestra
Boosey and Hawkes
from Rigoletto-Hawkes School Series 21 (score & parts). Verdi G
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Joseph M. Martin: A Celebration of Carols: Orchestra: Parts
Orchestra
Shawnee Press
Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light a...
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Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lesson and Carols”service. Filled to overflowing with beloved carols and original seasonal songs this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments forcongregational participation handbell ringers and children's choir if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; OCome All Ye Faithful; A Prayer for Advent; People of Promise Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; LetChristmas Begin; A Christmas Trilogy. Available separately: SATB SAB iPrint Orch CD-rom Printed Orchestration (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1 2&3 Trombone 1&2 BassTrombone/Tuba Timpani Perc 1&2 Harp Piano Violin 1&2 Viola Cello Double Bass) iPrint Consort CD-rom iPrint Handbells CD-rom StudioTrax CD Listening CD 10-Pack Listening CDs Preview Pack RehearsalTrax CDs DigitalResource Kit. Duration: ca. 59:21 (full performance) ca. 48:37 (w/o opt. congregational anthems).
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