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Cher,
PIANO
Cello
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Friedrich Grützmacher: Technology of Violoncello Playing: Cello: Instrumental
Cello
Barenreiter
Twenty-four Etudes for Violoncello Solo-Technology Of Violoncello Playing Op.38 ...
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Twenty-four Etudes for Violoncello Solo-Technology Of Violoncello Playing Op.38 - Twenty-four Etudes for Violoncello Solo. Edited by Martin Rummel.The German cellist Friedrich Grützmacher (1832-1903) an influential teacher and composer wrote two important works containing studies: ? Tägliche Übungen ? (Daily Exercises) Op.67 and ?Twenty-four Etudes? Op.38.Grützmacher was greatly admired during the 19th century for his brilliant playing technique and this forms the central part of his studies Op.38. To this day the twenty-four studies form an integral part of cellist's study repertoire and the development of a well-grounded cello technique.As with MartinRummel's editions of Popper's studies and the Duport Etudes the new Grützmacher publication contains a booklet with valuable tips and references to other works in the Cello repertoire requiring similiar solutions to technical problems.- Fold-out pages for ease of playing.- Large format.- Additional modern fingering and bowing.- Valuable comments in English and German on the technical goals of the etudes.
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Cheryl Frances-Hoad: Excelsus: Cello: Instrumental Work
Cello
Cadenza Music
Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a sui...
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Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a suite each movement being based on a passage from the Requiem mass text. Although I spent many hours refining my interpretation of the words the work is ultimately a more instinctive reaction to the evocative language of the excerpts. However my stance was always totally atheistic and this infiltrates everything from the mood through the disregard for the text’s order to the instrumentation (the use of a lone figure which I viewed as a musical equivalent to the ‘first person’ offending against the liturgical norms which areconcerned with people as a community). Musically the entire work is based on two themes one melodic (the Rex Tremendae or ‘King of Awful Majesty’ theme which is heard at the very opening) and one chordal (the Lux Aeternum (Light eternal) chords not revealed in their pure form until the pizzicato passage that concludes the suite). The order ofthe movements is as follows: Requiem Aeternum (Grant them eternal rest)Kyrie (Lord have mercy)Tuba Mirum (Hark the Trumpet)Sanctus (Holy holy)Dies Irae (Day of Wrath)Agnus Dei (Lamb of God)Quid Sum Miser (What shall I a wretch say then?)' - Cheryl Frances-Hoad
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Cello School 8
Cello
[Sheet music + CD]
Alfred Publishing
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view t...
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The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as Book and CD Kit. Titles: Sonata in G Major (Allegro, Grave, Vivace) (Sammartini) * Allegro Appassionato, Op. 43 (Saint-Saëns) * Elegié (Fauré) * Scherzo (van Goens). / Violoncelle
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John Williams: Star Wars: The Force Awakens - Cello: Cello Solo: Instrumental
Cello
[Sheet music + Audio access]
-
Intermediate
Hal Leonard
Instrumental Play-Along-This volume in the Instrumental Play-Along series featur...
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Instrumental Play-Along-This volume in the Instrumental Play-Along series features solo arrangements of 10 favourite selections from the blockbuster movie Star Wars - The Force Awakens. The price of this book for Cello includes access to online audio demonstration and backing tracks that allow instrumentalists to slow down the audio without changing pitch loop for challenging parts and more.This book includes: Farewell and the Trip Finn's Confession Han and Leia The Jedi Steps and Finale Kylo Ren Arrives at the Battle Main Title and the Attack on the Jakku Village March of the Resistance Rey's Theme The Scavenger and Scherzo forX-Wings.
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Henri Dutilleux: Trois Strophes Sur Le Nom De Sacher: Cello: Instrumental Work
Cello
Heugel
Written on the occasion of Paul Sacher’s birthday this 3 Strophes Sur Le...
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Written on the occasion of Paul Sacher’s birthday this 3 Strophes Sur Le Nom De Sacher features three Cello pieces composed by Henri Dutilleux and reviewed by Mstislav Rostropovitch. It was first performed in an audition by the latter in 1982. Henri Dutilleux composed the first part of this volume for the celebration and added the final two pieces later in 1976. The whole set requires the lowest strings of the Cello to be turned lower: G string to F sharp and C string to B flat. A quotation from Bartok’s piece 'Music for Strings Percussion and Celesta' can be noticed atthe end of the first verse. For upper-advanced / experienced players. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Cello concerto 'Tout un monde lointain' (A whole distant world) the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).
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3 Strophes Sur Le Nom De Paul Sacher Violoncelle Seul (DUTILLEUX HENRI)
Cello
[Sheet music]
Heugel
Par DUTILLEUX HENRI. Written on the occasion of Paul Sacher's birthday, this 3 S...
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Par DUTILLEUX HENRI. Written on the occasion of Paul Sacher's birthday, this 3 Strophes Sur Le Nom De Sacher features three Cello pieces composed by Henri Dutilleux and reviewed by Mstislav Rostropovitch. It was first performed in an audition by the latter in 1982. Henri Dutilleux composed the first part of this volume for the celebration and added the final two pieces later in 1976. The whole set requires the lowest strings of the Cello to be turned lower: G string to F sharp and C string to B flat. A quotation from Bartok's piece 'Music for Strings, Percussion, and Celesta' can be noticed atthe end of the first verse. For upper-advanced / experienced players. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a Piano sonata, two symphonies, the Cello concerto 'Tout un monde lointain' (A whole distant world), the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night)./ Répertoire / Violoncelle Solo
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Now Ii (PINTSCHER MATTHIAS)
Cello
-
Intermediate/advanced
Barenreiter
part II of the cycle Profiles of Light. Par PINTSCHER MATTHIAS. 'Now II” is th...
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part II of the cycle Profiles of Light. Par PINTSCHER MATTHIAS. 'Now II” is the second part of a triptych of chamber pieces entitled 'Profiles of Light”. The first part is written for solo piano (Now I, BA 11073), the second for unaccompanied cello. The two instruments are then combined in the concluding third part, Uriel (BA 11013). All three pieces were inspired by the Abstract Expressionist paintings of the American artist Barnett Newman. Newman's work has had a formative impact on Matthias Pintscher's artistic philosophy: what does it mean to reduce things to essentials while seeking maximum immediacy of expression? Several of Newman's paintings have a radiant light of uncommon intensity, yet resembling a dark illumination. The same sort of thing is found in the late works of Franz Schubert, where a comparable profundity and retrospective yearning likewise shine through the surface of even the brightest tonalities. This is a piece about resonances, about the inward and outward givens of existence, about life itself: 'I find the cello a highly suitable instrument for depicting such existential conditions'. / Niveau : 5 / Répertoire / Violoncelle
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Park: Scherzo: Cello: Instrumental Work
Cello
Alfred Lengnick
Scherzo
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Sonata (LARCHER THOMAS)
Cello
Schott
for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voi...
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for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle
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Witold Lutoslawski: Sacher Variation For Solo Cello: Cello: Single Sheet
Cello
[Sheet music]
Chester
Written as a 70th birthday tribute to Paul Sacher and based on the letters of hi...
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Written as a 70th birthday tribute to Paul Sacher and based on the letters of his name. The work was requested by Mstislav Rostropovich who gave the first performance in May 1976.
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Benjamin Britten: Tema 'Sacher': Cello: Instrumental Work
Cello
-
Intermediate
Faber Music Limited
For a 70th birthday tribute to the distinguished Swiss conductor Paul Sacher Ms...
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For a 70th birthday tribute to the distinguished Swiss conductor Paul Sacher Mstislav Rostropovich hit on the idea of inviting twelve of Sacher's friends to collaborate in writing a set a variations based on his name. This piece is Benjamin Britten's contibution to the work.
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Aria (la suite, la partie solo a été transcrite pour violon (arrangée par Susanne Bánk) et alto (arrangée par Martin Fischer))
Cello
[Sheet music]
Schott
Le compositeur hongrois István Szelényi (1904-1972), un étudiant de Kodály, ...
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Le compositeur hongrois István Szelényi (1904-1972), un étudiant de Kodály, initialement écrit ' Aria ' pour violoncelle ou clarinette et piano. Par la suite, la partie solo a été transcrite pour violon (arrangée par Susanne Bánk) et alto (arrangée par Martin Fischer). La version originale, un morceau de concert élégiaque, cantabile - nombreuses fonctionnalités rythmiques et musicaux sont influencées par la folk Kodály et hongrois - exige un ton beau et un tempos librement traînant avec une abondance de rubato de l'interprète. / Violoncelle (Ou Violon Ou Alto) Ou Clarinette (Ou Saxophone Alto) Et Piano
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Figura V / Assonanza (PINTSCHER MATTHIAS)
Cello
[Sheet music]
Barenreiter
per violoncello 2000. Par PINTSCHER MATTHIAS. / Répertoire / Violoncelle
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SCHUEHMACHER GILLES - ENVOL POUR VIOLONCELLE SEUL
Français
Cello
Gilles Schuehmacher : Envol pour violoncelle seulEnvol est un poème en quatre s...
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Gilles Schuehmacher : Envol pour violoncelle seulEnvol est un poème en quatre strophes pour violoncelle seul, très libre dans sa métrique, jusqu?à donner le sentiment d?improvisation. L??uvre peut être un postlude à Veilleuse d?automne pour voix et violoncelles, une méditation sur la traversée de la nuit et la création artistique d?après des poèmes d?Odile Caradec. C?est un réveil d?après les songes nocturnes, léger et lumineux, grave et aérien : un envol serein, une salutation au lever de soleil, au jour recommencé. / Violoncelle / Chanteloup-musique
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24 Studi Op. 38 - Libro II - Pais (GRUTZMACHER FRIEDRICH)
Cello
[Score]
Ricordi
Par GRUTZMACHER FRIEDRICH. / Etudes et exercices / Date parution : 1905-06-06...
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Par GRUTZMACHER FRIEDRICH. / Etudes et exercices / Date parution : 1905-06-06/ Etude / Violoncelle
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12 Hommages Vc (SACHER MELANIE C)
Cello
[Sheet music]
Universal Edition
Par SACHER MELANIE C.. / Répertoire / Violoncelle
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Mark Tanner: French Baguettelles: Cello: Instrumental Album
Cello
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Easy
Spartan Press
Favourtie French Melodies-In creating these dozen arrangements I am unashamedly ...
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Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of
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Schott Master Class Cello
Cello
Schott
Le nombre de méthodes et de collections d'étude existant pour violoncelle est ...
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Le nombre de méthodes et de collections d'étude existant pour violoncelle est énorme. Mais que faire lorsque aucun enseignant n'est sur place pour expliquer pourquoi un certain passage du concerto, simplement ne marcherait pas ? Le célèbre violoncelliste Maria Kliegel pionniers une toute nouvelle façon : son expérience et ses connaissances ont été résumés pour constituer la ' quintessence '. Dans le livre, elle explique en problèmes techniques de manière très détaillée, indiquant les exemples tirés du répertoire. Sur le DVD, elle illustre la technique correcte, donnant des conseils sur la façon de maîtriser les passages célèbres de la littérature de concert et sur la pratique efficace. Un must pour l'instrumentiste avancée qui cherche des réponses à des questions particulières ou qui a toujours voulu savoir comment surmonter ces obstacles techniques. La série de Master Class a reçu le prix spécial digita 2007 pour de nouveaux développements qui peut changer et poursuivre l'apprentissage avec les nouveaux médias. L'édition convaincante du contenu d'apprentissage par les experts de renom et de la conception de médias discrète de la... / Divers
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Shinichi Suzuki: Suzuki Cello School 3 (Revised): Cello: Instrumental Tutor
Cello
Alfred Publishing
The Suzuki Method of Talent Education is based on Dr. Shinichi Suzuki's view tha...
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The Suzuki Method of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability and that people are the product of their environment. According to Dr. Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as a Book & CD kit.Titles: Berceuse Wiegenlied or Lullaby Op. 98 No. 2 (F. Schubert) * Tonalization: The Moon over the Ruined Castle (Taki) * Gavotte (Lully) * Minuet from Sei Quintetti for Archi No. 11 Op. 11 No. 5 in EMajor (Boccherini) * Tonalization: The Moon over the Ruined Castle (Taki) * Scherzo (Webster) * Minuet in G Wo0 10 No. 7 for Piano (Beethoven) * Gavotte in C Minor Gavotte en Rondeau from Suite in G Minor for Klavier BWV 822 (Bach) * Minuet No. 3 BWV Anh. II 114/Anh. III 183/Anh. II 115 (Bach) * Humoresque Op. 101 No. 7 for Piano (Dvorák) * La Cinquantaine (Gabriel-Marie) * Allegro Moderato from Sonata I in G BWV 1027 for Viola da Gamba (Bach).
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Lehrplan Violoncello
Cello
[Sheet music]
Bosse
Stand: November 1997. B. Hauptfächer/ Recueil / Violoncelle
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S. Lee: Le premier pas du jeune violoncelliste: Cello: Instrumental Tutor
Cello
[Sheet music]
Leduc, Alphonse
Opus 101-German cellist Sebastian Lée (1805-1887) was prominent as a performer...
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Opus 101-German cellist Sebastian Lée (1805-1887) was prominent as a performer and pedagogue in both Germany and France. His methods have been published many times in various countries and continue to be used to this day The First Step of the Young Cellist being no exception. Lée enjoyed a successful career as a soloist with the Paris Opéra and as a Cello teacher at the Paris Conservatoire. His teaching styles displayed a variety of German and French influences. The First Step of the Young Cellist contains fifty short easy and progressive pieces with the accompaniment of a second Cello (theteacher). Beginning with semibreve studies Lée's study book progresses to triplet exercises. The First Step of the Young Cellist is essential to the progression of all aspiring beginners of the instrument.
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Suzuki Cello School 5: Cello: Instrumental Tutor
Cello
Alfred Publishing
Suzuki Cello School: Cello Part Volume 5 contains 5 classical pieces for Cello. ...
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Suzuki Cello School: Cello Part Volume 5 contains 5 classical pieces for Cello. For the student: This volume is part of the worldwide Suzuki method of teaching. The companion recording should be used along with this publication. A Piano accompaniment book is also available for this material. For the teacher: In order to be an effective Suzuki teacher ongoing education is encouraged. Each regional Suzuki association provides teacher development for its membership via conferences institutes short-term and long-term programs. In order to remain current you are encouraged to become a member of your regional Suzuki association and if not already included the International Suzuki Association. For the parent: Credentials are essential for any Suzuki teacher you choose. We recommend you ask your teacher for his or her credentials especially those related to training in the Suzuki method. The Suzuki Method experience should foster a positive relationship among the teacher parent and child.
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Suzuki Cello School Vol.3 (revised) + Cd
Cello
Alfred Publishing
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view t...
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The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Now available as a Book
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Beethoven L.van - Complete Sonatas And Variations - Cello, Piano
Cello
Dover Publications
All 5 sonatas for cello and piano, and 3 sets of variations on themes by Mozart ...
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All 5 sonatas for cello and piano, and 3 sets of variations on themes by Mozart and Handel. Basic works of the cello repertoire carefully reproduced from the authoritative complete-works edition published by Breitkopf & Härtel. Inexpensive source for studying 8 major works of the chamber music repertoire. Cello Sonata No. 1 in F Major, Op. 5, No. 1 (dedicated to King Friedrich Wilhelm II) I: Adagio sostenuto-Allegro II: Allegro vivace Cello Sonata No. 2 in G Minor, Op. 5, No. 2 (dedicated to King Friedrich Wilhelm II) I: Adagio sostenuto ed espressivo-Allegro molto più tosto presto II: Rondo Cello Sonata No. 3 in A Major, Op. 69 (dedicated to Baron Ignaz von Gleichenstein) I: Allegro, ma non tanto II: Scherzo III: Adagio cantabile-Allegro vivace Cello Sonata No. 4 in C Major, Op. 102, No. 1 (dedicated to Countess Marie von Erdödy) I: Andante-Allegro vivace II: Adagio-Tempo d'Andante-Allegro vivace Cello Sonata No. 5 in D Major, Op. 102, No. 2 (dedicated to Countess Marie von Erdödy) I: Allegro con brio II: Adagio con molto sentimento d'affetto-Allegro-Allegro fugato Twelve Variations on See, the Conqu'ring Hero Comes, from Handel's Judas Maccabaeus, WoO 45 (dedicated to Princess Christiane von Lichnowsky) Twelve Variations on Ein Mädchen oder Weibchen, from Mozart's Die Zauberflöte, Op. 66 Seven Variations on Bei Männern, welche Liebe fühlen, from Mozart's Die Zauberflöte, WoO 46 (dedicated to Count Johann Georg von Browne)
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Stephen: Cello Globetrotters: Cello: Instrumental Album
Cello
Oxford University Press
Cello Globetrotters brings together toe-tapping original tunes in styles from ar...
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Cello Globetrotters brings together toe-tapping original tunes in styles from around the world - from Arabic to Chinese and from klezmer to the Argentinian tango - for the budding cellist. This unique book presents a kaleidoscope of musical traditions with supporting background information and backing tracks that capture each sound-world.To help with technique and interpretation every piece includes tailored warm-ups and stylistic tips from the author. With options for cello or piano accompaniment and an inspirational CD Cello Globetrotters is the ultimate resource for aspiring cellists looking to go travellin'... 12 fun pieces in styles from around the world Suitable for young cellists everywhere (3+ years' playing experience/grades 2-4) Range of styles including bossa nova klezmer blues Cajun Greek and West African Fascinating background information and tailored warm-ups for every piece Includes cello accompaniments for a teacher or more experienced pupil and piano accompaniments with guitar chords CD with performances and backings for every piece recorded by renowned world-music performers Ros StephenRos Stephen is a violinist and composer based in Bristol. She is a founder member of the UK's leading tango ensemble Tango Siempre with whom she has toured internationally and recorded several albums and she leads the Sigamos String Quartet. Ros is also a committed string teacher and enjoys working with students of all ages and experience. Her first book in the Globetrotters series Violin Globetrotters was published in 2010 to popular and critical acclaim.
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Maja Passchier: Abracadabra Cello & CD: Cello: Instrumental Tutor
Cello
[Sheet music + CD]
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Beginner
Now in a third edition Abracadabra Cello has a fresh contemporary new look and...
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Now in a third edition Abracadabra Cello has a fresh contemporary new look and is the perfect book for pupil and teachers.This title offers an identical selection of repertoire to the other books in the Abracadabra Strings series so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone they remain ideal for individual tuition.With tunes you know and want to play carefully graded in 20 learning steps this new edition of the popular tutor also includes duets trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teach thefundamentals of the instrument and each new technical aspect is reinforced by several pieces using that particular technique.Abracadabra Cello now also includes two CDs of performance and backing tracks featuring selected orchestral backings.
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