Tonalité : B-Dur -. Par DURANTE FRANCESCO. Gattungen: Magnificat - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Advent, Wei cor achten - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas

Par MOZART WOLFGANG AMADEUS. Tonalité : B-Dur - Bernstein, Walter Heinz (Arr. ) - KV 125 / Date parution : 1990-12-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Weihnachtskantate. Par WERCKMEISTER ANDREAS. Weihnachtskantate/ Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas

Tonalité : Es-Dur - Horn, Paul (Arr.) - Kv 243. Par MOZART WOLFGANG AMADEUS. Gattungen: Litaneien - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Eucharistie, Abendmahl, Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Fronleic cor am - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : Es-Dur -. Par HEINICHEN JOHANN DAVID. Gattungen: Requiem - Verwendung / Anlässe: Trauer, Tod - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : Es-Dur -. Par HEINICHEN JOHANN DAVID. Gattungen: Requiem - Verwendung / Anlässe: Trauer, Tod - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Rv 644. Par VIVALDI ANTONIO. Gattungen: Oratorien - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Frieden und Gerechtigkeit - Langue : Latin / Date parution : 1979-06-01/ Répertoire / Solistes SSMsAA (SATBarB), Choeur SATB, 2 Flûtes T

Rv 644. Par VIVALDI ANTONIO. Gattungen: Oratorien - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Frieden und Gerechtigkeit - Langue : Latin / Date parution : 1979-06-01/ Répertoire / Solistes SSMsAA (SATBarB), Choeur SATB, 2 Flûtes T

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Raising the curtain on Christopher Norton’s Micromusicals – exciting and accessible musicals for schools based on popular classroom teaching topics from the creator of the internationally-acclaimed Microjazz series. Designed for children aged 6-12 each production lasts around 30 minutes and can be learned rehearsed and performed in as little as 2 days.Stage a real class act with this comprehensive and flexible resource:* Succinct casting and direction suggestions * Optional props list with a wealth of additional downloadable resources * Straightforward and catchy songs with complete demonstration and backing tracks on an accompanying CD * Voice and piano scoreswith guitar chords * A wide range of flexible easy band and orchestral parts available to download which can be played in conjunction with the backing tracks or as part of an independent live orchestral or band * Photocopiable lyric sheets (also available as downloads for printing or projection) * Wide-ranging cross-curricular teaching and classroom activity suggestions * A customisable poster to publicise performances A Christmas Carol is an English literary classic written by Charles Dickens and was first published in December 1843. The popular novella is studied at Key Stage 2 and 3 as part of the National Curriculum in England as well as at schools and colleges elsewhere in the UK and around the world. In this new Micromusical adaption the abridged story is told through drama and song.TestimonialsThe micro-musicals have enriched our curriculum and have enabled the topics taught in class to come alive. Through the micro-musicals the children have gained a deeper and broader understanding of the curriculum and have developed a bank of rich language which has supported their writing outcomes. The micro-musicals have provided an excellent opportunity to teach music through all areas of the curriculum and we have been able to use music as a platform to learn history science geography and literature. They have been a good value for money and a valuable resource.-Bronwen Chalmers Head Teacher Davies Lane Primary School