Revised Edition 2006 This book should be seen as a method to help the artist to develop his or her own way when trying to improvise chromatically. Through the concepts and examples offered, the improvisor should be able to use this material alongside already familiar tonal ideas. Specifically, the book serves as a guide for organizing chromaticism into a coherent musical statement meant to satisfy both the intellectual and emotional needs of artistic creation. The reader will be introduced to more than one way of conceiving chromatic lines and harmonies. There is nothing theoretically complex or new in the text, it is the organization of the material as well as many musical examples and transcriptions (Bach, Scriabin, Coltrane, Shorter, Hancock, Beirach, Liebman a.o.) which should serve to inspire musicians to expand their usual diatonic vocabulary. This book also provides insight into the style of playing that David Liebman is known for. In addition the book contains 100 assorted solo lines and 100 chord voicings.

Does the very thought of the dreaded aural test fill you with fear? Does nothing seem as bad as being put on the spot having to recognise discordant intervals and singing back melodies that are simply too long to remember?Having a good ear is vital to becoming a successful musician and Improve Your Aural! is here to help develop your musicianship in easy graded stages. Through fun listening activities boxes to fill in and practice exercises this workbook and CD focus directly on all those key skills you need. You'll be singing clapping playing your instrument writing down music improvising and composing - as well as securing thatvital pass in the aural section of your grade exams.