Violin Sonata in G major-Inspired by Béla Bartók’s Violin sonatas Ravel planned his own sonata for Violin and Piano in 1922 but at first did not get beyond sketches. Many interruptions ensued and the work was onlyfinished in 1927. He dedicated it to his violinist friend Hélène Jourdan-Morhange. Regarding the sonata’s sparse thinned out compositional structure and instrumentation Ravel later emphasized thatthe sonata proved the tonal incompatibility of the Violin and Piano. Yet it still succeeded in winning a permanent place in Violin repertoire – not least because of its middle movement inspired by jazz elements and the“blues”. The fingerings in this Henle Urtext edition have been provided by two masters of their instruments: Christian Tetzlaff and Pascal Rogé.

Sonatina In G Op.100 was written in New York in 1893. Scored for Violin and Piano it comprises four movements: Allegro Risoluto - Larghetto (Indian Lament) - Scherzo and Trio: Molto Vivace - Finale:Allegro. It was intended for the composer’s children making the simple melodic lines and unadorned harmonies an accessible favourite of many young violinists. A delightful and rewarding piece it is perfect for any recital.Antonin Dvorak (1841-1904) was best known for his New World Symphony composed in the short time he spent in America the rest of his career was spent in his native Bohemia and the rest of Europe.

An Urtext edition of W.A. Mozart's Violin Concerto No.3 In G K.216 as edited by Wolf-Dieter Seiffert with Piano reduction by Siegfried Petrenz and fingering bowing cadenzas and lead-ins by Kurt Guntner.

It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch’s First Violin Concerto In G Minor. Now it’s appearing at last in an urtext edition from Henle.Bruch himself was not always overjoyed at his work’s popularity: 'I can’t listen to this concerto anymore ' he once complained to his publisher Simrock 'do you suppose I’ve only written one concerto?' By now theBruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part but a preface that alone is worth the price of the volume: who could haveguessed that the concerto went through a convoluted genesis with multi-layered revisions and that some of the changes go back to the famous violinist Joseph Joachim?

The series 'Bärenreiter?s Concert Pieces' presents a new edition of Allegro in G by Joseph-Hector Fiocco.All editions contain a solo violin part and a piano part for the piano accompanist. The series is edited by Kurt Sassmannshaus the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords introduce these little gems and include tips for successful first concerts. These editions form an ideal continuation of the Sassmannshaus violin school tradition and can be used in parallel from the third volume onwards or alongside any violin method. The series will be continued andwill introduce students to more demanding repertoire with a gradually increasing level of difficulty.

Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.

Compositeur : Beethoven, Ludwig vanInstrumentation : Violin and PianoEditeur Musicologique : Brandenburg, SieghardCouverture BrochéeContenu : Sonata for violin A major op. 47 [Kreutzer Sonata] Sonata for violin F major op. 24 [Spring Sonata] Sonata D major op. 12,1Sonata A major op. 12,2Sonata E flat major op. 12,3Sonata a minor op. 23Sonata A major op. 30,1Sonata c minor op. 30,2Sonata G major op. 30,3Sonata G major op. 96

Klavierauszug-The Romance for Violin and Orchestra No. 1 in G major was written in 1802 and published in 1803 as opus 40 while the earlier Romance for Violin and Orchestra No. 2 in F major was written in1798 but not published until 1805 as opus 50 leading to some confusion as to the actual chronology. Ludwig van Beethoven (1770 1827) was a German composer and pianist and arguably the most famous composer ofall time. He was the last great figure of the Classical era and helped pave the way for the Romantic style that followed. His compositions include 9 Symphonies 5 Piano Concertos 1 Violin Concerto 32 Piano Sonatas and 16String Quartets.

Elements of Spanish folklore dominate in Sarasate?s compositions, but several prominent works also use typical melodies and dances of other countries. Alongside the ?Zigeunerweisen?, the ?Introduction et Tarentelle? numbers among the most popular representatives of this group: Sarasate erected here an enduring monument to the tarantella, the fiery southern Italian dance. The version for violin and piano was composed first in 1899; a year later, Sarasate made the version for violin and orchestra. For this first Urtext edition, all of the preserved autograph sources were consulted. Augustin Hadelich undertook the marking of the virtuoso violin part for G. Henle Publishers.

Sonatina In G Major for Violin and Piano was written during a period of relaxed creativity and family contentment. Dvorak wrote it in America at the end of 1893 and dedicated it to his children who were both attending the National Conservatory in New York where the composer acted as director. His daughter Otylie later the wife of Josef Suk and his 10-year-old son Antonin also premiered the work at a family concert.The purpose for which it was intended is reflected in the simplicity and clarity of musical ideas and the relatively straightforward technical demands of the piece.This title is part of the first CompleteCritical Edition of Works by Antonin Dvorak.

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Concerto D major op. 61 for Violin and Orchestra pour Violon et plus particulièrement pour Violon Et Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Violon Et Piano / Chanson En Séparée

The First Violin Concerto in G Minor is one of German composer Max Bruch’s most enduring works filled with exuberant melody and colourful orchestration richly displaying the virtuoso role of the violin solo. This work remains today one of the most performed and recorded concertos in the violin repertoire.

Edvard Grieg's Violin Sonata No.2 In G Major Op. 13 for Violin and Piano accompaniment. Published by Edition Peters.