A Year-By-Year Series For Teachers In Primary Schools. Par TAYLOR DOROTHY. 4-5 ans : c'est le premier livre de la série. Avec guidage abondante pour l'enseignant, il fixe une fondation d'expérience musicale à travers des activités intégrées et un répertoire de chansons et de jeux de chants. Il vise tout au long d'encourager un sentiment pour la musique et de cultiver une oreille attentive sensible./ Méthode / Formation Musicale

Par NORTON CHRISTOPHER. Start with lyrics, tune, chords or rhythm - Write Songs from Scratch guides you through all aspects of songwriting. Using eight sample songs, the audio CD breaks the songs down and demonstrates how small changes can have a big impact. / Niveau : Débutant / Formation musicale / Méthode / Divers

Par HARRIS PAUL. The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it?s something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams. All the answers for Improve Your Aural! Grade 3 are provided on the last page of the physical book. / Methods

A Manual of Techniques and Possibilities for the Adventurous Improvising Musician. Par KANE DAVID. Sure - everybody has an opinion on how to play ?outside?. But until now, no one has made an in-depth exploration of the commonalities and differences in how the greatest jazz players on the planet have incorporated their inspiring, harmony defying techniques. With Playing Outside the Chord, David Kane invokes a thoughtfully curated selection of transcribed phrases that take the reader beyond the simple mechanics of what is being played and offer revelatory insights into what the players are (or might be) thinking when they play it. It?s a daunting, seemingly impossible objective; yet here it is, beautifully examined, notated, and explained in an accessible way that every musician can understand. 'This book is a treasure trove, full of important information on chromaticism and its usage. From Bach to Schoenberg, Dave covers a lot of ground and the book is very well organized. He specifically addresses the melodic aspect of improvisation, including lines and phrases, rather than the usual emphasis on harmony. What's special is that he explores the ?feeling? and overall effect of the lines on the listener. This book is all you need as a working guide towards understanding the implications of 20th century jazz and classical music.? -David Liebman LEVEL-UP!!! If you?re feeling uninspired, stuck, or limited by your current play, this is the perfect book to help you break those chains, stimulate your creativity, and take your playing and composing in compelling new directions. Enthusiastically endorsed by modern jazz luminaries such as David Liebman and Richie Beirach, Playing Outside the Chord is devoted to melodic phrasing that transcends conventional chord/scale relationships. This exciting technique incorporating the theory and practice of horizontal playing and extended tonality pioneered by jazz titans such as Michael Brecker, Cory Henry, John Scofield, Brad Meldhau, and Jacob Collier is a vital component of the modern jazz performance and improvisation toolbox. Featuring over 200 musical examples gleaned from classic solos, plus 15 extensive transcriptions of legendary performances, this book is skillfully designed to clue you in on the theoretical basis of ?outside? play as practiced by these trail-blazing musicians. It systematically describes each type of technique used, including timing and source considerations, and by doing so unlocks a wealth of modern ideas that offer rich possibilities for the creative improviser. Kane?s insightful treatise on outside playing represents an important expansion of the ideas available to the dedicated student of improvisation. / Date parution : 2022-04-01/ Etude / Tout Instrument

Because a fine orchestra depends on fine players, Solo Time for Strings emphasizes individual accomplishment, progress, and achievement while preparing young students for participation in a school orchestra. The series teaches reading in conjunction with note learning, enabling students to start playing melodies as soon as possible, and is appropriate for class or individual instruction. The solos assist in a progressive technical development from 'twinkle, twinkle' in Book 1 to music by Vivaldi in Book 5. / Formation Musicale

Par DOBBINS BILL. Many different possibilities for harmonizing the same melody are illustrated and analysed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans and Clare Fischer. Techniques of melody harmonisation, linear writing and counterpoint for 2, 3, 4 and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano or for following the performances on the CD. An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensemble A useful discography is included at the end of each chapter./ Recueil / Instruments Mélodiques

Mit seinem neuen Werk legt Masen Abou-Dakn, einer der erfolgreichsten Songwriting-Pädagogen im deutschsprachigen Raum, ein umfangreiches Arbeitsbuch zum Songtexten vor. Anhand von über 160 bekannten Songbeispielen zeigt er, wie mehr Ideen für berührende Texte entstehen. Praxisübungen liefern Anregungen, wie Sänger/innen und Songwriter/innen ihre Werke noch überzeugender und origineller gestalten und ihr künstlerisches Profil entwickeln können. Kurzweilig, inspirierend und extrem motivierend! / Formation Musicale

What's the best way to learn concepts? Through experience! How about a great way to memorize facts? By singing! This ingenious collection demonstrates fundamental musical concepts while clever lyrics define them. Dynamics, articulations, tempo markings, treble and bass clef note names, rests, fermatas, and more - it's all about music! Mark includes creative lessons (often games) and suggests related listening (usually masterworks) for every song in the book. So fun, kids won't realize they're learning. So fundamental, curriculum planning is a cinch! Recommended for grades 2-6. / Formation Musicale

This series of books uses a fun and novel way to teach children the fundamentals of music theory. Games and stickers are used to introduce all of the essentials such as staves, clefs, note identification, time signatures, key signatures, note values, and rest values. This child-centered series uses clear and simple instructions, appealing illustrations, and a variety of self-motivating exercises, such as tracing, coloring, and pasting. Includes: Treble Clef Notes * Bass Clef Notes * Notes on the Stave * Bar-Lines and Time Signatures * Rests * Time Names and Time Values * Accidentals * Assessment. / Formation Musicale

Volklieder erleben derzeit eine wahre Renaissance. Diese Arrangements von Burkhard Kinzler erscheinen zeitgemäß frisch, mal im Boogie-, mal im Swing-Stil. Traditionelles Liedgut wird neu verpackt zum Ohrenschmaus und bringt auch der jungen Generation das Kulturgut des deutschsprachigen Raumes näher. So können im Konzert beispielsweise traditionelle Sätze den neuen gegenübergestellt werden und auch das Publikum wird den Wandel der Zeit lieben. / Choeur Mixte

Ne peut pas lire la musique ? Que vous avez laissé trop tard pour apprendre ? Pas de problème! Ce nouveau livre de tuteur et CD facilite l'apprentissage. Il vous guide à travers les bases, de clefs aux symboles de la corde et de temps-signatures à tonalité donc à aucun moment, vous pourrez lire la musique de zéro. Le CD audio rend la musique écrite s'animent et vous aide à comprendre le langage de la musique. Facile à utiliser, clairement écrit et jargon gratuit, c'est le choix idéal pour les débutants. Publié par Boosey and Hawkes, en association avec Classic FM. / Divers

Par HARRIS PAUL. Does the very thought of the dreaded aural test fill you with fear? Does nothing seem as bad as being put on the spot, having to recognise discordant intervals, and singing back melodies that are simply too long to remember? Having a good ear is vital to becoming a successful musician, and Improve Your Aural! is here to help develop your musicianship in easy graded stages. Through fun listening activities, boxes to fill in and practice exercises, this workbook and CD focus directly on all those key skills you need. You'll be singing, clapping, playing your instrument, writing down music, improvising and composing - as well as securing that vital pass in the aural section of your grade exams. / Niveau : Intermédiaire à Avancé / Autre FM / Test d'Ecoute

Par PERRIN ROLAND. Imagine turning on the radio, hearing a good song and being able to write the whole thing down ? tune, chords, bassline and drums. That is what you will learn with this course. Real Ear Training is the ultimate book for learning to hear, write down and understand melodies, chords, basslines, rhythms and drum kit grooves. No instrument is required and only basic music notation knowledge is needed. With step-by-step instructions, packed with exercises and accompanied by online audio, this unmissable book is suitable for all levels. Real Ear Training is ideal for rock

The main objective of this handbook is to make Kodály's 333 Reading Exercises accessible to those unfamiliar with the Kodály approach, showing them how to use the 333 in accordance with the approach. The handbook offers step-by-step strategies for guiding practice of songs from the 333, which is written in the favourable D-B vocal range for children to learn musical reading in solfa and staff notation.Alfred Music UK, as agents for Poco Studio in Europe, are delighted to see this new collaboration between the world's foremost Kodaly specialist, Sarolta Platthy, and Ying Ying Ng, whose spectacularly successful theory books adorn many a teacher's library, but we are not the only ones?. / Formation Musicale

Par HARRIS PAUL / LENEHAN J.. The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it's something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams./ Autre FM / Test d'Ecoute