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Schumann
PIANO
Cello, Piano
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
(+)
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Five Romances (KILLMAYER WILHELM)
Cello, Piano
Schott
Par KILLMAYER WILHELM. ‘Humour plays a role, and my pieces are also an attempt...
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Par KILLMAYER WILHELM. ‘Humour plays a role, and my pieces are also an attempt to entertain people.’ Words not often associated with contemporary music, but Wilhelm Killmayer wants to place fun and seriousness side by side. Different tonal spheres are found in the “Impromptu” and the jaunty “Scherzo lento” which uses tap tones for example. The “Chorale” that follows allows the music to drift seamlessly into atonality. In the fourth romance ‘Im Schumannschen Ton’ (‘The Schumann Sound’), a diatonic melody is complicated so much that the ending distorts to the beginning, ‘just like man combines many different qualities’. In the concluding “Capriccio”, shifting time signatures and dynamic ?uctuations are combined in a virtuoso manner. A humourous piece which demands the purest concentration from the players./ Répertoire / Violoncelle et Piano
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Fantasy Pieces For Violoncello And Piano Op. 73
Cello, Piano
Wiener Urtext
Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. ...
(+)
Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. 73 were first performed by his wife Clara and the clarinettist Johann Gottlieb Kotte. Initially entitled Soirée Pieces, the composer later had the works published under the name of Fantasy Pieces, thus establishing a connection with poetical aspects. The first edition published in July 1849 contained not only a clarinet part but also a violin and cello part. Since then, they have become an integral part of the Romantic repertoire for cello and piano. This edition is based on the text of the first edition as well as on subsequent corrections from Schumann's personal copy, with the extant composition manuscript serving as an important corrective. / Violoncelle Et Piano
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Robert Schumann: Robert Schumann: Kinderszenen Op.15: Cello
Cello, Piano
Ricordi
Schumann's famous 15 - titled cycle Scenes from Childhood op. 15 originally co...
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Schumann's famous 15 - titled cycle Scenes from Childhood op. 15 originally composed for piano now available for cello and piano accompaniment.
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Robert Schumann: Fantasiestucke Op.73: Cello: Instrumental Work
Cello, Piano
Peters
These Fantasiestucke or Fantasy Pieces - a title denoting short and expressive p...
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These Fantasiestucke or Fantasy Pieces - a title denoting short and expressive pieces without a specified form - were originally written for clarinet and piano; Schumann himself later made arrangements of this work for cello and for violin. The piano and clarinet parts are notated in the score of this edition; however the solo alternative cello part is also included on a separate insert.
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Robert Schumann: Cello Concerto In A Minor Op.129: Cello: Instrumental Work
Cello, Piano
[Reduction]
Peters
Concerto in A minor for Violoncello and Orchestra-Robert Schumann's Cello Concer...
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Concerto in A minor for Violoncello and Orchestra-Robert Schumann's Cello Concerto In A Minor Op.129 composed for Cello with Piano accompaniment.
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Robert Schumann: Fantasiestücke op. 73 / Adagio und Allegro op. 70: Cello:
Cello, Piano
[Sheet music]
Peters
Stücke im Volkston op. 102-A selction of pieces by Schumann for Cello. Fantasy ...
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Stücke im Volkston op. 102-A selction of pieces by Schumann for Cello. Fantasy Pieces Op.73 / Adagio & Allegro Op.70 / Pieces in Folk Style Op.102. Edited by Gr?tzmacher. For Cello with Piano accompaniment.
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Robert Schumann: Concerto For Cello And Piano: Cello: Score
Cello, Piano
Durand
Robert Schumann's Concerto for Cello and Piano.
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Robert Schumann: Five Pieces In Folk Style Op.102 - Cello Version: Cello:
Cello, Piano
[Sheet music]
G. Henle
Op 102-Although Schumann had learnt the cello for a while in his youth he only ...
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Op 102-Although Schumann had learnt the cello for a while in his youth he only began to compose for this instrument in later life. Apart from the cello concerto only his Five Pieces op. 102 have survived as original works for thecello. Clara was delighted with them: 'These are pieces in folk style with such a freshness and originality that I was enchanted'. The 'Neue Zeitschrift für Musik' wrote: 'These pieces are less apt for a virtuoso player than awell versed one who can speak on his instrument with tone and meaning.' This edition in the best Urtext quality is particularly to be recommended for teaching purposes and for making music at home.
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Robert Schumann: Fantasy Pieces For Piano And Clarinet Op.73: Cello:
Cello, Piano
[Sheet music]
G. Henle
The circumstances in which these poetic ?Soirée Pieces? (thus their original ti...
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The circumstances in which these poetic ?Soirée Pieces? (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to fleewith Clara to the countryside. Yet none of this is apparent in the music of these three pieces whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the Clarinet they were accompanied byalternative parts for Violin and Cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.
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3 Romanzen Op. 94 And Intermezzo (SCHUMANN ROBERT)
Cello, Piano
[Sheet music]
White Prince Editions
Transcribed For Cello And Piano By Bellisario. Par SCHUMANN ROBERT. Violoncelle ...
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Transcribed For Cello And Piano By Bellisario. Par SCHUMANN ROBERT. Violoncelle - Piano/ Répertoire / Violoncelle et Piano
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Robert Schumann: Adagio und Allegro op. 70 für Klavier und Horn: Cello:
Cello, Piano
G. Henle
Version for Violoncello-Schumann Adagio & Allegro Op70 Cello Version (Herttrich)...
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Version for Violoncello-Schumann Adagio & Allegro Op70 Cello Version (Herttrich) Pf/Vlc Urt Pb
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Solos For The Cello Player
Cello, Piano
[Sheet music]
Schirmer
Ed. Otto Deri. 17 pieces appropriate for recital or contest use. Contents: Alleg...
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Ed. Otto Deri. 17 pieces appropriate for recital or contest use. Contents: Allegro Maestoso (Handel) - Allegro Spiritoso (Senaille) - Andante (Beethoven) - Andante (Gluck) - Aria (Lotti) - Bourrée I (Bach) - Country Dance - La Cinquantine (The Golden Wedding) - Larghetto (Handel) - Lento (Schumann) - Lullaby - Menuet (Mozart) - Nina (Pergolesi) - Romance - Sicilienne (Debussy) - The Swan (Saint-Saëns) - Village Song (Popper)./ Recueil / Violoncelle et Piano
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Jean-Michel Defaye: A La Maniere De Schumann: Cello: Score
Français
Cello, Piano
[Sheet music]
Leduc, Alphonse
A La Maniere De Schumann
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Adagio And Allegro Violoncelle/Piano (SCHUMANN)
Cello, Piano
[Sheet music]
Durand
Par SCHUMANN. / Répertoire / Violoncelle et Piano
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Sonate F-Moll, Op. 4 (SCHUMANN ROBERT)
Cello, Piano
[Sheet music]
Hofmeister Musikverlag
Nach der Sonate für Violine und Klavier, op. 105. Par SCHUMANN ROBERT. / Réper...
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Nach der Sonate für Violine und Klavier, op. 105. Par SCHUMANN ROBERT. / Répertoire / Violoncelle et Piano
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5 Stücke Im Volkston Op. 102 (SCHUMANN ROBERT)
Cello, Piano
[Sheet music]
Breitkopf & Härtel
Par SCHUMANN ROBERT. Editeur(s) d'origine: Draheim, Joachim/ Répertoire / Violo...
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Par SCHUMANN ROBERT. Editeur(s) d'origine: Draheim, Joachim/ Répertoire / Violoncelle et Piano
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Romanzen 3 (Fk) (SCHUMANN ROBERT)
Cello, Piano
[Set of Parts]
Schott
Par SCHUMANN ROBERT. / Répertoire / Violoncelle et Piano
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5 Pieces In Folk Style Vc P (SCHUMANN ROBERT)
Cello, Piano
[Sheet music]
IMC (International Music Co.)
Par SCHUMANN ROBERT. / Répertoire / Violoncelle et Piano
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Nachtstueck (Fk) (SCHUMANN ROBERT)
Cello, Piano
[Sheet music]
Schott
Par SCHUMANN ROBERT. / Répertoire / Violoncelle et Piano
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5 Pieces In Folk Style Op. 102 (SCHUMANN ROBERT)
Cello, Piano
IMC (International Music Co.)
Par SCHUMANN ROBERT. / Répertoire / Violoncelle et Piano
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Schumann R. - Concerto Pour Violoncelle En La Mineur Op. 129 - Violoncelle, Piano
Cello, Piano
Breitkopf & Härtel
EDITION URTEXTCompositeur : Schumann, RobertInstrumentation : Vc,KlavNombre de p...
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EDITION URTEXTCompositeur : Schumann, RobertInstrumentation : Vc,KlavNombre de pages : 54
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Schumann R. - Funf Stucke Op. 102 - Violoncelle, Piano
Cello, Piano
Breitkopf & Härtel
EDITION URTEXT Compositeur : Schumann, Robert Instrumentation : Vlc,Klav Nombre ...
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EDITION URTEXT Compositeur : Schumann, Robert Instrumentation : Vlc,Klav Nombre de pages : 40
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Solos For The Cello Player - Cello
Cello, Piano
[Sheet music]
-
Intermediate
Schirmer
Description Solos For The Cello Player Seventeen intermediate level pieces re...
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Description Solos For The Cello Player Seventeen intermediate level pieces representing various stylistic periods. Songlist Allegro (Violin Sonata Op.1 No.15) [Handel, George Frideric] Allegro Spiritoso [Senaille, Jean Baptiste] Andante [Beethoven, Ludwig Van] Andante (Orfeo) [Gluck, Christoph Willibald] Aria [Lotti, Antonio] Country Dance [Weber, Carl Maria Von] La Cinquantaine (Air In The Olden Style) [Marie, Gabriel] Larghetto (Violin Sonata Op.1 No.13) [Handel, George Frideric] Lento (Five Pieces In A Popular Mood) [Schumann, Robert] Lullaby [Brahms, Johannes] Menuet (Divertimento In D, K334) [Mozart, Wolfgang Amadeus] Nina (Canzonetta) [Pergolesi, Giovanni] Romance [Debussy, Claude] Sicilienne [Faure, Gabriel] The Swan (Carnival Of The Animals) [Saint-Saens, Camille] Two Bourrees (Third Cello Suite] [Bach, Johann Sebastian] Village Song [Popper, David]
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Richard Strauss: Sonate F-dur Opus 6 für Violoncello und Klavier: Cello and
Cello, Piano
G. Henle
Sonata in F major op. 6 for Violoncello and Piano. Aside from the Piano Quartet ...
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Sonata in F major op. 6 for Violoncello and Piano. Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata op. 6 numbers among the most mature works of chamber music from Strauss? early ?uvre. The influences of Mendelssohn, Schumann, and Brahms are noticeable, while leaving sufficient space for a very personal tonal language, often with surprising rhythmic and harmonic turns of phrase. Strauss subjected the first version completed in early 1881 to a radical revision over the winter of 1882/83; the opening movement was thoroughly reworked, the two subsequent movements rewritten completely. It was worth it, because after the premiere in Dresden, the composer wrote to his mother, ?My sonata garnered extraordinary acclaim, the applause was enormous, congratulations came to me from all sides.?
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Steven Isserlis's Cello World: Cello: Instrumental Album
Cello, Piano
[Sheet music]
-
Advanced
Faber Music Limited
Cello World is a must for all Cellists. It is a wonderful collection of original...
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Cello World is a must for all Cellists. It is a wonderful collection of original works and arrangements from the repertoire of world-famous Cellist Steven Isserlis. The inspired line up of pieces includes Schumann's moving Intermezzo Leonard's The Donkey And The Driver and Villa-Lobo's rippling Song Of The Black Swan. This is the perfect volume for cellists looking for a variety of challenging repertoire.
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Solos for the Cello Player: Cello and Accomp.: CD
Cello, Piano
[CD]
Schirmer
Accompaniment CD for the folio featuring 17 pieces appropriate for recital or co...
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Accompaniment CD for the folio featuring 17 pieces appropriate for recital or contest use. Contents: Allegro Maestoso (Handel) ? Allegro Spiritoso (Senaille) ? Andante (Beethoven) ? Andante (Gluck) ? Aria(Lotti) ? Bourrée I (Bach)? Country Dance ? La Cinquantine (The Golden Wedding) ? Larghetto (Handel) ? Lento (Schumann) ? Lullaby ? Menuet (Mozart) ? Nina (Pergolesi) ? Romance? Sicilienne (Debussy) ? The Swan (Saint-Saëns) ? Village Song (Popper).
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Sonata Op. 121 (MOSCHELES IGNAZ)
Cello, Piano
[Sheet music]
Lienau
Par MOSCHELES IGNAZ. Aujourd'hui, Ignaz Moscheles (1794-1870) est connu que les ...
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Par MOSCHELES IGNAZ. Aujourd'hui, Ignaz Moscheles (1794-1870) est connu que les experts comme un virtuose du piano importante et compositeur de nombreuses oeuvres pour piano, qui ont souvent été réalisées en son temps. Il entretenait une amitié avec Félix Mendelssohn. En plus de ses compositions pour piano généralement très virtuoses, Moscheles a également écrit la musique de chambre intéressante. La Sonate en mi présente majeur op. 121 pour violoncelle et piano a été écrite en 1850, l'année même où Robert Schumann a écrit son concerto pour violoncelle. En dehors de merveilleux et d'élaborer des éléments romantiques de style, cette grande oeuvre comporte quelques idées uniques et originales qui en fait un choix idéal pour un concert./ Répertoire / Violoncelle et Piano
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Brizard J./classens H. - Le Violoncelle Classique Vol.d
Français
Cello, Piano
Combre
Contenu CAIX D'HERVELOIS Louis : Menuet - MENDELSSOHN Félix : Confiance - FORQ...
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Contenu CAIX D'HERVELOIS Louis : Menuet - MENDELSSOHN Félix : Confiance - FORQUERAY Jean-Baptiste : La Du Vaucel - CAIX D'HERVELOIS Louis : Gavotte - ALBENIZ Isaac : Tango - MARAIS Marin : Sarabande - SCHUMANN Robert : Chant - NATHAN Ernest : Tema con variazioni - AZAIS Pierre-Hyacinthe : Allegro - AZAIS Pierre-Hyacinthe : Presto - MARAIS Marin : Caprice - MARAIS Marin : Gigue - CAIX D'HERVELOIS Louis : Sarabande - ABEL Karl Friedrich : Allegro - MUNTZ-BERGER J. : Fantaisie - TCHAIKOVSKY Piotr Illitch : Valse
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