Dichterliebe Op.48 is a beautiful cycle of song composed by Robert Schumann. These songs for Soprano or Tenor Voice are available here in their original keys. This Edition Peters Urtext edition provides you with an accurate realisation of the composer's original intentions with thoroughly detailed editorial markings and suggestions as edited by Hans Joachim Kohler.

Instrumentation : Medium Voice - Pf Medium Voice - Pf Editor :Roland Erben

This collection of Vocalises contains 45 vocal exercises devised by innovative teacher Gabriel Fauré. When Gabriel Fauré was appointed Director of the Paris Conservatoire in 1905 one of his most pressing concerns – and first achievements – was a complete reform of the teaching of singing. He was determined to introduce mandatory study of art song along with 'exercises developing vocal suppleness articulation and voice placement and production which are the basis of singing teaching'. To this end between 1906 and 1916 he composed a substantial body of accompanied vocalises for use in theConservatoire’s sight-singing examinations. For a century these vocalises – all but one now held in the Archives nationales de France in Paris – have lain unknown to the musical world at large. Their first publication here marks a major event for the vocal teaching repertoire (as well as some entrancing music); a marvellous resource of skilfully devised vocal exercises ranging from elementary to advanced virtuoso level all from one of history’s greatest song composers.

Ger./Russ.. Par TCHAIKOVSKI PIOTR ILITCH. Low voice - Piano / Classique / Répertoire / Chant et Piano

Instrumentation : Voice - Pf (Fr./Ger.) Content : Nuit d'étoiles, sous tes voiles;Le long des blés;Le bon Pierrot;Si j'étais le Zéphyr ailé;Des trous à son pourpoint vermeil;Fut-il jamais douceur; Cloches chrétiennes;Je regardais dans le jardin;La lune s'attrisait Editor :Zimmerman

Complete songs is a 67 song anthology of works for High or Medium Voice by Ludwig Van Beethoven.

Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy Ravel Messiaen and Poulenc are indispensable to the music lover.Nichols now turns his attentions to the mélodie where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber Viardot Massé and Paladilhe.Even the more celebrated songs are often not easilyfound in practical editions which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship lightly worn and pithily expressed.As well as complete translations of the songs there is a useful and concise introduction on singing in French together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition.Complete with translations and guidance on pronunciationNiedermeyer Le Lac (Meditation poétique)Berlioz AbsenceGounod Ô ma belle RebelleViardot Fleur desséchéeFranck S'il est un charmant gazonMassé ConsolationLalo Ballade à la luneSaint-Saëns La sérénitéDelibes Chanson espagnoleBizet

Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy Ravel Messiaen and Poulenc are indispensable to the music lover.Nichols now turns his attentions to the mélodie where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber Viardot Massé and Paladilhe.Even the more celebrated songs are often not easilyfound in practical editions which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship lightly worn and pithily expressed.As well as complete translations of the songs there is a useful and concise introduction on singing in French together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition.Complete with translations and guidance on pronunciationReber GuitareGounod Le soirGounod Le premier jour de maiViardot Les deux rosesViardot La mésangeFranck NocturneMassé SouvenirsLalo Chant BretonSaint-Saëns Chanson tristeBizet Vieille chanson Massenet Madrigal