Par COHEN JONATHAN. Springtide Exaltation for Flute and Piano by Jonathan Cohen. From the composer: 'Springtide Exaltation recalls scampering out of the house into the colors of a promising spring day, reveling in the new warmth, the fresh green appearing on the trees, the exploits of a carefree weekend. Out in nature, we sit in a favorite spot and, closing our eyes, slip into a reverie, the sun and slight breeze nearly coaxing us to sleep. Then, first quietly, then building, we are roused by the voice of adventure; we jump up and sprint with joy, our best friend at our side, into the boundless possibilities of a newborn season.' / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Par SCHOCKER GARY. Underworld by American composer Gary Schocker for Flute and Piano was premiered at the 50th Annual Convention of the National Flute Association in Chicago in 2022. In two movements: Above and Below. / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Par COHEN JONATHAN. Athena's Wisdom for Flute and Piano by Jonathan Cohen and Greg Lutz. In three movements: Stay Positive, Dream Big, and Composure in Adversity. An unusual collaboration between two composers led to the creation of this piece, dedicated to a bright, aspiring flutist and future music educator. / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Par LIEB JOSEPH P.. Three delightfully original short pieces. Wonderful for contrast in a program or for variety in teaching: Sonatine, Etude, and Rhapsody. / Date parution : 2022-11-29/ Recueil / Flûte et Piano

Par BUFFARDIN PIERRE GABRIEL. This Concerto in F Minor by Pierre Gabriel Buffardin was discovered by Wim Brabants in 2015 at the Saxon State and University Library in Dresden, Germany (Sächsische Landesbibliothek Dresden). In three movements: Allegro assai, Adagio, and Allegro non troppo. This listing is for the Flute and Piano reduction edition. / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Par MUTTER HINSE. Hinse Mutter's Songs Without Words for flute and piano are calm and meditative, yet at times haunting. Hinse Mutter's Songs Without Words for flute and piano are calm and meditative, yet at times haunting./ Répertoire / Flûte Traversière et Piano

Par BENSHOOF KEN. From the composer: 'These pieces [24 Preludes for Piano] were composed without interruption over several months. As a consequent they exhibit a fairly narrow range in style and expressive intent, rather like a collection of short stories that take place in restricted time and location. I chose to call the set 'Preludes' partly because of the joy I still derive from sets with the same title, most notably those from Bach, Chopin and Rachmaninoff.'/ Répertoire / Piano

Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question./ Répertoire / Flûte Traversière et Piano

First Movement. Par KUHLAU FRIEDRICH. This edition of the first movement of Friedrich Kuhlau's Grand Sonata in F major features a newly engraved and much more functional solo flute part (inconsistencies involving articulations and dynamics have been cleared up). Also, measure numbers have been added to the piano part, making the edition much more rehearsal friendly than any other version out there./ Répertoire / Flûte Traversière et Piano