For Children's and Female Voices. Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for children's and female voices. The lyrics in this Urtext edition are in the original languages, but literal English translations are provided in the appendix, which also includes English versions of those of the 27 Two- and Three-Part Choruses that were authorized by the composer.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for male voices and for mixed voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available.

Scenes from Gjeilo's majestic native Norway inspired this contemporary poem. Words and music are fused in a poignant yet lyrical work with a pulse of its own. An excellent festival choice for mature women's choirs.Optional String Quartet (or Ensemble) Parts also available Catalogue #: HL08501794Listen to a performance of Tundra by New Zealand's Marlborough Girl's College conducted by Robin Randall below:

This thrilling work for women's chorus from Michael Engelhardt will offer something totally unique for your program. A mix of sustained vocal lines and articulated passages along with both counterpuntal and homophonic writing make this a truly remarkable composition. This will be a favorite of your singers. Recording Choir: Pacific Lutheran University Singers; Brian Galante conductor

This a cappella gem starts with a vocal rhythm pattern behind a solo gradually building in intensity into a duet a trio and finally a triumphant SSAA 4th verse. All the parts have interesting vocal lines the drama is constant and the lyrics are inspiring - a unique and powerful arrangement! Available for SSAA. Performance Time: Approx. 2:45.

This setting of Hildegard von Bingen's Ave Generosa text uses a hauntingly joyful tonality paying homage to the mysterious story of Mary. A beautiful middle section is surrounded by contrasting modal beginning and ending sections. The juxtaposition of sustained and moving moments holds true to the composer's style while the harmonic structure and vocal construction offer something very fresh.

from Cinderella-Originally from the Rodgers & Hammerstein musical State Fair this beautiful ballad was recently included in the revival of Cinderella. Arranged with an expressive piano accompaniment this setting is ideal for concert and community choirs from high school through adult.

Following last season's well-received mixed choir setting this new treble version adds a new palette of colors to this masterful work. An excellent centerpiece for any program or festival! Available separately: SATB divisi SSAA. Duration: 5:20.

This great song is on just about everyone's top ten list of all-time classic ballads! Lush harmonies varied textures and a timeless melody and lyric...this is it! Available: SSAA a cappella. Performance Time: Approx. 2:35.

A calypso-flavored treatment of the familiar English carol with a fa-la-la chorus fresh harmonies and a cool bass line for the 2nd altos. The Holly And The Ivy arranged for SSAA Choir a cappella by Kirby Shaw.

“Bring me an iPhone with lots of apps” – this jazzy update to the traditional Christmas song really connects with the good little boys and girls of the wired generation! Easily customized with your own personalgift list this will be a perfect holiday novelty song for concerts and caroling gigs alike! Available separately: SATB SSAA. Duration: ca. 1:40.

Traditional Zulu Dowry Song-Here is a popular Zulu traditional song as arranged by Rudolf de Beer former conductor of the Drakensberg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Authenticpercussion and movement suggestions give this selection great visual appeal. Available separately: SATB SSAA. Duration: ca. 1:50.

The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.

Singers can display expressiveness and beauty of phrasing in this lovely a cappella setting of the beloved English folk ballad. It tells the story of the unrequited love between Barbara Allen and Sweet William.Availableseparately: SATB SSAA and TTBB a cappella. Performance Time: Approx. 3:15.

The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.

This setting of the delightful Christmas carol utilizes imitation of the sound of bells in the vocal part-writing and features three short solos. An option for treble choirs of various levels. Will appeal to singers and audiences alike!