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PIANO
Choral SATB
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Piano, Vocal and Guitar (5457)
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Guitare (155)
Biography (152)
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1 Piano, 4 hands (144)
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Livret (121)
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French horn (116)
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String Orchestra (109)
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Banjo (67)
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Musical Awakening (41)
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Pennywhistle (35)
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Ensemble A Vent (34)
Choral SSAA (33)
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Saxophone ensemble (30)
Choral Unison (30)
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Bugle (27)
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Woodwind Quintet (22)
Cello, Orchestra (22)
High voice (21)
Duos (21)
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Piano Accompaniment (21)
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Livres (20)
Trio à Cordes (20)
Piano and Orchestra (20)
Flute Trio: 3 flutes (20)
Bandoneon, Guitar (20)
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Piano, Violin, Bandoneon, Guit… (19)
Quintette (19)
Dulcimer (18)
Lyrics only (18)
:: (18)
2 Saxophones, Piano (18)
Choral SSATTB (18)
Guitar Tab, Voice, Bass, Drum (18)
Tenor voice (18)
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Saxophone Ténor et Piano (18)
Bass Trombone and Piano (17)
Euphonium (17)
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2 Flutes, Piano (17)
Piccolo, Piano (17)
Mezzo-Soprano voice (17)
Treble (Alto) Recorder (17)
Guitar Ensemble (17)
Children choir, Piano (17)
Flute Quartet: 4 flutes (17)
Euphonium, Piano (duet) (17)
Brass Quartet (16)
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2 Tubas et Piano (16)
Tambour (16)
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Musique Légère (15)
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Electric bass, Drums (14)
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Trio A Cordes (14)
Stationery (14)
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Xylophone (14)
Big Note Piano (14)
Harpsichord (14)
Flute Quartet: Flute, Violin, … (13)
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2 Trombones (duet) (13)
Solistes ATB, Choeur SATB, Tro… (13)
Batterie Fanfare En Sib (13)
Trombone or Euphonium (13)
Flute, Clarinet (duet) (13)
Timpani (13)
Solistes ATB, Choeur SATB, (Ct… (12)
2 Oboes, Piano (12)
Fanfare Band (12)
Bass Clarinet (12)
Drum set and Piano (12)
Quatuor (12)
Piccolo (12)
Soli and Orchestra (12)
Flute, Clarinet, Piano (trio) (11)
Concert Band ou Harmonie et Ba… (11)
Batterie et Percussions (11)
2 Clarinets, Piano (11)
2 Violins, Piano (11)
Gemischter Chor (SSAATBB) und … (11)
Piano, Guitar (Chords) (11)
Timbales (11)
1 ou 2 Pianos (10)
Vocal duet (10)
2 Cellos, Piano (10)
Xylophone or Marimba or Vibrap… (10)
Viola, Cello (duet) (10)
Violin, Cello (duet) (10)
Flute ensemble (10)
Harpe Et Instruments Divers (10)
Guitare ou Luth (10)
String Trio: 2 violins, cello (10)
Choral SSAATTBB (10)
Chanson (10)
Gemischter Chor (SATB) und Orc… (9)
Guitar, Orchestra (9)
Flûte A Bec Et Instruments Di… (9)
2 Trompettes (duo) (9)
Choeur SATB, 2 Flûtes Travers… (9)
Fac-similé (9)
Scores (9)
2 Trumpets (duet) (9)
Solistes SATTBarB, Choeur SATB… (9)
Instruments Acoustiques (9)
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Ensemble (9)
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Flute and Strings Trio (8)
Ocarina (8)
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Octuor (7)
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Orchester (6)
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Cornet en Mib et Piano (6)
ENS::Ensemble (6)
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Ballets Sans Chant (6)
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Ondes Martenot (6)
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Choeurs A 2 Voix De Femmes (6)
Fake Book (6)
2 Trompettes Et 2 Trombones (5)
Musique de chambre (5)
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2 Flûtes Traversières, Instr… (5)
Lap Steel Guitar (5)
Solistes, Div. Instruments à … (5)
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Flute, Organ (duet) (5)
2 Violas (duet) (5)
2 Flûtes Traversières, Instr… (5)
Cello, Organ (5)
Voix D'Enfants A Cappella (5)
English horn, Piano (5)
Danses Folkloriques Etrangère… (5)
Choral SSAATBB, Organ (5)
Guitare Flatpick et Plectre (5)
Djembe (5)
Melody line, Piano (5)
Voice (5)
2 Cors en Mib et Piano (5)
DVD Opera and Ballets (5)
String quartet: 4 violins (5)
3 Saxophones (trio) (5)
2 Oboes (duet) (5)
Guitare Tablatures Flatpick et… (5)
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Choeurs Pour Noël A 4 Voix Eg… (5)
Saxophone, Clarinet (duet) (5)
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Biography book (5)
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Bombard and Organ (5)
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Alto, Tuba et Electronique (4)
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Piano (4, 6 Et 8 Mains) (4)
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Clarinette, Violon et Piano (4)
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Donde va mi Paloma (Chile) - S… (4)
Cajon (4)
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Mélodies (4)
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Music movie (4)
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Savon (3)
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Batterie Fanfare En Mib (3)
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Quatuor de Cuivres graves et O… (3)
Quatuor D'Anches (3)
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Choeur Mixte Et 8 Instruments … (3)
Cor et Orchestre à Vent (3)
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Medium Voice (3)
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CD only (3)
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Baryton-Basse (3)
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Flûte à Bec Alto ou Flûte T… (3)
2 Clarinettes Et Basson (3)
Children choir, Instruments (3)
Music history book (3)
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Trumpet ensemble (3)
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Violon 2 (3)
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4 Bassoons (3)
Dobro (3)
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Ukulélé Soprano (3)
Littérature Musicale (3)
DVD Show / Broadway (3)
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Choral CD (3)
Euphonium en Clé de Fa Do ou … (3)
Trombone ou Tuba (3)
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Petit Tambour (3)
Grand Orchestre (3)
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3 Parties Voix Aigües (SSA) e… (3)
Violon 1 (3)
Guitare Tablatures Flatpick et… (3)
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Trombone 2 (3)
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Flûte Traversière et Piccolo… (3)
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Chorale (3)
Voix Et Orchestre (3)
Choeur De Femmes (3)
Petit Ensemble Contemporain (3)
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5 Guitares (2)
Melody Line, Lyrics & Chords (2)
Clarinette Ou Trompette Et Pia… (2)
Vibraphone and 2 Marimbas (2)
Flûte à Bec Alto et Basse Co… (2)
Alto Et Ensemble Instrumental (2)
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Soprano voice, Organ (2)
2 Voix Sans Accompagnement (2)
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Autoharp (2)
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Alto et Violon 3 (2)
Choeur (SATB) et Brass Band (2)
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Baritone Horn and Piano (2)
Ensemble De Batterie (2)
Soli/Choeurs d'Enfants et Orch… (2)
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Voc \'N\' Roll. SATB (Cps)
Choral SATB
[Sheet music]
Faber Music Limited
COV \' ne Roll recrée le plaisir et l\'énergie des arrangements de rockabilly ...
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COV \' ne Roll recrée le plaisir et l\'énergie des arrangements de rockabilly des balles de groupe de pop allemand le base-ball trois chansons emblématique par certains des plus notoires d\'aujourd\'hui R\'n\'B et actes pop : parapluie de Rihanna, Crazy In Love et ciseaux soeur I Don\'t Feel Like Dancin \' tout brillamment arrangé pour SATB accompagné de Beyonce chorale par Charles Beale. La série de la chorale Programme Faber musique fournit une multitude de concert précieux répertoire incluant les oeuvres de Brahms, Holst, pont, Standford, Warlock, Faure, SaintSaens, Schubert et Schumann, ainsi que répertoire Noël, choeurs de l\'Evangile, arrangements de chansons folkloriques et les hits de la montre./ Recueil / SATB
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Triptych (Vocal Score)
Choral SATB
SATB, Orchestra
Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...
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Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
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Duke Ellington: It Don't Mean A Thing: SATB: Vocal Score
Choral SATB
[Vocal Score]
Alfred Publishing
In the winter of 1932 Duke Ellington; consummate jazz pianist composer and orc...
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In the winter of 1932 Duke Ellington; consummate jazz pianist composer and orchestrator; released It Don't Mean A Thing (If it ain't Got That Swing) which included live vocals by Ivie Anderson. A significant work that marked a shift in the fashionable style from the Hot Jazz of the 1920s to the Swing music of the 1930s. The song went on to define the era and became one of his biggest and most successful hits. This popular tune is supplied here with vocal arrangements for full mixed SATB choir with Piano accompaniment.
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Don Besig Nancy Price: A Time for Hope A Time for Joy: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
An anthem written for the Sunday after Christmas with a message to carry the spi...
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An anthem written for the Sunday after Christmas with a message to carry the spirit of Christmastide throughout the year. Hope and joy are revealed in the birth of our Savior and this anthem calls the world to come and behold thatprecious miracle. A pleasant flowing melody leads the piece onward beckoning the listener to follow the warmth of a shining star to find true light. The writers have utilized the classic “In the Bleak Midwinter” andupdated it with a relevant new text which points the church toward the coming year and the spiritual journeys lying ahead. Once again Nancy Price and Don Besig provide the singing church with beautiful and useful material.“A Time for Hope A Time for Joy” is a sure statement of faith to treasure the feeling of Christmas all year long.
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Howard Goodall: Eternal Light (Requiem): Mixed Choir: Vocal Score
Choral SATB
[Sheet music]
Faber Music Limited
The writing of a Requiem is a special challenge for any composer. The great Requ...
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The writing of a Requiem is a special challenge for any composer. The great Requiems of the past by composers such as Mozart Verdi and Berlioz interpret the sacred Requiem text literally offering prayers of salvation for the departed whose souls are assumed to be in purgatory facing a terrible judgement. Eternal Light: A Requiem by the award-winning British composer and internationally acclaimed broadcaster Howard Goodall is a stunning new requiem for the modern day. In contrast it is intended to provide solace to the grieving reflecting on the words of the Latin Mass by juxtaposing them withpoems in English. Speaking about the work Howard Goodall said 'For me a modern Requiem is one that acknowledges the unbearable loss and emptiness that accompanies the death of loved ones a loss that is not easily ameliorated with platitudes about the joy awaiting us in the afterlife. This like Brahms’ is a Requiem for the living addressing their suffering and endurance a Requiem focussing on the consequences of interrupted lives.” This piece of sheet music was commissioned by London Musici (Artistic Director: Mark Stephenson) to celebrate its 20th anniversary. It was commissioned as both a choral-orchestral-dance piece for London Musici The Choir of Christ Church Cathedral Oxford and Rambert Dance Company (Artistic Director: Mark Baldwin) and as a choral-orchestral work.
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Carly Simon Marvin Hamlisch: Nobody Does It Better (The Spy Who Loved Me): SATB:
Choral SATB
SATB, Piano
[Sheet music]
Novello & Co Ltd.
Nobody Does It Better sung by Carly Simon came from the James Bond film The Spy ...
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Nobody Does It Better sung by Carly Simon came from the James Bond film The Spy Who Loved Me. Marvin Hamlisch and Carole Bayer Sager’s song marked the first time a bond song had not shared its title with that of the film - since the tradition started. It stood as an excellent pop song in its own right and has endured as Carly Simon’s longest-charting hit and the title of her greatest hits album.This choral version has been arranged for mixed voice SATB choir with piano accompaniment by Thomas Lydon.
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Gabriel Fauré: Introit and Kyrie: Mixed Choir a Cappella: Vocal Score
Choral SATB
[Vocal Score]
H.T. FitzSimons Company
The opening section of Fauré's beloved “Requiem” could easily be co...
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The opening section of Fauré's beloved “Requiem” could easily be considered a classic. Conductor and former Chanticleer singer Sanford Dole has done something miraculous and incredible - he has arranged it for a cappella choir. The results are stunning. His craftsmanship could not be more truthful. You would think Fauré had intended or done it himself. A great choice for Lent or communion in worship or a lovely addition to a concert venue. Medium difficulty.
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Glee Vol.1. SATB (Cps)
Choral SATB
Faber Music Limited
Glee Volume 1 est une collection d'excitinf de trois chansons, rendu célèbre p...
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Glee Volume 1 est une collection d'excitinf de trois chansons, rendu célèbre par le hit show tv _ voyage Don't stop believin, Don't rain on my parade de la fille drôle musicale du film et d'I ' ll Stand par vous par les prétendants / TV, Film, Comédie musicale / Feuillet / SATB
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Don Besig Nancy Price: Come Now and Follow Me: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
This affirming song of discipleship written for the Bethany Lutheran Church in ...
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This affirming song of discipleship written for the Bethany Lutheran Church in West Hartford Connecticut invites the worshipper into a more committed walk of faith. The writing team of Nancy Price and Don Besig has created awarm and moving challenge from the words of the gospels. Come Now and Follow Me may be sung by any size group and the inclusion of the congregation on the final refrain makes for a worshipful as well as musical experience.The trumpet descant adds interest and scope while the flowing piano part beautifully supports the rich harmonic writing. This directive from Christ to “come and follow” will strengthen your personal resolve and thatof your faith community to walk together as friends and fellow disciples of the Lord.
13.75 GBP - Sold by Musicroom UK
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Don Besig Nancy Price: Waiting for the Light: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
The Advent season wouldn't be complete without a spiritual by Don Besig and Nanc...
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The Advent season wouldn't be complete without a spiritual by Don Besig and Nancy Price. This a cappella anthem for SATB choir and soloists will draw your congregation in closer with the intimacy of unaccompanied singing. Theminor color of this attractive octavo adds a touch of mystery to the preparations for Christ's arrival. Effective word painting with well-placed silences gives the thoughtful choir director ample opportunities for drama throughinterpretation. The impeccable part-writing makes “Waiting for the Light!” a sure success for your ensemble. Beautifully done.
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Judith Snowdon: Come Holy Spirit: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
A sensitive prayer that is beckoning yet full of hope with flowing piano writi...
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A sensitive prayer that is beckoning yet full of hope with flowing piano writing that weaves a spell of gentleness - for SATB chorus. Perfect as a call to worship or as a prayer response.
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Power Of Voice Wedding Edition - Mozarts Reich Mir Die Hand Mein Leben(Für Gemischtchor SATB Mit Orgel). Sheet Music for SATB Organ Accompaniment
Choral SATB
Peer Musik Verlag
Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power...
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Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier Reich mir die Hand mein Leben (Duettino aus Don Giovanni) von W.A. Mozart. Die Bearbeitung für Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16158G. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
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Don Besig: United in Praise: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Gathering the faithful together for worship and praise this joyful acclamation ...
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Gathering the faithful together for worship and praise this joyful acclamation instills confidence in the choir. Solid four-part writing permeates the piece creating a boldness of purpose in the presentation. The contrasting lyric section is a melodic treat made for expressive legato lines. A sturdy piano support ignites the energy of the anthem and with one great crescendo it delivers its message with power and conviction.
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Coro Mio Ben (Choral Edition)
Italiano
Choral SATB
Helbling Verlagsgesellschaft m.b.h
La plupart des arias de cette collection font partie du répertoire standard de ...
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La plupart des arias de cette collection font partie du répertoire standard de solistes de renom, et c'est vraiment grâce à eux que les opéras auxquels ils appartiennent sont devenus célèbres. C'est sans doute vrai des airs tels que Lascia ch'io pianga, Ombra mai fu et Caro Mio Ben. Dans Coro Mio Ben, Gwyn Arch a créé de nouveaux arrangements d'oeuvres et ces plus de Haendel, Mozart, Verdi et d'autres compositeurs, et donc ouvert ce genre musical à un public entièrement nouveau. Les accompagnements de piano sont largement tournée vers les originaux. Comprend 2 CD avec 18 enregistrements complets chorales et 10 pistes d'accompagnement de piano. / Choeur Mixte (SATB)
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Wolfgang Amadeus Mozart: Power Of Voice Wedding Edition: SATB: Single Sheet
Choral SATB
Peer Musik Verlag
Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power...
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Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier Reich mir die Hand mein Leben (Duettino aus Don Giovanni) von W.A. Mozart. Die Bearbeitung für Chor SATB mit Klavierbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Orgelbegleitung unter der Bestellnummer PMV16158O. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
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Go Down, Moses. SATB Acc. (Cps)
Choral SATB
[Sheet music]
Faber Music Limited
Arch Gwyn (Arranger). Par ARCH GWYN. La série acclamée par la chorale Programm...
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Arch Gwyn (Arranger). Par ARCH GWYN. La série acclamée par la chorale Programme est très appréciée par les chefs de choeur pour sa largeur de répertoire et de pratiques pour l'optimisation éditions. La série a été re-conçue et offre maintenant un nouveau look élégant sur toute la gamme. Chaque volume est publié à une taille plus petite et plus maniable in-octavo (254x176mm) et coloris distinctifs aider à distinguer entre genre et accordage supérieure et inférieure. Cinq nouvelles publications maintenant étendre davantage l'immense étendue du répertoire./ Feuillet / SATB
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Coro Mio Ben (Conductor Edition)
Italiano
Choral SATB
Helbling Verlagsgesellschaft m.b.h
La plupart des arias de cette collection font partie du répertoire standard de ...
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La plupart des arias de cette collection font partie du répertoire standard de solistes de renom, et c'est vraiment grâce à eux que les opéras auxquels ils appartiennent sont devenus célèbres. C'est sans doute vrai des airs tels que Lascia ch'io pianga, Ombra mai fu et Caro Mio Ben. Dans Coro Mio Ben, Gwyn Arch a créé de nouveaux arrangements d'oeuvres et ces plus de Haendel, Mozart, Verdi et d'autres compositeurs, et donc ouvert ce genre musical à un public entièrement nouveau. Les accompagnements de piano sont largement tournée vers les originaux. Comprend 2 CD avec 18 enregistrements complets chorales et 10 pistes d'accompagnement de piano. / Choeur Mixte (SATB)
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Keith Getty: O Come Redeemer of the Earth: Mixed Choir a Cappella: Vocal Score
Choral SATB
[Vocal Score]
Fred Bock Music Company
Keith and Kristyn Getty are perhaps the two most popular contemporary hymn-write...
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Keith and Kristyn Getty are perhaps the two most popular contemporary hymn-writers. Their unique style transcends the popular praise idiom with a multicultural quality that brings it right into mainstream hymnody. Richard Nichols has done a remarkable job of maintaining those elements and lifting them into a setting worthy of the cathedral or concert choir.
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Don Besig Nancy Price: Easter Celebration!: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Don and Nancy's regal Easter Celebration! is another superb example of what's ma...
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Don and Nancy's regal Easter Celebration! is another superb example of what's made their music so popular for so long. With stately elegance it will be learned easily offers nice harmonies with some soprano divisi includes several short a cappella lines which sound full and exciting contains a soprano descant and will sound great with either piano or organ accompaniment and even better with the use of one or two trumpets (optional). Use asan introit to Easter services or as an anthem; either way this joyful flourish captures the triumphant mood of the day.
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Tudor Anthems - Fifty Motets And Anthems: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Tudor and Stuart monarchs reigned during a period of political and ecclesiastica...
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Tudor and Stuart monarchs reigned during a period of political and ecclesiastical turmoil out of which occurred profound developments in musical style.Tudor Anthems (the term loosely applied to cover the years 1520 to 1640) anthologises some of the finest English musical works of that era. It includes sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Byrd Dering Gibbons Morley Mundy Parsons Philips Smith Taverner and Tomkins.A comprehensive collection and indispensable resource for any choir's library prepared in an easilyunderstood performing edition by Lionel Pike.'This is an excellent book. It offers variety the familiar and the less so all levels of difficulty and excellent value. Choirs who invest in a set could cover this aspect of their repertoire for years to come.'Andrew Gant (Choir & Organ - March/April 2011) 'A new Tudor anthem anthology will inevitably invite comparison with the popular Oxford Book of Tudor Anthems but Lionel Pike's collection largely avoids overlap with the OUP book and its contents certainly do not disappoint.' Matthew O'Donovan (Early Music Today - March/May 2011)'For many choirs and choral societies the Oxford Book of Tudor Anthems has been a standard source for this wonderful repertoire since it was first published in 1978. This new edition from Novello is now a serious competitor (why have we had to wait so long!). At almost the same price as the OUP volume and with 50 anthems (OUP had 34) this anthology is remarkable value for money. Before considering the contents it is worth mentioning its weight. My choir complains at holding the New Church Anthem Book and this is the same weight as the NCAB paperback (i.e. over a kilogram) and almost A4 in size. Lionel Pike
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Don Besig: Come Holy Spirit Come: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: Pentecost RevivalScripture: Acts 2; Ezekiel 37:5Refreshing unaccompanied...
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Uses: Pentecost RevivalScripture: Acts 2; Ezekiel 37:5Refreshing unaccompanied writing characterizes this anthem for Pentecost. From the freely flowing opening to the joyful strains of the maintheme this sacred choral is bound to please. The text invites the Spirit of God to dwell within us and to work through us. Equal time for all four vocal parts gives everyone a chance to shine! Especially interesting are thespecial effects found in the body of the anthem. Duration: ca. 3:19.
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Benjamin Britten: Two Psalms: SATB: Score
Choral SATB
SATB, Orchestra
Chester
These two previously-unpublished Psalm settings were written while Benjamin Brit...
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These two previously-unpublished Psalm settings were written while Benjamin Britten was studying at the Royal College of Music in London but despite encouragement from Ireland Vaughan Williams and Howells werenever performed during the composer's life.Scored for chorus and orchestra the contrasting movements show many of the traits so loved in Britten's later music. After being unearthed again from archives the premiere ofTwo Psalms was given on 1 December 2012 by the Oxford Bach Choir and English Chamber Orchestra conducted by Nicholas Cleobury.Out Of The Deep and Praise Ye The Lord for SATB chorus and orchestra.Full Score.
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Benjamin Britten: Two Psalms: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Chester
These two previously-unpublished Psalm settings were written while Benjamin Brit...
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These two previously-unpublished Psalm settings were written while Benjamin Britten was studying at the Royal College of Music in London but despite encouragement from Ireland Vaughan Williams and Howells werenever performed during the composer's life. Scored for chorus and orchestra the contrasting movements show many of the traits so loved in Britten's later music. After being unearthed again from archives the premiere ofTwo Psalms was given on 1 December 2012 by the Oxford Bach Choir and English Chamber Orchestra conducted by Nicholas Cleobury.Out Of The Deep and Praise Ye The Lord for SATB chorus andorchestra.Vocal Score.
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Tarik O'Regan: Triptych: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Cantata for string orchestra and chorus.Triptych represents the concatenation an...
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Cantata for string orchestra and chorus.Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church Spitalfields on 18th December 2004; the work premièred as Threnody was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December 2004. Movements II and III commissioned by Portsmouth Grammar School with financial support from the PRS Foundation were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by thePortsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy’s poem of the same name written at the signing of the Armistice on 11th November 1918; a couplet from which is set in a moment of tranquillity in the final movement.Relatively new to living in New York I am much more aware of the independent vibrant cultural plurality that exists today; it’s probably the single most dazzling facet of the City and is largely responsible for the infamous ‘edginess’ that pervades daily life there. With this in mind I set to work on Threnody (movement I here) in 2004; I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City ‘edge’. The texts in English are excerpted from a variety of sources: William Penn William Blake the Psalms of David and Muhammad Rajab Al-Bayoumi an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations this movement was the first composition that evolved entirely from my New York perspective.From the moment that the commission for And There Was a Great Calm (movements II & III here) was offered I knew the piece I was
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Duke Ellington Irving Mills: It Don't Mean a Thing: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Hal Leonard
It Don't Mean a Thing
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Don Besig Nancy Price: God's Many Blessings: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: General Thanksgiving Scripture: Galatians 5:22 Ephesians 1:3 Beginning w...
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Uses: General Thanksgiving Scripture: Galatians 5:22 Ephesians 1:3 Beginning with a free flowing opening replete with luxuriant harmonies this anthem awakens the dawn with the spirit of gratitude. Soon a good-natured accompaniment takes the reins and the appearance of the familiar hymn Count Your Blessings lifts spirits with a confident statement of faith and thanksgiving. Splendid part-writing makes this an easy learn. A winner!
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Francis Pott: There Is No Rose Of Such Virtue: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
(Novello New Choral Series)-There is no rose of such virtue is an anonymous medi...
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(Novello New Choral Series)-There is no rose of such virtue is an anonymous mediaeval text already well known through beautiful settings by Britten (in his Ceremony of Carols) John Joubert and others. The poem is ‘macaronic’ (it presents a verse in English followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting the second gives the melody to the tenors and surrounds them with hushed wordless writing for the other parts and the third explores a freely canonic relationshipbetween the tenor and soprano lines before carrying the previous verse-endings to a higher more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse where the texture of the music attenuates again to four parts and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence.Francis Pott (b. 1957) began musical life as a chorister at New College Oxford. He held open music scholarships at Winchester College and at Magdalene College Cambridge where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda’s College Oxford and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music University of West London later leading research across the University’s Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in
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