Two part songs by the eminent English choral composer Herbert Howells setting the words of James Ballantine and Seumas O’Sullivan.

Psalm No.2 Why rage fiercely the Heathen Op.78 (1st & 2nd versions)Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.We also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Eachedition contains the original German text and the English translation authorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes

SATB & SSAATTBB Chorus Soprano Solos a cappella-This collection in two volumes offers seven well-known carols in fresh and sophisticated a cappella settings by Ola Gjeilo. Volume 2 includes excellent arrangements at a mature high school level and beyond that can be selected individually or as a group by choirs in school and church alike.

aus The Armed Man: A Mass for Peace-The closing chorus from the universally acclaimed “The Armed Man: a Mass for Peace” is now available as a separate item by popular demand. A serene setting of timeless words of comfort from the “Book of Revelation” it is suitable for a variety of uses both in concert and at church services. At two minutes’ duration it is ideal as an encore or filler and it is the perfect choice for Easter All Souls Remembrance and memorial services.

Cantate Domino (Psalm 96:1 3). This piece was originally written for male choir (BA 7416).By adding women’s voices the version for mixed choir presents a further dimension of colour. This version also makes it possible to divide the choir into two groups one for women and another for men and to have them sing either together or as separate units.This version for mixed choir (BA 7414) was premiered in Uppsala Cathedral (Sweden) on 26 October 2013 with the Uppsala Cathedral Singers conducted by Ulric Andersson.