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MUSIC COURSE
Piano and Orchestra
NARROW BY INSTRUMENTATION
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Book (7)
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Lap Steel Guitar (6)
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Livret (5)
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Balalaika (5)
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ENS::Ensemble (5)
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Antonín Dvo?ák: Piano Concerto In G Minor Op. 33: Piano: Score
Piano and Orchestra
G. Henle
Piano Concerto g minor op. 33-Composé rapidement puis «fignolé» avec un soin...
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Piano Concerto g minor op. 33-Composé rapidement puis «fignolé» avec un soin méticuleux le Concerto pour piano en sol mineur de Dvorák est l?une des ?uvres majeures de la littérature pour piano tchèque. Le compositeur l?écrit en 1876 en deux mois à peine mais son travail de finition s?étend sur sept ans jusqu?au premier tirage. Rien d?étonnant donc à ce que la partition manuscrite de Dvorák soit surchargée de modifications et de corrections. Son autographe de 141 pages reflète de façon frappante ce travail de composition extraordinairement complexe: outre la notation initiale en effet il renferme diverses corrections effectuées au crayon au crayon rouge et bleu ou encore à l?encre rouge- en outre quelques passages sont recouverts d?une nouvelle version.La partition se trouvait jusqu?en 1990 en possession des héritiers de Dvorák. À l?instigation du pianiste András Schiff et grâce à son généreux appui financier nous présentons pour la première fois sous la forme d?une reproduction de grande qualité comparable dans les moindres détails à l?original le fac-similé complet de ce document musical. Il invite à découvrir et à revivre les différentes étapes du processus de composition. Et qui plus est c?est un cadeau idéal pour 2004 l?«année Dvorák» (? mais aussi bien sûr pour après ?).
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Sergei Prokofiev: Piano Concerto No.2 In G Minor Op.16: Piano: Study Score
Piano and Orchestra
Boosey and Hawkes
Interestingly there are two different versions of Prokofiev’s second pian...
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Interestingly there are two different versions of Prokofiev’s second piano concerto the first written between 1912 and 1913 the second written in 1923. However during the Russian Civil War the original manuscript of the Concerto was destroyed in a fire in Prokofiev’s apartment in St. Petersburg. In 1923 he recreated the score from memory effectively composing the second edition of the work which was very different. Prokofiev wrote to a friend: I have so completely rewritten the second concerto that it might be considered the fourth (his third piano concerto having been written in the meantime).At the time of composition the concerto's wild temperamentleft some exalted whereas others were horrified by the jarring and at the time futuristic sound. Today however it is generally recognised as a masterpiece and is one of the most virtuosic works in the piano concerto repertoire.Available here is the Hawkes Pocket Score edition (No.877) of Prokoviev’s virtuosic Piano Concerto No.2 in G minor Op.16 and is ideal for study and perusal usage.
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Antonín Dvo?ák: Piano Concerto In G Minor Op.33 (Full Score): Piano: Score
Piano and Orchestra
[Sheet music]
Barenreiter
g-moll Op. 33 B. 63-Composed in 1876 Dvorák’s only piano concerto has be...
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g-moll Op. 33 B. 63-Composed in 1876 Dvorák’s only piano concerto has been overshadowed by his other two concertos for violin and violoncello respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883 which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert vanSteijn decided instead to present the version by Karel Šolc. - New Urtext edition of Dvorák’s only piano concerto - Foreword by Dvorák scholar David R. Beveridge (Eng/Cz/Ger) - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel Šolc adapted to fit this new edition - Full score (BA10420) and two-piano reduction (BA10420-90) available for sale - Performance material (BA10420-72) available for hire
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Wolfgang Amadeus Mozart: Piano Concerto No.17 In G K.453: Piano: Score
Piano and Orchestra
[Sheet music]
Barenreiter
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) ...
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Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.17 In G K.453: Piano: Part
Piano and Orchestra
Barenreiter
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) ...
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Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.17 In G K.453: Piano: Part
Piano and Orchestra
Barenreiter
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) ...
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Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.17 In G K.453: Piano: Parts
Piano and Orchestra
Barenreiter
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) ...
(+)
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.17 In G K.453: Piano: Part
Piano and Orchestra
Barenreiter
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) ...
(+)
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Ludwig van Beethoven: Piano Concerto No.4 In G Op.58: Piano: Study Score
Piano and Orchestra
Barenreiter
Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.4 In G Op...
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Urtext edition study score of Ludwig van Beethoven's Piano Concerto No.4 In G Op.58.Features:Urtext edition at the cutting edge of scholarshipAn ideal reference edition for pianists students conductors and librariesEach score contains an introduction by Barry Cooper (Ger/Eng)Format 17.5 x 22.5 cmBarenreiter has now published the scores Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven’s Piano concertos. The study scores can now also be purchased individually.Themusical text reflects a meticulous examination of every surviving source resulting in Urtext editions at the highest possible level. The study scores are supplemented by introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as forewords by the renowned editor Jonathan Del Mar with descriptions of the sources and the editorial method.
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Maurice Ravel: Piano Concerto G major: Piano: Miniature Score
Piano and Orchestra
[Study Score / Miniature]
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Intermediate/advanced
Eulenburg
The very lively three-movement Piano Concerto in G major is characterised with ...
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The very lively three-movement Piano Concerto in G major is characterised with regard to style by jazz influences especially in the first and third movements but by late Romantic and impressionist influences in the middle movement.Ravel himself called it 'a concerto in the truest sense of this generic term: With that I want to say that it has been written in the spirit of the concertos by Mozart and Saint-Saëns.'
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Johann Sebastian Bach: Harpsichord Concerto no. 1 in d minor BWV 1052: Piano:
Piano and Orchestra
[Study Score / Miniature]
G. Henle
Bach?s Harpsichord concerti extremely popular among pianists are presumably re...
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Bach?s Harpsichord concerti extremely popular among pianists are presumably reworkings of pieces originally written for the Violin. Bach however succeeded in transferring the diverse idiosyncrasies of Violin technique to the keyboard with such ingenuity that most of today?s pianists also include these concerti in their standard repertoire. The first concerto in d minor is perhaps the most popular not least because of its jaunty outer movements and the eminently forceful solo part. Now as a prelude to a series of all of Bach?s Harpsichord concerti G. Henle Publishers presents a Piano reduction and study edition (score) of the d-minorconcerto. None other than András Schiff the outstanding Bach expert has provided fingering suggestions.
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Poul Ruders: Piano Concerto No.2: Piano: Score
Piano and Orchestra
[Score]
Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...
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Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
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Carl Czerny: Easy Studies Vol. 1 for Piano and Orchestra: Piano: Study
Piano and Orchestra
Dowani
Practicing studies is a very important part of the training of every music stude...
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Practicing studies is a very important part of the training of every music student learner amateur and professional. These newly arranged orchestral accompaniments to well-known studies give rise to miniature piano concertos thereby turning thepractising of studies into an entirely new experience and a source of enjoyment especially for beginners. The Czerny studies in our volume have been taken from various opuses. 1-4 Etüde 100 Erh. Nr. 72 in G-Dur5-8 Etüde op. 481 Nr. 8 in A-Dur9-12 Etüde op. 453 No. 19 in C-Dur13-16 Etüde 100 Erh. Nr. 53 in G-Dur17-20 Etüde op. 599 Nr. 24 in D-Dur21-24 Etüde op. 777 Nr. 18 in D-Dur25-28 Etüde op. 777 Nr. 10 in G-Dur29-32 Etüde op. 599 Nr. 40 in F-Dur33-36 Etüde op. 777 Nr. 12 in G-Dur37-40 Etüde op. 817 Nr. 4 in D-Dur41-44 Etüde op. 817 Nr. 12 in B-Dur45-48 Etüde 100 Erh. Nr. 43 in C-Dur49-52 Etüde op. 599 Nr. 71 in F-Dur
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Duet (For Piano And Orchestra) (BENJAMIN GEORGE)
Piano and Orchestra
[Sheet music]
Faber Music Limited
Par BENJAMIN GEORGE. Duo pour piano et orchestre a été commandée par Roche po...
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Par BENJAMIN GEORGE. Duo pour piano et orchestre a été commandée par Roche pour le Festival de Lucerne 2008, où il a d'abord été interprétée par l'Orchestre de Cleveland et de la direction de Franz WelserMö - st. George Benjamin CBE est l'un des compositeurs les plus remarquables de sa génération. Né en 1960, Benjamin a commencé à jouer du piano à l'âge de sept ans, et commence à composer presque immédiatement. Il est maintenant le Henry Purcell professeur de composition au King's College, à Londres et a été fait Chevalier de l'ordre DANS des Arts et Lettres en 1996. Il a été élu à l'Académie bavaroise des Beaux-Arts, seulement la quatrième fois un tel honneur a été décerné à un compositeur britannique et en 2001 il a reçu le Deutsche Symphonie Orchester de première Schoenberg Prix de composition. ' / Date parution : 2010-12-01/ Répertoire / Piano et Orchestre
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Concertino
Piano and Orchestra
Bote and Bock
Concert célèbre du Szpilman travail ' Concertino ' pour piano et orchestre tou...
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Concert célèbre du Szpilman travail ' Concertino ' pour piano et orchestre tours au large de l'édition des oeuvres de concert et des chansons choisies par le compositeur polonais. Terminé dans le Ghetto de Varsovie en 1940, le travail est caractérisé par une humeur inopinément gai, presque battante. Il est légèrement réminiscence de Gershwin et les grands gestes de la musique de film à l'époque, et pourtant c'est un ' Szpilman real ' dans son instrumentation supérieure et fiable sens du style concernant le goût dominant. En plus de la musique, un score de piano est publié à des fins d'étude, avec une préface de Krystian Zimerman. / Piano Et Orchestre
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Concertino
Piano and Orchestra
Bote and Bock
Concert célèbre du Szpilman travail ' Concertino ' pour piano et orchestre tou...
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Concert célèbre du Szpilman travail ' Concertino ' pour piano et orchestre tours au large de l'édition des oeuvres de concert et des chansons choisies par le compositeur polonais. Terminé dans le Ghetto de Varsovie en 1940, le travail est caractérisé par une humeur inopinément gai, presque battante. Il est légèrement réminiscence de Gershwin et les grands gestes de la musique de film à l'époque, et pourtant c'est un ' Szpilman real ' dans son instrumentation supérieure et fiable sens du style concernant le goût dominant. En plus de la musique, un score de piano est publié à des fins d'étude, avec une préface de Krystian Zimerman. / Piano Et Orchestre
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Gottfried von Einem: Arietten op. 50: Piano
Piano and Orchestra
Boosey and Hawkes
Piano Concerto No. 2-Study Score - Hawkes Pocket Score 911. Einem G
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Gerald Finzi: Eclogue op. 10: Piano: Score
Piano and Orchestra
Boosey and Hawkes
(Full score). Finzi G.
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