SKU: FL.FX071113
This piece is written for students in their second year of flute practice. Built on a structure of 3 3-beat measures followed by 1 4-beats measure, it make the players to behave as acrobats. The piano part can be played by a student from 3 years of piano practice. It can then be used for a flute + piano audition.
SKU: FG.042-08516-5
ISBN 979-0-042-08516-5.
The F major sonata is the last and the most developed of all the works Sibelius wrote during his youth for his own instrument, the violin. It was completed in the summer of 1889 in Loviisa and premiered there the same year at a charity gala. During his youth Sibelius looked to the music of Grieg, which is clearly to be heard in this work - not only in the melodies or harmonies but also in the formal structure, which is more romantically oriented than that of many early works from Sibelius's youth, which are more closely tied to the classical tradition. In the andante Sibelius introduces aspects of folk music for the first time, thereby anticipating the Finnish stamp of many of his pieces from the 1890's.
SKU: BR.OB-5364-27
Christian Martin Schmidt is laying bare to musical practice the original form of Mendelssohn's epoch-making Overture to A Midsummer Night's Dream buried beneath layers of falsified material for the first time.
ISBN 9790004337424. 10 x 12.5 inches.
Autograph lays bare Mendelssohn's Overture to A Midsummer Night's Dream To this day, Mendelssohns epoch-making Overture to A Midsummer Night's Dream has been performed on the basis of a more than dubious transmission. Neither the first edition of the parts (1832), and certainly not the print of the score based on these parts (1835) go back directly to the autograph of the 17-year-old composer, which is now located in Krakow. No wonder, since Mendelssohn had breezily given away his original at an early date. The result: during his lifetime, versions were published with his authorization, even though they were full of unintended inconsistencies. Yet the autograph of 1826 is unequivocal: it is clear, practically free of irregularities and diverges considerably from the corrupted printed version. Christian Martin Schmidt comes up with occasionally differing musical passages, but above all with logical and compositionally compelling performance instructions, laying bare to musical practice the original form buried beneath layers of falsified material for the first time.Christian Martin Schmidt is laying bare to musical practice the original form of Mendelssohn's epoch-making Overture to A Midsummer Night's Dream buried beneath layers of falsified material for the first time.
SKU: BR.PB-5364
ISBN 9790004211458. 10 x 12.5 inches.
SKU: BR.OB-5364-15
ISBN 9790004337387. 10 x 12.5 inches.
SKU: BR.OB-5364-23
ISBN 9790004337417. 10 x 12.5 inches.
SKU: BR.OB-5364-16
ISBN 9790004337394. 10 x 12.5 inches.
SKU: BR.OB-5364-19
ISBN 9790004337400. 10 x 12.5 inches.
SKU: BR.OB-5364-30
ISBN 9790004337431. 10 x 12.5 inches.
SKU: HL.44012872
Fanfare and Celebration was commissioned by the Brass Band of the Western Reserve (Dr Keith M. Wilkinson, director) to celebrate their 15th anniversary. Based in north-west Ohio, the band was formed in 1997 and was competing in the Championship Section of the North American Brass Band Championships in less than three years. The first performance of Fanfare and Celebration took place in Akron, Ohio, on November 10th 2012.The opening Fanfare features the cornet section, in two groups standing either side of the band. A central horn theme brings a change of mood before the cornets take the lead once more. Celebration follows seamlessly and continues the declamatory style until a cantando theme in uneven meter is introduced. A transformed recapitulation ushers in a return of the Fanfare to close the work.
SKU: TL.TCL-018076
ISBN 978-0-85736-728-0.
Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts, whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series, in any combination, making it an excellent resource for individual or group teaching. Take Your Bow is available in 4 individual editions -- for violin, viola, cello and double bass, each with piano accompaniment -- and as a separate full score.
SKU: TL.TCL-018069
ISBN 978-0-85736-727-3.
SKU: HL.51481370
ISBN 9790201813707. UPC: 888680749972. 9.25x12.25x0.391 inches.
Just like many other violin virtuosos of the 19th century, Pablo de Sarasate also composed a series of pieces for violin and piano (or orchestra) for his own concert use. Highly virtuosic salon pieces with echoes of national folk music traditions from all over Europe are at the centre. Sarasate published his eight Spanish dances in four books between 1878 and 1882. They alternate between fiery passion and a yearning expressiveness, and are undoubtedly among his most successful compositions. In masterly fashion, Sarasate here mixes up Spanish folk tunes with arrangements of popular compositions of the time. As in the case of the Henle Urtext edition of Sarasate's Zigeunerweisen (HN 573), a violin wizard of our own time is responsible for the fingerings and bowings: Ingolf Turban.
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SKU: BT.DHP-1115227-010
9x12 inches. English-German-French-Dutch.
2011 was a disastrous year for Japan: on March 11 the northeast of the country suffered a violent earthquake, which triggered a huge tsunami and caused massive damage to people and the environment. The ensuing problems with the nuclear reactor atFukushima only increased the misery: a black day in the country's history...One almost inevitable consequence of such dramatic circumstances is the particular damage suffered by the cultural arts. And so it was in Japan: various high school wind orchestras in the effected areas lost their practice rooms and/or instruments.It will take a long time before the damage suffered is repaired - and it will take great effort to overcome the psychological effects, too. Focusing on the latter, Yutada Nishida (director of The Bandwagon radio program) asked a few composers fora simple work that could be played by many orchestras. It just so happened that the Osakan Philharmonic Winds (with whom Jan Van der Roost had conducted a concert exclusively of his own works on September 25th) had had a similar idea. This concert saw the baptism of Song of Hope. This pieceimmediately struck a chord with musicians and audience alike: it begins bleakly in the low register and evolves to a more open, optimistic close. There really is hope for better times!2011 was een rampzalig jaar voor Japan: op 11 maart teisterde een hevige aardbeving het noordoosten van het land, bracht een enorme tsunami teweeg en veroorzaakte zeer grote schade aan mens en natuur. De daaruit voortvloeiende problemenmet dekernreactor van Fukushima maakten de ellende nog groter: een zwarte pagina in het bestaan van het land ... Dat in dergelijke dramatische omstandigheden ook (en vooral) het culturele bestel een flinke knauw krijgt, ishelaas een haastonvermijdelijke consequentie. Zo ook in Japan: verschillende high school bands in de getroffen regio verloren hun repetitieruimte en/of instrumenten: het zal lang duren voordat de geleden schade is hersteld - enhet zal ook moeite kosten om er mentaalweer bovenop te geraken. Met het oog op dat laatste aspect verzocht Yutaka Nishida (samensteller van het radioprogramma The Bandwagon) een paar componisten om een eenvoudig werkje te schrijvendat speelbaar is door een groot aantal orkesten. Alsbij toeval kwam een dergelijk verzoek eveneens van de kant van de OSAKAN Philharmonic Winds, waarmee Jan Van der Roost op 25 september een concert dirigeerde, uitsluitend gewijdaan eigen werken. Daar werd Song of Hope dan ook ten doop gehoudenen het werkje sloeg meteen aan bij uitvoerders en publiek: na een tamelijk donkere start in het lage register evolueert het tot een optimistischer en opener slot.Er is inderdaad hoop op betere tijden!Am 11. März 2011 löste ein heftiges Erdbeben in Japan einen riesigen Tsunami mit desaströsen Folgen für Mensch, Natur auch das kulturelle Leben. Yutaka Nishida vom Radioprogramm The Bandwagon bat daher einige Komponisten, darunter Jan Van derRoost, ein einfaches, für viele Orchester spielbares Werk zu schreiben. Song of Hope beginnt düster im tiefen Register, um sich dann zu einem optimistischeren Schluss hin zu entwickeln. Es gibt sie, die Hoffnung auf bessere Zeiten... !Le 11 mars 2011, un violent tremblement de terre secoua le Japon et déclencha un tsunami gigantesque, avec des conséquences désastreuses pour la population et l’environnement. Yutaka Nishida, animateur radio de lémission, The Bandwagon a doncdemandé plusieurs compositeurs, y compris Jan Van der Roost, d’écrire des pièces faciles interpréter, pour les orchestres locaux. Song of Hope (Chant de lespoir) s’ouvre par une ligne mélodique dans le registre grave, qui évoluera tout aulong de la pièce afin d’aboutir une conclusion pétillante d’optimisme. Des jours meilleurs se profilent l’horizon ! Il 2011 é stato un anno tragico per il Giappone, al devastante terremoto e al non meno catastrofico tsunami dell'11 marzo, sono seguiti i gravi problemi al reattore nucleare di Fukushima. Il settore della cultura in generale, e quellodella musica in particolare hanno sofferto immensamente a causa di questi nefasti eventi naturali. Song of Hope é un brano che ha profondamente commosso esecutori e pubblico.Song of Hope inizia nel registro acuto con suoni oscuri e melanconici, ma si sviluppa in un clima di ottimismo, come a voler simboleggiare un futuro pié sereno.
SKU: BT.MUSRSK051225
ISBN 9781908920249. English.
Key Features at Grade 6
Rockschool builds upon its 21 years of unrivalled experience in rock and pop examination by bringing you the 2012-2018 Syllabus. For this latest Syllabus, Rockschool have employed some of the most sought after professional musicians to ensure that their tunes are the most authentic on offer.Drums Syllabus Features
All Rockschool grades are fully accredited throughout the UK by the qualifications regulators of England (OfQual) Wales (DCELLS) Northern Ireland (CCEA) AND Scotland (SQA Accreditation).
SKU: HL.438836
UPC: 852940000561. 7.0x8.0x2.514 inches.
Even though the BassDrive has been listed in the catalogue for years, Carl postponed the release of this pedal until we were able to tweak the EQ and crunch to where it could add a warm 'tube' sound to modern digital bass amps and actually improve their performance. The new Carl Martin Bass Drive now does exactly that....creating that famous John Entwhistle (The Who) tone... big, round and phat with just the right amount of sustain to place your bass properly in the mix and allow it to 'pop' in live and recording situations. The Drive control blends evenly with your bass tones, rather than sitting on top like so many others, and very naturally maintains a full bottom-end. Gain, Bass-Mid-Treble, Level Controls look after your sound, and the regulated and switch-able Power Supply (115-240V) provides the Bass Drive with tons of headroom... Carl, is smiling again!
SKU: KJ.WB233F
This dashing work in one of Wolfgang Amadeus Mozart's more frequently heard German Dances (K. 605, No. 3), which he specifically titled The Sleigh Ride. The composition was originally written during the last year of Mozart's life in 1791. That year was one of his more productive years, composing other well known masterpieces such as The Magic Flute, Piano Concerto in B-Flat Major, The Concerto for Clarinet, and his very last composition, the Requiem which he finished only twelve of the fifteen sections before his death. German Dance captures the wonderful melodies, lively rhythms, and ingenious colors of Mozart's style. This is a charming arrangement with three separate bell parts bringing forth the festive sound of ringing sleigh bells. Arranged to re-create classical scoring, this joyful programmatic piece will be a favorite with young musicians and audiences alike.
About Standard of Excellence in Concert
The Standard of Excellence In Concert series presents exceptional arrangements, transcriptions, and original concert and festival pieces for beginning and intermediate band. Each selection is correlated to a specific page in the Standard of Excellence Band Method, reinforcing and expanding skills and concepts introduced in the method up to that point. Exciting parts with extensive cross-cueing are presented for every player. Accessible ranges, appropriate rhythmic challenges, and creative percussion section writing enhance the pedagogical value of the series.Sold individually, each In Concert selection includes a full Conductor Score and enough student parts for large symphonic bands. Each student part also includes correlated Warm-Up Studies. The Conductor Score comes complete with rehearsal suggestions, a composer biography, program notes, a rehearsal piano part, several ready-to-duplicate worksheets and a duplicable written quiz.
SKU: CA.3124494
Language: German.
Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score available separately - see item CA.3124400.
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