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PIANO
Cello, Orchestra
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Petit Ensemble Contemporain (36)
Lute (36)
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Medium Voice (36)
Voix et Instruments Divers (35)
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Viola da Gamba (34)
Partition D'Orchestre (34)
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4 Voix Mixtes (34)
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2 Euphoniums et Piano (33)
Descant (Soprano) Recorder, Ba… (33)
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8 Voix (SATB et SATB) et Basse… (33)
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Choeur en 8 Parties (SATB-SATB… (32)
4 Voix Mixtes a Cappella (32)
Piccolo (32)
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Trompette et Quatuor à Cordes… (32)
Clavier ou Orgue Electronique (32)
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Book (29)
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Grande Formation (27)
2 Trombones, Piano (27)
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Solistes SATB, Choeur SATB, 2 … (27)
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Soprano Saxophone (27)
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Choeur Mixte (SATB/SATB) (27)
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Petit Choeur SATB, Contrebasse… (26)
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Ensemble divers instruments (25)
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Choeur SATB/SATB, (8 Instrumen… (25)
2 French horns (duet) (25)
Guitar Tab, Voice, Bass, Drum (25)
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Percussions Diverses (25)
Basse En Bb Et Piano (Orgue) (25)
Organ, Piano (duet) (25)
2 Saxophones, Piano (25)
Clavier Electronique et Ligne … (25)
Trompette Et Orchestre (25)
Choral SATTB (25)
Choeur SAT (25)
Choeur SSATTB et Basse Continu… (25)
Choeur SATB, 2 Violons, Alto e… (25)
Cor en Mib (25)
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Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
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Quartette Pour Flûtes à Bec … (24)
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Flûte Traversière, Violon, V… (24)
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Petit Choeur SATB, 2 ViolonSBa… (24)
3 Tubas (24)
Soprano et Quatuor à Cordes (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Quatuor à Cordes et Basse Con… (24)
Bagpipe (24)
Handbells (24)
Choral, Organ (24)
2 Violons, Violoncelle Et Cont… (24)
Trombone Solo (24)
2 Trompettes (duo) (24)
Soli (T (Evangelist), B (Jesus… (24)
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Soprano, Basse, Choeur Mixte e… (24)
Choeur SATB et Orchestre (24)
2 Recorders, Basso continuo (t… (24)
Libretto (24)
Flûte à Bec et Piano (24)
Instruments A Vent (24)
Trio (2 Soli Avec Réduction D… (24)
SATB, SATB et Orgue (24)
Flûte à Bec Alto ou Flûte T… (23)
Choeur SATB, 2 Trompettes, Tim… (23)
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String Trio: 3 cellos (23)
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Trumpet ensemble (23)
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Choral SSATBB (23)
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Batterie-Fanfare (22)
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Trompette Solo (22)
4 Euphoniums (22)
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Saxophone and Orchestra (22)
Conducteur et Poche (22)
Musique Légère (22)
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Orchestra
Peters
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edi...
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Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
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Lydie's Blues - Partition
Français
Cello, Orchestra
[Sheet music]
Billaudot
Voici une partition musicale pour Orchestre et plus spécialement pour Grande Fo...
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Voici une partition musicale pour Orchestre et plus spécialement pour Grande Formation que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Jazz & Blues, cette partition dont le titre est LYDIE'S BLUES - PARTITION a été composée par le célèbre compositeur Barbet Patrick. C'est l'éditeur Billaudot sous la référence EDFR0021 1 qui a les droits pour éditer cette partition. / Grande Formation / Partition
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Emergences - Nachlese Vi (JARRELL MICHAEL)
Français
Cello, Orchestra
[Sheet music]
Lemoine, Henry
Par JARRELL MICHAEL. Composition works like an arborescent structure. At each ra...
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Par JARRELL MICHAEL. Composition works like an arborescent structure. At each ramification you choose a path, which depends on the whole dynamic of the whole piece. Doing this, you leave quite a lot of ideas and fragments behind. Nachlese is a german term already used by Goethe for the idea of 'reading again', referring to, commenting something... The idea of this cycle (Nachlese) is to come back to some musical ideas which I liked and found interesting, but were inappropriate in a different context and to develop them in new directions. When choosing a title I like it to refer to different techniques used in the piece, but also very directly to what is heard at some moments. For instance, in the first movement the orchestra 'emerges' from the very fast and nervous line played by the soloist and then, later, the 'climax' of this movement 'emerges' from the fast line then played by the orchestra. This piece is dedicated to Jean-Guihen Queyras and Thierry Fischer. / contemporain / Répertoire / Violoncelle et Orchestre
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Alfred Schnittke: Cello Concerto No.1: Cello: Study Score
Cello, Orchestra
Sikorski
für Violoncello und Orchester-Schnittke?s first cello concerto was written duri...
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für Violoncello und Orchester-Schnittke?s first cello concerto was written during a near fatal time in his life after having suffered a severe stroke in 1985 during which his heart stopped three times. Upon recovery he completed the concerto the music becoming more dissonant and discordant with the melodies more contorted.The first cello concerto was a monumental endeavor for large orchestra and approximately 40 minutes in duration. The work was written for Schnittke?s close friend Russian cellist Natalia Gutman. The solo part is most feverish and virtuosic exhausting the performer both technically and emotionally. The last fourth movement creates an unusual structuralprogression ending in what feels like a celestial hymn-like prayer. Schnittke himself said: Suddenly I was given this finale from somewhere and I?ve just written it down.Available here is the study score for Schnittke?s emotionally and technically demanding Cello Concerto No.1. This Sikorski edition study score is well presented and provides an excellent resource for study or perusal use.
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Antonín Dvo?ák: Concerto For Cello & Orchestra In B Flat Minor: Cello: Study
Cello, Orchestra
Breitkopf & Härtel
Concerto For Cello & Orchestra In B Flat Minor
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Lydie's Blues - Partition + Materiel
Français
Cello, Orchestra
[Sheet music]
Billaudot
La partition LYDIE'S BLUES - PARTITION + MATERIEL de Barbet Patrick a été comp...
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La partition LYDIE'S BLUES - PARTITION + MATERIEL de Barbet Patrick a été composée pour Orchestre et plus particulièrement pour Grande Formation. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Jazz & Blues. / Grande Formation / Partition
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Concerto No. 2: Cello: Study Score
Cello, Orchestra
Schott
Per Violoncello e Orchestra-The Cello Concerto No. 2 is Nino Rota's third contri...
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Per Violoncello e Orchestra-The Cello Concerto No. 2 is Nino Rota's third contribution to the genre but he does not include the early Cello Concerto dating back to 1925 in his own list of works: this composition only received its very much delayed first performance in Milan in November 2010. The much later Cello Concerto No. 2 was created around the same time as Rota???s work on the soundtrack for The Godfather II for which the composer received an Oscar in 1975. Although there are no direct quotations from the film-track in this concerto the section in 6/8-time displays a slight hint of the well-known Sicilian Pastorale.
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Moïra (CANAT DE CHIZY EDITH)
Français
Cello, Orchestra
[Sheet music]
Lemoine, Henry
Par CANAT DE CHIZY EDITH. / contemporain / Répertoire / Violoncelle et Orches...
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Par CANAT DE CHIZY EDITH. / contemporain / Répertoire / Violoncelle et Orchestre
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Sonata (PENDERECKI KRZYSZTOF)
Cello, Orchestra
Eulenburg
Per Violoncello Ed Orchestra. Par PENDERECKI KRZYSZTOF. Détails de la formation...
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Per Violoncello Ed Orchestra. Par PENDERECKI KRZYSZTOF. Détails de la formation instrumentale: 0 · 0 · 0 · 4 (Kfg.) - 6 · 0 · 3 · 1 - S. (Tamt. · 2 Bngs. · Tr. · 3 Holzbl. · Peitsche · Clav. · Guiro) (4 Spieler) - Klav. - Str. (24 · 0 · 8 · 8 · 6) - Durée: 10' - Format: Parisien portrait/ Répertoire / Violoncelle et Orchestre
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Edward Elgar: Concert E Op.85: Mixed Ensemble: Study Score
Cello, Orchestra
Barenreiter
Edward Elgar’s concerto for violoncello his last major work is a cleanl...
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Edward Elgar’s concerto for violoncello his last major work is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar’s editorial skills show themselves in the exacting placement of dynamics articulation and expression markings. The edition restores all Elgar’s solo cello fingerings and bowings and offers a facsimile of the original solo cello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar’s baton.This is the last word on this famous work a referenceedition for every cellist!First ever critical editionAll existing sources consultedFirst ever critical commentaryFull score & parts (BA9040) cello & piano (BA9040-90) and study score format 22.5 x 16.5cm (TP398) available for sale
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Great Romantic Cello Concertos: Cello: Score
Cello, Orchestra
Dover Publications
Schumann Saint-Saens Dvorak-Complete scores of three great romantic cello conc...
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Schumann Saint-Saens Dvorak-Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century the compositions reveal extraordinary lyricism imagination and individual interpretation of the concerto form.Complete and unabridged edition.
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Lyric Suite Op. 51 (MADETOJA LEEVI)
Cello, Orchestra
[Reduction]
Fennica Gehrman
Par MADETOJA LEEVI. Format: DIN A4/ Répertoire / Violoncelle et Orchestre
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Cheryl Frances-Hoad: Katharsis: Cello: Study Score
Cello, Orchestra
[Sheet music]
Cadenza Music
Cheryl Frances-Hoad's Katharsis for Cello and Chamber Orchestra.Duration: 25 min...
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Cheryl Frances-Hoad's Katharsis for Cello and Chamber Orchestra.Duration: 25 minutes
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Per Nørgård: Between - Cello Concerto No. 1: Cello: Score
Cello, Orchestra
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra comp...
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Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra composed by Per Nørgård in 1984-85. Premiered by Frances-Marie Uitti and the Danish Radio Symphony Orchestra conducted by Michael Schönwandt August 30th 1985. Programme note: 1. In Between 2. Turning point 3. Among The title of each movement suggests one aspect of the relationship between soloist and orchestra. In the first movement the solist is caught up in a conflict between the expression of inner feelings (solo) and influences from external sources (orchestra) the latter of which the soloist in a simple accompanyingrole but after a turning point in the middle of the movement the soloist assumes a dominating role. In the final movement a balance is finally achieved with the soloist at last being on equal terms with the orchestra. Per Nørgård
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Edward Elgar: Concerto: Cello: Instrumental Work
Cello, Orchestra
Barenreiter
e minor-Edward Elgar's concerto for violoncello his last major work is a clean...
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e minor-Edward Elgar's concerto for violoncello his last major work is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar's editorial skills show themselves in the exacting placement of dynamics articulation and expression markings.The edition restores all Elgar's solo cello fingerings and bowings and offers a facsimile of the original solo cello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar's baton. This is the last word on this famous work a reference edition for everycellist!First ever critical editionAll existing sources consultedFirst ever critical commentary'I highly recommended this purchase even if you own a well-worn copy of another edition.'(American String Teacher vol. 56 No. 3 August 2006)'Ownership of this fine masterly authoritative and elegantly printed edition coupled with the fascinating Critical Commentary must be obligatory for all cellists!'(ESTA News
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Antal Dorati: Cello Concerto: Cello
Cello, Orchestra
Boosey and Hawkes
Cello Piano. Dorati A
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Concerto E Minor Op. 85
Cello, Orchestra
Eulenburg
Quiconque lit, écoute plus. Si vous avez un réel sens un sérums de compositio...
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Quiconque lit, écoute plus. Si vous avez un réel sens un sérums de composition, des attaques sur la partition de l'étude. Les complexités d'une composition sont uniquement sur le score. Le nombre de Eulenburg audio score haute stabilité par format facile à lire et prêt / Violoncelle Et Orchestre
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Concerto B Minor Op. 104 B 191
Cello, Orchestra
Eulenburg
Quiconque lit, écoute plus. Si vous avez un réel sens un sérums de compositio...
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Quiconque lit, écoute plus. Si vous avez un réel sens un sérums de composition, des attaques sur la partition de l'étude. Les complexités d'une composition sont uniquement sur le score. Le nombre de Eulenburg audio score haute stabilité par format facile à lire et prêt / Violoncelle Et Orchestre
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Horizons Réflexes
Cello, Orchestra
Jobert
Après Altius (1999) pour violoncelle et 16 instruments et Huit à l'infini (200...
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Après Altius (1999) pour violoncelle et 16 instruments et Huit à l'infini (2001) pour octuor de violoncelles et orchestre, Horizons réflexes est ma troisième oeuvre de nature concertante écrite pour le violoncelle.Au début de la composition de cette pièce, dédiée à Gary Hoffman et commandée par le festival Automne en Normandie, j'avais à l'esprit l'idée quasi picturale d'un paysage étrange, constitué de lignes se développant horizontalement et de verticalités presque régulières qui se rencontrent, se trouvent, se dérobent ou se métamorphosent.Non seulement le vers du poète Alexis Pelletier 'Un matin, je fus saisi par l'évidence des horizons réflexes' m'a donné l'idée du titre de la pièce, mais il m'a également permis de conceptualiser la plastique sonore que je souhaitais développer au long des six sections enchaînées que compte cette composition.Dans la plupart de mes oeuvres concertantes - et c'est de nouveau le cas dans Horizons reflexes, le soliste devient la 'voix supérieure' d'une matière sonore en mouvement prolongée par un orchestre 'résonateur' qui sait aussi se montrer éloquent. (...)Dominique Lemaître / Violoncelle Et Orchestre
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