48 Präludien und Fugen in allen Dur- und Molltonarten. Band 1 : BWV 846-869 / 48 Préludes et Fugues dans tous les tons majeurs et mineurs. Volume 1 : BWV 846-869 / [Das Wohltemperierte Klavier I BWV 846-869] / Classique / Editeur : Alfred Dürr / Partition / Cartonné / Plats de carton /

KV271 'Jeunehomme'-Concerto For Piano And Orchestra No. 9 E-flat major K. 271 'Jeunehomme'.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsalpurposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!

To mark the Handel Year 2009 Bärenreiter is offering a special set on all Handel’s keyboard music. Up till now all works have been published as individual volumes Keyboard Works I-IV (BA 4221-4224) in the 'Halle Handel Edition'.   These volumes encompass Handel’s output over a long period spanning approx. 1705 to 1750. Volumes I and II include both collections of suites (1720 and 1733) which the composer himself saw to print. These standout in terms of their compositional demands and are a testimony to Handel’s sometimes idiosyncratic treatment of the Baroque form. Volumes III and IV contain all the other individual surviving piecesand miscellaneous suites.   The edition based on the Urtext of the 'Halle Handel Edition' has been edited by the internationally-renowned Handel scholar Terence Best. The music text in each volume which also takes into consideration alternative versions of individual pieces is accompanied by a detailed foreword on the history of the compositions transmission and performance practice.   Urtext based on the 'Halle Handel Edition' Comprehensive edition of Handel’s keyboard works Detailed introductory text with notes on performance practice (German/English) Based on the latest Handel research findings Barenreiter sheet music performing editions present the authentic text and the latest findings of scholarly research enabling players to get as close to the composer's intentions as the surviving sources will allow. There are no arbitrary editorial editions and the quality of the musical text matched by an appearance on the page that satisfies the most discerning eye. Comprehensive edition of Handel's Keyboard works. Detailed introductory text with notes on performance practice (German/English) Based on the latest Handel research findings. 'By using one of Barenreiter's scores I feel confident that I have an edition that has been meticulously prepared to the highest standards and with the latest research. It feels good to have a Barenreiter score in your hand. For many

Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. ' / Chant Et Piano / Partition

An Expedition into Czech Piano Music
A collection of pieces for early intermediate pianists
- Cross-section of Czech piano literature from the 18th to the late 20th century
- Works selected and provided with fingering by piano virtuoso Ivo Kahánek
- Pieces of easy to moderate technical difficulty
The leading Czech pianist Ivo Kahánek has long devoted himself to training young musicians. With this album of recital pieces he offers young pianists quite easy pieces by well-known Czech composers.
The collection provides a cross-section of Czech piano literature from the 18th to the late 20th century. It contains pieces from the Czech classical period (Benda and Dusík), 19th-century and ?fin-de-siècle? romanticism (Vorí?ek, Smetana, Dvorák, Fibich, Suk and Novák) as well as pieces of various styles from the latter half of the 20th century (Vre?tál, Kabelác, Eben, Slavický, Dlouhý and Sluka). Fingering has been supplied by the editor to support pianists in their playing. All the pieces appear in their original form; they have neither been arranged nor adapted.
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- Benda, Jirí Antonín
Sonatina III A minor
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- Dusík, Jan Ladislav
Chansonette
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- Vorí?ek, Jan Vaclav Hugo
Rondo G major
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- Smetana, Bedrich
Friendly Landscape
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- Smetana, Bedrich
Souvenir
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Polka G minor
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- Dvorák, Antonín
Humoresque G-flat major
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- Dvorák, Antonín
Goblins' Dance
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- Fibich, Zdenek
Reminiscence
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- Suk, Josef
Idylls
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- Novák, Vítezslav
Devil´s Polka
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- Janácek, Leo?
The Frýdek Madonna
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- Janácek, Leo?
The Barn Owl has not Flown Anway!
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- Janácek, Leo?
Come with us!
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- Martinu, Bohuslav
Colombine Dances
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- Martinu, Bohuslav
Harlequin
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- Vrestál, Jirí
Study in Sixths
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- Kabelác, Miloslav
Preludio ostinato
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- Eben, Petr
Bells befor the Lights go out
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- Dlouhý, Milan
Bagatelle No. 2
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Swans
/ Partitions classique / Piano - instruments à clavier / Piano / BARENREITER

No genre reflects Skrjabin?s artistic evolution more vividly than his piano sonatas. Sonatas Nos. 6, 7 and 8 which are presented in this edition were written between 1911 and 1913, at times contemporaneously with the late Sonatas Nos. 9 and 10. All autographs and printed sources including Skrjabin?s sketches and drafts have been thoroughly evaluated. The edition presents a meticulously edited musical text offering new readings and is supplemented by an informative Preface on the sonatas? genesis and significance (Ger/Eng). The Critical Commentary (Eng) provides information on alternative readings and editorial decisions. An elegant well-presented engraving with practical page-turns rounds off this edition at the cutting edge of musical scholarship.
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Sonate Nr. 6 op. 62
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Sonate Nr. 7 op. 64 (?Weiße Messe? / ?White Mass?)
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Sonate Nr. 8 op. 66 / Partitions classique / Piano - instruments à clavier / Piano / BARENREITER

Trio-The musical term 'Dumka' originates from the Ukrainian language and means 'an epic ballad ? generally thoughtful or melancholic in character'.Dvorák?s magnum opus in the Piano trio genre takes its name from its ?Dumka? movements which he composed whilst in Prague in 1890-91. After long hesitation he finally prepared a Piano reduction while he was in the United States in the summer of 1893. The previous year Dvorák had played the work on a forty-concert farewell tour of Bohemia with Ferdinand Lachner and Hans Wihan.The editor of this Barenreiter edition Christoph Flamm took the Simrock print as his starting point. However he alsocarefully distinguished between the various reissues and consulted Dvorák?s sketches as well as his Piano reduction. A Critical Commentary provides detailed information on the work?s sources tempo markings and formal divisions of the movements.Urtext edition reflecting the latest musicological researchDetailed preface (Ger/Cz/Eng) and Critical Commentary (Eng) by the editorContains previously unknown music (draft version of Dumka no. 3)Replaces earlier edition H1551

Volume 4 of the Barenreiter Urtext Edition of Handel's Keyboard Works. This volume concentrates on another selection of miscellaneous suites and pieces for solo Piano edited by Terence Best. Suite C-dur HWV 443 Partita G-dur HWV 450 Prélude d-moll HWV 563 Prélude e Capriccio G-dur HWV 571 Ouverture (Ouverture Entrée Chaconne) g-moll HWV 453 Preludio d-moll HWV 564 Allegro C-dur HWV472 Chaconne F-dur (für zweimanualiges Cembalo) HWV 485 Suite d-moll HWV 448 Suite d-moll HWV 449 Sonatina d-moll HWV 581 Allemande a-moll HWV478 Fuga F-dur HWV 611 Chaconne g-moll HWV 486 Partita c-moll HWV 444 Suite c-moll HWV 445 Prélude-Allegro a-moll HWV 576 Air g-moll HWV 467 Toccata g-moll HWV 586 Sonatina g-moll 583 Sonata g-moll HWV 580 Concerto G-dur HWV 487 Air B-dur HWV 471 Preludium F-dur HWV 567 Preludium f-moll HWV 568 Prélude g-moll HWV 573 Prélude E-dur HWV 566 Air g-moll (für zweimanualiges Cembalo) HWV 466 Air B-dur (für zweimanualiges Cembalo) HWV 470 Impertinence g-moll HWV 494 Air und zwei Doubles F-dur HWV 465 Allegro d-moll HWV 475 Courante h-moll HWV 489 Anhang: Air c-moll HWV 458 Sonatina a-moll HWV 584 Aria c-moll HWV459 459

Six Concertos after Vivaldi and Others-Six Concertos arranged by Bach after Antonio Vivaldi Alessandro Marcello and an unkonwn source. This authoritative Barenreiter Urtext edition by Karl Heller for Piano or Harpsichord.

The scope of the genres and styles in Jazz Piano Studies 2 is broader compared to that of Jazz Piano Studies 1, since it also covers the various offshoots of contemporary popular music related only marginally to jazz. The selection of twenty studies is aimed at amateur piano players who are interested in jazz and popular music, and serves, in particular, for the improvement of technique and style. The studies also equip pianists with the necessary grounding for their own improvisation, although they can also be used by professional piano players.
/ Partitions jazz

Faksimile der Originalhandschrift-J. S. Bach's Notebook for Anna Magdalena(1725).This hardback facsimile edition bound in green with gold trimmings and bearing the initials ???A.M.B.??? and ???1725??? on the front cover presents one of the greatest albums of household music. It is primarily the personal album of Anna Magdalena Bach (1701-1760) daughter of the court and military trumpeter Johann Caspar Wilcke a trained musician and court singer and second wife to Johann Sebastian Bach. The album contains partitas (two in Bach's own hand probably intended as a tribute to his wife) minuets polonaises marches and short pieces by Johann Sebastian Bach hischildren and a few visitors to the Bach home. The volume also contains little vocal pieces songs and chorales as well as exercises in harmony and thoroughbass realisations.The pieces are arranged chronologically (except for the last section) and several members of the Bach family helped with the copying - only Wilhelm Friedemann's hand is absent. The majority of the pieces (28 works) are in Anna Magdalena's hand and the volume provides a tantalising glimpse into the everyday world of this musical family.Documenta Musicologica II 25; Format 26cm x 20cm.Afterword (Ger-Eng-Fr); 140 pages facsimile; 24 pages text.

37 easy to moderately-difficult compositions from the late romantic and early 20th century. Foreword and insert with explanations and suggestions for performance (German/English/French).

Par SZATHMARY ZSIGMOND. The powerful intensity of colour and expressiveness of the mosaic images in the apse and altar area of the late antique church of San Vitale (from the 6th century) in Ravenna made a lasting impression on Zsigmond Szathmáry. The fascination of how imposing images emerge from tiny, luminous mosaic cubes and vividly tell the biblical stories inspired the composer to write his piano piece: 'In my composition, I tried to follow this path: to organise the smallest coloured and angular glass cubes ? that is, the smallest coloured and angular musical miniature events ? in such a way that they constantly grow and finally culminate in a tangible musical statement.' Despite this seemingly archaic procedure, the composer wants his piece to be understood as a continuation of the virtuoso piano music tradition of the 19th and 20th centuries. The 'Mosaikbilder ? (Mosaic Pictures) are dedicated to the great Hungarian pianist Zsoltán Kocsis, for whom they were written in 2012 / Date parution : 2023-07-31/ Recueil / Piano