Music Minus One Trombone-Twenty great Dixieland classics presented here in complete versions and then as backgrounds to your own performance with the Dixieland All-stars. Contains printed music score and compact disc with accompaniments. Accompaniment: Dixieland All-Stars: Nat Pierce piano Jim Dahl trombone Hal McCusick clarinet Russ Saunders bass Ted Sommer drums

45 Exercices De Base – Level 1 is a book of exercises for Trombone beginners by Marcel Galiègue and Jérôme Naulais. This book is perfect for the practise of the instrument and follows an increasing level of difficulty which helps with the organisation of the work. Each exercises last between half-a-page and a page and requires a basic theory knowledge (reading and rhythms) as written in the F key. 45 Exercices De Base – Level 1 will definitely help players to gain the necessary skills to pass to the next level. MarcelGaliègue and Jérôme Naulais are both professional Trombonists who won the First Prize at the Paris Conservatoire. They are also both professors involved in different conservatoires and music schools.

La partition 80 etudes flash vol 2 C a été composée pour Trombone. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Fertile Plaine. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Trombone / Partition

Compiled by Ira Nepus, this collection of Classic Ballads For Trombone comes with a CD containing recorded accompaniments for all featured tracks.'I am so proud and honored to present you a great Music Minus One volume released with my name which showcases the beautiful and lush string writing of the legendary composer/arranger Neal Hefti. These ballads are truly classics that every trombone player of all ages will marvel to and enjoy having as part of the repertoire. The background tracks will grow on you as you play them over and over. I hope you enjoy my interpretation of them too.' - Ira Nepus / Trombone

Music Minus One Trombone-A wonderful collection of baroque music for brass ensemble drawn from such composers as Bach Händel and Purcell. Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus the soloist. Performed by Keith O'Quinn trombone Accompaniment: The Illinois Brass Quintet

10 great etudes for playing and improvising on the blues-This new method provides beginners and moderately advanced musicians with an introduction to the language of blues. In 10 solo studies which can be accompanied by professionally performed and recorded playbacks the musician learns to master the essential basics step by step: Each piece comes with appropriate scale exercises tips for studying and practicing suggestions for own improvisations as well as recommended listening.The accompanying CD provides a unique band feeling with top-notch musicians:Steve Davis (trombone) Mike LeDonne (piano/organ) Peter Washington (bass) and Joe Farnsworth (drums).

A superior collection of brass classics performed by the Classic Brass Ensemble. A very broad program of material designed to test the abilities of the average through excellent trombonist. Keith O'Quinn trombone soloist shows you the way and then you are at stage center. Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus the soloist. Performed by Keith O'Quinn trombone

Instrumental Solos for Christmas-Easy great Carols contains carols from around the world including both sacred and whimsical selections. They are delightfully arranged in fresh settings by some of the foremost arrangers in the instrumental field (James Curnow Paul Curnow Stephen Bulla Douglas Court and Tim Johnson). Written with the intermediate instrumental soloist in mind this product is designed to be accessible yet interesting. The accompaniment CD (included in the solo book) provides a demonstration performance of each solo. Carols included: Hark! The Herald Angels Sing Silent Night We Three Kings God Rest Ye Merry Gentlemen Jolly Old St. Nicholas Pat-A-Pan Away In A Manger Up OnThe Housetop We Wish You A Merry Christmas and Coventry Carol.

Where Trombone Reigns Vol. 3-Pacific Coast Horns returns in this third volume of greats performed to perfection in a scintillating reference version. Listen and then you pick up your instrument and take soloist's duties with the ensemble! 12 songs: Alexander's Ragtime Band - Amazing Grace - Blue Danube - Caravan - Harlem Nocturne - Stompin' at the Savoy - and more.

(2CD set) CDs only. (These orchestral recordings present the complete excerpt, and the specific instrument is not omitted.) For corresponding sheet music anthology see EP 8665 / Trombone

Such jazz legends as Dick Wellstood Alphonse 'Doc' Cheatham and George Duvivier and more back you up in this amazing collection of New York-style Dixieland standards. After the break-up of the big-band era around 1950 many ofthe finest 'swing' or mainstream players found themselves without an outlet for their abilities and took to playing 'Dixieland' in New York clubs such as Eddie Condon's and the Metropole. And so was born a new style of Dixielandjazz minus the banjos tubas steamboats and magnolias! It is this version we celebrate on this album. We encourage you the soloist to invent counter-melodies rather than mere harmony parts. This is a music of loose weavingparts not one of precision ensemble figures. And in short it is one of the greatest improvisational experiences any jazz player could hope to have. This pack includes a high-quality printed music score and compact disc featuringstereo accompaniments to each piece. Performed by Vic Dickenson trombone; Accompaniment: 'Doc' Cheatham trumpet; Kenny Davern clarinet

An easy way to improvise with 10 great tunes-This tune book by Ed Harlow contains cool grooves for beginners. The beat is provided by The Boston Horns band and the melody and accompanying grooves are set in easy arrangements and can be played by up to 3 players of the same instrument. This allows Easy Funk Play-Along to be used for individual practising or for (group) lessons. The solo passages are based around the pentatonic scale and particularly suitable for the first steps into improvisation. Each song comes with an alternative 'funky' solo song which can be practised with the play-along track.

C'est le samedi 28 juillet 1855, au Conservatoire de Paris, que le concours de la classe de trombone eut lieu. Cette année-là, une matinée suffit à auditionner tous les candidats pour la raison qu'explique Paul Smith, dans la Revue et Gazette musicale: «?Toute la famille des instruments à vent [?] s'était donné rendez-vous avec une harpe dans une seule et même matinée. La guerre s'est chargée d'abréger le concours: beaucoup d'élèves avaient forcement quitté les classes pour suivre leurs régiments en Crimée. Néanmoins, il en restait encore assez pour que le concours fût honorable.?» Le professeur, Antoine Dieppo, présenta ce jour-là deux étudiants qui furent récompensés: Jean-Baptiste-Frédéric Masset (né en 1828) obtint un premier prix tandis que François-Achille-Alfred Dauger (né en 1825) recueillit un deuxième prix. En plus de l'exécution du morceau imposé - le Solo de Trombone de Charles Gounod (1818-1893) présentement édité -, les élèves étaient également soumis à une épreuve de lecture à vue. En 1855, il s'agit d'un allegro pour trombone avec accompagnement de violoncelle d'un compositeur anonyme, morceau déjà imposé en 1852.Le Solo de Trombone de Gounod ne fut jamais publié et la partition disparut bientôt de la circulation, étant déclarée perdue par l'ensemble de biographes du compositeur jusqu'à très récemment. Deux manuscrits ont permis la reconstitution de la présente édition. Le premier - une partie de trombone seul - fut découvert dans une brocante à la fin des années 1990, le second appartient à Frantz Couvez, tromboniste, qui en possède une photocopie reçue de son professeur, Gilbert Moisand. Différents éléments stylistiques confirmèrent rapidement qu'il s'agit bien d'une pièce de Gounod: le style général, proche des Six mélodies pour cor et piano de 1839, certains détours harmoniques - même si la main n'est pas encore tout à fait personnelle - et l'accompagnement de piano, qui ne fut pas sans poser quelques problèmes. L'aspect non pianistique d'autres oeuvres du compositeur, déjà frappant dans les Mélodies pour cor, se retrouve en effet ici : Gounod n'était pas pianiste et détestait réaliser ce genre de réduction, détail confirmé par Gérard Condé. La présente édition réaménage donc certains passages (harmonie complétée ou redistribuée, figurations pianistiques améliorées, superpositions de mains réaménagées?).Ce Solo est écrit en deux mouvements. Le premier, en sol mineur, débute par une introduction andante, étonnement développé par rapport à l'ensemble de la pièce. Ce tutti débouche sur un adagio cantabile en 6/8, véritable aria à la sensualité toute italienne. La ligne instrumentale, soutenue par un balancement régulier de triolet, épouse les contours d'une phrase vocale caractéristique de Bellini ou Donizetti, alors en pleine vogue à Paris. La seconde partie de la pièce en molto pomposo e ben marcato en si bémol majeur, fait office de cabalette, achevant par des figures en triolets d'une difficulté non négligeable.Laurent MadeufParis, septembre 2018Cette première publication du Solo de Gounod est enrichie par la pièce de la lecture à vue (déchiffrage) donnée à la même année. Cette courte pièce avec accompagnement de violoncelle d'un auteur anonyme suit une longue tradition de juger le candidat par sa capacité de lire et d'interpréter avec une très brève préparation. / Trombone / Bim

Beginner Series-Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line 12 measures in length designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded first with the solo playing along with the rhythm backing tracks of keyboards guitar bass and drums and immediately following is the play-a-long backing track that cycles through the 12 bar blues progression 12 times generally between 5-8 minutes in length giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the Blues. Facebook Twitter Pinterest Google Andrew D. Gordon has created 30: 12bar blues play-a-long backing tracks in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line 12 measures in length designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded first with the solo playing along with the rhythm backing tracks of keyboards guitar bass and drums and immediately following is the play-a-long backing track that cycles through the 12 bar blues progression 12 times generally between 5-8 minutes in length giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the Blues. Facebook Twitter Pinterest Google