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The Last Lullaby
PIANO
Choral SATB
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John Tavener: The Martydom Of St. Stephen: SATB: Score
Choral SATB
Chester
John Tavener's The Martydom Of Saint Stephen for Solo Horn Double SATB Choir an...
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John Tavener's The Martydom Of Saint Stephen for Solo Horn Double SATB Choir and Organ. Commissioned by the Metropolitan and Cathedral Chapter of St. Stephen’s Cathedral Vienna. First performed on 16thMarch 2015 at St Stephen’s Cathedral Vienna by the Cathedral Choir conducted by Markus Landerer. Vienna's iconic gothic cathedral is dedicated to the first Christian martyr and the Metropolitan and Chapter chosewith discrimination and imagination when they asked John Tavener to write this work setting the account of the stoning of St Stephen from the Acts of the Apostles. The choral writing is far from difficult and rich double-choireffects from staggered entries singing the same music creates an impressive sense of the numinous. Tavener fans will not be surprised that the composer suggests that extra male voices might be required. The virtuoso horn part marked 'ferocious - wild and violent' is directed to be played from a gallery and suggests the hail of stones and hatred directed at the saint. The organ mostly offers brief interjections and chordal support until the last 18bars a lullaby(?) for the saint who 'fell asleep in the Lord' as he was being stoned. John himself went to his final sleep not long after composing this majestic work: Eternal memory! - Organists' Review
6.50 GBP - Sold by Musicroom UK
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Lully, Lullay (Novello New Choral Series)
Choral SATB
Novello & Co Ltd.
Lully, Lullay was written at the request of Philip Reed, music director of the B...
(+)
Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses, where the melody is passed between the upper and lower voices, clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University, followed by an M.A. in composition with Martyn Harry and António Pinho Vargas. Harriet's main compositional interests are sacred and secular contemporary choral and chamber music, and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber), Psappha, the Allegri String Quartet, St John's College Choir, Durham, the Bury St Edmunds Bach Choir and the Fishburn Band - broadcast on BBC Radio 2's Listen to the Band . After graduating from Durham University, Harriet continued her studies at the University of Edinburgh, where she read for an LL.M. in innovation, technology and the law. She has subsequently pursued a career in music publishing where she works in copyright and composes in her spare time. / Choeur SATB
4.90 EUR - Sold by LMI-partitions
(Seller in french langage)
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Harriet Wybor: Lully Lullay (Novello New Choral Series): SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
Lully Lullay was written at the request of Philip Reed music director of the B...
(+)
Lully Lullay was written at the request of Philip Reed music director of the Bury St Edmunds Bach Choir which gave the first performance on 17 December 2011 at Holy Trinity Church Long Melford Suffolk. Inspired by the familiar medieval text of the Coventry Carol it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses where the melody ispassed between the upper and lower voices clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University followed by an M.A. in composition with Martyn Harry and António Pinho Vargas.Harriet’s main compositional interests are sacred and secular contemporary choral and chamber music and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber) Psappha the Allegri String Quartet St John’s College Choir Durham the Bury St Edmunds Bach Choir and the Fishburn Band broadcast on BBC Radio 2’s Listen to the Band.After graduating from Durham University Harriet continued her studies at the University of Edinburgh where she read for
2.99 GBP - Sold by Musicroom UK
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Paul Mealor: Celtic Heart: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Celtic Heart is a work by Paul Mealor for SATB Choir and Piano. Composed for Ja...
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Celtic Heart is a work by Paul Mealor for SATB Choir and Piano. Composed for James D. Moyer and the Pennsbury High School Choirs the work sets text by Robert Burns Thomas Moore as well as a traditional Welsh lullaby. A full performance of this Vocal Score lasts around 7 minutes.
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Chorbuch Band 2
Choral SATB
Schott
Ce livre est un recueil de choeurs mixtes - clairement disposées selon les prof...
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Ce livre est un recueil de choeurs mixtes - clairement disposées selon les professions (SAB, SATB, SATB +) et sur ??la base des niveaux de difficulté triés. De vieux maîtres au tableau le titre actuel ici tous les genres de style est représenté. Beaucoup de titres pour la première fois et exclusivement apparaissent dans ce tout nouveau arrangements de arrangeurs bien connus. Dans le même temps le choix du répertoire est le résultat d'un enseignement et chorale longue et intensive conduite pratique. Il ya aussi de nombreux accompagnements au piano, aides pratiques et textes de base, et un espace en ligne privé. Le Choeur du livre 2 continue le succès 'Le chant est une grande' série continue de faCon transparente et s'appuie sur le premier livre de cantiques bande (Schott ED 20930 - S / SA / SSA / SAB SATB et phrases lumineuses). / Choeur Mixte (SATB)
36.63 EUR - Sold by LMI-partitions
(Seller in french langage)
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