Opera in three acts-“Almira” Handel’s first opera was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser who remarkably had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language resulting in a delightful mixture of German and Italian.The opera which after sundry entangled romances ends in the wedding of three couples is characterised by exuberant scenes: the procession at Almira’scrowning ceremony a duel a prison scene and a masked-ball involving the three continents Europe Africa and Asia.The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732 Georg Philipp Telemann removed the Aria no. 28 “Ingrato spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträge”.Now the aria can be performed again. Furthermore with the help of this new source missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).- Urtext edition based on the “Halle Handel Edition”- Original German and Italian text with a German translation of the Italian arias

Organ Works Volume 1: Chorale PreludesTelemann?s organs works pay tribute to the contrapuntal art of the High Baroque while pointing to the age of Gluck Haydn and Mozart in their emphasis on melody.Easy to play Telemann?s organ music strikes a masterly balance between traditional stylistic elements and those of the burgeoning ?style galant?.

TWV 41: C2 in C Major-Cette sonate célèbre pour flûte à bec alto et basse continue en Ut majeur de Georg Philipp Telemann est extraite du 'Getreuer Musikmeister' ? une revue musicale éditée par Telemann lui-même.1-3 Cantabile4-7 Allegro8-10 Grave11-14 Vivace

Georg Philipp Telemann's Six Sonatas for two Flutes of 1726 also known as Flute Duets Op. 2 are dedicated to two young music lovers and thus appeal explicitly to a circle of pupils and music lovers. The pieces foster the ability of musical interpretation as well as a playful love of music-making and are thus ideal for music lessons. The sonatas can alternatively be performed on the Violin. The new edition of the Wiener Urtext Edition is based on Telemann's original print as well as on two earlier editions which grant insight into the contemporary ornamentation practice. Further suggestions for the performance are given in the notes oninterpretation by Susanne Schrage. The layout of the new edition is clearly designed page-turns within individual movements have been avoided thanks to fold-out pages. Thus the proper foundation has been laid both for a historically informed performance and for relaxed music-making.

Georg Philipp Telemann's Deus Judicium Tuum for SATB.The prestigious Latin psalm setting 'Deus judicium tuum' [Ps. 71/72] is among the finest from Telemann?s pen. Its composition is associated with the beginning of his eight-month sojourn in Paris in the fall of 1737 during which time he celebrated musical triumphs in the French metropolis. As he himself reported with no little pride the piece ?was performed twice in three days by almost one hundred selected people in the Concert spirituel.? Three magnificent choral movements frame a richly-colored succession of demanding solo movements.

Par TELEMANN GEORG PHILIPP / HAYDN FRANZ JOSEF / SCHUB. Format: New Edition portrait/ Répertoire / Guitare

Georg Philipp Telemann (1681 - 1767).Concerto For Recorder And Flute In E Minor TWV 52:e1.For Treble Recorder Flute Strings Basso continuo.Score and parts available for sale.

A folio of twelve inventive and often surprising Fantasias by Georg Philipp Telemann arranged by Alan Arnold especially for the solo Viola. An excellent source of repertoire with each piece presenting fresh technical challenges for the confident Viola player.

Georg Philipp Telemann's Sonata In D for Viola presented here with a realised Piano accompaniment.

Georg Philipp Telemann (1681 - 1767).Little Suite In D for 5-part String Orchestra.Score and parts available for sale.

Georg Philipp Telemann (1681 - 1767).Little Suite In D for 5-part String Orchestra.Score and parts available for sale.

Georg Philipp Telemann's '6 Sonatinas for Viola and Basso Continuo' make a major standard work for violin available for the viola. At the federal competition 'Jugend musiziert', they have long since become an inherent part of the repertoire list for string instruments. The original cycle 'Sei Suonatine per Violino e Cembalo' dates back to 1718. This volume is based on the original edition. The viola part has been prepared for practical use. Being classic examples of the 'mixed taste', the sonatinas superbly combine Italian and French stylistic elements. / Alto Et Basse Continue

for Treble Recorder Strings and Basso continuo-Georg Philipp Telemann (1681 - 1767).Concerto For Recorder In F. For Recorder Solo Strings Basso continuo. Score and parts available for sale. The full score contains a lightly realised Keyboard part as well as a figured Bass.

Georg Philipp Telemann (1681 - 1767).Little Suite In D for 5-part String Orchestra.Score and parts available for sale.