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Mary McDonald: I'll Be There in Glory: Mixed Choir and Accomp.: Vocal Score
Choral SATB
Hal Leonard
Uses: General Memorial Scripture: I Thessalonians 4:16; Revelation 21:27 Creati...
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Uses: General Memorial Scripture: I Thessalonians 4:16; Revelation 21:27 Creatively combining the gospel hymn favorites A New Name in Glory and When the Roll Is Called Up Yonder this toe-tapper is guaranteed to please! Sure to become a favorite for your choir this anthem is the perfect choice for heaven-themed services or for any time of the year.
12.50 GBP - Sold by Musicroom UK
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Don Besig Nancy Price: Make a Joyful Noise to the Lord!: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Calling upon one of most recognizable passages in all of the Psalms this festiv...
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Calling upon one of most recognizable passages in all of the Psalms this festive canticle of praise celebrates the joy of singing and the purpose of worship. Beautifully crafted choral writing calls the choir to purpose and theaffirming lyric provides a confident statement for any sacred gathering. Amazing!
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Frederick Swann: Blessed Be The God And Father: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
Roland C30 Digital Harpsichord including stool. Experience the elegance of baroq...
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Roland C30 Digital Harpsichord including stool. Experience the elegance of baroque music.While producing authentically exquisite centuries-old harpsichord sounds and drawing inspiration from 21st century ingenuity the Roland Classic Series C30 Digital Harpsichord uses digital technology to enhance playability and expressiveness. Whether you are a virtuoso or a novice the C30 makes it possible for you to spend as much quality time as you want with the harpsichord. Taking up little space the styling of the C30 is modelled on the virginals. With an authentic wooden cabinet and a high-quality mahogany finish the traditional and simple styling will beright at home in a classic or modern interior. The period styling is enhanced by stained glass on the stand and the decorative panel on the keyboard lid. The C30 can easily switch between the built-in French and Flemish types of harpsichord. Both of these have four dispositions— 8’ I (back eight) 8’ II (front eight) 4’ (upper octave) and lute (buff mute) — and each disposition has its own dedicated selection button. You can play with a single disposition or layer more than one. The C30 also has an excellent fortepiano sound and has two admirable sampled organ options - 8' flute (ideal for solo accompaniment) and 8'+4' Principal which is ideal for use with a choir. The digital C30 doesn’t need tuning and you can simply switch the pitch from a=440 to baroque (415 Hz) and French baroque (392 Hz). If for ensemble playing you need to match the C30 to other instruments fine pitch adjustments can be made. You can easily take the C30 with you to group rehearsals and live performances. Even if the temperature and humidity vary you can be sure that the pitch will remain accurate. Time-consuming maintenance is a thing of the past. Now you can just turn on and play. As well as equal temperament you can select Werckmeister Kirnberger Vallotti and Meantone tuning
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Edward C. Bairstow: Lord I Call Upon Thee: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
Lord I Call Upon Thee is an anthem for evening or general use by Edward Bairstow...
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Lord I Call Upon Thee is an anthem for evening or general use by Edward Bairstow for mixed chorus and Organ.
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Joseph M. Martin: Call To Remembrance: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
from Harvest of Sorrows-Uses: Holy Week Maundy ThursdayScripture: Luke 22:7-23T...
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from Harvest of Sorrows-Uses: Holy Week Maundy ThursdayScripture: Luke 22:7-23The drama and emotion of the Last Supper is on full display in this dramatic anthem from the best-selling cantata Harvest of Sorrows. Animportant solo theatrically becomes the voice of the Savior as he celebrates the Passover with his chosen disciples. The choir provides sonorous underpinnings giving the work a sense of scope and power. Available separately: SATB StudioTrax CD Orchestration CD-ROM (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1 Trumpet 2&3 Trombone 1&2 Bass Trombone/Tuba Timp Perc 1&2 Harp Piano Violin 1 Violin 2 Viola Cello Double Bass). Duration: ca. 4:34.
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Philip Glass: Philip Glass Another Look At Harmony: SATB: Score
Choral SATB
SATB, Organ
[Sheet music]
Dunvagen Music Publishers
Another Look at Harmony Part 4 was written while Glass was working on Einstein o...
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Another Look at Harmony Part 4 was written while Glass was working on Einstein on the Beach and it is easy to hear similarities between the two works. In Harmony the Voices use solfege and nonsense syllables where in Einsteinrecognizable words are sometimes set non-narratively. There are similar harmonic progressions that the two pieces share though it is less predictable in Harmony. In both works Glass takes all the time he needs to explore histheme. Another Look at Harmony requires approximately one hour to perform with intensity building through the many repetitions over time.American composer Philip Glass is widely known as one of the most celebrated influentialand prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
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Georg Friedrich Händel: The King Shall Rejoice: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
For the occasion of the coronation of King George II and Queen Caroline which t...
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For the occasion of the coronation of King George II and Queen Caroline which took place in Westminster Abbey on October 11 1727 Handel wrote four splendid anthems and personally supervised their performance which was according to all reports one of great magnificence. The four anthems were enthusiastically received and one or more of them has been performed at every British coronation since 1727. Anthem No. 2 ('The King Shall Rejoice') although less well-known than Anthem No. 1 is an equally splendid example of Handel's ceremonial style - what Burney has affectionately termed his 'big bow-bow manner'. This work contains an opening Allegro brilliant and elegantrather than pompous; a grandiose setting of 'Glory and great worship hast thou laid upon him'; and a lively fugal Alleluia as a conclusion.For six-part chorus of mixed voices with organ or piano accompaniment. Edited and with keyboard reduction by William Herrman.
7.50 GBP - Sold by Musicroom UK
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Will Todd: The Call Of Wisdom: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
This anthem for SATB voices and organ has been written for HM the Queen’s...
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This anthem for SATB voices and organ has been written for HM the Queen’s Diamond Jubilee. Setting an original text by Michael Hampel Precentor of St Paul’s the text glorifies faith in God over worldly wealth or possessions. The upper voice version premiered at the Jubilee Service on 5 June 2012 in St Paul’s Cathedral by the choristers of the Chapel Royal and a special ‘Diamond’ Choir of children to be auditioned by the BBC and assembled for the service.Written for the Queen's Diamond Jubilee Service of Thanksgiving in St Paul's Cathedral on 5th June 2012.A gentle anthem suitable for all choirs not only as part of their Diamond Jubilee celebrations butalso for general concerts. The work is very easy and is achievable by choirs at all levels.
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Malcolm Archer: Four Anthems For Mixed Voices: SATB
Choral SATB
Kevin Mayhew
A choral collection by one of the most prolific of English composers of music fo...
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A choral collection by one of the most prolific of English composers of music for the church. Malcolm Archer's talent as a writer for voices is clearly demonstrated in these four substantial anthems taking the sopranos upto top G sharp and frequently calling for divisi voices.
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Joseph M. Martin: Follow the Music: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
This unforgettable anthem for musicians everywhere is sure to become a classic. ...
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This unforgettable anthem for musicians everywhere is sure to become a classic. Incorporating the hymn “Happy Land ” Joseph Martin gives the listener a glimpse of heaven as a land of great beauty and never-endingpraise. It challenges the choir to fulfill their calling as musicians of mission while offering the assurance of joy in heaven. Follow the Music is an anthem that will work with school and church groups everywhere.
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John E. West: Lord I Call Upon Thee Satb/Organ: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
Lord I Call Upon Thee Satb/Organ
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Rise Up Shepherd: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
This favorite spiritual “Rise Up Shepherd” has been given a new br...
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This favorite spiritual “Rise Up Shepherd” has been given a new breath of life with Philip Kern's arranging skills. A rhythmic spirit is in the piano accompaniment giving incredible energy to the vocals that havebeen written with color and contrast. There's even some gospel flavor as the piece progresses and then vocally echoes “follow” as the accompaniment continues its rhythmic sense. Just stunning.
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F.A. Gore Ouseley: Lord I Call Upon Thee: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Lord I Call Upon Thee
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Daniel Greig: Open Wide the Door of Mercy: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: General Lent Unity Scripture: Micah 7:18-19 - Matthew 9:13 - John 10:7 R...
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Uses: General Lent Unity Scripture: Micah 7:18-19 - Matthew 9:13 - John 10:7 Responding to the call for a jubilee time of mercy the composer has crafted a meaningful testament of reconciliation and grace. A beautiful folk-like tune penetrates the heart with expressive beauty while the words articulating compassion and love impress upon the faithful the message that all are welcome. Effective with piano only or add the optional cello for a beautiful depth of timbre. This message is a well-timed sermon for our troubled world and is highly recommended!
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Arnold D. Culley: Lord I Call Upon Thee: SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
Lord I Call Upon Thee
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Nat King Cole Irving Mills: Straighten Up and Fly Right: SATB: Score
Choral SATB
Schott
fur Pop- und Jazzchor-A new choral series that sets a new standard: Familiar tra...
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fur Pop- und Jazzchor-A new choral series that sets a new standard: Familiar traditionals are replaced by legendary pop and jazz classics the arrangers among them Jens Johansen Bertrand Gröger Oliver Gies Thierry Lalo Dylan Bell rank among the great figures of the European choral scene and the book comes along in an absolutely choir-friendly format: as a handy modern separate edition at an affordable price a valuable addition for all jazz pop and gospel ensembles looking to add new pieces to their repertoire.further editions: Straighten up and Fly right / Smells Like Teen Spirit / African Call / Washing of the Water / Blues on Sunday / As
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We Have Heard the Joyful Sounds SATB: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Medley of gospel hymns including We Have Heard the Joyful Sound Shall We Gather...
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Medley of gospel hymns including We Have Heard the Joyful Sound Shall We Gather at the River and When the Roll Is Called Up Yonder; fun to sing; some divisi - A triumph! Commissioned for Music Jubilee 2000 an annual Methodistconference in Pennsylvania this work was written for a mass choir of 2000 singers but is easily accessible to church choirs much smaller than that! Joseph Martin has masterfully woven together three beloved gospel hymns tocreate an exciting montage of joyful praise. Wonderful orchestration by Brant Adams adds power and might to this dynamic new medley. We Have Heard the Joyful Sounds is filled with energy and contagious excitement!
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For St Cecilia Op. 30
Choral SATB
SATB, Orchestra
Boosey and Hawkes
Following the publication of Francis Jackson's organ reduction of Finzi's Requie...
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Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. For St Cecilia, Ceremonial Ode for tenor solo, chorus and orchestra - words by Edmund Blunden. The original work was commissioned by the St Cecilia's Day Festival Committee for the 1947 celebration of music's patron saint. The ceremonial mood is established with fanfares, and the sonorous sweep of the choral writing reflects Finzi's admiration for Parry and Elgar. The 'catalogue' of saints, shared between the soloist and chorus, are deftly delineated: St Valentine, St George, St Dunstan, St Swithin and St Cecilia herself. In rapt stillness, the English composers of the past - Merbecke, Byrd, Dowland and Purcell - are summoned. To close, Finzi creates a festal summation with exultant counterpoint and the saint's name pealing around the chorus. / Choeur Mixte (SATB) Et Orchestre
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Frank L. Moir: I Did Call Upon The The Lord: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
I Did Call Upon The The Lord
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J. Paul Williams Jon Paige: Arise and Bless the Lord: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Written in classical style this positive statement of faith sounds as if it mig...
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Written in classical style this positive statement of faith sounds as if it might have been penned by Handel. It is a challenge to praise and to serve. Incorporating the well-known hymns – “Stand Up and Bless theLord” and “Rise Up O Men of God” – new melodic material provides variety and emphasis. Majestic in feel Arise and Bless the Lord can be used either as a general praise anthem or as a call toworship.
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In Terra Pax Op. 39
Choral SATB
SATB, Orchestra
Boosey and Hawkes
Following the publication of Francis Jackson's organ reduction of Finzi's Requie...
(+)
Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. / Choeur Mixte (SATB) Et Orchestre
27.20 EUR - Sold by LMI-partitions
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Peter Lawson: Tunes From The Trenches: SATB: Vocal Score
Choral SATB
[Vocal Score]
Goodmusic Publishing
Peter Lawson's Tunes From The Trenches - Songs From World War One for Choir and ...
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Peter Lawson's Tunes From The Trenches - Songs From World War One for Choir and Orchestra or Concert Band or Choir and Piano.A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by a Choir with either an Orchestra band or piano accompaniment. There are different choral versions available for Mixed Voice Choir - both SATB (GM131) and for those with a shortage of male voices SA Men (GM134) - for Upper Voice Choir (SSA - GM132) and for Male Voice Choir (TTBB - GM133). The orchestra score and parts (GMCP020) can be used either on its own or to accompany a choir.Therecruiting song 'Your King and Country Want You' starts us off followed by 'Goodbye Dolly Gray' as the soldiers leave for war. 'Belgium put the Kibosh on the Kaiser' is followed by some proper trench songs - various lyrics were improvised by the soldiers!! - 'Three German Officers crossed the Rhine' and 'They were only playing Leap-Frog'. 'The Bells of Hell go Ting-a-ling-a-ling' leads to strains of 'Stille Nacht' recalling the Christmas truce. 'When this Lousy War is Over' and 'There's no place like Home' are balanced by 'Land of Hope and Glory' before the Americans arrive with 'The Caissons go Rolling Along' and 'Over There'. 'It's a Long Way to Tipperary' brings us towards a rousing finish save for an optional 'Last Post-lude' to end reflectively.
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Stan Pethel: I Was Glad When They Said: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
A rhythmic jazz swing-style setting of Psalm 122. Wake up your congregation by ...
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A rhythmic jazz swing-style setting of Psalm 122. Wake up your congregation by using this cheerful anthem as a call to worship or for general use anytime. “I Was Glad When They Said” features easy swing syncopationand a catchy melody that will go home with the listeners after the service ends. For youth or adult choirs. Lots of fun.
13.75 GBP - Sold by Musicroom UK
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J. Paul Williams Joseph M. Martin: A Call to Trust: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
There is a driving confidence in both the message and the music of this new invi...
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There is a driving confidence in both the message and the music of this new invitation to faith. After a short slower quote from the traditional hymn Lead Me Lord the song energizes into a contemporary sound that will energizethe gathered faithful. This anthem is an excellent example of blended approach to stylistic inclusivity. Youth and adults alike will resonate with the festive spirit of this sacred choral. A winner! Included on LiteTraxAccompaniment CD. Supports: Proverbs 3:5-6 Psalms 5:8 4:8 Jeremiah 20:7-13 Genesis 21:8-21
2.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: I Will Call Upon The Lord (Kyrie Eleison) (Latin):
Choral SATB
SATB, Piano
Novello & Co Ltd.
I Will Call Upon The Lord (Kyrie Eleison) (Latin)
3.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: I Will Call Upon The Lord (English): SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
I Will Call Upon The Lord (English)
3.99 GBP - Sold by Musicroom UK
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David Angerman Joseph Graham: Can You See the Light in Bethlehem?: SATB: Vocal
Choral SATB
Shawnee Press
Uses: Christmas Epiphany Concert Youth ChoirScripture: Matthew 2:1-11This Chr...
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Uses: Christmas Epiphany Concert Youth ChoirScripture: Matthew 2:1-11This Christmas gem is as much fun to sing as it is to hear! The traditional “call and response” format offers a number of options foradapting this anthem for your ensemble. Repetition makes for easy learning and the inclusion of the traditional spiritual “Rise Up Shepherd and Follow” is a masterstroke. A solid message inviting seekers to follow the light emboldensthe piece for use in worship as well as concert settings.
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Philip Glass: Knee Play 1 (Einstein On The Beach): SATB: Vocal Work
Choral SATB
SATB, Organ
[Sheet music]
-
Intermediate
Chester
Einstein On The Beach the opera from which Knee Play 1 was extracted was a sem...
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Einstein On The Beach the opera from which Knee Play 1 was extracted was a seminal work that broke all the rules being non-linear non-narrative episodic dreamlike and five hours long.Knee Play 1 is one of the number songs composed for scene changes simply set to Organ and using numbers and solfege syllables as text. American composer Philip Glass is widely known as one of themost celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.' Glass' operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group ThePhilip Glass Ensemble.This four minute piece is the first Knee Play from Einstein On The Beach and is scored for SATB chorus and Organ.
2.75 GBP - Sold by Musicroom UK
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Choral Folk Songs from South Africa: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Collection-These songs first became known in the U.S. when Pete Seeger and a gro...
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Collection-These songs first became known in the U.S. when Pete Seeger and a group of New York City teenagers called the Song Swappers recorded some of them for Folkways Records in 1955.In 1960 G. Schirmer published a collection ofthe songs which made it possible for choral directors and song directors to introduce their singers to this music. Long out of print the collection has now been reissued with several new songs included. The music can be adaptedand used with young children as well as high school and adult singers. A Piano accompaniment is included for rehearsal purposes as well as introductory notes and English lyrics by Pete Seeger.Songs include Abiyoyo Babevuya Bayandoyika Bayeza (Oonomot'hot'holo) Father Father Goodbye Here's To The Couple; Hey Motswala (Wedding Song) Hey T'hola T'hola Hey Tswana and Icamagu
9.99 GBP - Sold by Musicroom UK
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