Sit in with the band and bring your playing to life Soloing is an important part of your playing, but practicing on your own doesn't always get the creative juices flowing---there is nothing like the experience of sitting in with a full band. Though playing with a group isn't possible every time you want to jam, Sitting In: Blues Piano brings the band to you anytime so you can practice comping patterns and soloing with the same energy as playing live. The book offers tips and techniques from veteran blues and rock performer Loren Gold to give life to your practice sessions and inspire you to add new sounds to your blues vocabulary. Features * High-quality studio play-along recordings performed by a live band * Progressions in the most important blues styles including shuffle, boogie-woogie, gospel, blues-rock, swing blues, and more * Recordings include sample solos, and the progressions are repeated so you can jam freely * Soloing tips feature scales, modes, comping patterns, and other ideas to develop your blues vocabulary * Listening suggestions * Our TNT 2 software that lets you customize the mix, loop sections for practice, and change tempos and keys About the Author Loren Gold is an in-demand keyboardist, vocalist, and songwriter who has worked extensively with international pop and rock acts. In 2009, he became the keyboardist and vocalist for Roger Daltrey, which ultimately led to touring with The Who. Loren has performed with Kenny Loggins, Dan Aykroyd (The Blues Brothers), Toni Braxton, Joss Stone, Melissa Etheridge, and Gladys Night, and has served as Musical Director for artists such as Taylor Hicks and Demi Lovato. In addition to touring and session work, Loren composes original music for feature films and television. / Piano

Retrouvez 15 classiques soul pour Piano dans ce superbe recueil. Chaque morceau est arrangé de manière experte par Paul Honey, d'après le travail effectué par Kenneth Baker, l'auteur de la série best-seller The Complete Piano Player. Tous les morceaux comportent le doigté et les accords.

Partitions de 23 classiques de Duke Ellington pour piano solo. / Variétés Internationales / Partition /

Succeeding At The Piano-Helen Marlais’ Succeeding At The Piano: Theory And Activity Book - Grade 1A contains entertaining activities such as matching naming notes and intervals composing ear training and identifying rhythms and patterns of notes aurally all of which reinforce Grade 1A concepts. Exercises are concise–they don’t take long to complete or correct. This book features ear training activities named ‘Follow the Leader’ and ‘Parrot Play’ both of which help to sharpen listening skills and provide a well-rounded curriculum.

Par GORDON ANDREW D.. I have created various Blues riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play the Blues so that you can try to become equally adept at playing in as many keys as possible. I have heard from teachers who have used my ?100 Ultimate Blues Riffs? book who will only allow a student to move on to the next riff once they have mastered playing the riff they are working on in all 12 keys, certainly a great but challenging musical exercise. Each of the riffs are either 2 or 4 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a 12 bar blues progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Piano with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Piano with rhythm tracks recorded in a 12 bar blues progression in a designated key. 4. Rhythm tracks recorded in a 12 bar blues progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Blues often use the keys of C, F, G, Bb, Eb, Guitar music often uses the keys of E, A, D, by learning as many keys as possible will enable you to adapt to the musical situation you are playing in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head. / Date parution : 2022-09-07/ Etude / Piano

Return Of The Nightingales by Sadie Harrison is for solo Piano and Nightingale.This score is prefaced by the following Persian Sufi text:'Ajab tarana e sar karda am darin golshan Khoda konad ke na sazad falak khamush mara' - which translates in English to 'I have started to sing a wonderful song in this flower-garden like a nightingale. I hope the movement of the stars (destiny) does not make me silent again.'It is used as a direct reference to the devastation of Afghan culture during the period of the Taliban when musicians were silenced many exiled or fleeing and to their re-emergence following the Taliban’sexpulsion from 2001. The piece is dedicated to John Baily who together with his wife Veronica Doubleday has worked tirelessly to preserve Afghan music. His video documentary Return of the Nightingales (2012) celebrates the fabulous work undertaken by the Afghanistan National Institute for Music.Its mottos are:BUILD LIVES THROUGH MUSICREVIVE AND PRESERVE AFGHAN MUSICTRAIN FUTURE MUSIC EDUCATORSESTABLISH INTERCULTURAL DIALOGUEASSURE MUSICAL RIGHTSReturn Of The Nightingales was commissioned by Late Music Festival with funds from the Performing Rights Society.It was premiered by Ian Pace on 3 August 2013 at the Unitarian Chapel York.

Lesson and Technique Book (Grade 1A) Second Edition-Helen Marlais’ Succeeding At The Piano: Lesson And Technique Book - Grade 1A is filled with engaging activities such as matching naming notes and intervals composing ear training identifying rhythms and patterns of notes aurally all of which naturally reinforce Grade 1A concepts. Exercises are concise–they don’t take long to complete or correct. The included ear training activities ‘Follow the Leader’ and ‘Parrot Play’ sharpen listening skills and provide a well-rounded curriculum.

On your marks... Get set... Go! Get running skiing swimming and dancing your way to playing the piano with this lively collection of sporty exercises!When we learn a new sport we take for granted that we will need to do warming up exercises. Learning the piano is no different. Just as in any sporting activity a few technical exercises can increase control reduce muscle stress and prevent strain. This book introduces essential workouts for the hands in a gradual and fun way. Make these activities a regular part of lesson and practice time. Pick one or two each time you practice and use them to warm up.A very creative and helpful instrumentaltutor book written by Fiona Macardle. To be used in support of a graded method series this book is full of original ideas which help to make practicing and learning fun including warm ups midweek training and fitness level tests/pieces!

My First Piano Adventure Writing Book B includes 64 pages of fun-filled activities support the music learning process. Reading steps on the staff is a primary focus of Book B. The inventive Writing Book guides young players in reading hearing and creating with steps on the Grand Staff. Teachers will welcome the special ?C.L.A.P. for Sightreading? pages designed to reinforce and celebrate note-reading. Students touch on music history with Mozart's and Beethoven's Fun Facts and Games and take a peek into Beethoven's Composing Room. Tucker Blinker and Tap return with ear-training sightreading and rhythm fun. Then there is also the Tooth Fairy Visit RhythmBeads Escape of the Quarter Notes... and much more.

Alfred's Kid's Piano Course is a fun method that teaches you to play songs on the piano right away. This complete edition combines levels 1 and 2 with the activity pages of the Notespeller, and includes online access to recordings of each song and exercise so you always know how the music should sound. Each lesson on every colorful page is explained in plain language that's easy to understand- plus, you get to learn from three irresistible piano experts---a clever, classical dog, one cool jazz cat, and a friendly alligator who loves the blues. They keep your attention focused by pointing out what's important on each page and help you learn by making music fun! Parents can be effective guides to help you through this course, even if they've never had any musical training themselves. The companion DVD to this edition features a live instructor to make learning the piano even easier! Hosted by expert teacher Gayle Kowalchyk, this video demonstrates the fundamentals of piano playing, teaches you how to read music, and helps you play lots of fun songs! The DVD features live performances that demonstrate how the music should sound, and includes bonus MP3 audio tracks of all the examples for listening and playing along! Online access to the video and MP3s are included free with the DVD kit as well. Get ready to take your first and best step toward a lifetime of musical enjoyment! / Piano

Keyboard Corner is a two-year program for six- and seven-year-old beginners. The format is similar to Music Street however the maturity of the children is taken into consideration when introducing new musical concepts and a little more emphasis is put on actual performance and repertoire. Students still benefit from ensemble playing ear training and some singing. As in Music Street students learn to read both two-staff music as well as recognize chord symbols. Because of their developing physical abilities Keyboard Corner students can begin performing more interesting accompaniments with their songs and produce more creative arrangements. Having musical fun is still thegoal of every lesson.

Book 3-Hymns taken from youth and children's hymnals known throughout America provide playing pleasure while developing note-reading facility and ear training. Includes dozens of hymns arranged in the keys of C F and G: Abide with Me - Blest Be the Tie That Binds - Come Thou Fount - Doxology - He Leadeth Me - I Need Thee Every Hour - Just As I Am - My Faith Looks Up to Thee - Nearer My God To Thee - O For a Thousand Tongues - Stand Up Stand Up for Jesus - Three-Fold Amen - Where He Leads Me - and more.