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Richard King
MUSIC COURSE
Piano solo
NARROW BY INSTRUMENTATION
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Play Christmas (HARRIS RICHARD)
Piano solo
[Sheet music + CD]
Faber Music Limited
Arrangement: Harris Richard. Par HARRIS RICHARD. Play Christmas contains ten fes...
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Arrangement: Harris Richard. Par HARRIS RICHARD. Play Christmas contains ten festive favourites arranged by Richard Harris for Piano solo. This book contains instrument solo with CD backing accompaniment. A wide range of tunes from pop hits (Last Christmas, Do They Know It's Christmas) to seasonal standards (Jingle Bells, Rudolph The Red-Nosed Reindeer), all carefully arranged for the intermediate Piano player (grades 3-5), with fun backing tracks on CD./ Recueil / Piano
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Shakespeare's World (HARRIS RICHARD)
Piano solo
[Sheet music]
Faber Music Limited
Par HARRIS RICHARD. Avec quatorze pièces exceptionnelles, c'est une corne d'abo...
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Par HARRIS RICHARD. Avec quatorze pièces exceptionnelles, c'est une corne d'abondance de musique par les grands compositeurs des célèbres films./ Recueil / Piano
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Keep Calm And Play On Piano Solo: Piano: Instrumental Album
Piano solo
-
Intermediate/advanced
Amsco Wise Publications
A collection of relaxing music to ease the stress and make you smile again! 22 p...
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A collection of relaxing music to ease the stress and make you smile again! 22 pieces that soothe and inspire for solo piano.When you're feeling the pressure why not take time out to play some of the finest contemporarymusic'This collection brings together 22 calming pieces including themes from films that include 'The Artist' 'Am?lie' 'The King???s Speech' and 'Tinker Tailor Soldier Spy' as well as compositions from Philip Glass Michael Nyman and Zbigniew Preisner. So why not sit down and play and sing some of your personal favourites' They???ll calm you down and give you fresh energy to face whatever the day brings!
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Richard Harris: Captain Corelli's Mandolin: Piano: Instrumental Album
Piano solo
-
Intermediate
Faber Music Limited
This collection presents music played by the character of Captain Corelli himsel...
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This collection presents music played by the character of Captain Corelli himself and original pieces evoking the sounds and events of the book. The extraordinary story of love contrasted with the brutality of war played out amongst the beauty of its Greek-island setting has captured the hearts of readers all over the world. Alongside pieces inspired by the novel little-known manodolin music is idiomatically arranged for piano by Richard Harris and contrasted with Neopolitan songs and folk songs from Latin America and Greece.
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Really Easy Piano Musicals
Piano solo
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Easy
Amsco Wise Publications
20 comédies musicales spécialement arrangées pour piano facile avec des conse...
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20 comédies musicales spécialement arrangées pour piano facile avec des conseils de jeu pour une meilleure interprétation.
Inclus Grease, The Lion King et notamment Mamma Mia!
/ Variétés / Partition /
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Oscar Hammerstein II Richard Rodgers: The King and I: Easy Piano: Instrumental
Piano solo
[Sheet music]
-
Easy
Williamson Music
A dozen songs arranged for easy Piano from the classic Rodgers & Hammerstein mus...
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A dozen songs arranged for easy Piano from the classic Rodgers & Hammerstein musical The King And I about a British governess in the Siamese Court.Includes: Getting to Know You • Hello Young Lovers • I Have Dreamed • I Whistle a Happy Tune • The March of the Siamese Children • My Lord and Master • A Puzzlement • Shall I Tell You What I Think of You? • Shall We Dance? • Something Wonderful • We Kiss in a Shadow • Western People Funny.
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Rock'N' Roll
Piano solo
Schott
Les rois du rock and roll ont enregistré principalement sur le piano dans l'his...
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Les rois du rock and roll ont enregistré principalement sur le piano dans l'histoire de la musique: Fats Domino, avec son mélange de piano, la Nouvelle-Orléans et les rythmes créoles, le 'Killer' Jerry Lee Lewis a créé son de Boogie et Pays lèche le style de piano et l'énergique Little Richard avec ses excentricités dans la voix et l'apparence.Le bon vieux temps du rock and roll a jeté les bases pour tous les autres styles de musique populaire. Toute roche pianiste en herbe fait bien avisé de tenir compte des caractéristiques authentiques, des solos et des transcriptions.Voici les outils techniques et le contexte émotionnel des 'Roaring Fifties' est non seulement appris à survivre en solo ou en groupe, mais ont remporté. Complété par un bref historique du développement du rock and roll des styles de jeu et des informations biographiques sur les interprètes principaux.Récompensé par le Musikeditionspreis allemand 2004. / Piano
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Brun, Jérémy / Reynaud, Armand : Kenny Barron : The book - Relevés et Analyses
Français
Piano solo
[Sheet music]
Lemoine, Henry
Transcriptions et analyses par Armand Reynaud et Jérémy Brun
Je su...
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Transcriptions et analyses par Armand Reynaud et Jérémy Brun
Je suis honoré d'écrire quelques mots à propos d'un des plus grands pianistes, Kenny Barron. Il a été une figure importante de la scène New Yorkaise durant quarante ans et il fait partie de l'élite des pianistes de jazz dans le monde.
J'ai tout d'abord rencontré Mr Barron en 1977 dans un haut lieu du duo piano/basse, au Bradley's, dans Greenwich Village. Je l'ai entendu à Cincinnati (dans la ville où j'habitais) en 1974 avec le Quartette de Yusef Lateef et fus très impressionné. Au Bradley's, il était chaleureux et a été très encourageant avec moi, pianiste de 21 ans récemment arrivé à Big Apple (New York). Le moment venu, il me laissa m'asseoir avec son bassiste, le grand Buster Williams - ce fut un réel plaisir.
Lorsque j'ai commencé à réaliser des CD pour le bénéfice de Classical Action : Performing Arts Against AIDS, dans le début des années 90, je lui ai demandé de participer au second enregistrement Fred Hersch and Friends : The Duo Album en jouant un duo avec moi. Cette organisation collecte des fonds vraiment nécessaires pour les services de personnes atteintes du Sida et la prévention. Kenny, sans attendre, donna de son temps et joua magnifiquement. Il apparaît aussi sur le disque suivant, The Richard Rodgers Centennial Solo Jazz Piano Album .
Nous avons également joué à deux pianos à New York au Town Hall et deux fois au Jazz Standard, pour mon plus grand plaisir. C'est un partenaire merveilleux et compréhensif, disposé à tout essayer. Bien qu'il soit difficile de l'identifier, et je ne veux le mettre dans aucune sorte de boîtes, je perçois son style comme étant en grande partie influencé par McCoy Tyner (les lignes longues et claires) et Tommy Flanagan (le phrasé et l'utilisation de l'espace). Il a réussi à obtenir le statut rare de maître du jazz par la vertu de sa longévité, sa profondeur et sa musicalité. Nous partageons tous les deux une passion pour la musique de Monk, Strayhorn et de l'American Popular Songbook et nous sommes tous les deux de grands partisans de l'idée de rendre ce que nous avons absorbé en enseignant aux jeunes pianistes et en devenant leurs mentors.
En plus, il a une personnalité chaleureuse et engageante - il est d'un grand soutien, a un grand sens de l'humour et une attitude posée. Je suis très heureux que ce livre puisse apporter un éclairage sur le parcours du pianiste Kenny Barron - je suis sûr que cela sera d'une grande valeur musicale et historique pour tous ceux qui suivent l'évolution du piano jazz. / Jazz / Partition /
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Richard Smith: Don't LOOK at the Keys! Book 2: Piano: Instrumental Tutor
Piano solo
Spartan Press
inspiring confidence to play by touch-Richard Smith's Don't LOOK At The Keys! te...
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inspiring confidence to play by touch-Richard Smith's Don't LOOK At The Keys! teaches students how to play by touch feeling their way around the keyboard using various 'signposts' whilst keeping their eyes on the music. Designed to make sight reading easier and more effective the books in this innovative series contain a progressive set of imaginative pieces to take students and teachers step by step through the technique. This is not just another sight reading book. Don't LOOK At The Keys! contains actual practice pieces as well as instructions that demonstrate how toplay Piano by touch. It instructs and develops the skill and confidence to look at the music instead of the hands and helps those students who commit pieces to memory or play by ear then wonder where to look while playing. 'Don't LOOK At The Keys!' is a progressive series in three parts teaching piano keyboard geography by touch in an accessible enjoyable way making sight reading easier and more effective. The pieces in Book 2 are all within an octave spread in each hand to demonstrate progress and inspire confidence following the five finger range in Book 1. To get started there is one page of notes for teachers and students followed by a varied selection of 14 pieces; titles such as 'It Only Took A Minuet' 'Hot Israeli Nights' the boogie woogie pieces 'Lazy' and 'Toe Tapper' as well as 'Flat Footed Flip Flop Waltz' - inspirational and great fun!
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Tim Richards: Jazz Latin And Modern Collection: Piano: Instrumental Album
Piano solo
Schott
15 Pieces For Solo Piano-From the bestselling author of Improvising Blues Piano ...
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15 Pieces For Solo Piano-From the bestselling author of Improvising Blues Piano Exploring Jazz Piano 1 & 2 and Exploring Latin Piano comes a collection of new Jazz Latin and contemporary repertoire for solo piano. This collection is aimed at pianists looking to explore these styles in more depth or those looking to expand their musical horizons – an ideal accompaniment to other Tim Richards publications. Original pieces by Tim Richards as well as new arrangements of standards by three of the most iconic composers in jazz: Thelonious Monk Duke Ellington and Charlie Parker Notes on interpretation technique theory and performance Recordings of allpieces played by Tim are included Most pieces include fully notated improvisations Chord symbols are provided to encourage you to play your own solos too. Easy pieces at the beginning of the book give way to more challenging ones later on suitable for intermediate to advanced players.
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Tim Richards: Blues Boogie And Gospel Collection: Piano: Instrumental Album
Piano solo
[Sheet music + CD]
-
Intermediate
Schott
15 Pieces for Solo Piano-From the bestselling author of Improvising Blues Piano ...
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15 Pieces for Solo Piano-From the bestselling author of Improvising Blues Piano Exploring Jazz Piano 1 & 2 and Exploring Latin Piano comes a collection of new blues boogie and gospel repertoire for solo Piano. The collection is ideal for pianists looking to explore these styles in more depth or those looking to expand their musical horizons. Chord symbols are provided for each tune to aid improvisation and the book comes with CD recording of all pieces played by Tim Richards himself. Each piece is accompanied by notes on interpretation technique theory and performance. Suitable for intermediate to advanced players.
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Richard Clayderman: The Best Of Richard Clayderman: Piano: Artist Songbook
Piano solo
[Sheet music]
-
Intermediate
Amsco Wise Publications
The French superstar with a recording career that stretches from the mid-seventi...
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The French superstar with a recording career that stretches from the mid-seventies to the present day. Clayderman's romantic Piano solos and irresistible melodies have enchanted audiences and Piano fans for many years and thisbook of Piano solos features his best-loved melodies as well as transcriptions of of his own reworkings of popular classics. Includes Don't Cry For Me Argentina and All By Myself.This book is specially producedwith Lay-Flat pages that are designed to sit easily at the Piano.
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Oscar Hammerstein II Richard Rodgers: The Sound of Music: Piano: Instrumental
Piano solo
[Sheet music + CD]
-
Easy
Hal Leonard
Beginning Piano Solo Play-Along Volum-Beginning Piano Solo Play-Along Volume 3: ...
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Beginning Piano Solo Play-Along Volum-Beginning Piano Solo Play-Along Volume 3: The Sound Of Music is designed for pianists ready to play their first solo. The volume comes with a CD of orchestrated arrangements. The music in the book matches these recorded orchestrations and is carefully arranged for beginning pianists. There are two tracks: a full performance track for listening and practice plus a separate backing track which lets you be the soloist! The CD is playable on any CD player and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch. This volume features 8 songs from the beloved Rodgers & Hammerstein masterpiece The Sound OfMusic: Climb Ev'ry Mountain; Do-Re-Mi; Edelweiss; The Lonely Goatherd; Maria; My Favorite Things; Sixteen Going on Seventeen; So Long Farewell.
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Richard Smith: Don't LOOK at the Keys! Book 3: Piano: Instrumental Tutor
Piano solo
Spartan Press
inspiring confidence to play by touch- Making sight reading easier and more eff...
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inspiring confidence to play by touch- Making sight reading easier and more effective. A progressive set of imaginative pieces to take students and teachers step by step through the technique. Don't LOOK at the Keys! is a progressive series in three parts teaching piano keyboard geography by touch in an accessible enjoyable way making sight reading easier and more effective. In Book 3 pieces with wider leaps all over the keyboard follow careful instruction clear direction and comprehensive exercises to build confidence. The music offers a widevariety of styles including Jazz more traditional boogie woogie and to conclude a piece in 'stride piano' to demonstrate progress made by following the series - INSPIRATIONAL AND GREAT FUN! Why should I buy this book? It is the only book to practise pieces and give instruction to play piano by touch. It is not just another sight reading practice book of which there are many good ones already on the market. How does it do this? Step by step it instructs and develops the skill and confidence to look at the music instead of the hands. Book 1 starts by encouraging students (and their teachers) to find middle C by FEELING for the groups of two and three black notes. This is followed by a plethora of imaginative inspiring pieces to practise develop and improve the skills. Book 2 builds on a knowledge of scales and arpeggios. Book 3 HAS A SERIES OF EXERCISES TO PRACTISE AND DEVELOP THE ESSENTIAL KNOWLEDGE OF KEYBOARD GEOGRAPHY. To conclude there are two pieces to demonstrate the progress made by following the series.
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Easiest Piano Course : First Australian Songs
Piano solo
Amsco Wise Publications
This book of First Australian Songs follows the world-renowned John Thompson's E...
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This book of First Australian Songs follows the world-renowned John Thompson's Easiest Piano Course method that has helped thousands of beginners learn the Piano. Now you can learn all of those famous Australian pop and folk songs with ease.The John Thompson's Easiest Piano Course is one of the best-selling Piano methods ever, and for good reason. The collection of repertoire books that are intended as supplementary material for these tutors are equally deserving of their praise, with the way they enable students to put what they've learned into practice through familiar and famous songs. This particular songbook is made up of those Australian Songs that remind you of a beautiful beach with white sands and a crystal clear ocean, while also representing the natural beauty of the flora and fauna of the great island.Popular tunes like I'd Like To Teach The World To Sing, Kookaburra Sits In The Old Gum Tree and Waltzing Matilda perfectly supplement students working through parts 2, 3 and 4 of the Easiest Piano Course, with the songs are also ideal for use as sight-reading practice by more advanced students. Other familiar melodies include Waltzing Matilda, Skippy The Bush Kangaroo and, of course, The Australian National Anthem. By learning and playing fun songs from this book, students will be more motivated to play the Piano and will become more musical as a result.What's more, this book is great in the sense that it creates a natural progression for beginners. The pieces become more difficult as they go on, meaning players have something to strive for. Also, because techniques like dynamics and phrasing (though essential) are not introduced until the later parts of the course, they have been omitted from the earlier parts of this songbook, so that initially the student remains focused on accuracy in the notes and rhythm.To enhance learning through fun-to-play popular songs, the First Australian Songs book will bring a taste of down-under to your fingertips. These jaunty melodies and happy tunes will get you playing, and improving, in no time at all. / Piano
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Wedding Music for Piano
Piano solo
[Sheet music]
Kevin Mayhew
22 Perfect Pieces for Perfect Days. Par . Wedding Music for Piano is a beautiful...
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22 Perfect Pieces for Perfect Days. Par . Wedding Music for Piano is a beautiful collection of 22 of the most requested and cherished classical piano pieces for wedding ceremonies. From the timeless elegance of Pachelbel's 'Canon in D' to the majestic triumph of Wagner's 'Bridal March', this book is a must-have for any pianist looking to add a touch of sophistication to their wedding repertoire. Each piece has been carefully selected and arranged for intermediate-level pianists, with a focus on capturing the emotional essence of the wedding ceremony. Featuring compositions by renowned masters such as Mozart, Bach, and Handel, Wedding Music for Piano is the perfect musical companion for any unforgettable wedding day. / Date parution : 2023-06-01/ Recueil / Piano
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Richard Wagner Franz Liszt: Overture to Tannhäuser: Piano: Instrumental Work
Piano solo
G. Henle
Concert Paraphrase for Piano-Looking back in 1876 Liszt admitted candidly to th...
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Concert Paraphrase for Piano-Looking back in 1876 Liszt admitted candidly to the publisher Breitkopf & Härtel that his ?Wagner transcriptions? had ?only served as modest propaganda for Wagner?s noble genius using the meagre possibilities of the piano?. Infact in around 1850 Wagner?s operas Der fliegende Holländer Tannhäuser and Lohengrin which would later be so successful were only being performed at the Weimar Court Theatre under Liszt?s baton. Liszt was inspired tocompose his Tannhäuser Paraphrase by performances in Weimar of the overture in 1848 and of the whole opera in February 1849. Liszt?s piano arrangement of the overture is a technically brilliant piece of the highest order. It is afurther milestone in Henle Publishers? series of Liszt?s Wagner arrangements.
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Richard Smith: My Piano My Body and Me: Piano: Instrumental Tutor
Piano solo
Spartan Press
making the most of two wonderful machines-Motivating students to develop musical...
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making the most of two wonderful machines-Motivating students to develop musical skills at the piano is a constant challenge for teachers. Attractive repertoire is elusive yet the need exists throughout a pianist's life.The book invites students to explore for themselves the intricacies of the instrument comparing the characteristics of the high notes with the low ones the effects of the pedals playing with the lid open and more.This is more than just a book on piano technique! It is designed for serious piano students of all abilities and ages to practise an integrated approach to the piano the human body and playing musically with a sound technique. How does it do this?It featuresthe piano its history and what makes it unique and how the human body may be best positioned to make the most of it. It includes specially written pieces to practise specific technical skills; e.g. pedalling independent hand control cantabile.
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Fitzwilliam Virginal Book Vol.2
Piano solo
Dover Publications
CX. Felix namque 2. Thomas Tallis. (1564) CXI. [Exercise]. Anon CXII. Daphne. Gi...
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CX. Felix namque 2. Thomas Tallis. (1564) CXI. [Exercise]. Anon CXII. Daphne. Giles Farnaby CXIII. Pawles Wharfe. Giles Farnaby CXIV. Quodlings Delight. Giles Farnaby CXV. Praeludium [X]. John Bull CXVI. Praeludium. Dor. [XIII*]. John Bull CXVII. Praeludium [VII]. Anon CXVIII. Ut, re, mi, fa, sol, la, a 4 voci. J. P. Sweelinck CXIX. In Nomine [IX]. John Bull CXX. Praeludium [VII]. Anon CXXI. Pavana Lachrymae. John Dowland, set by William Byrd. (See No. CLIII and CCXC) CXXII. Galiarda. James Harding, set by Byrd CXXIII. Pavana. Thomas Tomkins CXXIV. Fantasia [I]. Thomas Morley CXXV. Christe Redemptor. John Bull CXXVI. The Maydens Song. William Byrd CXXVII. Put up thy Dagger, Jemy. Giles Farnaby CXXVIII. Bony sweet Robin (see No. XV). Giles Farnaby CXXIX. Fantasia [I]. Giles Farnaby CXXX. A Grounde. Thomas Tomkins CXXXI. Barafostus' Dream (see No. XVIII). Thomas Tomkins CXXXII. The Hunting Galliard. Thomas Tomkins CXXXIII. The Quadran Paven (see No. XXXI). William Byrd CXXXIV. Galiard to the Quadran Paven (see No. XXXIII) CXXXV. The King's Hunt. John Bull CXXXVI. Pavana [I]. John Bull CXXXVII. Galiarda [I]. John Bull CXXXVIII. Dr. Bull's Juell. John Bull CXXXIX. The Spanish Paven. John Bull CXL. In Nomine. [John?] Parsons CXLI. Wooddy-Cook. Giles Farnaby CXLII. The Duke of Brunswick's Alman. John Bull CXLIII. Rosasolis. Giles Farnaby CXLIV. Psalme [140]. J. P. Sweelinck CXLV. Alman [I]. Robert Johnson CXLVI. Alman [I]. Robert Johnson CXLVII. Alman. Robert Johnson, set by Giles Farnaby CXLVIII. The New Sa-Hoo. Giles Farnaby CXLIX. Nobody's Gigge. Richard Farnaby CL. Malt's come downe. William Byrd CLI. Praeludium [IX]. Anon CLII. Alman [XIII]. Thomas Morley CLIII. Pavana [IX]. [Lachrymae.] Thomas Morley CLIV. Galiarda [IX]. Thomas Morley CLV. La Volta. William Byrd CLVI. Alman [VII]. William Byrd CLVII. Wolsey's Wilde. William Byrd CLVIII. Callino Casturame. William Byrd CLIX. La Volta. T. Morley, set by William Byrd CLX. Rowland. William Byrd CLXI. Why aske you. Anon (see No. CCLXXXVI) CLXII. The Ghost. William Byrd CLXIII. Alman [IX*]. William Byrd CLXIV. Galliard [I]. William Byrd CLXV. Pavana [IX*]. William Byrd CLXVI. Galliarda [IX*]. William Byrd CLXVII. Pavana [I**]. William Byrd CLXVIII. Galiarda [I**]. William Byrd CLXIX. Pavana [XIII*]. Thomas Morley CLXX. Galliarda [XIII*]. Thomas Morley CLXXI. [deest, owing to an error in numbe CLXXII. The Queenes Alman. William Byrd CLXXIII. A Medley. William Byrd CLXXIV. Pavana [IX]. William Byrd CLXXV. Galliarda [IX]. William Byrd CLXXVI. Miserere. 3 parts. William Byrd CLXXVII. Miserere. 4 parts. William Byrd CLXXVIII. Pakington's Pownde. Anon CLXXIX. The Irishe Dumpe. Anon CLXXX. Watkins Ale. Anon CLXXXI. A Gigg. William Byrd CLXXXII. Pipers Paven. Martin Peerson CLXXXII. Pipers Galliard. John Bull CLXXXIII. Variatio ejusdem. John Bull CLXXXIV. Praeludium. D. [XIII]. John Bull CLXXXV. Galiarda [IX*]. John Bull CLXXXVI. Galiarda [IX*]. John Bull CLXXXVII. Allemanda. Marchant CLXXXVIII. Can Shee. Anon CLXXXIX. A Gigge. Doctor Bull's my selfe. John Bull CXC. A Gigge. John Bull CXCI. Sr. Jhon Grayes Galliard. W. B. CXCII. Preludium [VII]. John Bull CXCIII. A Toy. Anon (see No. CCIV) CXCIV. Giles Farnaby's Dreame. Giles Farnaby CXCV. His Rest. Giles Farnaby CXCVI. His Humour. Giles Farnaby CXCVII. Fayne would I wedd. Richard Farnaby CXCVIII. A Maske. Giles Farnaby CXCIX. A Maske. Giles Farnaby CC. An Almain [VII]. Anon CCI. Corranto [VII]. Anon CCII. Alman [XIII]. Anon CCIII. Corranto [X]. Anon CCIV. Corranto [VII]. (See No. CXCIII.) Anon CCV. Corranto [I]. Anon CCVI. Daunce. Anon CCVII. Worster Braules. Thomas Tomkins CCVIII. Fantasia [VII]. Giles Farnaby CCIX. A Maske. Giles Farnaby CCX. Praeludium [IX]. John Bull CCXI. [Praeludium] [V]. Anon CCXII. Martin sayd to his Man. Anon CCXIII. Almand. William Tisdall CCXIV. Pavana Chromatica. William Tisdall CCXV. Ut, re, mi, fa, sol, la. John Bull CCXVI. Gipseis Round. William Byrd CCXVII. Fantasia [I*]. J. P. Sweelinck CCXVIII. Coranto [IX]. William Byrd CCXIX. Pavana. Clement Cotton. William Tisdall CCXX. Pavana [I*]. William Tisdall CCXXI. Coranto [I]. Anon CCXXII. Alman. Hooper CCXXIII. Corranto [I]. Anon CCXXIV. Corranto [I]. Anon CCXXV. Corranto [I*]. Anon CCXXVI. Corranto [VII]. Anon CCXXVII. Alman [III]. Anon CCXXVIII. Corranto. Hooper CCXXIX. Fantasia [VII]. Giles Farnaby CCXXX. Loth to depart. Giles Farnaby CCXXXI. Fantasia [I]. Giles Farnaby CCXXXII. [Fantasia] [I*]. Giles Farnaby CCXXXIII. [Transcription of Ay me, poore Heart.] Giles Farnaby CCXXXIV. [Fantasia] [I]. Giles Farnaby CCXXXV. Walter Erle's Paven. Giles Farnaby CCXXXVI. [Fantasia] [IX]. Giles Fa CCXXXVII. [Fantasia] [VII]. Giles Farnaby CCXXXVIII. Fantasia [VII]. Giles Farnaby CCXXXIX. The L. Zouches Maske. Giles Farnaby CCXL. Grounde. Giles Farnaby CCXLI. Coranto [XIII]. William Byrd CCXLII. Up T[ails] all. Giles Farnaby CCXLIII. Jhonson's Medley. Edward Johnson CCXLIV. Nowel's Galliard. Anon CCXLV. Tower Hill. Giles Farnaby CCXLVI. Praeludium [XIII]. Giles Farnaby CCXLVII. The King's Morisco. Anon CCXLVIII. A Duo. Richard Farnaby CCXLIX. Alman [VII]. Anon CCL. A Galiard Ground. William Inglot CCLI. The Leaves bee greene. William Inglot CCLII. Pavana [IX]. William Byrd CCLIII. Galiarda [X]. William Byrd CCLIV. Pavana [IX*]. William Byrd CCLV. Galiarda [IX]. William Byrd CCLVI. Pavana [XIII]. William Byrd CCLVII. Pavana Fant[asia] [VIII]. William Byrd CCLVIII. Galiarda [VII]. William Byrd CCLIX. The Earle of Oxfords Marche. William Byrd CCLX. Galiarda. Jehan Oystermayre CCLXI. Fantasia [VIII]. William Byrd CCLXII. The Duchesse of Brunwick's Toye. John Bull CCLXIII. A Toye [VIII]. Anon CCXIV. Corranto [I]. Anon CCLXV. Lady Riche. Anon CCLXVI. Corranto [VIII]. Anon CCLXVII. A Gigge. Giles Farnaby CCLXVIII. A Toy [VII]. Anon CCLXIX. Galiarda [X]. Giles Farnaby CCLXX. A Toye [X]. Giles Farnaby CCLXXI. The Primerose. Martin Peerson CCLXXII. The Fall of the Leafe. Martin Peerson CCLXXIII. Farnabye's Conceit. Giles Farnaby CCLXXIV. Allemanda [VII]. Anon CCLXXV. Pavana. Canon, 2 in 1. William Byrd CCLXXVI. Pescodd Time. William Byrd (see No. LIX) CCLXXVII. Pavana. Delight. Edward Johnson, set by William Byrd CCLXXVIII. Galiarda. Edward Johnson, set by William Byrd CCLXXIX. Miserere, 3 parts. John Bull CCLXXX. Tell mee, Daphne. Giles Farnaby CCLXXXI. Mal Sims. Giles Farnaby CCLXXXII. Munday's Joy. John Munday CCLXXXIII. Rosseter's Galiard, set by Giles Farnaby CCLXXXIV. The Flatt Pavan. Giles Farnaby CCLXXXV. Pavana [VII]. Giles Farnaby CCLXXXVI. Why aske you. (See No. CLXI.) Giles Farnaby CCLXXXVII. Farmer's Paven. Giles Farnaby CCLXXXVIII. Dalling Alman. Anon CCLXXXIX. The Old Spagnoletta. Giles Farnaby CCXC. Lachrymae Pavan. John Dowland, set by Giles Farnaby (see No. CXXI and CLIII) CCXCI. Meridian Alman. Set by Giles Farnaby CCXCII. Pavana. Orlando Gibbons CCXCIII. Muscadin. Giles Farnaby (see No. XIX) CCXCIV. Lady Montegle's Paven. William Byrd CCXCV. Galiarda. William Tisdall CCXCVI. Fantasia [I]. Giles Farnaby CCXCVII. Hanskin. Richard Fa
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Tim Richards: Exploring Jazz Piano 1: Piano: Instrumental Tutor
Piano solo
[Sheet music + CD]
Schott
Awarded the prestigious Music Industries Association Award in 2006 for Best Pop ...
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Awarded the prestigious Music Industries Association Award in 2006 for Best Pop Publication Tim Richards' Exploring Jazz Piano was the long-awaited follow-up to his acclaimed Improvising Blues Piano also published by Schott. The overall level is somewhat higher and would suit pianists of Grade 4 standard and above. The book comes in two volumes comprising no less than 56 original pieces by the author together with special arrangements of 24 standards ranging from Autumn Leaves and Summertime to Straight No Chaser and Coltrane's Impressions.The two volumes also contain over 800 musical examples a veritable treasury of styles and techniques for the aspiring jazzpianist and refers to the work of Erroll Garner Art Tatum Duke Ellington Thelonious Monk Bud Powell Horace Silver Hampton Hawes Red Garland Wynton Kelly Bill Evans George Shearing Oscar Peterson Chick Corea McCoy Tyner and many others. Each volume has its own CD containing between them performances of all 80 pieces played by Tim alone or with his current trio of Dominic Howles (bass) and Matt Home (drums). Play-along tracks are also included in which the piano is panned to one speaker providing rhythm section accompaniment if desired by turning the amplifier's balance control. Copious examples of improvisation are accompanied by numerous assignments with guidance to hand on every page. The package is beautifully illustrated with many full-page photographs of piano masters past and present informative mini biographies and a comprehensive suggested listening section. The practical covered spiral binding protects the books as well as enabling them to lie flat on the music stand.Exploring Jazz Piano fills a vacuum in jazz piano instruction its comprehensive syllabus taking the reader from first principles in Vol. 1 to professional level in Vol. 2. Any student of jazz piano piano teacher or performing musician dipping into either volume will be rewarded with a wealth of ideas and practical information to keep them occupied for many
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Jazz Piano
Piano solo
Schott
Le nouveau livre 'Piano Jazz ' Volume 1 de l'auteur anglais - vente Tim Richards...
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Le nouveau livre 'Piano Jazz ' Volume 1 de l'auteur anglais - vente Tim Richards s'appuie sur les bases de 'Piano Blues ' . Il présente les principes de l'harmonie du jazz et de l'improvisation depuis le début avant et conduit le pianiste avancé dans les différents types d'accords typiques de jazz , en commençant par les triades majeures et mineures à septième et neuvièmes accords par tous les styles de jazz des années quarante années utilisées à ce jour . Si vous jouez dans un groupe , donner des leçons de piano ou tout simplement jouer à la maison - vous êtes avec ' Jazz Piano ' avez beaucoup de plaisir !Tim Richards combiné vingt-huit de ses propres morceaux avec des arrangements spéciaux tels que des normes de jazz bien connus comme 'Feuilles d'automne' , ' Fly Me To The Moon ', ' In A Sentimental Mood ', ' l'homme montagne ' , 'On Green Dolphin Street ', ' Song For mon Père ',' Straight No Chaser 'et' Take The A - train ' . Deux chansons transcrites par Thelonious Monk et Horace Silver fournissent une source inépuisable de techniques de jazz authentiques vous pouvez travailler à travers la reconstitution .Dans tous les chapitres , l'aide et des conseils importants sur l'improvisation sont donnés . Vous obtiendrez beaucoup de suggestions sur la façon dont vous pouvez construire individuellement sur le matériel d'étude présenté et trouver votre propre vocabulaire de jazz personnelle :- Rapports de cordes et des échelles- Modes- Broken Chords et échelles motif- Echelles pentatoniques et blues- Marche des lignes de basse- Rythmes latins et des lignes de basse- Improvisatoin horizontale et verticale- Composés II-V I- Substitution de Tritone- Voicings à deux mains- Des exercices techniques et doigté- Styles d'accompagnement- Formation de l'oreille- Propositions pour écouterLe CD contient des enregistrements de toutes les pièces , la plupart avec basse et batterie accompagnement . Ils peuvent être utilisés comme un Play-Along - un moyen important d'apprendre le jazz sans beaucoup de détours . / Piano
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Christmas Piano Gefällt Mir! - Book
Piano solo
[Sheet music + CD]
Bosworth
The ultimate Christmas songbook for Piano, Christmas Piano Gefällt Mir! feature...
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The ultimate Christmas songbook for Piano, Christmas Piano Gefällt Mir! features 50 top hits from the charts and blockbuster movies, in Easy Piano arrangements by the bestselling Hans-Günter Heumann. This edition also includes a CD with backing tracks to play along with.The songbook features some new pop tunes like I'll Be Home by Meghan Trainor and Mistletoe by Justin Bieber alongside some classic Christmas songs in Wonderful Christmastime, Do They Know It's Christmas and Santa Claus Is Coming To Town. Every song is arranged for Easy Piano, so it includes standard notation, full lyrics, a fingering guide, as well as chord symbols throughout. Heumann's Piano Gefällt Mir! series has proven consistent in helping beginner and intermediate pianists play the greatest songs, and this Christmas book is no exception. Including a fine selection of popular songs as well as traditional hymns and carols, as well as some favourites from a variety of films, the 50 tunes are everything you'll need for some well-loved repertoire during the festive period.Continuing the brilliant Piano Gefällt Mir! series, Hans-Günter Heumann has brought together some of the best Christmas songs for Easy Piano, giving you an essential songbook for the festive time of year. / Piano
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Weir M. - Jazz Piano Handbook - + Cd
Piano solo
[Sheet music + CD]
Alfred Publishing
If you?re a jazz singer or instrumentalist and don?t already have basic skills i...
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If you?re a jazz singer or instrumentalist and don?t already have basic skills in jazz piano: now is the time! Piano skills are the gateway to understanding chords and progressions, checking lead sheets for accuracy, learning new tunes, arranging, writing your own tunes, becoming a better improviser and so on. This book outlines an easy step-by-step process that makes learning basic jazz piano easy and fun! A Foggy Day (In London Town) George Gershwin (composer); Ira Gershwin (lyricist) A Time for Love (from An American Dream) Paul Francis Webster (lyricist); Johnny Mandel (composer) Ain't Misbehavin' (from Ain't Misbehavin') Fats Waller (composer); Andy Razaf (lyricist); Harry Brooks (composer) Alone Together Arthur Schwartz (composer); Howard Dietz (lyricist) Blues in the Night Harold Arlen (composer); Johnny Mercer (lyricist) East of the Sun (And West of the Moon) Brooks Bowman (composer) Embraceable You (from Girl Crazy) George Gershwin (composer); Ira Gershwin (lyricist) Emily Johnny Mandel (composer); Johnny Mercer (lyricist) Gentle Rain Luiz Bonfa (composer); Matt Dubey (lyricist) I Got Rhythm George Gershwin (composer); Ira Gershwin (lyricist) It Never Entered My Mind (from Higher and Higher) Lorenz Hart (lyricist); Richard Rodgers (composer) My Funny Valentine (from Babes in Arms) Lorenz Hart (lyricist); Richard Rodgers (composer) Prelude to a Kiss Irving Gordon (lyricist); Duke Ellington (composer); Irving Mills (lyricist) Secret Love (from Calamity Jane) Paul Francis Webster (lyricist); Sammy Fain (composer) Since I Fell for You Buddy Johnson (composer) The Lady Is a Tramp (from Babes in Arms) Lorenz Hart (lyricist); Richard Rodgers (composer) The Shadow of Your Smile (from The Sandpiper) Paul Francis Webster (lyricist); Johnny Mandel (composer) What Is This Thing Called Love? (from Wake Up and Dream) Cole Porter (composer) You Go to My Head Haven Gillespie (lyricist); J. Fred Coots (composer) You'd Be So Nice to Come Home To (from Something to Shout About) Cole Porter (composer)
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Piano Sonatas Op. 24+39+49+70 Wev Q-2, 3, 4, 5
Piano solo
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano
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Bob Hoban: Learning Rock 'n' Roll Piano: Piano: Instrumental Tutor
Piano solo
[DVD]
Hal Leonard
Capture the sounds and styles of Fats Waller Jerry Lee Lewis and Little Richard...
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Capture the sounds and styles of Fats Waller Jerry Lee Lewis and Little Richard with this exciting and nostalgic tutorial. Bob Hoban guides you through a library of slides rolls shuffles licks and slurs in the inimitable 50s style. Includes advanced characteristic techniques such as pushed notes and power beginnings to really get you rocking like the best.
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Fast Forward Rock'N' Roll (WORRALL BILL)
Piano solo
[Sheet music + CD]
Amsco Wise Publications
Par WORRALL BILL. Now you can learn Rock 'n' Roll piano! This great book and CD ...
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Par WORRALL BILL. Now you can learn Rock 'n' Roll piano! This great book and CD will add a new and exciting dimension to your piano playing, introducing you to the foot-tapping, infectious style that is Rock 'n' Roll! First learn the rhythmic patterns that top pianists use, and experiment with improvising your own patterns and riffs. Tricks such as arpeggiated triplets, accented chords and repeated chord patterns are explained, as are crushed notes, syncopation, glissandos and rolls. Then play in the style of Fats Domino, Little Richard, Ray Charles, and Floyd Cramer. Useful practice tips are given throughout. The accompanying CD enables you to hear how rock 'n' roll riffs and patterns should sound. Each track is recorded twice, first with the piano, then with backing tracks so you can play the piano part. Suitable for intermediate standard pianists. / Niveau : Elémentaire / Méthode en anglais / Méthode / Piano
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