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Choeur d'Enfants et Petit Orch… (2)
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Cor (pour Quintette De Cuivres… (2)
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voix soprano, voix alto (2)
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28 à 67 Joueurs (2)
Choeur De Cuivres Et Orchestre… (2)
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Guitare (2)
Women's Choir (SSA) and Piano (2)
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Solistes SATB, Choeur SATB, 3 … (2)
Solistes SATB, Choeur SATB, (C… (2)
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Choeur D'Hommes (TB) Et Cordes… (2)
Soli/Choeur Mixte Sans Accompa… (2)
Klavierauszug - Soli (SAB), g… (2)
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Tuba (pour Quintette De Cuivre… (2)
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Solostimmen (SSB) auch Chor (… (2)
Choeur Mixte (SSAATTBB) (2)
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Soprano, Alto, Ténor, Baryton… (2)
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All Instruments (2)
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Choeur STB, Alto Solo et Orgue… (2)
Descant (Soprano) Recorder (2)
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Choral SSA (2)
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Violon 1 (2)
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SATB et SATBaB (2)
French horn (2)
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Tous instruments (2)
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CD (2)
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Voix Mixtes et Orchestre (2)
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Ténor Solo, Violon Solo, SATB… (2)
Mixed Choir (SATP) and Harp (… (2)
8 Bassoons (2)
Solistes SATB, Choeur SATB, 2 … (2)
Soloists, Mixed Choir and Orc… (2)
Choeur Mixte (SMezATB) (2)
Solistes SATB, Choeur SATB, 2 … (2)
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Choeur A Cappella (2)
Piano, Chant et Guitare Tablat… (2)
3 Trombones (trio) (2)
Organ and Orchestra (2)
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Choeur et ensemble vocal (2)
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Choeur De Jeunes Et Instrument… (2)
Violin, Organ (2)
voix soprano solo, ch?ur mixt… (2)
Choral SATTB (2)
Mixed Choir (SATB) and String … (2)
SATB et 4 Saxophones (2)
Lyrics only (2)
Solistes SATB, Choeur SATB, 2 … (2)
Parties Solo, Choeur Et Orches… (2)
Choeur D'Enfants (SS) Et Orgue… (2)
Choeur Mixte (SATB) Et Basse C… (2)
Mixed Choir and Organ (2)
Chœur Mixte SATB et Quatuor … (2)
Ssa Et Piano (2)
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Vocal duet, Piano (2)
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Clavecin (2)
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SAB (2)
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Alto Saxophone (2)
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Choeur et Ensemble (2)
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Soli and Orchestra (2)
Soli/2 Choeurs SATB Sans Accom… (2)
Male Voice (2)
3 Voix Mixtes Et Instruments D… (2)
Soli/Choeur Mixte Et Orchestre… (2)
Men's Choir (TBarB) and Piano… (2)
Solistes SATB, Choeur SATB, 2 … (2)
Choeur de Jeunes et Piano (2)
Soprano voice, Orchestra (2)
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2PTCHOIR/SATB/2PF::2-Part Choi… (2)
Solistes (SATB), Choeur Mixte … (2)
Klavierauszug : Sopran solo, A… (2)
SATB et Orchestre (2)
Tenor Solo and Mixed Choir (SA… (2)
Choeur et Orchestre (2)
Choral SAB (2)
Ensemble De Cuivres Et Timbale… (2)
Soprano voice, Organ (2)
Voix Mixtes et Orgue (2)
Choir, 2 Trumpets, Horn, Trom… (2)
Choral SSATTBB (1)
Ensemble Et Choeur D'Enfants (1)
Baryton Solo, TTBB et Piano (1)
MENSVOICES/PFA::Men's Voices/P… (1)
Choeur Mixte (SATB) Avec Orgue… (1)
Mixed Choir (SATB), Clarinet, … (1)
ST (A) BarB et Orchestre (1)
Voix Hautes (1)
3 A 4 Parties Pour Choeur De F… (1)
Solistes SSSATB, Choeur SSATB,… (1)
Solistes (STB), Choeur Mixte (… (1)
Solistes (SAB), Choeur Mixte E… (1)
Choeurs Mixtes Sans Accompagne… (1)
Chœur à 4 parties de Voix Eg… (1)
Choeur d'Enfants ou de Femmes … (1)
Solistes SATB, Choeur SATB, Fl… (1)
Solo S, Choeur SATB, 2 Hautboi… (1)
Ensemble Mixte (1)
Orchestre: Solistes SATB, Choe… (1)
ENS::Ensemble d'cole (1)
TEN/SATB::Tenor/SATB (1)
Solistes SATB, Choeur SATB, 2 … (1)
5 Voix (1)
Organ and Brass Quartet (1)
Choeur Enfants/Mixte/Quatuor … (1)
voix soprano, voix alto, voix… (1)
Choeur D'Enfants A Cappella - … (1)
Piano, Flûte à Bec Soprano C… (1)
SATB/PF DUET::SATB, Piano Duet… (1)
Chœur SATB et TTBB (1)
Choeur Mixte (SSAATTBB) Et Sop… (1)
SCORE/ORCH::Partitions/Orchest… (1)
Solistes (SATB), Choeur Mixte … (1)
TREBLE::Treble (1)
2 Parties Voix Aigües (SS) et… (1)
Choral SATB, Keyboard (1)
Mixed Choir (SATB) and Bagpip… (1)
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Choeur A L'Unisson Et Orgue (C… (1)
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Ténor et Choeur (1)
Choeur SAATBB (1)
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3 Voix d'Hommes Sans Accompagn… (1)
Orgue, Cuivres et Percussion (1)
Chœur Mixte, Orgue, et Ensemb… (1)
Treble Voices and Piano (or Or… (1)
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Unison Choir and Piano (1)
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2 Parties Voix Aigues (SS Ou A… (1)
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2 Voix Egales (Ou Soprano Et B… (1)
2 Parties Voix Aigües (SS) (1)
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Antonio Vivaldi: Kyrie RV 587 - SSAA: Mixed Choir: Vocal Score
Choral SSAA
[VHS]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Aaron Copland: Old American Songs (SA): Children's Choir: Vocal Score
Choral SSAA
SSAA, Piano
Boosey and Hawkes
Choral Suite-Introduce your choirs to the music of America's best known composer...
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Choral Suite-Introduce your choirs to the music of America's best known composer Aaron Copland. Carefully edited and arranged it preserves the original accompaniment and makes an excellent concert feature. For children's or female choir and piano.
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Carsten Gerlitz: The Women's Choirbook: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Schott
The Women's Choirbook
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Avicii: Hey Brother for Female Choir: Women's Choir: Vocal Score
Choral SSAA
Barenreiter
?Hey Brother? ?Levels? and ?Without you? are now available for six-part mixed o...
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?Hey Brother? ?Levels? and ?Without you? are now available for six-part mixed or female choir. The arrangements offer a wide variety of vocal and choral possibilities and attention has been paid that all parts are of the same musical standard. Whether homophonic or unisono they artfully intertwine from one passage to the next. However for all their sophistication the arrangements remain manageable and easy to learn displaying the typical groove of each Avicii song within a multi-layered texture.
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Antonio Vivaldi: Gloria RV 589 - SSAA: Upper Voices: Vocal Score
Choral SSAA
[Sheet music]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
(+)
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Antonio Vivaldi: Gloria RV 589 - SSAA: SSAA: Score
Choral SSAA
SSAA
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
(+)
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Kevin A. Memley: The Time of Roses: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
Schirmer
Rollo Dilworth Choral Series-Kevin A. Memley's The Time Of Roses for SSAA choir ...
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Rollo Dilworth Choral Series-Kevin A. Memley's The Time Of Roses for SSAA choir a cappella. This buoyant madrigal-like setting of the Thomas Hood text offers a wonderful opportunity for choirs to practice light andarticulate singing. There is wonderful contrast between the lively passages and lyrical legato sections.
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Hamba Lulu. SSAA opt. percussion (CPS): SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
-
Easy
Faber Music Limited
Hamba Lulu is a fantastic addition to the choral repertoire in the Choral Progra...
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Hamba Lulu is a fantastic addition to the choral repertoire in the Choral Programme series. It is a breath of fresh air in the classroom and for any choir wanting a new challenge. These stirring songs are additive so you can tailor performances to local resources increasing technical demand according to the experience of the choir. Easy to learn and sure to make an instant impact on audiences the songs tap into the rich seam of African culture and rhythmn. Set for SSAA upper voices with the option of adding percussion depending on your resources.
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Richard Nance: Hodie Christus natus est: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Walton Music
SSAA Double Choir a cappella-Here is a new and exciting major work for double wo...
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SSAA Double Choir a cappella-Here is a new and exciting major work for double women's chorus a cappella which offers a challenge for the advanced or professional women's choirs.
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Dan Davison: Shout for Joy! (SSAA): Upper Voices and Piano/Organ: Vocal Score
Choral SSAA
SSAA, Piano
Hal Leonard
Psalm 98:4-8-Upbeat and uptempo this joyous anthem could be used in both worshi...
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Psalm 98:4-8-Upbeat and uptempo this joyous anthem could be used in both worship and concert. Its accessible Vocal writing alternates between unison and harmonic passages and a straightforward Piano part further supports the choir making this a perfect choice for church or school mixed choirs.
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Swing Low Sweet Chariot: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Sheet music]
Walton Music
Stacey Gibbs uses his talent for reimagining the spiritual to set this beautiful...
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Stacey Gibbs uses his talent for reimagining the spiritual to set this beautiful version of ?Swing Low Sweet Chariot? for women's choirs. Your women's choir will appreciate the exciting challenge of the vocal writing. Great for festivals and honor choirs. Jo-Michael Scheibe Choral Series.
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Shenandoah: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Gentry Publications
Kevin Memley has become a respected name in choral excellence and once again ...
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Kevin Memley has become a respected name in choral excellence and once again this setting proves why. The accompaniment is absolutely beguiling and the vocal writing equally elegant. First released for male voices this treble choir setting is perfect for high school and college choirs. Easy to medium in difficulty
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Auferstehn
Choral SSAA
SSAA A Cappella
Schott
Heinrich Poos is not the first composer inspired by Friedrich Gottlieb Klopstock...
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Heinrich Poos is not the first composer inspired by Friedrich Gottlieb Klopstock's poem 'Die Auferstehung', as even Gustav Mahler had already used these verses in the fifth movement of his Second Symphony 'Auferstehung'. Mahler was inspired to use a choral movement at the end of his symphony at the funeral of the conductor Hans von Bülow where a choir sang a chorale based on said text by Klopstock. Heinrich Poos wrote his deeply moving choral piece in remembrance of the organist Hubert Schoonbrodt. / Choeur De Femmes (SSAA) A Cappella
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Ziles Zina
Choral SSAA
SSAA A Cappella
Schott
It is particularly in his choral music that Peteris Vasks reveals his strong att...
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It is particularly in his choral music that Peteris Vasks reveals his strong attachment to his Latvian home country. Nature, customs and traditions and the idea of freedom are the central themes of the texts he sets to music, while carefully using modern techniques of choral singing as well. Alternating with traditional, even archaic singing, the music creates a multi-faceted, immediately effective sound image in the listener's mind.The poem 'Ziles zina' by the contemporary Latvian poet Uldis Berzins (*1944) centres on the themes of man, nature and transience in aphoristic brevity.Vasks wrote a piece of music on this poem which contains downright rewarding tasks for the choir and opens up to the listener a fascinating world of sound. / Choeur De Femmes (SSAA) A Cappella
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The Star Spangled Banner: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
The Grammy®-winning singer Kelly Clarkson scored big with an elegant pitch-per...
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The Grammy®-winning singer Kelly Clarkson scored big with an elegant pitch-perfect and rousing rendition of “The Star-Spangled Banner” at Super Bowl XLVI with choral back-up provided by the Indianapolis Children'sChoir conducted by Henry Leck. Here is the arrangement in two keys the original in G as sung by Kelly and a B-flat edition for use with soprano or tenor soloist or a group of singers. Recorded by the Indianapolis Children'sChoir Rachel Anderson soloist.
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Felix Mendelssohn Bartholdy: Jauchzet Gott Alle Lande: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Mark Foster Music
(Shout for Joy)-Mendelssohn wrote Psalm 66 Jauchzet Gott alle Lande (Shout For...
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(Shout for Joy)-Mendelssohn wrote Psalm 66 Jauchzet Gott alle Lande (Shout For Joy) in 1822 when he was only 13 years old. He wrote it in a similar style to Handel's Messiah full of melismas and very much in a late Baroque style. With a keyboard part realized by Advanced Women's Choir Consortium creator Kathleen Rodde this is a wonderful new offering for college and women's community choirs. ScorePlay - click to view score with recording.
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John Tavener: The Lamb: SSAA: Vocal Score
Choral SSAA
[Sheet music]
Chester
The Lamb is John Tavener's setting of a poem by William Blake arranged here for...
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The Lamb is John Tavener's setting of a poem by William Blake arranged here for unaccompanied Upper Voices by Barry Rose. The work lasts around 3 minutes. TheLamb has long been a favourite of choirs and audiences alike and with this unique arrangement it can also be enjoyed by Upper Voices. The work was composed by Tavener in just a single afternoon and wasdedicated to his nephew's third birthday. This arrangement received a positive review from Geoffrey Webber in the January/February 2016 edition of Choir & Organ.
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Bob Chilcott: Nidaros Jazz Mass: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Oxford University Press
The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and inn...
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The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a gentle Kyrie funky Gloria ballad-like Sanctus laid-back Benedictus and passionate Agnus Dei this work breathes new life into familiar words perfectly combining the contemporary with the ancient. The stylistic piano part can be played as written or serve as a guide and an optional bass and drum kit part is available separately for jazz trio accompaniment. Ideal for all upper-voice choirs the Nidaros Jazz Mass will make a groovy and soulful addition to any concert programme.This work was commissioned by theNidaros Cathedral Girls' Choir of Trondheim Norway.
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Wolfgang Amadeus Mozart: Missa Brevis In C K.220 Sparrow-Mass: SSAA: Vocal Score
Choral SSAA
Barenreiter
Vocal Score (Lat)-Arrangement for female choir (SMezAA) based on the Urtext of t...
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Vocal Score (Lat)-Arrangement for female choir (SMezAA) based on the Urtext of the ?New Mozart Edition?.Straightforward Piano reduction.Mozart?s ?Missa in C major? (K. 220) nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started ?Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorusparts. He has thereby retained the work?s original substance while giving it a wholly new and delightful sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.The vocal score is compatible with the performance material of the original work for mixed chorus BA 5343.
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Hugo Cole: Magnificat: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
Novello & Co Ltd.
Hugo Cole (1917-1995) was a British composer cellist and music critic. He stud...
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Hugo Cole (1917-1995) was a British composer cellist and music critic. He studied under Herbert Howells at the Royal College of Music and with Nadia Boulanger in Paris. He is best remembered for writing several operas and choral works as well as much chamber music but he also wrote a series of pedagogical Cello books and had a successful career as a music critic for The Guardian and Country Life. Cole’s Magnificat was set in the key of G major and first published in 1957. It is scored for Female or Boys’ Choir (SSAA) with Piano accompaniment.
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Gabriel Fauré: Requiem Op.48: SSAA: Vocal Score
Choral SSAA
SSAA, Organ
Barenreiter
A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Re...
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A popular Requiem arranged for female voices In this arrangement of Fauré?s ?Requiem? for soloists (SA) female choir (SSAA) and Organ the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged while the original baritone solo now resounds in the alto. The Organ arrangement takes all three versions of the ?Requiem? into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation ofthe instrumental parts.However the Organ part is tailored to the arrangement rather than trying to imitate the sound of the Orchestra. This vocal score is compatible with the performance material of the original work (BA9461). - Arrangement for female choir (SSAA) based on the Urtext of ?Gabriel Fauré The Complete Works? - Includes an idiomatic Organ reduction.
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Yesterday: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
The great and legendary arrangement by Bob Chilcott of this classic Beatles song...
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The great and legendary arrangement by Bob Chilcott of this classic Beatles song for The King's Singers has been adapted for 4 part choir and piano. Now nearly all SATB choirs can enjoy this iconic arrangement which was for so long limited to choirs who could sing 6 part a cappella music.
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Flare
Choral SSAA
SSAA A Cappella
Boosey and Hawkes
Commissioned by the 2012 ACDA Women's Choir R and S Commissioning Consortium, th...
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Commissioned by the 2012 ACDA Women's Choir R and S Commissioning Consortium, the entire piece drives toward the last line of the Stacy Gnall poem 'big brother, I am catching up to you.? One long, rhythmic race, this selection will be a wonderful contrast to much of the repertoire often included in women's choral concerts. / Choeur SSAA A Cappella
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Tarik O'Regan: The Taxi: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Novello & Co Ltd.
For SSAA Choir with Soloists Vibraphone and Electric Bass Guitar-Written for S...
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For SSAA Choir with Soloists Vibraphone and Electric Bass Guitar-Written for SSAA choir with soloists vibraphone and electric bass guitar.
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Tarik O'Regan: Triptych: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
Novello & Co Ltd.
This SSAA arrangement by Ryan Brandau of Triptych based closely on the original...
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This SSAA arrangement by Ryan Brandau of Triptych based closely on the original SATB version by Tarik O’Regan was specially commissioned by Dr. Amanda Quist and the Westminster Choir College Symphonic Choir Women.
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David Bednall: Let all the world in every corner sing: SSAA: Vocal Score
Choral SSAA
SSAA, Organ
Boosey and Hawkes
Let all the world in every corner sing was commissioned by Colston?s Girls? Scho...
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Let all the world in every corner sing was commissioned by Colston?s Girls? School in Bristol for the Chamber Choir and their Director of Music Matthew Redman and was written in August 2008 for the service to mark the school?s acquisition of Academy status. It is a tour-de-force for upper voices ? the organ introduction leads to a tapestry of rich variety climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout its time changes dictated by the rhythm and stress of the text. An exciting addition to the intermediate upper voice choir repertoire.
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James MacMillan: New-Made For A King: SSAA: Vocal Score
Choral SSAA
SSAA, Piano
[Sheet music]
-
Easy
Boosey and Hawkes
A setting of a nativity poem from 'Her Maker?s Maker' by Michael Symmons Roberts...
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A setting of a nativity poem from 'Her Maker?s Maker' by Michael Symmons Roberts 'New-made for a king' was commissioned by Andreas Klatt for Farnham Youth Choir. Scored mainly in four parts the choral texture is homophonic the harmony rich yet approachable by young performers with a decorative piano accompaniment. In the mould of a lullaby the piece?s over-riding calm is troubled towards the close by indistinct pp lontano interjections from the piano in response to the poem?s portentous closing words.
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Rollo Dilworth: Duond Akuru: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
This latest selection from the Henry Leck Creating Choral Artistry series will b...
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This latest selection from the Henry Leck Creating Choral Artistry series will be debuted by the ACDA Junior High Honor Choir in February. Based on the Kenyan phrase for “the voice of the dove” this compositioncombines the imagery of the African landscape and its musical essence.Available separately: SATB SAB and SSAA. Performance Time: Approx. 3:40.
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Pater Noster: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Boosey and Hawkes
Pater Noster was originally part of Fjellheim’s album Aejlies Gaaltije - ...
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Pater Noster was originally part of Fjellheim’s album Aejlies Gaaltije - The Sacred Source released in 2004. This SSAA choral version was created for the choir Cantus for their album Northern Lights (2017). The idea behind Aejlies Gaaltije - The Sacred Source was to combine parts of the traditional Latin Mass with elements of the Sami yoik tradition other Norwegian folk music and the finnish music tradition.
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René Clausen: Set Me as a Seal (from A New Creation): SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
Rene Clausen's stirring and inspiring choral work Set Me As A Seal arranged fo...
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Rene Clausen's stirring and inspiring choral work Set Me As A Seal arranged for SSAA choir.
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