Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Escales N03 Valence Piano de Ibert Jacques. Cette partition qui est éditée par les éditions Leduc fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition

Around 1960 Olivier Messiaen began a large-scale concerto based on the birds of the Hérault region (?Oiseaux de l?Hérault?) for piano various soloists and orchestra. Although the project remained unfinished the solo piano part was quite developed. The Olivier Messiaen Foundation entrusted Roger Muraro a renowned interpreter of Messiaen?s piano works with organizing the sketches and manuscripts found in the composer?s archives. This new publication emerged from Muraro?s research. The study that opens the volume describes his methods in detail discussing among other issues the relationship of this work to the later Sept Haïkaï. Richly illustrated with a number of facsimiles musical examples and photographs Muraro?s introduction retraces the origins and historic context of the work invites the reader to enter the composer?s workshop and offers suggestions for performance. Fauvettes de l?Hérault ? Concert des garrigues for solo piano is a ?concerto without orchestra? that blends reference to Claude Debussy a thinly veiled homage to Yvonne Loriod new birdsong from the Hérault region and the vast palette of rhythm timbre and colour that are typical of Olivier Messiaen?s musical universe. Around 1960 Olivier Messiaen began a large-scale concerto based on the birds of the Hérault region (?Oiseaux de l?Hérault?) for piano various soloists and orchestra. Although the project remained unfinished the solo piano part was quite developed. The Olivier Messiaen Foundation entrusted Roger Muraro a renowned interpreter of Messiaen?s piano works with organizing the sketches and manuscripts found in the composer?s archives. This new publication emerged from Muraro?s research. The study that opens the volume describes his methods in detail discussing among other issues the relationship of this work to the later Sept Haïkaï. Richly illustrated with a number of facsimiles musical examples and photographs Muraro?s introduction retraces the origins and historic context of the work invites the reader to enter the composer?s workshop and offers suggestions for performance. Fauvettes de l?Hérault ? Concert des garrigues for solo piano is a ?concerto without orchestra? that blends reference to Claude Debussy a thinly veiled homage to Yvonne Loriod new birdsong from the Hérault region and the vast palette of rhythm timbre and colour that are typical of Olivier Messiaen?s musical universe.

Allain Gaussin a pupil of Olivier Messiaen at the CNSM in Paris and a veritable alchemist of sound created a sensual and sparkling work that aims to induce in listeners the sort of “internal awakening” that the Japanese refer to as Satori – the title given to a piece for solo clarinet he wrote in 1998. Composed a decade later Tokyo-City for solo Piano draws on the same inspiration fuelled by several stays in Japan. Gaussin sets out to reproduce the various sensations he experienced during his walks around the Japanese megalopolis: a fear of being swallowed up by its vastness gives way to a bedazzlement in theface of a buzzing universe awash with harmonies and colours. The work follows a dual symmetrical structure (in terms of register and tempo): after an enigmatic start entrusted to the low notes of the piano a musical figure gradually emerges from “floating polyphonies” producing a veritable toccata which is slowly deformed like an ana­morphosis. Then only a glimmering of crystal-clear harmonies remains and the work ends sparsely on the highest notes of the piano.

Selected Pieces For Piano-“That’s all my neighbour ever plays!” Like Anne Sylvestre are you tormented by endless repetitions of Für Elise? Why not widen the repertoire of your budding musician with this collection of 38 whimsical pieces for Piano? Enhanced with an audio version accessible through a download card this anthology presents an array of pieces for students with 3 to 5 years of lessons under their belt. The warm miniatures from Accueil amical op. 326 by Darius Milhaud reflect his close ties with Paul Claudel’s family who hosted him often in New York during the war. Alexander Gretchaninov cheerfully cultivates “the art of beinga grandpa” (G. Sacre) enchanting pianists with his Historiettes and Promenade au bois. In Le coin de Claudinet Henri Tomasi offers some irresistible little tableaux such as the Réveil du petit soldat. Excerpts from Koechlin’s Douze petites pièces faciles and Tcherepnin’s Bagatelles as well as many other treasures composed by Hahn Bozza Albéniz and Borodin complete this fabulous collection.

The Buzzard The Black Wheatear and the Curlew-Catalogue D'Oiseaux by Olivier Messiaenis a set of 7 books with 13 pieces for Piano composed between 1956 and 1958. Each volume refers to a special bird and to the French region where the bird is typically from. The piece does not only describe the bird it also depicts its surroundings such as other birds the landscape of its area the colours and the temperature. Book 1 - Le Chocard des Alpes (Alpine Chough) - Le Loriot (Golden Oriole) IH Le Merle Bleu (Blue Rock Thrush) Book 2 - Le Traquet Stapazin (Black-Eared Wheatear) Book 3 - La Chouette Hulotte (Tawny Owl) - L'AlouetteLulu (Wood Lark) Book 4 - La Rousserolle Effarvatte (Reed Warbler) Book 5 - L'Alouette Calandrelle (Short-Toed Lark) - La Bouscarle (Cetti's Warbler) Book 6 - Le Merle de Roche (Rock Thrush) Book 7 - La Buse Variable (Buzzard) - Le Traquet Rieur (Black Wheatear) - Le Courlis Cendré (Curlew) As mentioned above this 7th Volume focuses on the buzzard the black wheatear and the curlew. The first one the Buzzard represents “La matheysine” in the Dauphiny area the Black Wheatear the area of Roussillion and the Curlew the west coast of Brittany. The interpretation of these pieces requires a strong level of ability on Piano (upper advanced) due to some complex techniques required. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Treatise on rhythm colour and ornithology' in 7 volumes.

Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Stories increased his popularity when it was published in the mid-1920s and it remains significant in the advanced pianist's repertoire. This edition contains the second movement of Stories The Little White Donkey. It is marked 'with quiet good humour' and begins staccato yet pianissimo. The movements of Ibert's Stories including The Little White Donkey contain significant influences of Debussy and impressionism. Addressing a variety of musical aspects andtechniques Ibert's The Little White Donkey is an exciting addition to the Piano repertoire.

Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Stories increased his popularity when it was published in the mid-1920s and it remains significant in the advanced pianist's repertoire. This edition contains the eigth movement of Stories  La Cage De Cristal. It is marked 'a bit fast' and begins staccato and at a high tessitura. The movements of Ibert's Stories including La Cage De Cristal contain significant influences of Debussy and impressionism. Addressing a variety of musical aspects andtechniques Ibert's La Cage De Cristal is an exciting addition to the Piano repertoire.

Recueil Piano-1.Les Bouquetières; 2.Les Créoles; 3.Les Mignardes; 4.Les Bergères; 5.Les Bavardes

Henri Dutilleux's (1916-2013) compositional style greatly reflected that of Maurice Ravel Claude Debussy and Albert Roussel. Yet his unique individual style did not go amiss as in his Au Gré des Ondes composed in 1946 and still performed to this day. Au Gré des Ondes translating as Along the Waves contains six movements including an homage to Bach. Au Gré des Ondes reflects Dutilleux's style in its atonality and modality use of pedal notes and subtle hints of the jazz style. As an unusual set of Piano pieces Dutilleux's compilation adds pleasant varietyto the pianists' repertoire.