More Graded Studies For Clarinet brings together Clarinet study repertoire spanning the entire spectrum of technique and providing a firm foundation for progress. Featuring core works from established Clarinet writers alongside specially composed studies by Paul Harris these comprehensive study collections apply the simultaneous Learning approach to instrumental technique. Two study books arranged in order of increasing difficulty according to carefully planned technical progression. The studies develop key aspects of style found in in repertoire from the 19th century onwards. Each study comes with a list ofSimultaneous Learning musical ingredients for players to explore in preperation for the music. Book One begins at elementary level and progresses to intermediate (approx. grades 1-5); Book Two takes the student from intermediate to advanced level (approx. grades 6-8). Paul Harris is one of the UK's most respected music teachers and educationalists known for his innovative Simultaneous Learning approach. He has over 600 publications to his name including the highly acclaimed Improve your teaching! Improve your sight-reading! Improve your aural! and Improve your practice! series. Harris writes frequently on music education and is in great demand as a workshop and seminar leader around the world.

Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings printable piano accompaniments and PLAYBACK audio tools. This new collection of 11 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players) accompaniment tracks for practice and PDF piano accompaniments for use at contest. Includes: Adagio and Allegro from Sonata No. 6 for Violin (Handel) - Adoration (Borowski) - Berceuse (Barat) - First Concertino (Guilhaud) - Largo and Allegro (Loeillet) -Marche Comique (Ostransky) - Pavane pour une Infante Defunte (Ravel) - Romance and Troika (Prokofiev) - Russian Sailors Dance (Glière) - Sinfonia (Arioso) from Cantata No. 156 (J.S. Bach) - Two Russian Pieces (Kalinikov/Voloshinov).

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Twelve Studies by Eugène Bozza is a set of studies written for advanced Clarinet players. Quite difficult these studies are one or two page long and will improve the flexibility and the sonority of the players:  1. Moderato - 4/4 2. Scherzando (Moderato) – 3/4 3. Allegretto – 3/4 4. Moderato dolce – 4/4 5. Vif (tempo 108) – 4/4 one sharp 6. Allegro vivo – 3/4 two sharps 7. Moderato – 4/4 two sharps 8. Andantino (tempo 60) – 6/4 three flats and two sharps 9. N/A – 2/4 10. N/A – 12/8 threesharps 11. Giocoso (Moderato) – 4/4 12. N/A – 4/4 two sharps Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

Thirty-two Studies by Cyrille Rose is a set of studies for intermediate and advanced Clarinet players. Famous for their quality they can also be used for recital. Cyrille Rose (1830-1902) is a French clarinettist who was the main Clarinet at the Paris Opera and a teacher. He studied under Hyacinthe Klosé at the Paris Conservatoire and taught many famous Clarinet players. His set of studies Thirty-two Studies and 'Forty Studies' are recognised worldwide as a classic trusted method.

Vol. 1 - 1 A 18-Trente Caprices - Vol. 1 for Clarinet is the first volume of two by Ernesto Cavallini. Reviewed by Ulysse Delécluse this first volume features the caprices 1 to 18 which are approximately two-pages long. Very difficult these caprices would be beneficial for advanced clarinetists. Ernesto Cavallini (1807-1874) was an Italian Clarinet player and a composer. These “Thirty Caprices” is one of his most famous set of pieces.

A course for young beginners Pre-Grade 1-With Funky Flute fast becoming the country???s leading Flute tutor Heather Hammond???s winning approach has been applied here for the Clarinet. Cool Clarinet is the next generation of tutor featuring an effective style that childrenrespond to with fun-to-play pieces and vibrant artwork. Cool Clarinet shows young Clarinettist's everything they need to know including how to hold the clarinet getting a good sound and how to read music.

A course for young beginners Pre-Grade 1-With Funky Flute fast becoming the country???s leading Flute tutor Heather Hammond???s winning approach has been applied here for the Clarinet. Cool Clarinet is the next generation of tutor featuring an effective style that childrenrespond to with fun-to-play pieces and vibrant artwork. Cool Clarinet shows young Clarinettist's everything they need to know including how to hold the clarinet getting a good sound and how to read music.

Performed by Denitza Lavchieva clarinet Accompaniment: Tempi Concertati Chamber Orchestra Conductor: Nayden Todorov Mozart did not make extensive use of the clarinet until comparatively late in his career but he wrote exquisitely for the instrument and the two scores dedicated to his friend Anton Stadler-the Quintet KV581 and the Concerto KV622-are among his most beautiful works. Both incidentally belong to the final year of his life. The Clarinet Concerto is in the conventional three movements with music that transcends conventionality in its remarkable sense of repose and serenity and what Bernhard Paumgartner has called 'its incredible warmth of tone perfectbalance and unmatched perfection of style.' The concerto had a tremendous resurgence in popularity with the release of the Academy-Award-winning 1985 film Out of Africa of which the piece formed a major element. This deluxe 2-CD set includes the concerto in its original key with printed parts for both A and B-flat clarinets and adds a repitched version for B-flat clarinetists allowing players of that instrument easier execution plus the ability to learn the same fingerings as the composer's intended A clarinet for performance purposes. Includes a high-quality printed music score (featuring both A and B-flat clarinet parts) on ivory paper; a compact disc featuring the complete concerto in digital stereo followed by the concerto performed again but minus you the soloist.

Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and Jean-Pascal Post's arrangement for the Clarinet of ten of these loved works are indispensable for aspiring clarinetists. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service ofthe Spanish and Portuguese royal families. Post's transcription of ten Sonatas for Clarinet include Sonata K. 9. Post's arrangements for Clarinet enhance the lyricism and melodic invention of the Sonatas as well as enabling the student to study ornamentation and articulation. Bearing in mind that Domenico Scarlatti was a highly competent and popular musician in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise and Post's arrangement of these for Clarinet create an essential addition to the repertoire of all clarinetists.

French clarinetist and composer Hyacinthe Klosé (1808-1880) is predominantly known for his design improvements to the Clarinet and Flute. However his passion for the Clarinet is also apparent in his aids to the learning of the instrument as in this book Studies And Exercises. With revisions made by clarinetist and composer Paul Jeanjean (1874-1928) Studies And Exercises For Clarinet covers articulation breath control ornamentation range scales and arpeggios among other aspects. Featuring input from two well-established clarinetists this study and exercise book cannot be missed byaspiring Clarinet players.