Composed by Kurt Bestor. Arranged by Mark Hayes. Choir Sacred. For Piano or Orchestra (SATB choir). Choral Octavo. Choral Designs. Sacred. 12 pages. Published by Alfred Music

By Brock W. Downward. For SATB choir, organ, oboe, flute, string quartet. Easter. Moderately Easy. Choral score. Published by MorningStar Music Publishers . choral score. Easter.

By Hal H. Hopson. Edited by Gwyn Michel. Extended choral work (SATB). 64 pages. Published by Alfred Publishing.

SATB divisi a cappella Choral (SATB a cappella)

SKU: HL.1432571

Composed by Brian Sidders. National/Emerson Fred Bock. Octavo. Hal Leonard #NM1086. Published by Hal Leonard (HL.1432571).

UPC: 196288203223.

“Ecco mormorar l'onde” is a new setting of the 16th-century poem by Torquato Tasso, first made famous in a setting by Monteverdi. This new piece is an installment in Brian Sidders's long-term project of re-setting the texts of historic choral works. Layered entrances and lively mixed-meter rhythms paint a picture for the listener of waves and flora moving in the breeze. A perfect choice for advanced ensembles who want a fresh take on a classic choral text!

Choral (SATB)

SKU: HL.357354

Composed by Heather Sorenson. Shawnee Sacred. Easter, Lent. Octavo. 12 pages. Duration 265 seconds. Published by Shawnee Press (HL.357354).

UPC: 840126943337. 6.75x10.5x0.035 inches. Deuteronomy 33:27, Exodus 33:22, Psalm 142.

A delicate cascade of piano notes introduces a warm and moving vocal entrance to this heartfelt anthem. The music and message are beautifully wed, moving through sequence after sequence of emotive vocal writing and engaging accompaniment. Choirs will enjoy the contrapuntal elements that create a layered and expressive sonic tapestry. Score and Parts (vn 1-2, va, vc) available as a digital download.

SSATB choir, divisi, piano reduction - Advanced

SKU: GI.G-9610

Composed by Peter Relph. Evoking Sound. Music Education. 20 pages. GIA Publications #9610. Published by GIA Publications (GI.G-9610).

UPC: 785147961000. Latin. Text Source: Attr. Ambrose of Milan, 340–397. Text by Ambrose of Milan.

Composer's Notes When I met Kelsey Rose in Oxford in St. Stephen’s House chapel over the summer of 2017, we had both just attended a very moving candlelit concert by Westminster Williamson Voices, featuring my setting of “Tenebrae lumini.” I was delighted to be asked to write a piece for compline in Princeton University Chapel, celebrating the 150th anniversary of the Anglican/Episcopal chaplaincy at Princeton University. “Aurora” is the result of that meeting. Composing by commission often throws up some interesting challenges. The piece had to fit both as an accompanying piece to the plainchant of compline, whilst simultaneously being a celebratory anthem. I was instantly drawn back to the poetry and hymns of St. Ambrose of Milan, particularly “Aurora iam spargit polum.” Fragments of chant (both real and imagined) are used to create the powerful imagery of the descending golden light of dawn. The piece reaches its climax with the plea for the despair of night to “vanish,” which it then does, leaving the sopranos alone on a high G.

SATB choir

SKU: ST.W229

Composed by Harold Darke. Short cantata for Soprano Solo, SATB Chorus and Organ (or Small Orchestra). SATB Vocal Score. Octavo. Stainer & Bell Ltd. #W229. Published by Stainer & Bell Ltd. (ST.W229).

ISBN 9790220223891.

Peter Davis's arangement of Harold Darke's forgotten masterpiece As the Leaves Fall brings this moving elegy for the fallen of 1914-18 within the scope of choral societies and church and cathedral choirs in search of fresh and effective repertoire to mark the centenary of the Great War or the annual commemorations of Remembrance Sunday. Singers and audiences will be delighted to discover the work of little-known soldier-poet Lieutenant Joseph Courtney RAMC, whose verse drew from the composer a 14-minute setting in which Elgarian melancholy and passionate denunciation are transformed into a message of hope. This score is the complete choral performing material for soprano solo and SATB choir, either in performances with organ or, as vocal score, if given with the original accompaniment for small orchestra which is available for rental.

SATB divisi Choral (SATB a cappella)

SKU: HL.1428499

Composed by Dylan Kim. Gentry Publications. Octavo. Gentry Publications #JG2721. Published by Gentry Publications (HL.1428499).

UPC: 196288202653.

Discover “Sing Me Awake” by Dylan Kim, an emotive SATB chorus piece in the Jason Max Ferdinand Choral Series. Born from the composer's personal journey, this work resonates with profound emotional depth, offering solace and connection through tender harmonies and empathetic poetry. Kim's creation serves as a haven, fostering unity and healing amid life's trials. “Sing Me Awake” transcends music - it's an intimate invitation to experience collective understanding and compassion. Your choir will cherish learning and performing this moving piece, and we eagerly anticipate more from this talented composer.

Composed by Stephen Schwartz. Arranged by Eric Van Cleave. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Broadway; Pop; Secular. 12 pages. Published by Alfred Music

By Greg Gilpin. For Choir. (SATB). Choral Octavo. Choral Designs. Gospel. Choral Octavo. 12 pages. Published by Alfred Publishing.

By David Lantz III and Marti Lunn Lantz. For Opt. 2 Flutes. (SATB). Choral Octavo. Level: Level 4 (grade L4). Choral Octavo. 12 pages. Published by Alfred Publishing.

Arranged by Joseph M. Martin. For SATB choir and piano accompaniment. Choral. Octavo. Published by Shawnee Press.

SATB choir a cappella - Late Intermediate to Advanced

SKU: MN.80-309

Composed by Joel Martinson. Cathedral Series. Catholic Year A Passion/Palm Sunday; Catholic Year C Passion/Palm Sunday; Year A Proper 21 (26); Catholic Year A Ordinary26. Triduum/Three Days, 21st Century, Unity, Community/Fellowship. Octavo. MorningStar Music Publishers #80-309. Published by MorningStar Music Publishers (MN.80-309).

UPC: 688670803093. Scripture: Philippians 2.

A setting of the well-known gradual based upon Philippians 2:8-9. Originally the Gradual for Maundy (Holy) Thursday, this motet is appropriate for Passion Sunday, Good Friday, Holy Cross Day, and Lent. Juxtaposing slow-moving harmonies with chant-like moving lines, this piece is part of Missa Mandatum, and thus a companion piece to the Agnus Dei, 80-784.