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Mendelssohn
PIANO
|piano|
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Mendelssohn On Wings Of Song For Voice And Piano
Français
Piano, Voice
[Sheet music]
ID Music
L'oeuvre musicale qui a pour support une Partition a pour titre Mendelssohn On W...
(+)
L'oeuvre musicale qui a pour support une Partition a pour titre Mendelssohn On Wings Of Song For Voice And Piano. C'est une partition musicale composée par Mendelssohn Felix et qui est destinée aux joueurs de Chant/Vocal/Choeur. Le détail de l'instrumentation Chant Et Piano vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Chant Et Piano / Partition
10.90 EUR - Sold by LMI-partitions
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Felix Mendelssohn Bartholdy: 7 Charakterstücke Opus 7: Piano: Instrumental Work
Piano solo
[Sheet music]
Barenreiter
6 Kinderstücke Opus 72-The „Charakterst?cke“ op. 7 and the „K...
(+)
6 Kinderstücke Opus 72-The „Charakterst?cke“ op. 7 and the „Kinderst?cke“ op. 72 are Mendelssohns most noticed piano pieces next to his songs without a word and the „ Variations s?rieuses “ op. 54. Robert Schumann mentioned
12.50 GBP - Sold by Musicroom UK
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Felix Mendelssohn Bartholdy: Sonaten: Violin: Score
Violin and Piano
[Score and Parts]
Barenreiter
This edition is the first Urtext-edition of Mendelssohns sonatas for violin an p...
(+)
This edition is the first Urtext-edition of Mendelssohns sonatas for violin an piano. Including early sonatas in F-Major (1820) as well as the sonata in f-Minor (1823) which the 14-year-old composer
42.50 GBP - Sold by Musicroom UK
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2 Stücke (MENDELSSOHN-BARTHOLDY FELIX)
2 Pianos, 4 hands
[Sheet music]
Breitkopf & Härtel
Par MENDELSSOHN-BARTHOLDY FELIX. Editeur(s) d'origine: Draheim, Joachim/ Répert...
(+)
Par MENDELSSOHN-BARTHOLDY FELIX. Editeur(s) d'origine: Draheim, Joachim/ Répertoire / 2 Pianos 4 Mains
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Klavierkonzert A-Moll (MENDELSSOHN-BARTHOLDY FELIX)
2 Pianos, 4 hands
[Sheet music]
Breitkopf & Härtel
Par MENDELSSOHN-BARTHOLDY FELIX. Editeur(s) d'origine: Hellmundt, Chr -Dö cor e...
(+)
Par MENDELSSOHN-BARTHOLDY FELIX. Editeur(s) d'origine: Hellmundt, Chr -Dö cor ert, H/ Répertoire / 2 Pianos 4 Mains
33.20 EUR - Sold by LMI-partitions
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Wedding March (MENDELSSOHN-BARTHOLDY FELIX)
2 Pianos 8 Mains
[Sheet music]
Lienau
Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / 2 Pianos 8 Mains
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Leipziger Ausgabe - Serie III - BD 6 (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
Breitkopf & Härtel
Der Werke von Felix Mendelssohn Bartholdy. Par MENDELSSOHN-BARTHOLDY FELIX. The ...
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Der Werke von Felix Mendelssohn Bartholdy. Par MENDELSSOHN-BARTHOLDY FELIX. The Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy pursues the goal of making accessible to the public in an adequately scholarly form all of Mendelssohn?s accessible compositions, letters and writings, along with all other documents of his artistic oeuvre. A considerable number of Mendelssohn?s works are still waiting to be published; many others have been published in an unsatisfactory manner. Though the new Mendelssohn Complete Edition follows the ten volumes of the Leipziger Mendelssohn Ausgabe (LMA) published by the Deutscher Verlag für Musik (DVfM) in Leipzig since 1961, it sees itself as a fundamentally new conception which reflects the present-day standard of scholarly editions. The first volumes of the new Complete Edition were presented in Leipzig on 3 November 1997 at ?Mendelssohn Festtage? in Leipzig. SON 411 - 413 have been awarded the German Music Edition Prize 2006. / Date parution : 2022-10-12/ Recueil / Violon et Piano
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Felix Mendelssohn Bartholdy: Cello Works Complete Volumes 1 & 2: Cello:
Cello, Piano
Barenreiter
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for vi...
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For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces.Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo.Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumesAlso includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and pianoInformative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pagesSpecial price for both volumes I and II (BA9098)
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Felix Mendelssohn Bartholdy: Cello Works Complete Volume 2: Cello: Instrumental
Cello, Piano
Barenreiter
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for vi...
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For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces.Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo.Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumesAlso includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and pianoInformative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pagesSpecial price for both volumes I and II (BA9098)
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Felix Mendelssohn Bartholdy: Cello Works Complete Volume 1: Cello: Instrumental
Cello, Piano
Barenreiter
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for vi...
(+)
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces.Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo.Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumesAlso includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and pianoInformative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pagesSpecial price for both volumes I and II (BA9098)
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Felix Mendelssohn Bartholdy: Piano Trios No.1 - 2 Op.49 - 66: Piano Trio: Score
Piano Trio: piano, violin, cello
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Dover Publications
Full score for Violin Cello and Piano of Felix Mendelssohn's Piano Trio No.1 In...
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Full score for Violin Cello and Piano of Felix Mendelssohn's Piano Trio No.1 In D minor Op.49 and Piano Trio No.2 in C minor Op.66. Upon hearing the first trio Robert Schumann declared Mendelssohn is the Mozart of the nineteenth century! Written in the composer's famously flowing Romantic style these two works are staples of the repertoire and anchors of many chamber music series. Both appear here for the first time in a single and affordable study edition. Mendelssohn drew upon a variety of influences in his musical style - chiefly Bach Mozart and Beethoven. Like the other German composers of his generation Mendelssohn created works that mirror the era'stension between Classicism and Romanticism. These trios are universally regarded as among his finest works with marked contrasts ranging from slow movements to lively scherzos in the manner of his Songs Without Words.
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Felix Mendelssohn Bartholdy: Konzert In E - Performing Edition: Violin:
Violin and Piano
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
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Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Vocal Score
Piano, Voice
[Vocal Score]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...
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Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
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Felix Mendelssohn Bartholdy: Complete Piano Works for Two Hands Book 2: Piano:
Easy Piano
Breitkopf & Härtel
Mendelssohn: Caprices Nos 1-3 Op. 33 (Complete) Mendelssohn: Kinderstücke (6)...
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Mendelssohn: Caprices Nos 1-3 Op. 33 (Complete) Mendelssohn: Kinderstücke (6) Op. 72 'Christmas Pieces' Mendelssohn: Preludes
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Felix Mendelssohn Bartholdy: Piano Concerto No.1 G minor Op. 25: Piano Duet:
2 Pianos, 4 hands
Peters
Felix Mendelssohn's Piano Concerto No. 1 arranged for Piano duet.
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Play Romantic Germany (SCOTT DANIEL)
Piano solo
[Sheet music]
Faber Music Limited
Arrangement: Scott Daniel. Par SCOTT DANIEL. Allemagne - une terre de rivières ...
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Arrangement: Scott Daniel. Par SCOTT DANIEL. Allemagne - une terre de rivières et de montagnes, de folklore et de fantasy. Une terre où magnifiques Châteaux montent la garde sur le Rhin, les créatures de contes de fées pourraient encore se cachent dans les cavernes et les forêts - et où l'esprit du romantisme est né. Par-dessus tout, une terre de musique - les paysages bucoliques réconfortants de Bach à grands compositeurs romantiques : lyrisme chaleureux de Mendelssohn, le monde crépusculaire eerie de Weber Magic Huntsman, qui vend son unique au diable, majestueux évocation de Schumann du paysage rhénanes contraste avec son charme vignette des paysans, des soldats et des horseman fantomatique, les mélodies passionnés de la liste. Et le plus romantique de tous - Richard Wagner, dont vaste univers musical englobe les récits de chevalerie médiévale, géants, dieux, héros, nains, potions magiques love et écuyère vol. Jouer de la musique et Imaginez-vous sur les rives du Rhin mousseux, sur une terre de magie et de mystère./ Recueil / Piano
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Felix Mendelssohn Bartholdy: Klaviertrio Nr. 1 d-moll Opus 49: Chamber Ensemble:
Piano Trio: piano, violin, cello
G. Henle
Piano Trio no. 1 in d minor op. 49. Mendelssohn is considered a self-critical co...
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Piano Trio no. 1 in d minor op. 49. Mendelssohn is considered a self-critical composer, who repeatedly reworked a number of his pieces until he deemed them worthy to be published. The path to his first Piano Trio was particularly rocky: only after several attempts was he able to complete it in the summer of 1839: it appeared in 1840 after further revisions. This perfectionism paid off, for Mendelssohn?s d minor Trio was immediately received with enthusiasm. Robert Schumann wrote: ?It is the master trio of the present day, like those of Beethoven in Bb and D and that of Franz Schubert in Eb were in their time: a very beautiful composition which after years will still delight grandchildren and great-grandchildren.? Which was to prove true: even today, it numbers among the most popular works in the trio repertoire in general. The trio, taken from the volume Mendelssohn · Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.
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Mendelssohn F. - Der 42. Psalm Wie Der Hirsch Schreit Op.42 - Vocal Score
Piano, Voice
[Vocal Score]
Barenreiter
Edition no.: BA 9074-90 ISMN: 9790006530243 Editor: Cooper, John Michael Arrange...
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Edition no.: BA 9074-90 ISMN: 9790006530243 Editor: Cooper, John Michael Arranger: Mendelssohn Bartholdy, Felix Language(s) of work: German, English Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: IX, 57 S. - 27,0 x 19,0 cm The setting of Psalm no. 42 op. 42 ?Wie der Hirsch schreit nach frischem Wasser? (?As the hart pants after the waterbrooks?) for soloists, mixed choir and full orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition. ? Psalm with a large orchestral scoring in a Urtext edition ? Bilingual foreword (Ger/Eng) ? Original German as well as English text ? Includes a piano reduction by the composer
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Complete Songs Without Words For Piano
Piano solo
[Sheet music]
Dover Publications
Mendelssohn 's Lieder Ohne Worte , or ' Songs without Words ,' is among the most...
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Mendelssohn 's Lieder Ohne Worte , or ' Songs without Words ,' is among the most loved, most played collections in the Romantic Piano repertoire. Reproduced from the authoritative Breitkopf and Härtel edition, this volume contains all of these popular compositions - more than 40 pieces, including such favourites as Spinning Song, Spring Song, and Venetian Gondola Song. Composed at various points throughout his life, Mendelssohn compiled this collection of short works for the amateur pianist looking for high quality, yet not-to-difficult music. Still practiced and performed today, ' Songs without Words ' is often considered to be Mendelssohn 's greatest legacy as a composer. For study or play, this work represents and admirable addition to any music library. Reprint of the Breitkopf and Härtel, Leipzig, edition. / Piano
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Mendelssohn - Piano Trios
Piano solo
G. Henle
Felix Mendelssohn Bartholdy Trios avec piano Editeur: Ernst Herttrich Doigtés: ...
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Felix Mendelssohn Bartholdy Trios avec piano Editeur: Ernst Herttrich Doigtés: Klaus Schilde Après une ?uvre de jeunesse et un essai abandonné en 1831/32, Mendelssohn réussit enfin à s?imposer avec son Trio pour piano en ré mineur op. 49, dans ce genre important de musique de chambre, lequel sera suivi six ans plus tard du Trio en ut mineur op. 66. Schumann saisit l´occasion de la publication du premier trio pour appeler le compositeur «le Mozart du 19e siècle», en se référant apparemment aux mélanges d?éléments stylistiques classiques et romantiques. Le texte musical des deux fameux trios a été minutieusement révisé sur la base de l?état actuel de la recherche. Nous proposons en outre la partie de flûte (HN 1297) de la version alternative de l?op. 49 (flûte à la place du violon) arrangée par Mendelssohn lui-même.
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Felix Mendelssohn Bartholdy: Complete Songs Without Words For Piano: Piano:
Easy Piano
Dover Publications
Mendelssohn's Lieder Ohne Worte or 'Songs without Words ' is among the most lov...
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Mendelssohn's Lieder Ohne Worte or 'Songs without Words ' is among the most loved most played collections in the Romantic Piano repertoire. Reproduced from the authoritative Breitkopf & Härtel edition this volume contains all of these popular compositions ? more than 40 pieces including such favourites as Spinning Song Spring Song and Venetian Gondola Song.Composed at various points throughout his life Mendelssohn compiled this collection of short works for the amateur pianist looking for high quality yet not-to-difficult music. Still practiced and performed today 'Songs withoutWords' is often considered to be Mendelssohn's greatest legacy as a composer. For study or play this work represents and admirable addition to any music library.Reprint of the Breitkopf & Härtel Leipzig edition.
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Felix Mendelssohn Bartholdy: Sonata In E-Flat For Clarinet & Piano: Clarinet:
Clarinet and Piano
Barenreiter
Edited for the first time based on the autograph.The only wind instrument for wh...
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Edited for the first time based on the autograph.The only wind instrument for which Felix Mendelssohn wrote any solo works is the Clarinet. This Sonata written by a young Mendelssohn is genuine chamber music: the Clarinet and Piano are both used equally as a melody and an accompaniment instrument. The various playing characteristics of the Clarinet are not fully exploited; instead Mendelssohn focuses more on the cantabile character of the instrument.
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